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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2C4B8 it is the complementary color #3D3B47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2C4B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2C4B8 shade: #C7C4B3, #D8D6C6, #E9E8D9, #FAFAEC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2C4B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2C4B8 shade: #C2C4B8, #B1B2A5, #A0A092, #8F8E7F and #7E7C6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2C4B8 shade: #C3C4B9, #C4C3B9, #C4C0B9, #C4BDB9 and #C4BAB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2C4B8 shade: #C3C4B9, #BFC4B9, #BCC4B9, #B9C4B9 and #B9C4BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2C4B8 shade matches the following richer shades: #C3C4B9, #C9CFAF, #D0D9A4, #D7E39A and #DEEE90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2C4B8 shade: #C3C4B9, #BCBAC3, #B5B0CE, #AEA6D8 and #A79BE2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2C4B8 shade: #C4C0B9, #C4C3B9, #C3C4B9, #C0C4B9 and #BCC4B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2C4B8 shade: #9C9F8C, #AFB2A3, #C3C4B9, #D6D7CF and #E9EAE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2C4B8 shade: #C2C4B8, #B9C4BD and #C2B9C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2C4B8 shade: #C2C4B8, #B9C3C4 and #C4B9C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2C4B8 shade: #C2C4B8, #B9C4BD, #BBB9C4 and #C4B9C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2C4B8 shade: #C2C4B8, #B9C4C1, #BBB9C4 and #C4B9BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 6 / 23

HEX #C2C4B8

RGB 194 196 184

HSL 70, 0.09%, 0.75%

LAB 78.7, -2.85, 5.77

 

Complementary color

CMYK 14 / 17 / 0 / 72

HEX #3D3B47

RGB 61 59 71

HSL 250, 0.09%, 0.25%

LAB 25.49, 3.72, -7.04

 

CMYK 0 / 2 / 10 / 22

HEX #C7C4B3

RGB 199 196 179

HSL 51, 0.15%, 0.74%

LAB 78.97, -1.92, 8.9

 

CMYK 0 / 1 / 8 / 15

HEX #D8D6C6

RGB 216 214 198

HSL 53.33, 0.19%, 0.81%

LAB 85.39, -2.08, 8.13

 

CMYK 0 / 0 / 7 / 9

HEX #E9E8D9

RGB 233 232 217

HSL 56.25, 0.27%, 0.88%

LAB 91.71, -2.24, 7.4

 

CMYK 0 / 0 / 6 / 2

HEX #FAFAEC

RGB 250 250 236

HSL 60, 0.58%, 0.95%

LAB 97.93, -2.39, 6.7

 

CMYK 1 / 0 / 6 / 23

HEX #C2C4B8

RGB 194 196 184

HSL 70, 0.09%, 0.75%

LAB 78.7, -2.85, 5.77

 

CMYK 1 / 0 / 7 / 30

HEX #B1B2A5

RGB 177 178 165

HSL 64.62, 0.08%, 0.67%

LAB 72.16, -2.71, 6.51

 

CMYK 0 / 0 / 9 / 37

HEX #A0A092

RGB 160 160 146

HSL 60, 0.07%, 0.6%

LAB 65.51, -2.56, 7.29

 

CMYK 0 / 1 / 11 / 44

HEX #8F8E7F

RGB 143 142 127

HSL 56.25, 0.07%, 0.53%

LAB 58.71, -2.4, 8.12

 

CMYK 0 / 2 / 14 / 51

HEX #7E7C6C

RGB 126 124 108

HSL 53.33, 0.08%, 0.46%

LAB 51.76, -2.21, 9.01

 

CMYK 1 / 0 / 6 / 23

HEX #C3C4B9

RGB 195 196 185

HSL 65.45, 0.09%, 0.75%

LAB 78.8, -2.32, 5.39

 

CMYK 0 / 1 / 6 / 23

HEX #C4C3B9

RGB 196 195 185

HSL 54.55, 0.09%, 0.75%

LAB 78.62, -1.44, 5.13

 

CMYK 0 / 2 / 6 / 23

HEX #C4C0B9

RGB 196 192 185

HSL 38.18, 0.09%, 0.75%

LAB 77.84, 0.15, 4.01

 

CMYK 0 / 4 / 6 / 23

HEX #C4BDB9

RGB 196 189 185

HSL 21.82, 0.09%, 0.75%

LAB 77.06, 1.74, 2.88

 

CMYK 0 / 5 / 6 / 23

HEX #C4BAB9

RGB 196 186 185

HSL 5.45, 0.09%, 0.75%

LAB 76.29, 3.35, 1.76

 

CMYK 1 / 0 / 6 / 23

HEX #C3C4B9

RGB 195 196 185

HSL 65.45, 0.09%, 0.75%

LAB 78.8, -2.32, 5.39

 

CMYK 3 / 0 / 6 / 23

HEX #BFC4B9

RGB 191 196 185

HSL 87.27, 0.09%, 0.75%

LAB 78.5, -3.73, 4.91

 

CMYK 4 / 0 / 6 / 23

HEX #BCC4B9

RGB 188 196 185

HSL 103.64, 0.09%, 0.75%

LAB 78.27, -4.78, 4.56

 

CMYK 6 / 0 / 6 / 23

HEX #B9C4B9

RGB 185 196 185

HSL 120, 0.09%, 0.75%

LAB 78.05, -5.83, 4.21

 

CMYK 6 / 0 / 4 / 23

HEX #B9C4BC

RGB 185 196 188

HSL 136.36, 0.09%, 0.75%

LAB 78.13, -5.27, 2.7

 

CMYK 1 / 0 / 6 / 23

HEX #C3C4B9

RGB 195 196 185

HSL 65.45, 0.09%, 0.75%

LAB 78.8, -2.32, 5.39

 

CMYK 3 / 0 / 15 / 19

HEX #C9CFAF

RGB 201 207 175

HSL 71.25, 0.25%, 0.75%

LAB 81.91, -7.57, 15.23

 

CMYK 4 / 0 / 24 / 15

HEX #D0D9A4

RGB 208 217 164

HSL 70.19, 0.41%, 0.75%

LAB 84.85, -11.76, 25.16

 

CMYK 5 / 0 / 32 / 11

HEX #D7E39A

RGB 215 227 154

HSL 69.86, 0.57%, 0.75%

LAB 87.83, -15.5, 34.38

 

CMYK 7 / 0 / 39 / 7

HEX #DEEE90

RGB 222 238 144

HSL 70.21, 0.73%, 0.75%

LAB 91.09, -19.45, 43.7

 

CMYK 1 / 0 / 6 / 23

HEX #C3C4B9

RGB 195 196 185

HSL 65.45, 0.09%, 0.75%

LAB 78.8, -2.32, 5.39

 

CMYK 4 / 5 / 0 / 24

HEX #BCBAC3

RGB 188 186 195

HSL 253.33, 0.07%, 0.75%

LAB 75.92, 2.4, -4.3

 

CMYK 12 / 15 / 0 / 19

HEX #B5B0CE

RGB 181 176 206

HSL 250, 0.23%, 0.75%

LAB 73.11, 7.68, -14.53

 

CMYK 19 / 23 / 0 / 15

HEX #AEA6D8

RGB 174 166 216

HSL 249.6, 0.39%, 0.75%

LAB 70.34, 13.14, -24.28

 

CMYK 26 / 31 / 0 / 11

HEX #A79BE2

RGB 167 155 226

HSL 250.14, 0.55%, 0.75%

LAB 67.39, 19.54, -34.37

 

CMYK 0 / 2 / 6 / 23

HEX #C4C0B9

RGB 196 192 185

HSL 38.18, 0.09%, 0.75%

LAB 77.84, 0.15, 4.01

 

CMYK 0 / 1 / 6 / 23

HEX #C4C3B9

RGB 196 195 185

HSL 54.55, 0.09%, 0.75%

LAB 78.62, -1.44, 5.13

 

CMYK 1 / 0 / 6 / 23

HEX #C3C4B9

RGB 195 196 185

HSL 65.45, 0.09%, 0.75%

LAB 78.8, -2.32, 5.39

 

CMYK 2 / 0 / 6 / 23

HEX #C0C4B9

RGB 192 196 185

HSL 81.82, 0.09%, 0.75%

LAB 78.57, -3.38, 5.03

 

CMYK 4 / 0 / 6 / 23

HEX #BCC4B9

RGB 188 196 185

HSL 103.64, 0.09%, 0.75%

LAB 78.27, -4.78, 4.56

 

CMYK 2 / 0 / 12 / 38

HEX #9C9F8C

RGB 156 159 140

HSL 69.47, 0.09%, 0.59%

LAB 64.77, -4.56, 9.55

 

CMYK 2 / 0 / 8 / 30

HEX #AFB2A3

RGB 175 178 163

HSL 72, 0.09%, 0.67%

LAB 71.96, -3.79, 7.29

 

CMYK 1 / 0 / 6 / 23

HEX #C3C4B9

RGB 195 196 185

HSL 65.45, 0.09%, 0.75%

LAB 78.8, -2.32, 5.39

 

CMYK 0 / 0 / 4 / 16

HEX #D6D7CF

RGB 214 215 207

HSL 67.5, 0.09%, 0.83%

LAB 85.71, -1.76, 3.81

 

CMYK 0 / 0 / 2 / 8

HEX #E9EAE6

RGB 233 234 230

HSL 75, 0.09%, 0.91%

LAB 92.52, -1.04, 1.81

 

CMYK 1 / 0 / 6 / 23

HEX #C2C4B8

RGB 194 196 184

HSL 70, 0.09%, 0.75%

LAB 78.7, -2.85, 5.77

 

CMYK 6 / 0 / 4 / 23

HEX #B9C4BD

RGB 185 196 189

HSL 141.82, 0.09%, 0.75%

LAB 78.15, -5.09, 2.2

 

CMYK 1 / 6 / 0 / 23

HEX #C2B9C4

RGB 194 185 196

HSL 289.09, 0.09%, 0.75%

LAB 76.16, 5.19, -4.42

 

CMYK 1 / 0 / 6 / 23

HEX #C2C4B8

RGB 194 196 184

HSL 70, 0.09%, 0.75%

LAB 78.7, -2.85, 5.77

 

CMYK 6 / 1 / 0 / 23

HEX #B9C3C4

RGB 185 195 196

HSL 185.45, 0.09%, 0.75%

LAB 78.07, -3.23, -1.7

 

CMYK 0 / 6 / 1 / 23

HEX #C4B9C3

RGB 196 185 195

HSL 305.45, 0.09%, 0.75%

LAB 76.3, 5.69, -3.66

 

CMYK 1 / 0 / 6 / 23

HEX #C2C4B8

RGB 194 196 184

HSL 70, 0.09%, 0.75%

LAB 78.7, -2.85, 5.77

 

CMYK 6 / 0 / 4 / 23

HEX #B9C4BD

RGB 185 196 189

HSL 141.82, 0.09%, 0.75%

LAB 78.15, -5.09, 2.2

 

CMYK 5 / 6 / 0 / 23

HEX #BBB9C4

RGB 187 185 196

HSL 250.91, 0.09%, 0.75%

LAB 75.61, 2.78, -5.31

 

CMYK 0 / 6 / 2 / 23

HEX #C4B9C0

RGB 196 185 192

HSL 321.82, 0.09%, 0.75%

LAB 76.22, 5.14, -2.15

 

CMYK 1 / 0 / 6 / 23

HEX #C2C4B8

RGB 194 196 184

HSL 70, 0.09%, 0.75%

LAB 78.7, -2.85, 5.77

 

CMYK 6 / 0 / 2 / 23

HEX #B9C4C1

RGB 185 196 193

HSL 163.64, 0.09%, 0.75%

LAB 78.25, -4.33, 0.19

 

CMYK 5 / 6 / 0 / 23

HEX #BBB9C4

RGB 187 185 196

HSL 250.91, 0.09%, 0.75%

LAB 75.61, 2.78, -5.31

 

CMYK 0 / 6 / 4 / 23

HEX #C4B9BD

RGB 196 185 189

HSL 338.18, 0.09%, 0.75%

LAB 76.14, 4.6, -0.64

 

Description

Color code: HEX #C2C4B8 | qconv.com Color code: HEX #C2C4B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 196 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 196 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 6 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 6% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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