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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2E3AA it is the complementary color #3D1C55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2E3AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2E3AA shade: #C7E3A5, #D8F5B8, #E9FFCB, #FAFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2E3AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2E3AA shade: #C2E3AA, #B1D197, #A0BF84, #8FAD71 and #7E9B5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2E3AA shade: #C2E2AA, #D1E2AA, #E0E2AA, #E2D6AA and #E2C6AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2E3AA shade: #C2E2AA, #B3E2AA, #AAE2B1, #AAE2C0 and #AAE2CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2E3AA shade matches the following richer shades: #C2E2AA, #C1ECA1, #BFF598 and #BEFE8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2E3AA shade: #C2E2AA, #C3D9B3, #C5D0BD, #C6C7C6 and #C8BECF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2E3AA shade: #E1E2AA, #D2E2AA, #C3E2AA, #B4E2AA and #AAE2B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2E3AA shade: #95CE6C, #ACD88B, #C2E2AA, #D8EDC9 and #EEF7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2E3AA shade: #C2E3AA, #AAE2D5 and #E2AAD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2E3AA shade: #C2E3AA, #AAC3E2 and #E2AAC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2E3AA shade: #C2E3AA, #AAE2D5, #CAAAE2 and #E2AAB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2E3AA shade: #C2E3AA, #AADFE2, #CAAAE2 and #E2AEAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 25 / 11

HEX #C2E3AA

RGB 194 227 170

HSL 94.74, 0.5%, 0.78%

LAB 86.66, -20.91, 24.35

 

Complementary color

CMYK 28 / 67 / 0 / 67

HEX #3D1C55

RGB 61 28 85

HSL 274.74, 0.5%, 0.22%

LAB 17.82, 27.84, -28.36

 

CMYK 12 / 0 / 27 / 11

HEX #C7E3A5

RGB 199 227 165

HSL 87.1, 0.53%, 0.77%

LAB 86.9, -19.88, 27.31

 

CMYK 12 / 0 / 25 / 4

HEX #D8F5B8

RGB 216 245 184

HSL 88.52, 0.75%, 0.84%

LAB 93.17, -19.86, 26.32

 

CMYK 9 / 0 / 20 / 0

HEX #E9FFCB

RGB 233 255 203

HSL 85.38, 1%, 0.9%

LAB 97.29, -15.95, 22.5

 

CMYK 2 / 0 / 13 / 0

HEX #FAFFDE

RGB 250 255 222

HSL 69.09, 1%, 0.94%

LAB 98.87, -7.14, 15.22

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 15 / 0 / 25 / 11

HEX #C2E3AA

RGB 194 227 170

HSL 94.74, 0.5%, 0.78%

LAB 86.66, -20.91, 24.35

 

CMYK 15 / 0 / 28 / 18

HEX #B1D197

RGB 177 209 151

HSL 93.1, 0.39%, 0.71%

LAB 80.28, -20.98, 25.36

 

CMYK 16 / 0 / 31 / 25

HEX #A0BF84

RGB 160 191 132

HSL 91.53, 0.32%, 0.63%

LAB 73.81, -21.05, 26.42

 

CMYK 17 / 0 / 35 / 32

HEX #8FAD71

RGB 143 173 113

HSL 90, 0.27%, 0.56%

LAB 67.22, -21.11, 27.54

 

CMYK 19 / 0 / 39 / 39

HEX #7E9B5E

RGB 126 155 94

HSL 88.52, 0.24%, 0.49%

LAB 60.5, -21.16, 28.73

 

CMYK 14 / 0 / 25 / 11

HEX #C2E2AA

RGB 194 226 170

HSL 94.29, 0.49%, 0.78%

LAB 86.39, -20.42, 23.98

 

CMYK 8 / 0 / 25 / 11

HEX #D1E2AA

RGB 209 226 170

HSL 78.21, 0.49%, 0.78%

LAB 87.41, -15.05, 25.55

 

CMYK 1 / 0 / 25 / 11

HEX #E0E2AA

RGB 224 226 170

HSL 62.14, 0.49%, 0.78%

LAB 88.52, -9.55, 27.24

 

CMYK 0 / 5 / 25 / 11

HEX #E2D6AA

RGB 226 214 170

HSL 47.14, 0.49%, 0.78%

LAB 85.59, -2.69, 23.26

 

CMYK 0 / 12 / 25 / 11

HEX #E2C6AA

RGB 226 198 170

HSL 30, 0.49%, 0.78%

LAB 81.54, 5.63, 17.67

 

CMYK 14 / 0 / 25 / 11

HEX #C2E2AA

RGB 194 226 170

HSL 94.29, 0.49%, 0.78%

LAB 86.39, -20.42, 23.98

 

CMYK 21 / 0 / 25 / 11

HEX #B3E2AA

RGB 179 226 170

HSL 110.36, 0.49%, 0.78%

LAB 85.44, -25.6, 22.53

 

CMYK 25 / 0 / 22 / 11

HEX #AAE2B1

RGB 170 226 177

HSL 127.5, 0.49%, 0.78%

LAB 85.05, -27.4, 18.27

 

CMYK 25 / 0 / 15 / 11

HEX #AAE2C0

RGB 170 226 192

HSL 143.57, 0.49%, 0.78%

LAB 85.37, -24.67, 10.87

 

CMYK 25 / 0 / 8 / 11

HEX #AAE2CF

RGB 170 226 207

HSL 159.64, 0.49%, 0.78%

LAB 85.73, -21.73, 3.48

 

CMYK 14 / 0 / 25 / 11

HEX #C2E2AA

RGB 194 226 170

HSL 94.29, 0.49%, 0.78%

LAB 86.39, -20.42, 23.98

 

CMYK 18 / 0 / 32 / 7

HEX #C1ECA1

RGB 193 236 161

HSL 94.4, 0.66%, 0.78%

LAB 88.88, -26.93, 31.95

 

CMYK 22 / 0 / 38 / 4

HEX #BFF598

RGB 191 245 152

HSL 94.84, 0.82%, 0.78%

LAB 91.07, -33.07, 39.33

 

CMYK 25 / 0 / 44 / 0

HEX #BEFE8F

RGB 190 254 143

HSL 94.59, 0.98%, 0.78%

LAB 93.37, -38.64, 46.63

 

CMYK 14 / 0 / 25 / 11

HEX #C2E2AA

RGB 194 226 170

HSL 94.29, 0.49%, 0.78%

LAB 86.39, -20.42, 23.98

 

CMYK 10 / 0 / 18 / 15

HEX #C3D9B3

RGB 195 217 179

HSL 94.74, 0.33%, 0.78%

LAB 84.22, -14.16, 16.28

 

CMYK 5 / 0 / 9 / 18

HEX #C5D0BD

RGB 197 208 189

HSL 94.74, 0.17%, 0.78%

LAB 82.19, -7.18, 8.14

 

CMYK 1 / 0 / 1 / 22

HEX #C6C7C6

RGB 198 199 198

HSL 120, 0.01%, 0.78%

LAB 80.14, -0.52, 0.37

 

CMYK 3 / 8 / 0 / 19

HEX #C8BECF

RGB 200 190 207

HSL 275.29, 0.15%, 0.78%

LAB 78.23, 6.64, -7.27

 

CMYK 0 / 0 / 25 / 11

HEX #E1E2AA

RGB 225 226 170

HSL 61.07, 0.49%, 0.78%

LAB 88.59, -9.18, 27.35

 

CMYK 7 / 0 / 25 / 11

HEX #D2E2AA

RGB 210 226 170

HSL 77.14, 0.49%, 0.78%

LAB 87.48, -14.69, 25.66

 

CMYK 14 / 0 / 25 / 11

HEX #C3E2AA

RGB 195 226 170

HSL 93.21, 0.49%, 0.78%

LAB 86.45, -20.07, 24.08

 

CMYK 20 / 0 / 25 / 11

HEX #B4E2AA

RGB 180 226 170

HSL 109.29, 0.49%, 0.78%

LAB 85.5, -25.26, 22.63

 

CMYK 25 / 0 / 22 / 11

HEX #AAE2B0

RGB 170 226 176

HSL 126.43, 0.49%, 0.78%

LAB 85.03, -27.58, 18.76

 

CMYK 28 / 0 / 48 / 19

HEX #95CE6C

RGB 149 206 108

HSL 94.9, 0.5%, 0.62%

LAB 77.05, -35.43, 42.73

 

CMYK 20 / 0 / 36 / 15

HEX #ACD88B

RGB 172 216 139

HSL 94.29, 0.5%, 0.7%

LAB 81.7, -27.91, 33.4

 

CMYK 14 / 0 / 25 / 11

HEX #C2E2AA

RGB 194 226 170

HSL 94.29, 0.49%, 0.78%

LAB 86.39, -20.42, 23.98

 

CMYK 9 / 0 / 15 / 7

HEX #D8EDC9

RGB 216 237 201

HSL 95, 0.5%, 0.86%

LAB 91.41, -13.28, 15.13

 

CMYK 4 / 0 / 6 / 3

HEX #EEF7E8

RGB 238 247 232

HSL 96, 0.48%, 0.94%

LAB 96.21, -5.6, 6.17

 

CMYK 15 / 0 / 25 / 11

HEX #C2E3AA

RGB 194 227 170

HSL 94.74, 0.5%, 0.78%

LAB 86.66, -20.91, 24.35

 

CMYK 25 / 0 / 6 / 11

HEX #AAE2D5

RGB 170 226 213

HSL 166.07, 0.49%, 0.78%

LAB 85.88, -20.5, 0.54

 

CMYK 0 / 25 / 4 / 11

HEX #E2AAD9

RGB 226 170 217

HSL 309.64, 0.49%, 0.78%

LAB 76.03, 28.08, -15.75

 

CMYK 15 / 0 / 25 / 11

HEX #C2E3AA

RGB 194 227 170

HSL 94.74, 0.5%, 0.78%

LAB 86.66, -20.91, 24.35

 

CMYK 25 / 14 / 0 / 11

HEX #AAC3E2

RGB 170 195 226

HSL 213.21, 0.49%, 0.78%

LAB 77.91, -1.66, -18.22

 

CMYK 0 / 25 / 14 / 11

HEX #E2AAC3

RGB 226 170 195

HSL 333.21, 0.49%, 0.78%

LAB 75.36, 24.33, -4.72

 

CMYK 15 / 0 / 25 / 11

HEX #C2E3AA

RGB 194 227 170

HSL 94.74, 0.5%, 0.78%

LAB 86.66, -20.91, 24.35

 

CMYK 25 / 0 / 6 / 11

HEX #AAE2D5

RGB 170 226 213

HSL 166.07, 0.49%, 0.78%

LAB 85.88, -20.5, 0.54

 

CMYK 11 / 25 / 0 / 11

HEX #CAAAE2

RGB 202 170 226

HSL 274.29, 0.49%, 0.78%

LAB 74.06, 21.95, -23.85

 

CMYK 0 / 25 / 19 / 11

HEX #E2AAB7

RGB 226 170 183

HSL 346.07, 0.49%, 0.78%

LAB 75.04, 22.44, 1.37

 

CMYK 15 / 0 / 25 / 11

HEX #C2E3AA

RGB 194 227 170

HSL 94.74, 0.5%, 0.78%

LAB 86.66, -20.91, 24.35

 

CMYK 25 / 1 / 0 / 11

HEX #AADFE2

RGB 170 223 226

HSL 183.21, 0.49%, 0.78%

LAB 85.41, -16.22, -7.01

 

CMYK 11 / 25 / 0 / 11

HEX #CAAAE2

RGB 202 170 226

HSL 274.29, 0.49%, 0.78%

LAB 74.06, 21.95, -23.85

 

CMYK 0 / 23 / 25 / 11

HEX #E2AEAA

RGB 226 174 170

HSL 4.29, 0.49%, 0.78%

LAB 75.66, 18.39, 9.37

 

Description

Color code: HEX #C2E3AA | qconv.com Color code: HEX #C2E3AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 227 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 227 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 25 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 25% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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