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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2C79D it is the complementary color #3D3862. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2C79D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2C79D shade: #C7C798, #D8D9AB, #E9EBBE, #FAFDD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2C79D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2C79D shade: #C2C79D, #B1B58A, #A0A377, #8F9164 and #7E7F51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2C79D shade: #C2C79D, #C7C09D, #C7B59D, #C7AA9D and #C79F9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2C79D shade: #C2C79D, #B7C79D, #ABC79D, #A0C79D and #9DC7A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2C79D shade matches the following richer shades: #C2C79D, #CBD391, #D5DF85, #DEEC78 and #E7F86C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2C79D shade: #C2C79D, #B8BAAA, #AFAEB6, #A5A2C2 and #9C95CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2C79D shade: #C7B59D, #C7C09D, #C2C79D, #B7C79D and #ACC79D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2C79D shade: #A1A969, #B1B883, #C2C79D, #D2D6B8 and #E3E5D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2C79D shade: #C2C79D, #9DC7AA and #BB9DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2C79D shade: #C2C79D, #9DC2C7 and #C79DC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2C79D shade: #C2C79D, #9DC7AA, #A29DC7 and #C79DBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2C79D shade: #C2C79D, #9DC7B7, #A29DC7 and #C79DAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 21 / 22

HEX #C2C79D

RGB 194 199 157

HSL 67.14, 0.27%, 0.7%

LAB 78.9, -8.78, 20.5

 

Complementary color

CMYK 38 / 43 / 0 / 62

HEX #3D3862

RGB 61 56 98

HSL 247.14, 0.27%, 0.3%

LAB 25.87, 13.43, -24.15

 

CMYK 0 / 0 / 24 / 22

HEX #C7C798

RGB 199 199 152

HSL 60, 0.3%, 0.69%

LAB 79.19, -7.63, 23.61

 

CMYK 0 / 0 / 21 / 15

HEX #D8D9AB

RGB 216 217 171

HSL 61.3, 0.38%, 0.76%

LAB 85.59, -7.81, 22.61

 

CMYK 1 / 0 / 19 / 8

HEX #E9EBBE

RGB 233 235 190

HSL 62.67, 0.53%, 0.83%

LAB 91.89, -7.97, 21.67

 

CMYK 1 / 0 / 17 / 1

HEX #FAFDD1

RGB 250 253 209

HSL 64.09, 0.92%, 0.91%

LAB 98.1, -8.12, 20.77

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 3 / 0 / 21 / 22

HEX #C2C79D

RGB 194 199 157

HSL 67.14, 0.27%, 0.7%

LAB 78.9, -8.78, 20.5

 

CMYK 2 / 0 / 24 / 29

HEX #B1B58A

RGB 177 181 138

HSL 65.58, 0.23%, 0.63%

LAB 72.38, -8.64, 21.5

 

CMYK 2 / 0 / 27 / 36

HEX #A0A377

RGB 160 163 119

HSL 64.09, 0.19%, 0.55%

LAB 65.75, -8.47, 22.57

 

CMYK 1 / 0 / 31 / 43

HEX #8F9164

RGB 143 145 100

HSL 62.67, 0.18%, 0.48%

LAB 58.98, -8.26, 23.7

 

CMYK 1 / 0 / 36 / 50

HEX #7E7F51

RGB 126 127 81

HSL 61.3, 0.22%, 0.41%

LAB 52.07, -8, 24.92

 

CMYK 3 / 0 / 21 / 22

HEX #C2C79D

RGB 194 199 157

HSL 67.14, 0.27%, 0.7%

LAB 78.9, -8.78, 20.5

 

CMYK 0 / 4 / 21 / 22

HEX #C7C09D

RGB 199 192 157

HSL 50, 0.27%, 0.7%

LAB 77.45, -3.26, 18.55

 

CMYK 0 / 9 / 21 / 22

HEX #C7B59D

RGB 199 181 157

HSL 34.29, 0.27%, 0.7%

LAB 74.59, 2.56, 14.57

 

CMYK 0 / 15 / 21 / 22

HEX #C7AA9D

RGB 199 170 157

HSL 18.57, 0.27%, 0.7%

LAB 71.78, 8.49, 10.6

 

CMYK 0 / 20 / 21 / 22

HEX #C79F9D

RGB 199 159 157

HSL 2.86, 0.27%, 0.7%

LAB 69.02, 14.48, 6.67

 

CMYK 3 / 0 / 21 / 22

HEX #C2C79D

RGB 194 199 157

HSL 67.14, 0.27%, 0.7%

LAB 78.9, -8.78, 20.5

 

CMYK 8 / 0 / 21 / 22

HEX #B7C79D

RGB 183 199 157

HSL 82.86, 0.27%, 0.7%

LAB 78.08, -12.85, 19.24

 

CMYK 14 / 0 / 21 / 22

HEX #ABC79D

RGB 171 199 157

HSL 100, 0.27%, 0.7%

LAB 77.24, -17.18, 17.96

 

CMYK 20 / 0 / 21 / 22

HEX #A0C79D

RGB 160 199 157

HSL 115.71, 0.27%, 0.7%

LAB 76.53, -21.03, 16.85

 

CMYK 21 / 0 / 17 / 22

HEX #9DC7A6

RGB 157 199 166

HSL 132.86, 0.27%, 0.7%

LAB 76.54, -20.43, 12.02

 

CMYK 3 / 0 / 21 / 22

HEX #C2C79D

RGB 194 199 157

HSL 67.14, 0.27%, 0.7%

LAB 78.9, -8.78, 20.5

 

CMYK 4 / 0 / 31 / 17

HEX #CBD391

RGB 203 211 145

HSL 67.27, 0.43%, 0.7%

LAB 82.56, -13.18, 31.84

 

CMYK 4 / 0 / 40 / 13

HEX #D5DF85

RGB 213 223 133

HSL 66.67, 0.58%, 0.7%

LAB 86.31, -16.76, 42.91

 

CMYK 6 / 0 / 49 / 7

HEX #DEEC78

RGB 222 236 120

HSL 67.24, 0.75%, 0.7%

LAB 90.26, -20.91, 54.15

 

CMYK 7 / 0 / 56 / 3

HEX #E7F86C

RGB 231 248 108

HSL 67.29, 0.91%, 0.7%

LAB 93.97, -24.15, 63.98

 

CMYK 3 / 0 / 21 / 22

HEX #C2C79D

RGB 194 199 157

HSL 67.14, 0.27%, 0.7%

LAB 78.9, -8.78, 20.5

 

CMYK 1 / 0 / 9 / 27

HEX #B8BAAA

RGB 184 186 170

HSL 67.5, 0.1%, 0.7%

LAB 74.96, -3.57, 7.86

 

CMYK 4 / 4 / 0 / 29

HEX #AFAEB6

RGB 175 174 182

HSL 247.5, 0.05%, 0.7%

LAB 71.39, 1.89, -3.97

 

CMYK 15 / 16 / 0 / 24

HEX #A5A2C2

RGB 165 162 194

HSL 245.63, 0.21%, 0.7%

LAB 67.82, 7.59, -16.01

 

CMYK 25 / 28 / 0 / 19

HEX #9C95CF

RGB 156 149 207

HSL 247.24, 0.38%, 0.7%

LAB 64.22, 15.07, -28.82

 

CMYK 0 / 9 / 21 / 22

HEX #C7B59D

RGB 199 181 157

HSL 34.29, 0.27%, 0.7%

LAB 74.59, 2.56, 14.57

 

CMYK 0 / 4 / 21 / 22

HEX #C7C09D

RGB 199 192 157

HSL 50, 0.27%, 0.7%

LAB 77.45, -3.26, 18.55

 

CMYK 3 / 0 / 21 / 22

HEX #C2C79D

RGB 194 199 157

HSL 67.14, 0.27%, 0.7%

LAB 78.9, -8.78, 20.5

 

CMYK 8 / 0 / 21 / 22

HEX #B7C79D

RGB 183 199 157

HSL 82.86, 0.27%, 0.7%

LAB 78.08, -12.85, 19.24

 

CMYK 14 / 0 / 21 / 22

HEX #ACC79D

RGB 172 199 157

HSL 98.57, 0.27%, 0.7%

LAB 77.31, -16.82, 18.06

 

CMYK 5 / 0 / 38 / 34

HEX #A1A969

RGB 161 169 105

HSL 67.5, 0.27%, 0.54%

LAB 67.26, -13.09, 32.09

 

CMYK 4 / 0 / 29 / 28

HEX #B1B883

RGB 177 184 131

HSL 67.92, 0.27%, 0.62%

LAB 73.07, -11.2, 26.18

 

CMYK 3 / 0 / 21 / 22

HEX #C2C79D

RGB 194 199 157

HSL 67.14, 0.27%, 0.7%

LAB 78.9, -8.78, 20.5

 

CMYK 2 / 0 / 14 / 16

HEX #D2D6B8

RGB 210 214 184

HSL 68, 0.27%, 0.78%

LAB 84.62, -6.5, 14.37

 

CMYK 1 / 0 / 8 / 10

HEX #E3E5D2

RGB 227 229 210

HSL 66.32, 0.27%, 0.86%

LAB 90.33, -3.95, 9.02

 

CMYK 3 / 0 / 21 / 22

HEX #C2C79D

RGB 194 199 157

HSL 67.14, 0.27%, 0.7%

LAB 78.9, -8.78, 20.5

 

CMYK 21 / 0 / 15 / 22

HEX #9DC7AA

RGB 157 199 170

HSL 138.57, 0.27%, 0.7%

LAB 76.63, -19.69, 10

 

CMYK 6 / 21 / 0 / 22

HEX #BB9DC7

RGB 187 157 199

HSL 282.86, 0.27%, 0.7%

LAB 68.61, 18.73, -17.42

 

CMYK 3 / 0 / 21 / 22

HEX #C2C79D

RGB 194 199 157

HSL 67.14, 0.27%, 0.7%

LAB 78.9, -8.78, 20.5

 

CMYK 21 / 3 / 0 / 22

HEX #9DC2C7

RGB 157 194 199

HSL 187.14, 0.27%, 0.7%

LAB 75.99, -11.19, -6.6

 

CMYK 0 / 21 / 3 / 22

HEX #C79DC2

RGB 199 157 194

HSL 307.14, 0.27%, 0.7%

LAB 69.58, 21.83, -13.07

 

CMYK 3 / 0 / 21 / 22

HEX #C2C79D

RGB 194 199 157

HSL 67.14, 0.27%, 0.7%

LAB 78.9, -8.78, 20.5

 

CMYK 21 / 0 / 15 / 22

HEX #9DC7AA

RGB 157 199 170

HSL 138.57, 0.27%, 0.7%

LAB 76.63, -19.69, 10

 

CMYK 19 / 21 / 0 / 22

HEX #A29DC7

RGB 162 157 199

HSL 247.14, 0.27%, 0.7%

LAB 66.46, 10.53, -20.89

 

CMYK 0 / 21 / 7 / 22

HEX #C79DBA

RGB 199 157 186

HSL 318.57, 0.27%, 0.7%

LAB 69.33, 20.38, -9.01

 

CMYK 3 / 0 / 21 / 22

HEX #C2C79D

RGB 194 199 157

HSL 67.14, 0.27%, 0.7%

LAB 78.9, -8.78, 20.5

 

CMYK 21 / 0 / 8 / 22

HEX #9DC7B7

RGB 157 199 183

HSL 157.14, 0.27%, 0.7%

LAB 76.94, -17.14, 3.45

 

CMYK 19 / 21 / 0 / 22

HEX #A29DC7

RGB 162 157 199

HSL 247.14, 0.27%, 0.7%

LAB 66.46, 10.53, -20.89

 

CMYK 0 / 21 / 13 / 22

HEX #C79DAD

RGB 199 157 173

HSL 337.14, 0.27%, 0.7%

LAB 68.95, 18.13, -2.34

 

Description

Color code: HEX #C2C79D | qconv.com Color code: HEX #C2C79D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 199 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 199 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 21 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 21% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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