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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2DDB0 it is the complementary color #3D224F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2DDB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2DDB0 shade: #C7DDAB, #D8EFBE, #E9FFD1, #FAFFE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2DDB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2DDB0 shade: #C2DDB0, #B1CB9D, #A0B98A, #8FA777 and #7E9564

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2DDB0 shade: #C2DDB0, #CEDDB0, #DADDB0, #DDD3B0 and #DDC7B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2DDB0 shade: #C2DDB0, #B6DDB0, #B0DDB6, #B0DDC2 and #B0DDCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2DDB0 shade matches the following richer shades: #C2DDB0, #C0E6A7, #BEEF9E and #BCF895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2DDB0 shade: #C2DDB0, #C4D4B9, #C6CBC2, #C7C2CB and #C9B9D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2DDB0 shade: #DADDB0, #CEDDB0, #C2DDB0, #B6DDB0 and #B0DDB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2DDB0 shade: #95C476, #ACD093, #C2DDB0, #D8E9CD and #EEF6EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2DDB0 shade: #C2DDB0, #B0DDD4 and #DDB0D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2DDB0 shade: #C2DDB0, #B0C2DD and #DDB0C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2DDB0 shade: #C2DDB0, #B0DDD4, #CBB0DD and #DDB0B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2DDB0 shade: #C2DDB0, #B0D8DD, #CBB0DD and #DDB4B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 20 / 13

HEX #C2DDB0

RGB 194 221 176

HSL 96, 0.4%, 0.78%

LAB 85.16, -17.01, 19.16

 

Complementary color

CMYK 23 / 57 / 0 / 69

HEX #3D224F

RGB 61 34 79

HSL 276, 0.4%, 0.22%

LAB 18.8, 22.56, -22.75

 

CMYK 10 / 0 / 23 / 13

HEX #C7DDAB

RGB 199 221 171

HSL 86.4, 0.42%, 0.77%

LAB 85.4, -16.02, 22.16

 

CMYK 10 / 0 / 21 / 6

HEX #D8EFBE

RGB 216 239 190

HSL 88.16, 0.6%, 0.84%

LAB 91.71, -16.01, 21.23

 

CMYK 9 / 0 / 18 / 0

HEX #E9FFD1

RGB 233 255 209

HSL 88.7, 1%, 0.91%

LAB 97.41, -15.03, 19.61

 

CMYK 2 / 0 / 11 / 0

HEX #FAFFE4

RGB 250 255 228

HSL 71.11, 1%, 0.95%

LAB 99, -6.2, 12.33

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 12 / 0 / 20 / 13

HEX #C2DDB0

RGB 194 221 176

HSL 96, 0.4%, 0.78%

LAB 85.16, -17.01, 19.16

 

CMYK 13 / 0 / 23 / 20

HEX #B1CB9D

RGB 177 203 157

HSL 93.91, 0.31%, 0.71%

LAB 78.75, -17.05, 20.1

 

CMYK 14 / 0 / 25 / 27

HEX #A0B98A

RGB 160 185 138

HSL 91.91, 0.25%, 0.63%

LAB 72.23, -17.1, 21.1

 

CMYK 14 / 0 / 29 / 35

HEX #8FA777

RGB 143 167 119

HSL 90, 0.21%, 0.56%

LAB 65.6, -17.15, 22.15

 

CMYK 15 / 0 / 33 / 42

HEX #7E9564

RGB 126 149 100

HSL 88.16, 0.2%, 0.49%

LAB 58.84, -17.2, 23.27

 

CMYK 12 / 0 / 20 / 13

HEX #C2DDB0

RGB 194 221 176

HSL 96, 0.4%, 0.78%

LAB 85.16, -17.01, 19.16

 

CMYK 7 / 0 / 20 / 13

HEX #CEDDB0

RGB 206 221 176

HSL 80, 0.4%, 0.78%

LAB 85.99, -12.74, 20.45

 

CMYK 1 / 0 / 20 / 13

HEX #DADDB0

RGB 218 221 176

HSL 64, 0.4%, 0.78%

LAB 86.88, -8.39, 21.81

 

CMYK 0 / 5 / 20 / 13

HEX #DDD3B0

RGB 221 211 176

HSL 46.67, 0.4%, 0.78%

LAB 84.53, -2.16, 18.59

 

CMYK 0 / 10 / 20 / 13

HEX #DDC7B0

RGB 221 199 176

HSL 30.67, 0.4%, 0.78%

LAB 81.49, 4.09, 14.33

 

CMYK 12 / 0 / 20 / 13

HEX #C2DDB0

RGB 194 221 176

HSL 96, 0.4%, 0.78%

LAB 85.16, -17.01, 19.16

 

CMYK 18 / 0 / 20 / 13

HEX #B6DDB0

RGB 182 221 176

HSL 112, 0.4%, 0.78%

LAB 84.38, -21.16, 17.96

 

CMYK 20 / 0 / 18 / 13

HEX #B0DDB6

RGB 176 221 182

HSL 128, 0.4%, 0.78%

LAB 84.13, -22.13, 14.41

 

CMYK 20 / 0 / 12 / 13

HEX #B0DDC2

RGB 176 221 194

HSL 144, 0.4%, 0.78%

LAB 84.4, -19.93, 8.47

 

CMYK 20 / 0 / 7 / 13

HEX #B0DDCE

RGB 176 221 206

HSL 160, 0.4%, 0.78%

LAB 84.69, -17.6, 2.55

 

CMYK 12 / 0 / 20 / 13

HEX #C2DDB0

RGB 194 221 176

HSL 96, 0.4%, 0.78%

LAB 85.16, -17.01, 19.16

 

CMYK 17 / 0 / 27 / 10

HEX #C0E6A7

RGB 192 230 167

HSL 96.19, 0.56%, 0.78%

LAB 87.29, -23.52, 26.74

 

CMYK 21 / 0 / 34 / 6

HEX #BEEF9E

RGB 190 239 158

HSL 96.3, 0.72%, 0.78%

LAB 89.46, -29.82, 34.21

 

CMYK 24 / 0 / 40 / 3

HEX #BCF895

RGB 188 248 149

HSL 96.36, 0.88%, 0.78%

LAB 91.68, -35.87, 41.56

 

CMYK 12 / 0 / 20 / 13

HEX #C2DDB0

RGB 194 221 176

HSL 96, 0.4%, 0.78%

LAB 85.16, -17.01, 19.16

 

CMYK 8 / 0 / 13 / 17

HEX #C4D4B9

RGB 196 212 185

HSL 95.56, 0.24%, 0.78%

LAB 83.09, -10.27, 11.53

 

CMYK 2 / 0 / 4 / 20

HEX #C6CBC2

RGB 198 203 194

HSL 93.33, 0.08%, 0.78%

LAB 81.08, -3.35, 3.88

 

CMYK 2 / 4 / 0 / 20

HEX #C7C2CB

RGB 199 194 203

HSL 273.33, 0.08%, 0.78%

LAB 79.06, 3.4, -3.89

 

CMYK 5 / 13 / 0 / 17

HEX #C9B9D4

RGB 201 185 212

HSL 275.56, 0.24%, 0.78%

LAB 77.2, 10.64, -11.5

 

CMYK 1 / 0 / 20 / 13

HEX #DADDB0

RGB 218 221 176

HSL 64, 0.4%, 0.78%

LAB 86.88, -8.39, 21.81

 

CMYK 7 / 0 / 20 / 13

HEX #CEDDB0

RGB 206 221 176

HSL 80, 0.4%, 0.78%

LAB 85.99, -12.74, 20.45

 

CMYK 12 / 0 / 20 / 13

HEX #C2DDB0

RGB 194 221 176

HSL 96, 0.4%, 0.78%

LAB 85.16, -17.01, 19.16

 

CMYK 18 / 0 / 20 / 13

HEX #B6DDB0

RGB 182 221 176

HSL 112, 0.4%, 0.78%

LAB 84.38, -21.16, 17.96

 

CMYK 20 / 0 / 18 / 13

HEX #B0DDB6

RGB 176 221 182

HSL 128, 0.4%, 0.78%

LAB 84.13, -22.13, 14.41

 

CMYK 24 / 0 / 40 / 23

HEX #95C476

RGB 149 196 118

HSL 96.15, 0.4%, 0.62%

LAB 74.3, -29.48, 34.25

 

CMYK 17 / 0 / 29 / 18

HEX #ACD093

RGB 172 208 147

HSL 95.41, 0.39%, 0.7%

LAB 79.61, -22.88, 26.48

 

CMYK 12 / 0 / 20 / 13

HEX #C2DDB0

RGB 194 221 176

HSL 96, 0.4%, 0.78%

LAB 85.16, -17.01, 19.16

 

CMYK 7 / 0 / 12 / 9

HEX #D8E9CD

RGB 216 233 205

HSL 96.43, 0.39%, 0.86%

LAB 90.45, -10.61, 11.7

 

CMYK 3 / 0 / 5 / 4

HEX #EEF6EA

RGB 238 246 234

HSL 100, 0.4%, 0.94%

LAB 96.01, -4.75, 4.84

 

CMYK 12 / 0 / 20 / 13

HEX #C2DDB0

RGB 194 221 176

HSL 96, 0.4%, 0.78%

LAB 85.16, -17.01, 19.16

 

CMYK 20 / 0 / 4 / 13

HEX #B0DDD4

RGB 176 221 212

HSL 168, 0.4%, 0.78%

LAB 84.84, -16.38, -0.41

 

CMYK 0 / 20 / 4 / 13

HEX #DDB0D4

RGB 221 176 212

HSL 312, 0.4%, 0.78%

LAB 76.79, 22.27, -11.94

 

CMYK 12 / 0 / 20 / 13

HEX #C2DDB0

RGB 194 221 176

HSL 96, 0.4%, 0.78%

LAB 85.16, -17.01, 19.16

 

CMYK 20 / 12 / 0 / 13

HEX #B0C2DD

RGB 176 194 221

HSL 216, 0.4%, 0.78%

LAB 77.9, -0.43, -15.52

 

CMYK 0 / 20 / 12 / 13

HEX #DDB0C2

RGB 221 176 194

HSL 336, 0.4%, 0.78%

LAB 76.26, 19.17, -2.91

 

CMYK 12 / 0 / 20 / 13

HEX #C2DDB0

RGB 194 221 176

HSL 96, 0.4%, 0.78%

LAB 85.16, -17.01, 19.16

 

CMYK 20 / 0 / 4 / 13

HEX #B0DDD4

RGB 176 221 212

HSL 168, 0.4%, 0.78%

LAB 84.84, -16.38, -0.41

 

CMYK 8 / 20 / 0 / 13

HEX #CBB0DD

RGB 203 176 221

HSL 276, 0.4%, 0.78%

LAB 75.43, 17.97, -19.03

 

CMYK 0 / 20 / 16 / 13

HEX #DDB0B9

RGB 221 176 185

HSL 348, 0.4%, 0.78%

LAB 76.02, 17.72, 1.65

 

CMYK 12 / 0 / 20 / 13

HEX #C2DDB0

RGB 194 221 176

HSL 96, 0.4%, 0.78%

LAB 85.16, -17.01, 19.16

 

CMYK 20 / 2 / 0 / 13

HEX #B0D8DD

RGB 176 216 221

HSL 186.67, 0.4%, 0.78%

LAB 83.74, -11.96, -6.8

 

CMYK 8 / 20 / 0 / 13

HEX #CBB0DD

RGB 203 176 221

HSL 276, 0.4%, 0.78%

LAB 75.43, 17.97, -19.03

 

CMYK 0 / 19 / 20 / 13

HEX #DDB4B0

RGB 221 180 176

HSL 5.33, 0.4%, 0.78%

LAB 76.77, 14.19, 7.62

 

Description

Color code: HEX #C2DDB0 | qconv.com Color code: HEX #C2DDB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 221 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 221 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 20 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 20% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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