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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2C675 it is the complementary color #3D398A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2C675. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2C675 shade: #C7C670, #D8D883, #E9EA96, #FAFCA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2C675. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2C675 shade: #C2C675, #B1B462, #A0A24F, #8F903C and #7E7E29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2C675 shade: #C2C675, #C6B475, #C69E75, #C68875 and #C67575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2C675 shade: #C2C675, #ACC675, #96C675, #80C675 and #75C67F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2C675 shade matches the following richer shades: #C2C675, #D0D665, #DFE656 and #EDF546

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2C675 shade: #C2C675, #B4B785, #A6A794, #9897A4 and #8A88B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2C675 shade: #C69E75, #C6B375, #C4C675, #AEC675 and #98C675

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2C675 shade: #A1A543, #B5BA58, #C2C675, #CFD292 and #DCDEAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2C675 shade: #C2C675, #75C688 and #A875C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2C675 shade: #C2C675, #75C4C6 and #C675C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2C675 shade: #C2C675, #75C688, #7875C6 and #C675B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2C675 shade: #C2C675, #75C6A0, #7875C6 and #C6759B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 41 / 22

HEX #C2C675

RGB 194 198 117

HSL 62.96, 0.42%, 0.62%

LAB 77.96, -13.42, 40.05

 

Complementary color

CMYK 56 / 59 / 0 / 46

HEX #3D398A

RGB 61 57 138

HSL 242.96, 0.42%, 0.38%

LAB 28.78, 25.87, -44.82

 

CMYK 0 / 1 / 44 / 22

HEX #C7C670

RGB 199 198 112

HSL 59.31, 0.44%, 0.61%

LAB 78.29, -11.94, 43.05

 

CMYK 0 / 0 / 39 / 15

HEX #D8D883

RGB 216 216 131

HSL 60, 0.52%, 0.68%

LAB 84.66, -12.32, 41.87

 

CMYK 0 / 0 / 36 / 8

HEX #E9EA96

RGB 233 234 150

HSL 60.71, 0.67%, 0.75%

LAB 90.95, -12.63, 40.72

 

CMYK 1 / 0 / 33 / 1

HEX #FAFCA9

RGB 250 252 169

HSL 61.45, 0.93%, 0.83%

LAB 97.15, -12.9, 39.6

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 2 / 0 / 41 / 22

HEX #C2C675

RGB 194 198 117

HSL 62.96, 0.42%, 0.62%

LAB 77.96, -13.42, 40.05

 

CMYK 2 / 0 / 46 / 29

HEX #B1B462

RGB 177 180 98

HSL 62.2, 0.35%, 0.55%

LAB 71.47, -13.06, 41.25

 

CMYK 1 / 0 / 51 / 36

HEX #A0A24F

RGB 160 162 79

HSL 61.45, 0.34%, 0.47%

LAB 64.87, -12.62, 42.44

 

CMYK 1 / 0 / 58 / 44

HEX #8F903C

RGB 143 144 60

HSL 60.71, 0.41%, 0.4%

LAB 58.14, -12.05, 43.55

 

CMYK 0 / 0 / 67 / 51

HEX #7E7E29

RGB 126 126 41

HSL 60, 0.51%, 0.33%

LAB 51.29, -11.3, 44.41

 

CMYK 2 / 0 / 41 / 22

HEX #C2C675

RGB 194 198 117

HSL 62.96, 0.42%, 0.62%

LAB 77.96, -13.42, 40.05

 

CMYK 0 / 9 / 41 / 22

HEX #C6B475

RGB 198 180 117

HSL 46.67, 0.42%, 0.62%

LAB 73.5, -2.48, 34.45

 

CMYK 0 / 20 / 41 / 22

HEX #C69E75

RGB 198 158 117

HSL 30.37, 0.42%, 0.62%

LAB 67.83, 9.33, 27.05

 

CMYK 0 / 31 / 41 / 22

HEX #C68875

RGB 198 136 117

HSL 14.07, 0.42%, 0.62%

LAB 62.42, 21.39, 19.78

 

CMYK 0 / 41 / 41 / 22

HEX #C67575

RGB 198 117 117

HSL 0, 0.42%, 0.62%

LAB 58.05, 31.75, 13.76

 

CMYK 2 / 0 / 41 / 22

HEX #C2C675

RGB 194 198 117

HSL 62.96, 0.42%, 0.62%

LAB 77.96, -13.42, 40.05

 

CMYK 13 / 0 / 41 / 22

HEX #ACC675

RGB 172 198 117

HSL 79.26, 0.42%, 0.62%

LAB 76.34, -22.02, 37.67

 

CMYK 24 / 0 / 41 / 22

HEX #96C675

RGB 150 198 117

HSL 95.56, 0.42%, 0.62%

LAB 74.92, -30.21, 35.57

 

CMYK 35 / 0 / 41 / 22

HEX #80C675

RGB 128 198 117

HSL 111.85, 0.42%, 0.62%

LAB 73.72, -37.76, 33.77

 

CMYK 41 / 0 / 36 / 22

HEX #75C67F

RGB 117 198 127

HSL 127.41, 0.42%, 0.62%

LAB 73.35, -39.63, 28.02

 

CMYK 2 / 0 / 41 / 22

HEX #C2C675

RGB 194 198 117

HSL 62.96, 0.42%, 0.62%

LAB 77.96, -13.42, 40.05

 

CMYK 3 / 0 / 53 / 16

HEX #D0D665

RGB 208 214 101

HSL 63.19, 0.58%, 0.62%

LAB 83.15, -17.36, 54.3

 

CMYK 3 / 0 / 63 / 10

HEX #DFE656

RGB 223 230 86

HSL 62.92, 0.74%, 0.62%

LAB 88.43, -20.22, 66.92

 

CMYK 3 / 0 / 71 / 4

HEX #EDF546

RGB 237 245 70

HSL 62.74, 0.9%, 0.62%

LAB 93.34, -22.62, 78.07

 

CMYK 2 / 0 / 41 / 22

HEX #C2C675

RGB 194 198 117

HSL 62.96, 0.42%, 0.62%

LAB 77.96, -13.42, 40.05

 

CMYK 2 / 0 / 27 / 28

HEX #B4B785

RGB 180 183 133

HSL 63.6, 0.26%, 0.62%

LAB 73.07, -9.24, 25.15

 

CMYK 1 / 0 / 11 / 35

HEX #A6A794

RGB 166 167 148

HSL 63.16, 0.1%, 0.62%

LAB 67.93, -3.78, 9.71

 

CMYK 7 / 8 / 0 / 36

HEX #9897A4

RGB 152 151 164

HSL 244.62, 0.07%, 0.62%

LAB 62.92, 2.96, -6.67

 

CMYK 23 / 24 / 0 / 29

HEX #8A88B4

RGB 138 136 180

HSL 242.73, 0.23%, 0.62%

LAB 58.33, 10.42, -22.79

 

CMYK 0 / 20 / 41 / 22

HEX #C69E75

RGB 198 158 117

HSL 30.37, 0.42%, 0.62%

LAB 67.83, 9.33, 27.05

 

CMYK 0 / 10 / 41 / 22

HEX #C6B375

RGB 198 179 117

HSL 45.93, 0.42%, 0.62%

LAB 73.24, -1.95, 34.11

 

CMYK 1 / 0 / 41 / 22

HEX #C4C675

RGB 196 198 117

HSL 61.48, 0.42%, 0.62%

LAB 78.12, -12.62, 40.28

 

CMYK 12 / 0 / 41 / 22

HEX #AEC675

RGB 174 198 117

HSL 77.78, 0.42%, 0.62%

LAB 76.48, -21.26, 37.87

 

CMYK 23 / 0 / 41 / 22

HEX #98C675

RGB 152 198 117

HSL 94.07, 0.42%, 0.62%

LAB 75.04, -29.49, 35.75

 

CMYK 2 / 0 / 59 / 35

HEX #A1A543

RGB 161 165 67

HSL 62.45, 0.42%, 0.45%

LAB 65.66, -14.76, 49.06

 

CMYK 3 / 0 / 53 / 27

HEX #B5BA58

RGB 181 186 88

HSL 63.06, 0.42%, 0.54%

LAB 73.32, -15.43, 48.41

 

CMYK 2 / 0 / 41 / 22

HEX #C2C675

RGB 194 198 117

HSL 62.96, 0.42%, 0.62%

LAB 77.96, -13.42, 40.05

 

CMYK 1 / 0 / 30 / 18

HEX #CFD292

RGB 207 210 146

HSL 62.81, 0.42%, 0.7%

LAB 82.61, -11.02, 31.46

 

CMYK 1 / 0 / 21 / 13

HEX #DCDEAF

RGB 220 222 175

HSL 62.55, 0.42%, 0.78%

LAB 87.27, -8.31, 22.89

 

CMYK 2 / 0 / 41 / 22

HEX #C2C675

RGB 194 198 117

HSL 62.96, 0.42%, 0.62%

LAB 77.96, -13.42, 40.05

 

CMYK 41 / 0 / 31 / 22

HEX #75C688

RGB 117 198 136

HSL 134.07, 0.42%, 0.62%

LAB 73.51, -38.08, 23.5

 

CMYK 15 / 41 / 0 / 22

HEX #A875C6

RGB 168 117 198

HSL 277.78, 0.42%, 0.62%

LAB 57.2, 34.86, -34.56

 

CMYK 2 / 0 / 41 / 22

HEX #C2C675

RGB 194 198 117

HSL 62.96, 0.42%, 0.62%

LAB 77.96, -13.42, 40.05

 

CMYK 41 / 1 / 0 / 22

HEX #75C4C6

RGB 117 196 198

HSL 181.48, 0.42%, 0.62%

LAB 74.41, -23.72, -8.64

 

CMYK 0 / 41 / 1 / 22

HEX #C675C4

RGB 198 117 196

HSL 301.48, 0.42%, 0.62%

LAB 60.53, 43.62, -27.99

 

CMYK 2 / 0 / 41 / 22

HEX #C2C675

RGB 194 198 117

HSL 62.96, 0.42%, 0.62%

LAB 77.96, -13.42, 40.05

 

CMYK 41 / 0 / 31 / 22

HEX #75C688

RGB 117 198 136

HSL 134.07, 0.42%, 0.62%

LAB 73.51, -38.08, 23.5

 

CMYK 39 / 41 / 0 / 22

HEX #7875C6

RGB 120 117 198

HSL 242.22, 0.42%, 0.62%

LAB 52.72, 21.13, -41.91

 

CMYK 0 / 41 / 10 / 22

HEX #C675B3

RGB 198 117 179

HSL 314.07, 0.42%, 0.62%

LAB 59.87, 40.61, -19.32

 

CMYK 2 / 0 / 41 / 22

HEX #C2C675

RGB 194 198 117

HSL 62.96, 0.42%, 0.62%

LAB 77.96, -13.42, 40.05

 

CMYK 41 / 0 / 19 / 22

HEX #75C6A0

RGB 117 198 160

HSL 151.85, 0.42%, 0.62%

LAB 74, -33.44, 11.36

 

CMYK 39 / 41 / 0 / 22

HEX #7875C6

RGB 120 117 198

HSL 242.22, 0.42%, 0.62%

LAB 52.72, 21.13, -41.91

 

CMYK 0 / 41 / 22 / 22

HEX #C6759B

RGB 198 117 155

HSL 331.85, 0.42%, 0.62%

LAB 59.06, 36.76, -6.75

 

Description

Color code: HEX #C2C675 | qconv.com Color code: HEX #C2C675 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 198 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 198 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 41 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 41% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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