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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2DDFB it is the complementary color #3D2204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2DDFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2DDFB shade: #C7DDF6, #D8EFFF, #E9FFFF and #FAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2DDFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2DDFB shade: #C2DDFB, #B1CBE8, #A0B9D5, #8FA7C2 and #7E95AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2DDFB shade: #C0DCFB, #C0CCFB, #C4C0FB, #D4C0FB and #E3C0FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2DDFB shade: #C0DCFB, #C0CCFB and #C0C0FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2DDFB shade matches the following richer shades: #C0DCFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2DDFB shade: #C0DCFB, #C6DCF5, #CBDCF0, #D0DDEA and #D6DDE5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2DDFB shade: #C0FBFA, #C0ECFB, #C0DCFB, #C0CDFB and #C3C0FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2DDFB shade: #73B1F6, #99C6F8, #C0DCFB and #E7F1FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2DDFB shade: #C2DDFB, #EAC0FB and #F4FBC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2DDFB shade: #C2DDFB, #FBC0DC and #DCFBC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2DDFB shade: #C2DDFB, #EAC0FB, #FBDEC0 and #D1FBC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2DDFB shade: #C2DDFB, #FBC0FA, #FBDEC0 and #C0FBC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 12 / 0 / 2

HEX #C2DDFB

RGB 194 221 251

HSL 211.58, 0.88%, 0.87%

LAB 87.07, -2.58, -17.57

 

Complementary color

CMYK 0 / 44 / 93 / 76

HEX #3D2204

RGB 61 34 4

HSL 31.58, 0.88%, 0.13%

LAB 16.23, 10.14, 22.32

 

CMYK 19 / 10 / 0 / 4

HEX #C7DDF6

RGB 199 221 246

HSL 211.91, 0.72%, 0.87%

LAB 87.25, -2.16, -14.64

 

CMYK 15 / 6 / 0 / 0

HEX #D8EFFF

RGB 216 239 255

HSL 204.62, 1%, 0.92%

LAB 93.26, -4.35, -10.26

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 23 / 12 / 0 / 2

HEX #C2DDFB

RGB 194 221 251

HSL 211.58, 0.88%, 0.87%

LAB 87.07, -2.58, -17.57

 

CMYK 24 / 13 / 0 / 9

HEX #B1CBE8

RGB 177 203 232

HSL 211.64, 0.54%, 0.8%

LAB 80.67, -2.45, -17.23

 

CMYK 25 / 13 / 0 / 16

HEX #A0B9D5

RGB 160 185 213

HSL 211.7, 0.39%, 0.73%

LAB 74.17, -2.31, -16.9

 

CMYK 26 / 14 / 0 / 24

HEX #8FA7C2

RGB 143 167 194

HSL 211.76, 0.29%, 0.66%

LAB 67.56, -2.17, -16.57

 

CMYK 28 / 15 / 0 / 31

HEX #7E95AF

RGB 126 149 175

HSL 211.84, 0.23%, 0.59%

LAB 60.8, -2.01, -16.26

 

CMYK 24 / 12 / 0 / 2

HEX #C0DCFB

RGB 192 220 251

HSL 211.53, 0.88%, 0.87%

LAB 86.68, -2.65, -18.17

 

CMYK 24 / 19 / 0 / 2

HEX #C0CCFB

RGB 192 204 251

HSL 227.8, 0.88%, 0.87%

LAB 82.57, 5.81, -24.4

 

CMYK 22 / 24 / 0 / 2

HEX #C4C0FB

RGB 196 192 251

HSL 244.07, 0.88%, 0.87%

LAB 79.84, 13.48, -28.54

 

CMYK 16 / 24 / 0 / 2

HEX #D4C0FB

RGB 212 192 251

HSL 260.34, 0.88%, 0.87%

LAB 81.11, 18.35, -26.49

 

CMYK 10 / 24 / 0 / 2

HEX #E3C0FB

RGB 227 192 251

HSL 275.59, 0.88%, 0.87%

LAB 82.38, 23.03, -24.44

 

CMYK 24 / 12 / 0 / 2

HEX #C0DCFB

RGB 192 220 251

HSL 211.53, 0.88%, 0.87%

LAB 86.68, -2.65, -18.17

 

CMYK 24 / 19 / 0 / 2

HEX #C0CCFB

RGB 192 204 251

HSL 227.8, 0.88%, 0.87%

LAB 82.57, 5.81, -24.4

 

CMYK 24 / 24 / 0 / 2

HEX #C0C0FB

RGB 192 192 251

HSL 240, 0.88%, 0.87%

LAB 79.54, 12.29, -29.03

 

CMYK 24 / 12 / 0 / 2

HEX #C0DCFB

RGB 192 220 251

HSL 211.53, 0.88%, 0.87%

LAB 86.68, -2.65, -18.17

 

CMYK 24 / 12 / 0 / 2

HEX #C0DCFB

RGB 192 220 251

HSL 211.53, 0.88%, 0.87%

LAB 86.68, -2.65, -18.17

 

CMYK 19 / 10 / 0 / 4

HEX #C6DCF5

RGB 198 220 245

HSL 211.91, 0.7%, 0.87%

LAB 86.89, -2.16, -14.65

 

CMYK 15 / 8 / 0 / 6

HEX #CBDCF0

RGB 203 220 240

HSL 212.43, 0.55%, 0.87%

LAB 87.08, -1.67, -11.7

 

CMYK 11 / 6 / 0 / 8

HEX #D0DDEA

RGB 208 221 234

HSL 210, 0.38%, 0.87%

LAB 87.52, -1.82, -7.85

 

CMYK 7 / 3 / 0 / 10

HEX #D6DDE5

RGB 214 221 229

HSL 212, 0.22%, 0.87%

LAB 87.81, -0.85, -4.74

 

CMYK 24 / 0 / 0 / 2

HEX #C0FBFA

RGB 192 251 250

HSL 178.98, 0.88%, 0.87%

LAB 94.78, -18.59, -5.57

 

CMYK 24 / 6 / 0 / 2

HEX #C0ECFB

RGB 192 236 251

HSL 195.25, 0.88%, 0.87%

LAB 90.85, -10.89, -11.92

 

CMYK 24 / 12 / 0 / 2

HEX #C0DCFB

RGB 192 220 251

HSL 211.53, 0.88%, 0.87%

LAB 86.68, -2.65, -18.17

 

CMYK 24 / 18 / 0 / 2

HEX #C0CDFB

RGB 192 205 251

HSL 226.78, 0.88%, 0.87%

LAB 82.83, 5.28, -24.01

 

CMYK 22 / 24 / 0 / 2

HEX #C3C0FB

RGB 195 192 251

HSL 243.05, 0.88%, 0.87%

LAB 79.77, 13.18, -28.66

 

CMYK 53 / 28 / 0 / 4

HEX #73B1F6

RGB 115 177 246

HSL 211.6, 0.88%, 0.71%

LAB 70.69, -0.78, -40.4

 

CMYK 38 / 20 / 0 / 3

HEX #99C6F8

RGB 153 198 248

HSL 211.58, 0.87%, 0.79%

LAB 78.43, -2.64, -29.35

 

CMYK 24 / 12 / 0 / 2

HEX #C0DCFB

RGB 192 220 251

HSL 211.53, 0.88%, 0.87%

LAB 86.68, -2.65, -18.17

 

CMYK 9 / 5 / 0 / 1

HEX #E7F1FD

RGB 231 241 253

HSL 212.73, 0.85%, 0.95%

LAB 94.73, -1.05, -6.92

 

CMYK 23 / 12 / 0 / 2

HEX #C2DDFB

RGB 194 221 251

HSL 211.58, 0.88%, 0.87%

LAB 87.07, -2.58, -17.57

 

CMYK 7 / 24 / 0 / 2

HEX #EAC0FB

RGB 234 192 251

HSL 282.71, 0.88%, 0.87%

LAB 83, 25.24, -23.44

 

CMYK 3 / 0 / 24 / 2

HEX #F4FBC0

RGB 244 251 192

HSL 67.12, 0.88%, 0.87%

LAB 96.83, -11.69, 27.58

 

CMYK 23 / 12 / 0 / 2

HEX #C2DDFB

RGB 194 221 251

HSL 211.58, 0.88%, 0.87%

LAB 87.07, -2.58, -17.57

 

CMYK 0 / 24 / 12 / 2

HEX #FBC0DC

RGB 251 192 220

HSL 331.53, 0.88%, 0.87%

LAB 83.64, 25.36, -5.75

 

CMYK 12 / 0 / 24 / 2

HEX #DCFBC0

RGB 220 251 192

HSL 91.53, 0.88%, 0.87%

LAB 95.17, -20.18, 25.03

 

CMYK 23 / 12 / 0 / 2

HEX #C2DDFB

RGB 194 221 251

HSL 211.58, 0.88%, 0.87%

LAB 87.07, -2.58, -17.57

 

CMYK 7 / 24 / 0 / 2

HEX #EAC0FB

RGB 234 192 251

HSL 282.71, 0.88%, 0.87%

LAB 83, 25.24, -23.44

 

CMYK 0 / 12 / 24 / 2

HEX #FBDEC0

RGB 251 222 192

HSL 30.51, 0.88%, 0.87%

LAB 90.12, 5.49, 18.38

 

CMYK 17 / 0 / 24 / 2

HEX #D1FBC0

RGB 209 251 192

HSL 102.71, 0.88%, 0.87%

LAB 94.46, -23.95, 23.95

 

CMYK 23 / 12 / 0 / 2

HEX #C2DDFB

RGB 194 221 251

HSL 211.58, 0.88%, 0.87%

LAB 87.07, -2.58, -17.57

 

CMYK 0 / 24 / 0 / 2

HEX #FBC0FA

RGB 251 192 250

HSL 301.02, 0.88%, 0.87%

LAB 84.54, 30.49, -20.42

 

CMYK 0 / 12 / 24 / 2

HEX #FBDEC0

RGB 251 222 192

HSL 30.51, 0.88%, 0.87%

LAB 90.12, 5.49, 18.38

 

CMYK 24 / 0 / 23 / 2

HEX #C0FBC1

RGB 192 251 193

HSL 121.02, 0.88%, 0.87%

LAB 93.47, -29.41, 21.91

 

Description

Color code: HEX #C2DDFB | qconv.com Color code: HEX #C2DDFB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 221 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 221 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 12 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 12% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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