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Color name
HEX #C2C964

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2C964 it is the complementary color #3D369B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2C964. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2C964 shade: #C7C95F, #D8DB72, #E9ED85, #FAFF98 and #FFFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2C964. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2C964 shade: #C2C964, #B1B751, #A0A53E, #8F932B and #7E8118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2C964 shade: #C1C864, #C8B464, #C89964, #C87E64 and #C86464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2C964 shade: #C1C864, #A6C864, #8BC864, #70C864 and #64C873

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2C964 shade matches the following richer shades: #C1C864, #D0D953, #DEEA42 and #EDFB31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2C964 shade: #C1C864, #B3B775, #A4A686, #959597 and #8784A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2C964 shade: #C89964, #C8B464, #C1C864, #A7C864 and #8CC864

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2C964 shade: #9AA138, #B5BD45, #C1C864, #CDD382 and #D9DEA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2C964 shade: #C2C964, #64C87F and #A764C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2C964 shade: #C2C964, #64C1C8 and #C864C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2C964 shade: #C2C964, #64C87F, #6A64C8 and #C864AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2C964 shade: #C2C964, #64C89D, #6A64C8 and #C8648F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 50 / 21

HEX #C2C964

RGB 194 201 100

HSL 64.16, 0.48%, 0.59%

LAB 78.56, -16.62, 49.12

 

Complementary color

CMYK 61 / 65 / 0 / 39

HEX #3D369B

RGB 61 54 155

HSL 244.16, 0.48%, 0.41%

LAB 29.4, 33.53, -54.25

 

CMYK 1 / 0 / 53 / 21

HEX #C7C95F

RGB 199 201 95

HSL 61.13, 0.5%, 0.58%

LAB 78.89, -15.02, 51.96

 

CMYK 1 / 0 / 48 / 14

HEX #D8DB72

RGB 216 219 114

HSL 61.71, 0.59%, 0.65%

LAB 85.24, -15.5, 50.85

 

CMYK 2 / 0 / 44 / 7

HEX #E9ED85

RGB 233 237 133

HSL 62.31, 0.74%, 0.73%

LAB 91.5, -15.9, 49.71

 

CMYK 2 / 0 / 40 / 0

HEX #FAFF98

RGB 250 255 152

HSL 62.91, 1%, 0.8%

LAB 97.68, -16.23, 48.57

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 3 / 0 / 50 / 21

HEX #C2C964

RGB 194 201 100

HSL 64.16, 0.48%, 0.59%

LAB 78.56, -16.62, 49.12

 

CMYK 3 / 0 / 56 / 28

HEX #B1B751

RGB 177 183 81

HSL 63.53, 0.41%, 0.52%

LAB 72.1, -16.14, 50.2

 

CMYK 3 / 0 / 62 / 35

HEX #A0A53E

RGB 160 165 62

HSL 62.91, 0.45%, 0.45%

LAB 65.54, -15.55, 51.13

 

CMYK 3 / 0 / 71 / 42

HEX #8F932B

RGB 143 147 43

HSL 62.31, 0.55%, 0.37%

LAB 58.86, -14.78, 51.7

 

CMYK 2 / 0 / 81 / 49

HEX #7E8118

RGB 126 129 24

HSL 61.71, 0.69%, 0.3%

LAB 52.06, -13.79, 51.5

 

CMYK 4 / 0 / 50 / 22

HEX #C1C864

RGB 193 200 100

HSL 64.2, 0.48%, 0.59%

LAB 78.21, -16.52, 48.69

 

CMYK 0 / 10 / 50 / 22

HEX #C8B464

RGB 200 180 100

HSL 48, 0.48%, 0.59%

LAB 73.44, -3.36, 43.1

 

CMYK 0 / 24 / 50 / 22

HEX #C89964

RGB 200 153 100

HSL 31.8, 0.48%, 0.59%

LAB 66.51, 11.13, 34.51

 

CMYK 0 / 37 / 50 / 22

HEX #C87E64

RGB 200 126 100

HSL 15.6, 0.48%, 0.59%

LAB 60, 25.89, 26.12

 

CMYK 0 / 50 / 50 / 22

HEX #C86464

RGB 200 100 100

HSL 0, 0.48%, 0.59%

LAB 54.36, 39.7, 18.6

 

CMYK 4 / 0 / 50 / 22

HEX #C1C864

RGB 193 200 100

HSL 64.2, 0.48%, 0.59%

LAB 78.21, -16.52, 48.69

 

CMYK 17 / 0 / 50 / 22

HEX #A6C864

RGB 166 200 100

HSL 80.4, 0.48%, 0.59%

LAB 76.27, -27.21, 45.91

 

CMYK 31 / 0 / 50 / 22

HEX #8BC864

RGB 139 200 100

HSL 96.6, 0.48%, 0.59%

LAB 74.65, -37.17, 43.56

 

CMYK 44 / 0 / 50 / 22

HEX #70C864

RGB 112 200 100

HSL 112.8, 0.48%, 0.59%

LAB 73.33, -46, 41.66

 

CMYK 50 / 0 / 43 / 22

HEX #64C873

RGB 100 200 115

HSL 129, 0.48%, 0.59%

LAB 73.06, -47.26, 33.71

 

CMYK 4 / 0 / 50 / 22

HEX #C1C864

RGB 193 200 100

HSL 64.2, 0.48%, 0.59%

LAB 78.21, -16.52, 48.69

 

CMYK 4 / 0 / 62 / 15

HEX #D0D953

RGB 208 217 83

HSL 64.03, 0.64%, 0.59%

LAB 83.79, -20.17, 62.88

 

CMYK 5 / 0 / 72 / 8

HEX #DEEA42

RGB 222 234 66

HSL 64.29, 0.8%, 0.59%

LAB 89.28, -23.63, 75.12

 

CMYK 6 / 0 / 80 / 2

HEX #EDFB31

RGB 237 251 49

HSL 64.16, 0.96%, 0.59%

LAB 94.83, -26.24, 85.43

 

CMYK 4 / 0 / 50 / 22

HEX #C1C864

RGB 193 200 100

HSL 64.2, 0.48%, 0.59%

LAB 78.21, -16.52, 48.69

 

CMYK 2 / 0 / 36 / 28

HEX #B3B775

RGB 179 183 117

HSL 63.64, 0.31%, 0.59%

LAB 72.72, -11.7, 33.12

 

CMYK 1 / 0 / 19 / 35

HEX #A4A686

RGB 164 166 134

HSL 63.75, 0.15%, 0.59%

LAB 67.19, -6.28, 16.37

 

CMYK 1 / 1 / 0 / 41

HEX #959597

RGB 149 149 151

HSL 240, 0.01%, 0.59%

LAB 61.76, 0.39, -1.06

 

CMYK 19 / 21 / 0 / 35

HEX #8784A7

RGB 135 132 167

HSL 245.14, 0.17%, 0.59%

LAB 56.53, 8.66, -18.13

 

CMYK 0 / 24 / 50 / 22

HEX #C89964

RGB 200 153 100

HSL 31.8, 0.48%, 0.59%

LAB 66.51, 11.13, 34.51

 

CMYK 0 / 10 / 50 / 22

HEX #C8B464

RGB 200 180 100

HSL 48, 0.48%, 0.59%

LAB 73.44, -3.36, 43.1

 

CMYK 4 / 0 / 50 / 22

HEX #C1C864

RGB 193 200 100

HSL 64.2, 0.48%, 0.59%

LAB 78.21, -16.52, 48.69

 

CMYK 17 / 0 / 50 / 22

HEX #A7C864

RGB 167 200 100

HSL 79.8, 0.48%, 0.59%

LAB 76.34, -26.82, 46.01

 

CMYK 30 / 0 / 50 / 22

HEX #8CC864

RGB 140 200 100

HSL 96, 0.48%, 0.59%

LAB 74.7, -36.82, 43.64

 

CMYK 4 / 0 / 65 / 37

HEX #9AA138

RGB 154 161 56

HSL 64, 0.48%, 0.43%

LAB 63.87, -16.47, 51.8

 

CMYK 4 / 0 / 63 / 26

HEX #B5BD45

RGB 181 189 69

HSL 64, 0.48%, 0.51%

LAB 73.96, -18.38, 57.61

 

CMYK 4 / 0 / 50 / 22

HEX #C1C864

RGB 193 200 100

HSL 64.2, 0.48%, 0.59%

LAB 78.21, -16.52, 48.69

 

CMYK 3 / 0 / 38 / 17

HEX #CDD382

RGB 205 211 130

HSL 64.44, 0.48%, 0.67%

LAB 82.48, -14.22, 39.41

 

CMYK 2 / 0 / 27 / 13

HEX #D9DEA1

RGB 217 222 161

HSL 64.92, 0.48%, 0.75%

LAB 86.78, -11.35, 29.44

 

CMYK 3 / 0 / 50 / 21

HEX #C2C964

RGB 194 201 100

HSL 64.16, 0.48%, 0.59%

LAB 78.56, -16.62, 49.12

 

CMYK 50 / 0 / 37 / 22

HEX #64C87F

RGB 100 200 127

HSL 136.2, 0.48%, 0.59%

LAB 73.25, -45.26, 27.76

 

CMYK 17 / 50 / 0 / 22

HEX #A764C8

RGB 167 100 200

HSL 280.2, 0.48%, 0.59%

LAB 53.49, 44.34, -41.53

 

CMYK 3 / 0 / 50 / 21

HEX #C2C964

RGB 194 201 100

HSL 64.16, 0.48%, 0.59%

LAB 78.56, -16.62, 49.12

 

CMYK 50 / 4 / 0 / 22

HEX #64C1C8

RGB 100 193 200

HSL 184.2, 0.48%, 0.59%

LAB 72.9, -25.68, -12.04

 

CMYK 0 / 50 / 4 / 22

HEX #C864C1

RGB 200 100 193

HSL 304.2, 0.48%, 0.59%

LAB 57.31, 52.35, -31.24

 

CMYK 3 / 0 / 50 / 21

HEX #C2C964

RGB 194 201 100

HSL 64.16, 0.48%, 0.59%

LAB 78.56, -16.62, 49.12

 

CMYK 50 / 0 / 37 / 22

HEX #64C87F

RGB 100 200 127

HSL 136.2, 0.48%, 0.59%

LAB 73.25, -45.26, 27.76

 

CMYK 47 / 50 / 0 / 22

HEX #6A64C8

RGB 106 100 200

HSL 243.6, 0.48%, 0.59%

LAB 47.43, 28.52, -51.54

 

CMYK 0 / 50 / 14 / 22

HEX #C864AD

RGB 200 100 173

HSL 316.2, 0.48%, 0.59%

LAB 56.5, 49.01, -21

 

CMYK 3 / 0 / 50 / 21

HEX #C2C964

RGB 194 201 100

HSL 64.16, 0.48%, 0.59%

LAB 78.56, -16.62, 49.12

 

CMYK 50 / 0 / 22 / 22

HEX #64C89D

RGB 100 200 157

HSL 154.2, 0.48%, 0.59%

LAB 73.84, -39.41, 12.64

 

CMYK 47 / 50 / 0 / 22

HEX #6A64C8

RGB 106 100 200

HSL 243.6, 0.48%, 0.59%

LAB 47.43, 28.52, -51.54

 

CMYK 0 / 50 / 29 / 22

HEX #C8648F

RGB 200 100 143

HSL 334.2, 0.48%, 0.59%

LAB 55.46, 44.59, -5.09

 

Description

Color code: HEX #C2C964 | qconv.com Color code: HEX #C2C964 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 201 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 201 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 50 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 50% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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