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Color name
HEX #C2D816

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2D816 it is the complementary color #3D27E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2D816. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2D816 shade: #C7D811, #D8EA24, #E9FC37, #FAFF4A and #FFFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2D816. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2D816 shade: #C2D816, #B1C603, #A0B400, #8FA200 and #7E9000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2D816 shade: #C3DA15, #DABB15, #DA8615, #DA5115 and #DA1C15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2D816 shade: #C3DA15, #8EDA15, #59DA15, #24DA15 and #15DA3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2D816 shade matches the following richer shades: #C3DA15 and #D2ED02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2D816 shade: #C3DA15, #B4C628, #A5B33C, #969F4F and #878C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2D816 shade: #DA8415, #DAB915, #C6DA15, #92DA15 and #5DDA15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2D816 shade: #808F0E, #A2B411, #C3DA15, #D5EA2E and #DCEE54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2D816 shade: #C2D816, #15DA50 and #9F15DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2D816 shade: #C2D816, #15C6DA and #DA15C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2D816 shade: #C2D816, #15DA50, #2915DA and #DA159F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2D816 shade: #C2D816, #15DA8B, #2915DA and #DA1564

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 90 / 15

HEX #C2D816

RGB 194 216 22

HSL 66.8, 0.82%, 0.47%

LAB 82.18, -27.96, 79.08

 

Complementary color

CMYK 74 / 83 / 0 / 9

HEX #3D27E9

RGB 61 39 233

HSL 246.8, 0.82%, 0.53%

LAB 34.65, 65.34, -91.45

 

CMYK 8 / 0 / 92 / 15

HEX #C7D811

RGB 199 216 17

HSL 65.13, 0.85%, 0.46%

LAB 82.54, -25.97, 80.2

 

CMYK 8 / 0 / 85 / 8

HEX #D8EA24

RGB 216 234 36

HSL 65.45, 0.83%, 0.53%

LAB 88.72, -27.13, 82.55

 

CMYK 8 / 0 / 78 / 1

HEX #E9FC37

RGB 233 252 55

HSL 65.79, 0.97%, 0.6%

LAB 94.83, -28.12, 83.8

 

CMYK 2 / 0 / 71 / 0

HEX #FAFF4A

RGB 250 255 74

HSL 61.66, 1%, 0.65%

LAB 96.96, -21.95, 80.55

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 10 / 0 / 90 / 15

HEX #C2D816

RGB 194 216 22

HSL 66.8, 0.82%, 0.47%

LAB 82.18, -27.96, 79.08

 

CMYK 11 / 0 / 98 / 22

HEX #B1C603

RGB 177 198 3

HSL 66.46, 0.97%, 0.39%

LAB 75.91, -26.72, 75.88

 

CMYK 11 / 0 / 100 / 29

HEX #A0B400

RGB 160 180 0

HSL 66.67, 1%, 0.35%

LAB 69.55, -25.26, 70.9

 

CMYK 12 / 0 / 100 / 36

HEX #8FA200

RGB 143 162 0

HSL 67.04, 1%, 0.32%

LAB 63.08, -23.74, 65.51

 

CMYK 13 / 0 / 100 / 44

HEX #7E9000

RGB 126 144 0

HSL 67.5, 1%, 0.28%

LAB 56.47, -22.19, 60.01

 

CMYK 11 / 0 / 90 / 15

HEX #C3DA15

RGB 195 218 21

HSL 67.01, 0.82%, 0.47%

LAB 82.81, -28.51, 79.75

 

CMYK 0 / 14 / 90 / 15

HEX #DABB15

RGB 218 187 21

HSL 50.56, 0.82%, 0.47%

LAB 76.38, -3.29, 75.54

 

CMYK 0 / 39 / 90 / 15

HEX #DA8615

RGB 218 134 21

HSL 34.42, 0.82%, 0.47%

LAB 63.35, 24.93, 65.64

 

CMYK 0 / 63 / 90 / 15

HEX #DA5115

RGB 218 81 21

HSL 18.27, 0.82%, 0.47%

LAB 52.78, 51.34, 57.87

 

CMYK 0 / 87 / 90 / 15

HEX #DA1C15

RGB 218 28 21

HSL 2.13, 0.82%, 0.47%

LAB 46.7, 68.14, 53.59

 

CMYK 11 / 0 / 90 / 15

HEX #C3DA15

RGB 195 218 21

HSL 67.01, 0.82%, 0.47%

LAB 82.81, -28.51, 79.75

 

CMYK 35 / 0 / 90 / 15

HEX #8EDA15

RGB 142 218 21

HSL 83.15, 0.82%, 0.47%

LAB 79.58, -49.03, 75.81

 

CMYK 59 / 0 / 90 / 15

HEX #59DA15

RGB 89 218 21

HSL 99.29, 0.82%, 0.47%

LAB 77.47, -65.03, 73.2

 

CMYK 83 / 0 / 90 / 15

HEX #24DA15

RGB 36 218 21

HSL 115.43, 0.82%, 0.47%

LAB 76.42, -74.06, 71.89

 

CMYK 90 / 0 / 73 / 15

HEX #15DA3B

RGB 21 218 59

HSL 131.57, 0.82%, 0.47%

LAB 76.45, -73.2, 62.11

 

CMYK 11 / 0 / 90 / 15

HEX #C3DA15

RGB 195 218 21

HSL 67.01, 0.82%, 0.47%

LAB 82.81, -28.51, 79.75

 

CMYK 11 / 0 / 99 / 7

HEX #D2ED02

RGB 210 237 2

HSL 66.89, 0.98%, 0.47%

LAB 89.05, -31.48, 86.87

 

CMYK 11 / 0 / 90 / 15

HEX #C3DA15

RGB 195 218 21

HSL 67.01, 0.82%, 0.47%

LAB 82.81, -28.51, 79.75

 

CMYK 9 / 0 / 80 / 22

HEX #B4C628

RGB 180 198 40

HSL 66.84, 0.66%, 0.47%

LAB 76.22, -24.69, 69.89

 

CMYK 8 / 0 / 66 / 30

HEX #A5B33C

RGB 165 179 60

HSL 67.06, 0.5%, 0.47%

LAB 69.87, -20.66, 56.65

 

CMYK 6 / 0 / 50 / 38

HEX #969F4F

RGB 150 159 79

HSL 66.75, 0.34%, 0.47%

LAB 63.21, -15.26, 40.28

 

CMYK 4 / 0 / 29 / 45

HEX #878C63

RGB 135 140 99

HSL 67.32, 0.17%, 0.47%

LAB 56.89, -8.95, 21.34

 

CMYK 0 / 39 / 90 / 15

HEX #DA8415

RGB 218 132 21

HSL 33.81, 0.82%, 0.47%

LAB 62.9, 26, 65.3

 

CMYK 0 / 15 / 90 / 15

HEX #DAB915

RGB 218 185 21

HSL 49.95, 0.82%, 0.47%

LAB 75.86, -2.25, 75.14

 

CMYK 9 / 0 / 90 / 15

HEX #C6DA15

RGB 198 218 21

HSL 66.09, 0.82%, 0.47%

LAB 83.02, -27.28, 80.01

 

CMYK 33 / 0 / 90 / 15

HEX #92DA15

RGB 146 218 21

HSL 81.93, 0.82%, 0.47%

LAB 79.79, -47.6, 76.06

 

CMYK 57 / 0 / 90 / 15

HEX #5DDA15

RGB 93 218 21

HSL 98.07, 0.82%, 0.47%

LAB 77.59, -64.05, 73.35

 

CMYK 10 / 0 / 90 / 44

HEX #808F0E

RGB 128 143 14

HSL 66.98, 0.82%, 0.31%

LAB 56.35, -20.52, 57.67

 

CMYK 10 / 0 / 91 / 29

HEX #A2B411

RGB 162 180 17

HSL 66.63, 0.83%, 0.39%

LAB 69.73, -24.15, 68.96

 

CMYK 11 / 0 / 90 / 15

HEX #C3DA15

RGB 195 218 21

HSL 67.01, 0.82%, 0.47%

LAB 82.81, -28.51, 79.75

 

CMYK 9 / 0 / 80 / 8

HEX #D5EA2E

RGB 213 234 46

HSL 66.7, 0.82%, 0.55%

LAB 88.54, -28.07, 80.05

 

CMYK 8 / 0 / 65 / 7

HEX #DCEE54

RGB 220 238 84

HSL 67.01, 0.82%, 0.63%

LAB 90.32, -25.38, 69.63

 

CMYK 10 / 0 / 90 / 15

HEX #C2D816

RGB 194 216 22

HSL 66.8, 0.82%, 0.47%

LAB 82.18, -27.96, 79.08

 

CMYK 90 / 0 / 63 / 15

HEX #15DA50

RGB 21 218 80

HSL 137.97, 0.82%, 0.47%

LAB 76.61, -71.18, 54.14

 

CMYK 27 / 90 / 0 / 15

HEX #9F15DA

RGB 159 21 218

HSL 282.03, 0.82%, 0.47%

LAB 42.72, 76.49, -69.21

 

CMYK 10 / 0 / 90 / 15

HEX #C2D816

RGB 194 216 22

HSL 66.8, 0.82%, 0.47%

LAB 82.18, -27.96, 79.08

 

CMYK 90 / 9 / 0 / 15

HEX #15C6DA

RGB 21 198 218

HSL 186.09, 0.82%, 0.47%

LAB 73.29, -32.89, -21.4

 

CMYK 0 / 90 / 9 / 15

HEX #DA15C6

RGB 218 21 198

HSL 306.09, 0.82%, 0.47%

LAB 51.29, 82.69, -43.38

 

CMYK 10 / 0 / 90 / 15

HEX #C2D816

RGB 194 216 22

HSL 66.8, 0.82%, 0.47%

LAB 82.18, -27.96, 79.08

 

CMYK 90 / 0 / 63 / 15

HEX #15DA50

RGB 21 218 80

HSL 137.97, 0.82%, 0.47%

LAB 76.61, -71.18, 54.14

 

CMYK 81 / 90 / 0 / 15

HEX #2915DA

RGB 41 21 218

HSL 246.09, 0.82%, 0.47%

LAB 29.59, 66.53, -91.32

 

CMYK 0 / 90 / 27 / 15

HEX #DA159F

RGB 218 21 159

HSL 317.97, 0.82%, 0.47%

LAB 49.43, 77.85, -23.4

 

CMYK 10 / 0 / 90 / 15

HEX #C2D816

RGB 194 216 22

HSL 66.8, 0.82%, 0.47%

LAB 82.18, -27.96, 79.08

 

CMYK 90 / 0 / 36 / 15

HEX #15DA8B

RGB 21 218 139

HSL 155.94, 0.82%, 0.47%

LAB 77.38, -61.91, 26.78

 

CMYK 81 / 90 / 0 / 15

HEX #2915DA

RGB 41 21 218

HSL 246.09, 0.82%, 0.47%

LAB 29.59, 66.53, -91.32

 

CMYK 0 / 90 / 54 / 15

HEX #DA1564

RGB 218 21 100

HSL 335.94, 0.82%, 0.47%

LAB 47.45, 72.48, 9.52

 

Description

Color code: HEX #C2D816 | qconv.com Color code: HEX #C2D816 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 216 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 216 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 90% 15% C M Y K

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Provide designers and agencies with accurate color values.

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