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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2CDAC it is the complementary color #3D3253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2CDAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2CDAC shade: #C7CDA7, #D8DFBA, #E9F1CD, #FAFFE0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2CDAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2CDAC shade: #C2CDAC, #B1BB99, #A0A986, #8F9773 and #7E8560

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2CDAC shade: #C2CDAC, #CBCDAC, #CDC6AC, #CDBDAC and #CDB4AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2CDAC shade: #C2CDAC, #B9CDAC, #B0CDAC, #ACCDB0 and #ACCDB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2CDAC shade matches the following richer shades: #C2CDAC, #C5D8A1, #C9E296, #CCED8B and #D0F881

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2CDAC shade: #C2CDAC, #BEC2B6, #BBB7C1, #B7ADCC and #B3A2D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2CDAC shade: #CDC6AC, #CBCDAC, #C2CDAC, #B9CDAC and #B0CDAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2CDAC shade: #9CAE78, #AFBD92, #C2CDAC, #D5DCC5 and #E8ECDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2CDAC shade: #C2CDAC, #ACCDBD and #CBACCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2CDAC shade: #C2CDAC, #ACC2CD and #CDACC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2CDAC shade: #C2CDAC, #ACCDBD, #B7ACCD and #CDACBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2CDAC shade: #C2CDAC, #ACCDC7, #B7ACCD and #CDACB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 16 / 20

HEX #C2CDAC

RGB 194 205 172

HSL 80, 0.25%, 0.74%

LAB 80.8, -9.55, 15.18

 

Complementary color

CMYK 27 / 40 / 0 / 67

HEX #3D3253

RGB 61 50 83

HSL 260, 0.25%, 0.26%

LAB 23.33, 13.03, -18.3

 

CMYK 3 / 0 / 19 / 20

HEX #C7CDA7

RGB 199 205 167

HSL 69.47, 0.28%, 0.73%

LAB 81.07, -8.52, 18.26

 

CMYK 3 / 0 / 17 / 13

HEX #D8DFBA

RGB 216 223 186

HSL 71.35, 0.37%, 0.8%

LAB 87.45, -8.63, 17.36

 

CMYK 3 / 0 / 15 / 5

HEX #E9F1CD

RGB 233 241 205

HSL 73.33, 0.56%, 0.87%

LAB 93.73, -8.73, 16.5

 

CMYK 2 / 0 / 12 / 0

HEX #FAFFE0

RGB 250 255 224

HSL 69.68, 1%, 0.94%

LAB 98.92, -6.83, 14.26

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 5 / 0 / 16 / 20

HEX #C2CDAC

RGB 194 205 172

HSL 80, 0.25%, 0.74%

LAB 80.8, -9.55, 15.18

 

CMYK 5 / 0 / 18 / 27

HEX #B1BB99

RGB 177 187 153

HSL 77.65, 0.2%, 0.67%

LAB 74.31, -9.48, 16.08

 

CMYK 5 / 0 / 21 / 34

HEX #A0A986

RGB 160 169 134

HSL 75.43, 0.17%, 0.59%

LAB 67.7, -9.41, 17.03

 

CMYK 5 / 0 / 24 / 41

HEX #8F9773

RGB 143 151 115

HSL 73.33, 0.15%, 0.52%

LAB 60.97, -9.32, 18.05

 

CMYK 5 / 0 / 28 / 48

HEX #7E8560

RGB 126 133 96

HSL 71.35, 0.16%, 0.45%

LAB 54.09, -9.21, 19.14

 

CMYK 5 / 0 / 16 / 20

HEX #C2CDAC

RGB 194 205 172

HSL 80, 0.25%, 0.74%

LAB 80.8, -9.55, 15.18

 

CMYK 1 / 0 / 16 / 20

HEX #CBCDAC

RGB 203 205 172

HSL 63.64, 0.25%, 0.74%

LAB 81.48, -6.28, 16.23

 

CMYK 0 / 3 / 16 / 20

HEX #CDC6AC

RGB 205 198 172

HSL 47.27, 0.25%, 0.74%

LAB 79.81, -1.91, 13.91

 

CMYK 0 / 8 / 16 / 20

HEX #CDBDAC

RGB 205 189 172

HSL 30.91, 0.25%, 0.74%

LAB 77.49, 2.84, 10.63

 

CMYK 0 / 12 / 16 / 20

HEX #CDB4AC

RGB 205 180 172

HSL 14.55, 0.25%, 0.74%

LAB 75.2, 7.66, 7.36

 

CMYK 5 / 0 / 16 / 20

HEX #C2CDAC

RGB 194 205 172

HSL 80, 0.25%, 0.74%

LAB 80.8, -9.55, 15.18

 

CMYK 10 / 0 / 16 / 20

HEX #B9CDAC

RGB 185 205 172

HSL 96.36, 0.25%, 0.74%

LAB 80.15, -12.76, 14.18

 

CMYK 14 / 0 / 16 / 20

HEX #B0CDAC

RGB 176 205 172

HSL 112.73, 0.25%, 0.74%

LAB 79.54, -15.91, 13.22

 

CMYK 16 / 0 / 14 / 20

HEX #ACCDB0

RGB 172 205 176

HSL 127.27, 0.25%, 0.74%

LAB 79.37, -16.57, 10.81

 

CMYK 16 / 0 / 10 / 20

HEX #ACCDB9

RGB 172 205 185

HSL 143.64, 0.25%, 0.74%

LAB 79.58, -14.9, 6.3

 

CMYK 5 / 0 / 16 / 20

HEX #C2CDAC

RGB 194 205 172

HSL 80, 0.25%, 0.74%

LAB 80.8, -9.55, 15.18

 

CMYK 9 / 0 / 25 / 15

HEX #C5D8A1

RGB 197 216 161

HSL 80.73, 0.41%, 0.74%

LAB 83.73, -15.73, 25.06

 

CMYK 11 / 0 / 34 / 11

HEX #C9E296

RGB 201 226 150

HSL 79.74, 0.57%, 0.74%

LAB 86.51, -20.73, 34.49

 

CMYK 14 / 0 / 41 / 7

HEX #CCED8B

RGB 204 237 139

HSL 80.2, 0.73%, 0.74%

LAB 89.52, -26.27, 43.89

 

CMYK 16 / 0 / 48 / 3

HEX #D0F881

RGB 208 248 129

HSL 80.17, 0.89%, 0.74%

LAB 92.63, -31.04, 52.59

 

CMYK 5 / 0 / 16 / 20

HEX #C2CDAC

RGB 194 205 172

HSL 80, 0.25%, 0.74%

LAB 80.8, -9.55, 15.18

 

CMYK 2 / 0 / 6 / 24

HEX #BEC2B6

RGB 190 194 182

HSL 80, 0.09%, 0.74%

LAB 77.82, -3.56, 5.54

 

CMYK 3 / 5 / 0 / 24

HEX #BBB7C1

RGB 187 183 193

HSL 264, 0.07%, 0.74%

LAB 75, 3.28, -4.56

 

CMYK 10 / 15 / 0 / 20

HEX #B7ADCC

RGB 183 173 204

HSL 259.35, 0.23%, 0.74%

LAB 72.44, 9.57, -14.43

 

CMYK 17 / 25 / 0 / 16

HEX #B3A2D7

RGB 179 162 215

HSL 259.25, 0.4%, 0.74%

LAB 69.7, 16.72, -24.66

 

CMYK 0 / 3 / 16 / 20

HEX #CDC6AC

RGB 205 198 172

HSL 47.27, 0.25%, 0.74%

LAB 79.81, -1.91, 13.91

 

CMYK 1 / 0 / 16 / 20

HEX #CBCDAC

RGB 203 205 172

HSL 63.64, 0.25%, 0.74%

LAB 81.48, -6.28, 16.23

 

CMYK 5 / 0 / 16 / 20

HEX #C2CDAC

RGB 194 205 172

HSL 80, 0.25%, 0.74%

LAB 80.8, -9.55, 15.18

 

CMYK 10 / 0 / 16 / 20

HEX #B9CDAC

RGB 185 205 172

HSL 96.36, 0.25%, 0.74%

LAB 80.15, -12.76, 14.18

 

CMYK 14 / 0 / 16 / 20

HEX #B0CDAC

RGB 176 205 172

HSL 112.73, 0.25%, 0.74%

LAB 79.54, -15.91, 13.22

 

CMYK 10 / 0 / 31 / 32

HEX #9CAE78

RGB 156 174 120

HSL 80, 0.25%, 0.58%

LAB 68.53, -15.67, 25.71

 

CMYK 7 / 0 / 23 / 26

HEX #AFBD92

RGB 175 189 146

HSL 79.53, 0.25%, 0.66%

LAB 74.56, -12.36, 20.17

 

CMYK 5 / 0 / 16 / 20

HEX #C2CDAC

RGB 194 205 172

HSL 80, 0.25%, 0.74%

LAB 80.8, -9.55, 15.18

 

CMYK 3 / 0 / 10 / 14

HEX #D5DCC5

RGB 213 220 197

HSL 78.26, 0.25%, 0.82%

LAB 86.68, -6.39, 10.49

 

CMYK 2 / 0 / 6 / 7

HEX #E8ECDF

RGB 232 236 223

HSL 78.46, 0.25%, 0.9%

LAB 92.78, -3.61, 5.82

 

CMYK 5 / 0 / 16 / 20

HEX #C2CDAC

RGB 194 205 172

HSL 80, 0.25%, 0.74%

LAB 80.8, -9.55, 15.18

 

CMYK 16 / 0 / 8 / 20

HEX #ACCDBD

RGB 172 205 189

HSL 150.91, 0.25%, 0.74%

LAB 79.67, -14.14, 4.3

 

CMYK 1 / 16 / 0 / 20

HEX #CBACCD

RGB 203 172 205

HSL 296.36, 0.25%, 0.74%

LAB 73.94, 17.03, -12.55

 

CMYK 5 / 0 / 16 / 20

HEX #C2CDAC

RGB 194 205 172

HSL 80, 0.25%, 0.74%

LAB 80.8, -9.55, 15.18

 

CMYK 16 / 5 / 0 / 20

HEX #ACC2CD

RGB 172 194 205

HSL 200, 0.25%, 0.74%

LAB 77.14, -5.16, -8.04

 

CMYK 0 / 16 / 5 / 20

HEX #CDACC2

RGB 205 172 194

HSL 320, 0.25%, 0.74%

LAB 73.79, 15.7, -6.73

 

CMYK 5 / 0 / 16 / 20

HEX #C2CDAC

RGB 194 205 172

HSL 80, 0.25%, 0.74%

LAB 80.8, -9.55, 15.18

 

CMYK 16 / 0 / 8 / 20

HEX #ACCDBD

RGB 172 205 189

HSL 150.91, 0.25%, 0.74%

LAB 79.67, -14.14, 4.3

 

CMYK 11 / 16 / 0 / 20

HEX #B7ACCD

RGB 183 172 205

HSL 260, 0.25%, 0.74%

LAB 72.22, 10.33, -15.32

 

CMYK 0 / 16 / 9 / 20

HEX #CDACBB

RGB 205 172 187

HSL 332.73, 0.25%, 0.74%

LAB 73.59, 14.47, -3.18

 

CMYK 5 / 0 / 16 / 20

HEX #C2CDAC

RGB 194 205 172

HSL 80, 0.25%, 0.74%

LAB 80.8, -9.55, 15.18

 

CMYK 16 / 0 / 3 / 20

HEX #ACCDC7

RGB 172 205 199

HSL 169.09, 0.25%, 0.74%

LAB 79.93, -12.15, -0.69

 

CMYK 11 / 16 / 0 / 20

HEX #B7ACCD

RGB 183 172 205

HSL 260, 0.25%, 0.74%

LAB 72.22, 10.33, -15.32

 

CMYK 0 / 16 / 14 / 20

HEX #CDACB1

RGB 205 172 177

HSL 350.91, 0.25%, 0.74%

LAB 73.32, 12.78, 1.91

 

Description

Color code: HEX #C2CDAC | qconv.com Color code: HEX #C2CDAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 205 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 205 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 16 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 16% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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