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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2D354 it is the complementary color #3D2CAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2D354. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2D354 shade: #C7D34F, #D8E562, #E9F775, #FAFF88 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2D354. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2D354 shade: #C2D354, #B1C141, #A0AF2E, #8F9D1B and #7E8B08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2D354 shade: #C2D354, #D3C154, #D39F54, #D37D54 and #D35B54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2D354 shade: #C2D354, #A0D354, #7ED354, #5BD354 and #54D36F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2D354 shade matches the following richer shades: #C2D354, #CEE443 and #DBF532

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2D354 shade: #C2D354, #B5C166, #A8B077, #9C9F88 and #8F8D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2D354 shade: #D3A054, #D3C254, #C2D354, #A0D354 and #7ED354

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2D354 shade: #98A92B, #B6CA34, #C2D354, #CDDB75 and #D9E496

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2D354 shade: #C2D354, #54D37E and #B154D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2D354 shade: #C2D354, #54C2D3 and #D354C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2D354 shade: #C2D354, #54D37E, #6554D3 and #D354A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2D354 shade: #C2D354, #54D3A4, #6554D3 and #D35483

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 60 / 17

HEX #C2D354

RGB 194 211 84

HSL 68.03, 0.59%, 0.58%

LAB 81.13, -22.86, 59.27

 

Complementary color

CMYK 64 / 74 / 0 / 33

HEX #3D2CAB

RGB 61 44 171

HSL 248.03, 0.59%, 0.42%

LAB 28.73, 44.61, -65.03

 

CMYK 6 / 0 / 63 / 17

HEX #C7D34F

RGB 199 211 79

HSL 65.45, 0.6%, 0.57%

LAB 81.45, -21.17, 61.83

 

CMYK 6 / 0 / 57 / 10

HEX #D8E562

RGB 216 229 98

HSL 65.95, 0.72%, 0.64%

LAB 87.74, -21.72, 61.01

 

CMYK 6 / 0 / 53 / 3

HEX #E9F775

RGB 233 247 117

HSL 66.46, 0.89%, 0.71%

LAB 93.94, -22.18, 60.04

 

CMYK 2 / 0 / 47 / 0

HEX #FAFF88

RGB 250 255 136

HSL 62.52, 1%, 0.77%

LAB 97.48, -17.78, 55.88

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 8 / 0 / 60 / 17

HEX #C2D354

RGB 194 211 84

HSL 68.03, 0.59%, 0.58%

LAB 81.13, -22.86, 59.27

 

CMYK 8 / 0 / 66 / 24

HEX #B1C141

RGB 177 193 65

HSL 67.5, 0.51%, 0.51%

LAB 74.74, -22.29, 59.95

 

CMYK 9 / 0 / 74 / 31

HEX #A0AF2E

RGB 160 175 46

HSL 66.98, 0.58%, 0.43%

LAB 68.26, -21.57, 60.19

 

CMYK 9 / 0 / 83 / 38

HEX #8F9D1B

RGB 143 157 27

HSL 66.46, 0.71%, 0.36%

LAB 61.68, -20.65, 59.6

 

CMYK 9 / 0 / 94 / 45

HEX #7E8B08

RGB 126 139 8

HSL 65.95, 0.89%, 0.29%

LAB 54.99, -19.49, 57.55

 

CMYK 8 / 0 / 60 / 17

HEX #C2D354

RGB 194 211 84

HSL 68.03, 0.59%, 0.58%

LAB 81.13, -22.86, 59.27

 

CMYK 0 / 9 / 60 / 17

HEX #D3C154

RGB 211 193 84

HSL 51.5, 0.59%, 0.58%

LAB 77.66, -6.81, 55.85

 

CMYK 0 / 25 / 60 / 17

HEX #D39F54

RGB 211 159 84

HSL 35.43, 0.59%, 0.58%

LAB 68.96, 11.17, 45.98

 

CMYK 0 / 41 / 60 / 17

HEX #D37D54

RGB 211 125 84

HSL 19.37, 0.59%, 0.58%

LAB 60.92, 29.54, 36.39

 

CMYK 0 / 57 / 60 / 17

HEX #D35B54

RGB 211 91 84

HSL 3.31, 0.59%, 0.58%

LAB 54, 46.87, 27.73

 

CMYK 8 / 0 / 60 / 17

HEX #C2D354

RGB 194 211 84

HSL 68.03, 0.59%, 0.58%

LAB 81.13, -22.86, 59.27

 

CMYK 24 / 0 / 60 / 17

HEX #A0D354

RGB 160 211 84

HSL 84.09, 0.59%, 0.58%

LAB 78.87, -36.13, 56.15

 

CMYK 40 / 0 / 60 / 17

HEX #7ED354

RGB 126 211 84

HSL 100.16, 0.59%, 0.58%

LAB 77.08, -48.02, 53.65

 

CMYK 57 / 0 / 60 / 17

HEX #5BD354

RGB 91 211 84

HSL 116.69, 0.59%, 0.58%

LAB 75.73, -57.98, 51.76

 

CMYK 60 / 0 / 47 / 17

HEX #54D36F

RGB 84 211 111

HSL 132.76, 0.59%, 0.58%

LAB 75.84, -56.1, 39.15

 

CMYK 8 / 0 / 60 / 17

HEX #C2D354

RGB 194 211 84

HSL 68.03, 0.59%, 0.58%

LAB 81.13, -22.86, 59.27

 

CMYK 10 / 0 / 71 / 11

HEX #CEE443

RGB 206 228 67

HSL 68.2, 0.75%, 0.58%

LAB 86.51, -27.21, 71.7

 

CMYK 11 / 0 / 80 / 4

HEX #DBF532

RGB 219 245 50

HSL 68, 0.91%, 0.58%

LAB 91.95, -30.65, 82.18

 

CMYK 8 / 0 / 60 / 17

HEX #C2D354

RGB 194 211 84

HSL 68.03, 0.59%, 0.58%

LAB 81.13, -22.86, 59.27

 

CMYK 6 / 0 / 47 / 24

HEX #B5C166

RGB 181 193 102

HSL 67.91, 0.42%, 0.58%

LAB 75.4, -17.66, 44.14

 

CMYK 5 / 0 / 32 / 31

HEX #A8B077

RGB 168 176 119

HSL 68.42, 0.27%, 0.58%

LAB 69.97, -12.17, 28.32

 

CMYK 2 / 0 / 14 / 38

HEX #9C9F88

RGB 156 159 136

HSL 67.83, 0.11%, 0.58%

LAB 64.68, -5.24, 11.65

 

CMYK 7 / 8 / 0 / 40

HEX #8F8D9A

RGB 143 141 154

HSL 249.23, 0.06%, 0.58%

LAB 59.18, 3.35, -6.62

 

CMYK 0 / 24 / 60 / 17

HEX #D3A054

RGB 211 160 84

HSL 35.91, 0.59%, 0.58%

LAB 69.21, 10.63, 46.26

 

CMYK 0 / 8 / 60 / 17

HEX #D3C254

RGB 211 194 84

HSL 51.97, 0.59%, 0.58%

LAB 77.92, -7.32, 56.14

 

CMYK 8 / 0 / 60 / 17

HEX #C2D354

RGB 194 211 84

HSL 68.03, 0.59%, 0.58%

LAB 81.13, -22.86, 59.27

 

CMYK 24 / 0 / 60 / 17

HEX #A0D354

RGB 160 211 84

HSL 84.09, 0.59%, 0.58%

LAB 78.87, -36.13, 56.15

 

CMYK 40 / 0 / 60 / 17

HEX #7ED354

RGB 126 211 84

HSL 100.16, 0.59%, 0.58%

LAB 77.08, -48.02, 53.65

 

CMYK 10 / 0 / 75 / 34

HEX #98A92B

RGB 152 169 43

HSL 68.1, 0.59%, 0.42%

LAB 65.92, -22.13, 58.79

 

CMYK 10 / 0 / 74 / 21

HEX #B6CA34

RGB 182 202 52

HSL 68, 0.59%, 0.5%

LAB 77.54, -25.3, 67.55

 

CMYK 8 / 0 / 60 / 17

HEX #C2D354

RGB 194 211 84

HSL 68.03, 0.59%, 0.58%

LAB 81.13, -22.86, 59.27

 

CMYK 6 / 0 / 47 / 14

HEX #CDDB75

RGB 205 219 117

HSL 68.24, 0.59%, 0.66%

LAB 84.45, -19.56, 48.26

 

CMYK 5 / 0 / 34 / 11

HEX #D9E496

RGB 217 228 150

HSL 68.46, 0.59%, 0.74%

LAB 88.18, -15.74, 36.89

 

CMYK 8 / 0 / 60 / 17

HEX #C2D354

RGB 194 211 84

HSL 68.03, 0.59%, 0.58%

LAB 81.13, -22.86, 59.27

 

CMYK 60 / 0 / 40 / 17

HEX #54D37E

RGB 84 211 126

HSL 139.84, 0.59%, 0.58%

LAB 76.06, -53.68, 31.89

 

CMYK 16 / 60 / 0 / 17

HEX #B154D3

RGB 177 84 211

HSL 283.94, 0.59%, 0.58%

LAB 52.28, 57.34, -49.66

 

CMYK 8 / 0 / 60 / 17

HEX #C2D354

RGB 194 211 84

HSL 68.03, 0.59%, 0.58%

LAB 81.13, -22.86, 59.27

 

CMYK 60 / 8 / 0 / 17

HEX #54C2D3

RGB 84 194 211

HSL 188.03, 0.59%, 0.58%

LAB 73, -26.27, -17.93

 

CMYK 0 / 60 / 8 / 17

HEX #D354C2

RGB 211 84 194

HSL 308.03, 0.59%, 0.58%

LAB 56.17, 62.89, -33.47

 

CMYK 8 / 0 / 60 / 17

HEX #C2D354

RGB 194 211 84

HSL 68.03, 0.59%, 0.58%

LAB 81.13, -22.86, 59.27

 

CMYK 60 / 0 / 40 / 17

HEX #54D37E

RGB 84 211 126

HSL 139.84, 0.59%, 0.58%

LAB 76.06, -53.68, 31.89

 

CMYK 52 / 60 / 0 / 17

HEX #6554D3

RGB 101 84 211

HSL 248.03, 0.59%, 0.58%

LAB 43.96, 40.4, -63.48

 

CMYK 0 / 60 / 20 / 17

HEX #D354A8

RGB 211 84 168

HSL 320.31, 0.59%, 0.58%

LAB 55.09, 59, -20.11

 

CMYK 8 / 0 / 60 / 17

HEX #C2D354

RGB 194 211 84

HSL 68.03, 0.59%, 0.58%

LAB 81.13, -22.86, 59.27

 

CMYK 60 / 0 / 22 / 17

HEX #54D3A4

RGB 84 211 164

HSL 157.8, 0.59%, 0.58%

LAB 76.77, -46.16, 12.96

 

CMYK 52 / 60 / 0 / 17

HEX #6554D3

RGB 101 84 211

HSL 248.03, 0.59%, 0.58%

LAB 43.96, 40.4, -63.48

 

CMYK 0 / 60 / 38 / 17

HEX #D35483

RGB 211 84 131

HSL 337.8, 0.59%, 0.58%

LAB 53.84, 54.34, -0.2

 

Description

Color code: HEX #C2D354 | qconv.com Color code: HEX #C2D354 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 211 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 211 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 60 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 60% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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