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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2CBAC it is the complementary color #3D3453. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2CBAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2CBAC shade: #C7CBA7, #D8DDBA, #E9EFCD, #FAFFE0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2CBAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2CBAC shade: #C2CBAC, #B1B999, #A0A786, #8F9573 and #7E8360

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2CBAC shade: #C3CBAD, #CBCBAD, #CBC4AD, #CBBCAD and #CBB3AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2CBAC shade: #C3CBAD, #BACBAD, #B2CBAD, #ADCBB0 and #ADCBB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2CBAC shade matches the following richer shades: #C3CBAD, #C7D6A2, #CCE197, #D0EC8D and #D5F682

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2CBAC shade: #C3CBAD, #BEC1B8, #BAB6C2, #B5ABCD and #B1A1D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2CBAC shade: #CBC4AD, #CBCBAD, #C3CBAD, #BBCBAD and #B3CBAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2CBAC shade: #9DAC7A, #B0BC94, #C3CBAD, #D5DBC6 and #E8EBE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2CBAC shade: #C2CBAC, #ADCBBC and #C8ADCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2CBAC shade: #C2CBAC, #ADC3CB and #CBADC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2CBAC shade: #C2CBAC, #ADCBBC, #B6ADCB and #CBADBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2CBAC shade: #C2CBAC, #ADCBC5, #B6ADCB and #CBADB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 15 / 20

HEX #C2CBAC

RGB 194 203 172

HSL 77.42, 0.23%, 0.74%

LAB 80.27, -8.52, 14.43

 

Complementary color

CMYK 27 / 37 / 0 / 67

HEX #3D3453

RGB 61 52 83

HSL 257.42, 0.23%, 0.26%

LAB 23.91, 11.68, -17.4

 

CMYK 2 / 0 / 18 / 20

HEX #C7CBA7

RGB 199 203 167

HSL 66.67, 0.26%, 0.73%

LAB 80.54, -7.49, 17.53

 

CMYK 2 / 0 / 16 / 13

HEX #D8DDBA

RGB 216 221 186

HSL 68.57, 0.34%, 0.8%

LAB 86.93, -7.61, 16.63

 

CMYK 3 / 0 / 14 / 6

HEX #E9EFCD

RGB 233 239 205

HSL 70.59, 0.52%, 0.87%

LAB 93.22, -7.72, 15.78

 

CMYK 2 / 0 / 12 / 0

HEX #FAFFE0

RGB 250 255 224

HSL 69.68, 1%, 0.94%

LAB 98.92, -6.83, 14.26

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 4 / 0 / 15 / 20

HEX #C2CBAC

RGB 194 203 172

HSL 77.42, 0.23%, 0.74%

LAB 80.27, -8.52, 14.43

 

CMYK 4 / 0 / 17 / 27

HEX #B1B999

RGB 177 185 153

HSL 75, 0.19%, 0.66%

LAB 73.77, -8.44, 15.32

 

CMYK 4 / 0 / 20 / 35

HEX #A0A786

RGB 160 167 134

HSL 72.73, 0.16%, 0.59%

LAB 67.15, -8.35, 16.26

 

CMYK 4 / 0 / 23 / 42

HEX #8F9573

RGB 143 149 115

HSL 70.59, 0.14%, 0.52%

LAB 60.4, -8.24, 17.27

 

CMYK 4 / 0 / 27 / 49

HEX #7E8360

RGB 126 131 96

HSL 68.57, 0.15%, 0.45%

LAB 53.51, -8.11, 18.35

 

CMYK 4 / 0 / 15 / 20

HEX #C3CBAD

RGB 195 203 173

HSL 76, 0.22%, 0.74%

LAB 80.37, -8, 14.05

 

CMYK 0 / 0 / 15 / 20

HEX #CBCBAD

RGB 203 203 173

HSL 60, 0.22%, 0.74%

LAB 80.97, -5.09, 14.99

 

CMYK 0 / 3 / 15 / 20

HEX #CBC4AD

RGB 203 196 173

HSL 46, 0.22%, 0.74%

LAB 79.15, -1.43, 12.42

 

CMYK 0 / 7 / 15 / 20

HEX #CBBCAD

RGB 203 188 173

HSL 30, 0.22%, 0.74%

LAB 77.09, 2.8, 9.49

 

CMYK 0 / 12 / 15 / 20

HEX #CBB3AD

RGB 203 179 173

HSL 12, 0.22%, 0.74%

LAB 74.8, 7.62, 6.21

 

CMYK 4 / 0 / 15 / 20

HEX #C3CBAD

RGB 195 203 173

HSL 76, 0.22%, 0.74%

LAB 80.37, -8, 14.05

 

CMYK 8 / 0 / 15 / 20

HEX #BACBAD

RGB 186 203 173

HSL 94, 0.22%, 0.74%

LAB 79.71, -11.22, 13.03

 

CMYK 12 / 0 / 15 / 20

HEX #B2CBAD

RGB 178 203 173

HSL 110, 0.22%, 0.74%

LAB 79.15, -14.03, 12.16

 

CMYK 15 / 0 / 13 / 20

HEX #ADCBB0

RGB 173 203 176

HSL 126, 0.22%, 0.74%

LAB 78.89, -15.22, 10.13

 

CMYK 15 / 0 / 9 / 20

HEX #ADCBB8

RGB 173 203 184

HSL 142, 0.22%, 0.74%

LAB 79.07, -13.74, 6.12

 

CMYK 4 / 0 / 15 / 20

HEX #C3CBAD

RGB 195 203 173

HSL 76, 0.22%, 0.74%

LAB 80.37, -8, 14.05

 

CMYK 7 / 0 / 24 / 16

HEX #C7D6A2

RGB 199 214 162

HSL 77.31, 0.39%, 0.74%

LAB 83.36, -13.85, 24.05

 

CMYK 9 / 0 / 33 / 12

HEX #CCE197

RGB 204 225 151

HSL 77.03, 0.55%, 0.74%

LAB 86.47, -19, 33.96

 

CMYK 12 / 0 / 40 / 7

HEX #D0EC8D

RGB 208 236 141

HSL 77.68, 0.71%, 0.74%

LAB 89.54, -24.08, 43

 

CMYK 13 / 0 / 47 / 4

HEX #D5F682

RGB 213 246 130

HSL 77.07, 0.87%, 0.74%

LAB 92.43, -28.15, 51.95

 

CMYK 4 / 0 / 15 / 20

HEX #C3CBAD

RGB 195 203 173

HSL 76, 0.22%, 0.74%

LAB 80.37, -8, 14.05

 

CMYK 2 / 0 / 5 / 24

HEX #BEC1B8

RGB 190 193 184

HSL 80, 0.07%, 0.74%

LAB 77.61, -2.68, 4.15

 

CMYK 4 / 6 / 0 / 24

HEX #BAB6C2

RGB 186 182 194

HSL 260, 0.09%, 0.74%

LAB 74.69, 3.67, -5.57

 

CMYK 12 / 17 / 0 / 20

HEX #B5ABCD

RGB 181 171 205

HSL 257.65, 0.25%, 0.74%

LAB 71.8, 10.22, -15.96

 

CMYK 18 / 25 / 0 / 15

HEX #B1A1D8

RGB 177 161 216

HSL 257.45, 0.41%, 0.74%

LAB 69.32, 16.87, -25.81

 

CMYK 0 / 3 / 15 / 20

HEX #CBC4AD

RGB 203 196 173

HSL 46, 0.22%, 0.74%

LAB 79.15, -1.43, 12.42

 

CMYK 0 / 0 / 15 / 20

HEX #CBCBAD

RGB 203 203 173

HSL 60, 0.22%, 0.74%

LAB 80.97, -5.09, 14.99

 

CMYK 4 / 0 / 15 / 20

HEX #C3CBAD

RGB 195 203 173

HSL 76, 0.22%, 0.74%

LAB 80.37, -8, 14.05

 

CMYK 8 / 0 / 15 / 20

HEX #BBCBAD

RGB 187 203 173

HSL 92, 0.22%, 0.74%

LAB 79.78, -10.86, 13.14

 

CMYK 12 / 0 / 15 / 20

HEX #B3CBAD

RGB 179 203 173

HSL 108, 0.22%, 0.74%

LAB 79.22, -13.68, 12.27

 

CMYK 9 / 0 / 29 / 33

HEX #9DAC7A

RGB 157 172 122

HSL 78, 0.23%, 0.58%

LAB 68.08, -13.96, 24.04

 

CMYK 6 / 0 / 21 / 26

HEX #B0BC94

RGB 176 188 148

HSL 78, 0.23%, 0.66%

LAB 74.4, -11.16, 18.89

 

CMYK 4 / 0 / 15 / 20

HEX #C3CBAD

RGB 195 203 173

HSL 76, 0.22%, 0.74%

LAB 80.37, -8, 14.05

 

CMYK 3 / 0 / 10 / 14

HEX #D5DBC6

RGB 213 219 198

HSL 77.14, 0.23%, 0.82%

LAB 86.45, -5.71, 9.62

 

CMYK 1 / 0 / 5 / 8

HEX #E8EBE0

RGB 232 235 224

HSL 76.36, 0.22%, 0.9%

LAB 92.55, -2.93, 4.97

 

CMYK 4 / 0 / 15 / 20

HEX #C2CBAC

RGB 194 203 172

HSL 77.42, 0.23%, 0.74%

LAB 80.27, -8.52, 14.43

 

CMYK 15 / 0 / 7 / 20

HEX #ADCBBC

RGB 173 203 188

HSL 150, 0.22%, 0.74%

LAB 79.17, -12.98, 4.11

 

CMYK 1 / 15 / 0 / 20

HEX #C8ADCB

RGB 200 173 203

HSL 294, 0.22%, 0.74%

LAB 73.85, 15.09, -11.61

 

CMYK 4 / 0 / 15 / 20

HEX #C2CBAC

RGB 194 203 172

HSL 77.42, 0.23%, 0.74%

LAB 80.27, -8.52, 14.43

 

CMYK 15 / 4 / 0 / 20

HEX #ADC3CB

RGB 173 195 203

HSL 196, 0.22%, 0.74%

LAB 77.42, -5.79, -6.54

 

CMYK 0 / 15 / 4 / 20

HEX #CBADC3

RGB 203 173 195

HSL 316, 0.22%, 0.74%

LAB 73.88, 14.64, -7.16

 

CMYK 4 / 0 / 15 / 20

HEX #C2CBAC

RGB 194 203 172

HSL 77.42, 0.23%, 0.74%

LAB 80.27, -8.52, 14.43

 

CMYK 15 / 0 / 7 / 20

HEX #ADCBBC

RGB 173 203 188

HSL 150, 0.22%, 0.74%

LAB 79.17, -12.98, 4.11

 

CMYK 10 / 15 / 0 / 20

HEX #B6ADCB

RGB 182 173 203

HSL 258, 0.22%, 0.74%

LAB 72.32, 9.03, -14.06

 

CMYK 0 / 15 / 7 / 20

HEX #CBADBD

RGB 203 173 189

HSL 328, 0.22%, 0.74%

LAB 73.71, 13.56, -4.12

 

CMYK 4 / 0 / 15 / 20

HEX #C2CBAC

RGB 194 203 172

HSL 77.42, 0.23%, 0.74%

LAB 80.27, -8.52, 14.43

 

CMYK 15 / 0 / 3 / 20

HEX #ADCBC5

RGB 173 203 197

HSL 168, 0.22%, 0.74%

LAB 79.4, -11.2, -0.39

 

CMYK 10 / 15 / 0 / 20

HEX #B6ADCB

RGB 182 173 203

HSL 258, 0.22%, 0.74%

LAB 72.32, 9.03, -14.06

 

CMYK 0 / 15 / 11 / 20

HEX #CBADB4

RGB 203 173 180

HSL 346, 0.22%, 0.74%

LAB 73.47, 12.01, 0.45

 

Description

Color code: HEX #C2CBAC | qconv.com Color code: HEX #C2CBAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 203 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 203 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 15 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 15% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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