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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2CCAD it is the complementary color #3D3352. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2CCAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2CCAD shade: #C7CCA8, #D8DEBB, #E9F0CE, #FAFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2CCAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2CCAD shade: #C2CCAD, #B1BA9A, #A0A887, #8F9674 and #7E8461

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2CCAD shade: #C2CBAD, #CACBAD, #CBC5AD, #CBBDAD and #CBB4AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2CCAD shade: #C2CBAD, #B9CBAD, #B1CBAD, #ADCBB1 and #ADCBB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2CCAD shade matches the following richer shades: #C2CBAD, #C5D6A2, #C9E197, #CDEC8D and #D1F682

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2CCAD shade: #C2CBAD, #BEC1B8, #BAB6C2, #B6ABCD and #B2A1D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2CCAD shade: #CBC5AD, #CACBAD, #C2CBAD, #BACBAD and #B2CBAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2CCAD shade: #9CAC7A, #AFBC94, #C2CBAD, #D5DBC6 and #E8EBE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2CCAD shade: #C2CCAD, #ADCBBD and #C9ADCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2CCAD shade: #C2CCAD, #ADC2CB and #CBADC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2CCAD shade: #C2CCAD, #ADCBBD, #B7ADCB and #CBADBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2CCAD shade: #C2CCAD, #ADCBC6, #B7ADCB and #CBADB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 15 / 20

HEX #C2CCAD

RGB 194 204 173

HSL 79.35, 0.23%, 0.74%

LAB 80.56, -8.87, 14.3

 

Complementary color

CMYK 26 / 38 / 0 / 68

HEX #3D3352

RGB 61 51 82

HSL 259.35, 0.23%, 0.26%

LAB 23.57, 12.07, -17.27

 

CMYK 2 / 0 / 18 / 20

HEX #C7CCA8

RGB 199 204 168

HSL 68.33, 0.26%, 0.73%

LAB 80.82, -7.85, 17.39

 

CMYK 3 / 0 / 16 / 13

HEX #D8DEBB

RGB 216 222 187

HSL 70.29, 0.35%, 0.8%

LAB 87.21, -7.96, 16.5

 

CMYK 3 / 0 / 14 / 6

HEX #E9F0CE

RGB 233 240 206

HSL 72.35, 0.53%, 0.87%

LAB 93.49, -8.07, 15.66

 

CMYK 2 / 0 / 12 / 0

HEX #FAFFE1

RGB 250 255 225

HSL 70, 1%, 0.94%

LAB 98.94, -6.67, 13.78

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 5 / 0 / 15 / 20

HEX #C2CCAD

RGB 194 204 173

HSL 79.35, 0.23%, 0.74%

LAB 80.56, -8.87, 14.3

 

CMYK 5 / 0 / 17 / 27

HEX #B1BA9A

RGB 177 186 154

HSL 76.88, 0.19%, 0.67%

LAB 74.06, -8.8, 15.19

 

CMYK 5 / 0 / 20 / 34

HEX #A0A887

RGB 160 168 135

HSL 74.55, 0.16%, 0.59%

LAB 67.45, -8.72, 16.13

 

CMYK 5 / 0 / 23 / 41

HEX #8F9674

RGB 143 150 116

HSL 72.35, 0.14%, 0.52%

LAB 60.71, -8.62, 17.13

 

CMYK 5 / 0 / 27 / 48

HEX #7E8461

RGB 126 132 97

HSL 70.29, 0.15%, 0.45%

LAB 53.82, -8.51, 18.2

 

CMYK 4 / 0 / 15 / 20

HEX #C2CBAD

RGB 194 203 173

HSL 78, 0.22%, 0.74%

LAB 80.29, -8.36, 13.93

 

CMYK 0 / 0 / 15 / 20

HEX #CACBAD

RGB 202 203 173

HSL 62, 0.22%, 0.74%

LAB 80.9, -5.46, 14.87

 

CMYK 0 / 3 / 15 / 20

HEX #CBC5AD

RGB 203 197 173

HSL 48, 0.22%, 0.74%

LAB 79.41, -1.96, 12.79

 

CMYK 0 / 7 / 15 / 20

HEX #CBBDAD

RGB 203 189 173

HSL 32, 0.22%, 0.74%

LAB 77.35, 2.26, 9.86

 

CMYK 0 / 11 / 15 / 20

HEX #CBB4AD

RGB 203 180 173

HSL 14, 0.22%, 0.74%

LAB 75.05, 7.08, 6.57

 

CMYK 4 / 0 / 15 / 20

HEX #C2CBAD

RGB 194 203 173

HSL 78, 0.22%, 0.74%

LAB 80.29, -8.36, 13.93

 

CMYK 9 / 0 / 15 / 20

HEX #B9CBAD

RGB 185 203 173

HSL 96, 0.22%, 0.74%

LAB 79.64, -11.57, 12.92

 

CMYK 13 / 0 / 15 / 20

HEX #B1CBAD

RGB 177 203 173

HSL 112, 0.22%, 0.74%

LAB 79.09, -14.38, 12.06

 

CMYK 15 / 0 / 13 / 20

HEX #ADCBB1

RGB 173 203 177

HSL 128, 0.22%, 0.74%

LAB 78.91, -15.04, 9.63

 

CMYK 15 / 0 / 9 / 20

HEX #ADCBB9

RGB 173 203 185

HSL 144, 0.22%, 0.74%

LAB 79.1, -13.55, 5.61

 

CMYK 4 / 0 / 15 / 20

HEX #C2CBAD

RGB 194 203 173

HSL 78, 0.22%, 0.74%

LAB 80.29, -8.36, 13.93

 

CMYK 8 / 0 / 24 / 16

HEX #C5D6A2

RGB 197 214 162

HSL 79.62, 0.39%, 0.74%

LAB 83.22, -14.58, 23.84

 

CMYK 11 / 0 / 33 / 12

HEX #C9E197

RGB 201 225 151

HSL 79.46, 0.55%, 0.74%

LAB 86.26, -20.11, 33.64

 

CMYK 13 / 0 / 40 / 7

HEX #CDEC8D

RGB 205 236 141

HSL 79.58, 0.71%, 0.74%

LAB 89.34, -25.19, 42.7

 

CMYK 15 / 0 / 47 / 4

HEX #D1F682

RGB 209 246 130

HSL 79.14, 0.87%, 0.74%

LAB 92.17, -29.64, 51.57

 

CMYK 4 / 0 / 15 / 20

HEX #C2CBAD

RGB 194 203 173

HSL 78, 0.22%, 0.74%

LAB 80.29, -8.36, 13.93

 

CMYK 2 / 0 / 5 / 24

HEX #BEC1B8

RGB 190 193 184

HSL 80, 0.07%, 0.74%

LAB 77.61, -2.68, 4.15

 

CMYK 4 / 6 / 0 / 24

HEX #BAB6C2

RGB 186 182 194

HSL 260, 0.09%, 0.74%

LAB 74.69, 3.67, -5.57

 

CMYK 11 / 17 / 0 / 20

HEX #B6ABCD

RGB 182 171 205

HSL 259.41, 0.25%, 0.74%

LAB 71.88, 10.55, -15.83

 

CMYK 18 / 25 / 0 / 15

HEX #B2A1D8

RGB 178 161 216

HSL 258.55, 0.41%, 0.74%

LAB 69.41, 17.18, -25.67

 

CMYK 0 / 3 / 15 / 20

HEX #CBC5AD

RGB 203 197 173

HSL 48, 0.22%, 0.74%

LAB 79.41, -1.96, 12.79

 

CMYK 0 / 0 / 15 / 20

HEX #CACBAD

RGB 202 203 173

HSL 62, 0.22%, 0.74%

LAB 80.9, -5.46, 14.87

 

CMYK 4 / 0 / 15 / 20

HEX #C2CBAD

RGB 194 203 173

HSL 78, 0.22%, 0.74%

LAB 80.29, -8.36, 13.93

 

CMYK 8 / 0 / 15 / 20

HEX #BACBAD

RGB 186 203 173

HSL 94, 0.22%, 0.74%

LAB 79.71, -11.22, 13.03

 

CMYK 12 / 0 / 15 / 20

HEX #B2CBAD

RGB 178 203 173

HSL 110, 0.22%, 0.74%

LAB 79.15, -14.03, 12.16

 

CMYK 9 / 0 / 29 / 33

HEX #9CAC7A

RGB 156 172 122

HSL 79.2, 0.23%, 0.58%

LAB 68, -14.34, 23.93

 

CMYK 7 / 0 / 21 / 26

HEX #AFBC94

RGB 175 188 148

HSL 79.5, 0.23%, 0.66%

LAB 74.33, -11.54, 18.78

 

CMYK 4 / 0 / 15 / 20

HEX #C2CBAD

RGB 194 203 173

HSL 78, 0.22%, 0.74%

LAB 80.29, -8.36, 13.93

 

CMYK 3 / 0 / 10 / 14

HEX #D5DBC6

RGB 213 219 198

HSL 77.14, 0.23%, 0.82%

LAB 86.45, -5.71, 9.62

 

CMYK 1 / 0 / 5 / 8

HEX #E8EBE0

RGB 232 235 224

HSL 76.36, 0.22%, 0.9%

LAB 92.55, -2.93, 4.97

 

CMYK 5 / 0 / 15 / 20

HEX #C2CCAD

RGB 194 204 173

HSL 79.35, 0.23%, 0.74%

LAB 80.56, -8.87, 14.3

 

CMYK 15 / 0 / 7 / 20

HEX #ADCBBD

RGB 173 203 189

HSL 152, 0.22%, 0.74%

LAB 79.2, -12.78, 3.61

 

CMYK 1 / 15 / 0 / 20

HEX #C9ADCB

RGB 201 173 203

HSL 296, 0.22%, 0.74%

LAB 73.94, 15.43, -11.47

 

CMYK 5 / 0 / 15 / 20

HEX #C2CCAD

RGB 194 204 173

HSL 79.35, 0.23%, 0.74%

LAB 80.56, -8.87, 14.3

 

CMYK 15 / 4 / 0 / 20

HEX #ADC2CB

RGB 173 194 203

HSL 198, 0.22%, 0.74%

LAB 77.15, -5.26, -6.93

 

CMYK 0 / 15 / 4 / 20

HEX #CBADC2

RGB 203 173 194

HSL 318, 0.22%, 0.74%

LAB 73.86, 14.46, -6.65

 

CMYK 5 / 0 / 15 / 20

HEX #C2CCAD

RGB 194 204 173

HSL 79.35, 0.23%, 0.74%

LAB 80.56, -8.87, 14.3

 

CMYK 15 / 0 / 7 / 20

HEX #ADCBBD

RGB 173 203 189

HSL 152, 0.22%, 0.74%

LAB 79.2, -12.78, 3.61

 

CMYK 10 / 15 / 0 / 20

HEX #B7ADCB

RGB 183 173 203

HSL 260, 0.22%, 0.74%

LAB 72.41, 9.36, -13.93

 

CMYK 0 / 15 / 7 / 20

HEX #CBADBC

RGB 203 173 188

HSL 330, 0.22%, 0.74%

LAB 73.68, 13.39, -3.62

 

CMYK 5 / 0 / 15 / 20

HEX #C2CCAD

RGB 194 204 173

HSL 79.35, 0.23%, 0.74%

LAB 80.56, -8.87, 14.3

 

CMYK 15 / 0 / 2 / 20

HEX #ADCBC6

RGB 173 203 198

HSL 170, 0.22%, 0.74%

LAB 79.43, -11, -0.88

 

CMYK 10 / 15 / 0 / 20

HEX #B7ADCB

RGB 183 173 203

HSL 260, 0.22%, 0.74%

LAB 72.41, 9.36, -13.93

 

CMYK 0 / 15 / 12 / 20

HEX #CBADB3

RGB 203 173 179

HSL 348, 0.22%, 0.74%

LAB 73.44, 11.85, 0.96

 

Description

Color code: HEX #C2CCAD | qconv.com Color code: HEX #C2CCAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 204 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 204 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 15 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 15% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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