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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2D1F3 it is the complementary color #3D2E0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2D1F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2D1F3 shade: #C7D1EE, #D8E3FF, #E9F5FF and #FAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2D1F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2D1F3 shade: #C2D1F3, #B1BFE0, #A0ADCD, #8F9BBA and #7E89A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2D1F3 shade: #C3D2F3, #C3C5F3, #CEC3F3, #DBC3F3 and #E8C3F3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2D1F3 shade: #C3D2F3, #C3C5F3 and #C3C3F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2D1F3 shade matches the following richer shades: #C3D2F3, #BDCFF8 and #B7CDFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2D1F3 shade: #C3D2F3, #C9D4ED, #CED6E7, #D4D8E1 and #DADADC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2D1F3 shade: #C3ECF3, #C3DFF3, #C3D2F3, #C3C5F3 and #CDC3F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2D1F3 shade: #7E9EE5, #A0B8EC, #C3D2F3 and #E5ECFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2D1F3 shade: #C2D1F3, #EDC3F3 and #E5F3C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2D1F3 shade: #C2D1F3, #F3C3D2 and #D2F3C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2D1F3 shade: #C2D1F3, #EDC3F3, #F3E4C3 and #C8F3C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2D1F3 shade: #C2D1F3, #F3C3EA, #F3E4C3 and #C3F3CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 14 / 0 / 5

HEX #C2D1F3

RGB 194 209 243

HSL 221.63, 0.67%, 0.86%

LAB 83.73, 1.97, -18.38

 

Complementary color

CMYK 0 / 25 / 80 / 76

HEX #3D2E0C

RGB 61 46 12

HSL 41.63, 0.67%, 0.14%

LAB 19.93, 2.56, 23.42

 

CMYK 16 / 12 / 0 / 7

HEX #C7D1EE

RGB 199 209 238

HSL 224.62, 0.53%, 0.86%

LAB 83.92, 2.43, -15.4

 

CMYK 15 / 11 / 0 / 0

HEX #D8E3FF

RGB 216 227 255

HSL 223.08, 1%, 0.92%

LAB 90.21, 1.84, -14.81

 

CMYK 9 / 4 / 0 / 0

HEX #E9F5FF

RGB 233 245 255

HSL 207.27, 1%, 0.96%

LAB 95.93, -2.06, -6.16

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 20 / 14 / 0 / 5

HEX #C2D1F3

RGB 194 209 243

HSL 221.63, 0.67%, 0.86%

LAB 83.73, 1.97, -18.38

 

CMYK 21 / 15 / 0 / 12

HEX #B1BFE0

RGB 177 191 224

HSL 222.13, 0.43%, 0.79%

LAB 77.28, 2.16, -18.07

 

CMYK 22 / 16 / 0 / 20

HEX #A0ADCD

RGB 160 173 205

HSL 222.67, 0.31%, 0.72%

LAB 70.71, 2.37, -17.76

 

CMYK 23 / 17 / 0 / 27

HEX #8F9BBA

RGB 143 155 186

HSL 223.26, 0.24%, 0.65%

LAB 64.02, 2.6, -17.47

 

CMYK 25 / 18 / 0 / 35

HEX #7E89A7

RGB 126 137 167

HSL 223.9, 0.19%, 0.57%

LAB 57.19, 2.85, -17.19

 

CMYK 20 / 14 / 0 / 5

HEX #C3D2F3

RGB 195 210 243

HSL 221.25, 0.67%, 0.86%

LAB 84.05, 1.74, -17.88

 

CMYK 20 / 19 / 0 / 5

HEX #C3C5F3

RGB 195 197 243

HSL 237.5, 0.67%, 0.86%

LAB 80.74, 8.68, -22.89

 

CMYK 15 / 20 / 0 / 5

HEX #CEC3F3

RGB 206 195 243

HSL 253.75, 0.67%, 0.86%

LAB 81.08, 13.17, -22.3

 

CMYK 10 / 20 / 0 / 5

HEX #DBC3F3

RGB 219 195 243

HSL 270, 0.67%, 0.86%

LAB 82.14, 17.28, -20.59

 

CMYK 5 / 20 / 0 / 5

HEX #E8C3F3

RGB 232 195 243

HSL 286.25, 0.67%, 0.86%

LAB 83.26, 21.46, -18.79

 

CMYK 20 / 14 / 0 / 5

HEX #C3D2F3

RGB 195 210 243

HSL 221.25, 0.67%, 0.86%

LAB 84.05, 1.74, -17.88

 

CMYK 20 / 19 / 0 / 5

HEX #C3C5F3

RGB 195 197 243

HSL 237.5, 0.67%, 0.86%

LAB 80.74, 8.68, -22.89

 

CMYK 20 / 20 / 0 / 5

HEX #C3C3F3

RGB 195 195 243

HSL 240, 0.67%, 0.86%

LAB 80.24, 9.76, -23.66

 

CMYK 20 / 14 / 0 / 5

HEX #C3D2F3

RGB 195 210 243

HSL 221.25, 0.67%, 0.86%

LAB 84.05, 1.74, -17.88

 

CMYK 24 / 17 / 0 / 3

HEX #BDCFF8

RGB 189 207 248

HSL 221.69, 0.81%, 0.86%

LAB 83.03, 2.64, -22.12

 

CMYK 28 / 19 / 0 / 0

HEX #B7CDFE

RGB 183 205 254

HSL 221.41, 0.97%, 0.86%

LAB 82.32, 3.34, -26.43

 

CMYK 20 / 14 / 0 / 5

HEX #C3D2F3

RGB 195 210 243

HSL 221.25, 0.67%, 0.86%

LAB 84.05, 1.74, -17.88

 

CMYK 15 / 11 / 0 / 7

HEX #C9D4ED

RGB 201 212 237

HSL 221.67, 0.5%, 0.86%

LAB 84.8, 1.27, -13.53

 

CMYK 11 / 7 / 0 / 9

HEX #CED6E7

RGB 206 214 231

HSL 220.8, 0.34%, 0.86%

LAB 85.5, 0.59, -9.28

 

CMYK 6 / 4 / 0 / 12

HEX #D4D8E1

RGB 212 216 225

HSL 221.54, 0.18%, 0.86%

LAB 86.28, 0.33, -4.89

 

CMYK 1 / 1 / 0 / 14

HEX #DADADC

RGB 218 218 220

HSL 240, 0.03%, 0.86%

LAB 87.1, 0.37, -0.99

 

CMYK 20 / 3 / 0 / 5

HEX #C3ECF3

RGB 195 236 243

HSL 188.75, 0.67%, 0.86%

LAB 90.81, -11.71, -7.79

 

CMYK 20 / 8 / 0 / 5

HEX #C3DFF3

RGB 195 223 243

HSL 205, 0.67%, 0.86%

LAB 87.41, -5.06, -12.84

 

CMYK 20 / 14 / 0 / 5

HEX #C3D2F3

RGB 195 210 243

HSL 221.25, 0.67%, 0.86%

LAB 84.05, 1.74, -17.88

 

CMYK 20 / 19 / 0 / 5

HEX #C3C5F3

RGB 195 197 243

HSL 237.5, 0.67%, 0.86%

LAB 80.74, 8.68, -22.89

 

CMYK 16 / 20 / 0 / 5

HEX #CDC3F3

RGB 205 195 243

HSL 252.5, 0.67%, 0.86%

LAB 81.01, 12.85, -22.42

 

CMYK 45 / 31 / 0 / 10

HEX #7E9EE5

RGB 126 158 229

HSL 221.36, 0.66%, 0.7%

LAB 65.39, 7.46, -39.35

 

CMYK 32 / 22 / 0 / 7

HEX #A0B8EC

RGB 160 184 236

HSL 221.05, 0.67%, 0.78%

LAB 74.71, 3.79, -28.57

 

CMYK 20 / 14 / 0 / 5

HEX #C3D2F3

RGB 195 210 243

HSL 221.25, 0.67%, 0.86%

LAB 84.05, 1.74, -17.88

 

CMYK 8 / 6 / 0 / 2

HEX #E5ECFA

RGB 229 236 250

HSL 220, 0.68%, 0.94%

LAB 93.26, 0.3, -7.56

 

CMYK 20 / 14 / 0 / 5

HEX #C2D1F3

RGB 194 209 243

HSL 221.63, 0.67%, 0.86%

LAB 83.73, 1.97, -18.38

 

CMYK 2 / 20 / 0 / 5

HEX #EDC3F3

RGB 237 195 243

HSL 292.5, 0.67%, 0.86%

LAB 83.71, 23.08, -18.07

 

CMYK 6 / 0 / 20 / 5

HEX #E5F3C3

RGB 229 243 195

HSL 77.5, 0.67%, 0.86%

LAB 93.75, -12.66, 21.64

 

CMYK 20 / 14 / 0 / 5

HEX #C2D1F3

RGB 194 209 243

HSL 221.63, 0.67%, 0.86%

LAB 83.73, 1.97, -18.38

 

CMYK 0 / 20 / 14 / 5

HEX #F3C3D2

RGB 243 195 210

HSL 341.25, 0.67%, 0.86%

LAB 83.3, 19.4, -0.98

 

CMYK 14 / 0 / 20 / 5

HEX #D2F3C3

RGB 210 243 195

HSL 101.25, 0.67%, 0.86%

LAB 92.46, -19.27, 19.64

 

CMYK 20 / 14 / 0 / 5

HEX #C2D1F3

RGB 194 209 243

HSL 221.63, 0.67%, 0.86%

LAB 83.73, 1.97, -18.38

 

CMYK 2 / 20 / 0 / 5

HEX #EDC3F3

RGB 237 195 243

HSL 292.5, 0.67%, 0.86%

LAB 83.71, 23.08, -18.07

 

CMYK 0 / 6 / 20 / 5

HEX #F3E4C3

RGB 243 228 195

HSL 41.25, 0.67%, 0.86%

LAB 91, -0.08, 17.96

 

CMYK 18 / 0 / 20 / 5

HEX #C8F3C3

RGB 200 243 195

HSL 113.75, 0.67%, 0.86%

LAB 91.83, -22.64, 18.67

 

CMYK 20 / 14 / 0 / 5

HEX #C2D1F3

RGB 194 209 243

HSL 221.63, 0.67%, 0.86%

LAB 83.73, 1.97, -18.38

 

CMYK 0 / 20 / 4 / 5

HEX #F3C3EA

RGB 243 195 234

HSL 311.25, 0.67%, 0.86%

LAB 83.98, 23.43, -12.81

 

CMYK 0 / 6 / 20 / 5

HEX #F3E4C3

RGB 243 228 195

HSL 41.25, 0.67%, 0.86%

LAB 91, -0.08, 17.96

 

CMYK 20 / 0 / 16 / 5

HEX #C3F3CC

RGB 195 243 204

HSL 131.25, 0.67%, 0.86%

LAB 91.71, -22.74, 13.82

 

Description

Color code: HEX #C2D1F3 | qconv.com Color code: HEX #C2D1F3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 209 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 209 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 14 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 14% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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