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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2F498 it is the complementary color #3D0B67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2F498. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2F498 shade: #C7F493, #D8FFA6, #E9FFB9, #FAFFCC and #FFFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2F498. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2F498 shade: #C2F498, #B1E285, #A0D072, #8FBE5F and #7EAC4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2F498 shade: #C2F499, #DBF499, #F3F499, #F4DC99 and #F4C399

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2F498 shade: #C2F499, #AAF499, #99F4A0, #99F4B9 and #99F4D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2F498 shade matches the following richer shades: #C2F499 and #C2FD90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2F498 shade: #C2F499, #C3EBA2, #C4E2AB, #C5D9B4 and #C6D0BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2F498 shade: #F4F499, #DCF499, #C3F499, #ABF499 and #99F49F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2F498 shade: #96EC4E, #ACF074, #C2F499, #D9F8BE and #EFFCE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2F498 shade: #C2F498, #99F4DC and #F499E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2F498 shade: #C2F498, #99C3F4 and #F499C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2F498 shade: #C2F498, #99F4DC, #C999F4 and #F499B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2F498 shade: #C2F498, #99F1F4, #C999F4 and #F49C99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 38 / 4

HEX #C2F498

RGB 194 244 152

HSL 92.61, 0.81%, 0.78%

LAB 90.98, -31.57, 39.24

 

Complementary color

CMYK 41 / 89 / 0 / 60

HEX #3D0B67

RGB 61 11 103

HSL 272.61, 0.81%, 0.22%

LAB 16.56, 40.45, -42.41

 

CMYK 18 / 0 / 40 / 4

HEX #C7F493

RGB 199 244 147

HSL 87.84, 0.82%, 0.77%

LAB 91.21, -30.43, 42.06

 

CMYK 15 / 0 / 35 / 0

HEX #D8FFA6

RGB 216 255 166

HSL 86.29, 1%, 0.83%

LAB 95.53, -27.13, 38.51

 

CMYK 9 / 0 / 27 / 0

HEX #E9FFB9

RGB 233 255 185

HSL 78.86, 1%, 0.86%

LAB 96.96, -18.54, 31.15

 

CMYK 2 / 0 / 20 / 0

HEX #FAFFCC

RGB 250 255 204

HSL 65.88, 1%, 0.9%

LAB 98.51, -9.83, 23.88

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 20 / 0 / 38 / 4

HEX #C2F498

RGB 194 244 152

HSL 92.61, 0.81%, 0.78%

LAB 90.98, -31.57, 39.24

 

CMYK 22 / 0 / 41 / 11

HEX #B1E285

RGB 177 226 133

HSL 91.61, 0.62%, 0.7%

LAB 84.71, -31.64, 40.37

 

CMYK 23 / 0 / 45 / 18

HEX #A0D072

RGB 160 208 114

HSL 90.64, 0.5%, 0.63%

LAB 78.35, -31.68, 41.53

 

CMYK 25 / 0 / 50 / 25

HEX #8FBE5F

RGB 143 190 95

HSL 89.68, 0.42%, 0.56%

LAB 71.89, -31.69, 42.7

 

CMYK 27 / 0 / 56 / 33

HEX #7EAC4C

RGB 126 172 76

HSL 88.75, 0.39%, 0.49%

LAB 65.33, -31.65, 43.83

 

CMYK 20 / 0 / 37 / 4

HEX #C2F499

RGB 194 244 153

HSL 92.97, 0.81%, 0.78%

LAB 90.99, -31.43, 38.77

 

CMYK 10 / 0 / 37 / 4

HEX #DBF499

RGB 219 244 153

HSL 76.48, 0.81%, 0.78%

LAB 92.6, -22.43, 41.16

 

CMYK 0 / 0 / 37 / 4

HEX #F3F499

RGB 243 244 153

HSL 60.66, 0.81%, 0.78%

LAB 94.34, -13.42, 43.74

 

CMYK 0 / 10 / 37 / 4

HEX #F4DC99

RGB 244 220 153

HSL 44.18, 0.81%, 0.78%

LAB 88.31, -1.01, 35.95

 

CMYK 0 / 20 / 37 / 4

HEX #F4C399

RGB 244 195 153

HSL 27.69, 0.81%, 0.78%

LAB 82.14, 11.93, 27.75

 

CMYK 20 / 0 / 37 / 4

HEX #C2F499

RGB 194 244 153

HSL 92.97, 0.81%, 0.78%

LAB 90.99, -31.43, 38.77

 

CMYK 30 / 0 / 37 / 4

HEX #AAF499

RGB 170 244 153

HSL 108.79, 0.81%, 0.78%

LAB 89.65, -39.54, 36.75

 

CMYK 37 / 0 / 34 / 4

HEX #99F4A0

RGB 153 244 160

HSL 124.62, 0.81%, 0.78%

LAB 88.93, -43.78, 32.14

 

CMYK 37 / 0 / 24 / 4

HEX #99F4B9

RGB 153 244 185

HSL 141.1, 0.81%, 0.78%

LAB 89.38, -39.49, 20.02

 

CMYK 37 / 0 / 14 / 4

HEX #99F4D2

RGB 153 244 210

HSL 157.58, 0.81%, 0.78%

LAB 89.92, -34.6, 7.85

 

CMYK 20 / 0 / 37 / 4

HEX #C2F499

RGB 194 244 153

HSL 92.97, 0.81%, 0.78%

LAB 90.99, -31.43, 38.77

 

CMYK 23 / 0 / 43 / 1

HEX #C2FD90

RGB 194 253 144

HSL 92.48, 0.96%, 0.78%

LAB 93.33, -36.69, 46.16

 

CMYK 20 / 0 / 37 / 4

HEX #C2F499

RGB 194 244 153

HSL 92.97, 0.81%, 0.78%

LAB 90.99, -31.43, 38.77

 

CMYK 17 / 0 / 31 / 8

HEX #C3EBA2

RGB 195 235 162

HSL 92.88, 0.65%, 0.78%

LAB 88.75, -25.61, 31.29

 

CMYK 13 / 0 / 24 / 11

HEX #C4E2AB

RGB 196 226 171

HSL 92.73, 0.49%, 0.78%

LAB 86.54, -19.56, 23.69

 

CMYK 9 / 0 / 17 / 15

HEX #C5D9B4

RGB 197 217 180

HSL 92.43, 0.33%, 0.78%

LAB 84.38, -13.3, 16

 

CMYK 5 / 0 / 9 / 18

HEX #C6D0BD

RGB 198 208 189

HSL 91.58, 0.17%, 0.78%

LAB 82.27, -6.83, 8.26

 

CMYK 0 / 0 / 37 / 4

HEX #F4F499

RGB 244 244 153

HSL 60, 0.81%, 0.78%

LAB 94.41, -13.04, 43.85

 

CMYK 10 / 0 / 37 / 4

HEX #DCF499

RGB 220 244 153

HSL 75.82, 0.81%, 0.78%

LAB 92.67, -22.06, 41.26

 

CMYK 20 / 0 / 37 / 4

HEX #C3F499

RGB 195 244 153

HSL 92.31, 0.81%, 0.78%

LAB 91.05, -31.08, 38.86

 

CMYK 30 / 0 / 37 / 4

HEX #ABF499

RGB 171 244 153

HSL 108.13, 0.81%, 0.78%

LAB 89.7, -39.22, 36.83

 

CMYK 37 / 0 / 35 / 4

HEX #99F49F

RGB 153 244 159

HSL 123.96, 0.81%, 0.78%

LAB 88.91, -43.93, 32.62

 

CMYK 36 / 0 / 67 / 7

HEX #96EC4E

RGB 150 236 78

HSL 92.66, 0.81%, 0.62%

LAB 85.52, -50.93, 65.61

 

CMYK 28 / 0 / 52 / 6

HEX #ACF074

RGB 172 240 116

HSL 92.9, 0.81%, 0.7%

LAB 88.14, -41.71, 52.69

 

CMYK 20 / 0 / 37 / 4

HEX #C2F499

RGB 194 244 153

HSL 92.97, 0.81%, 0.78%

LAB 90.99, -31.43, 38.77

 

CMYK 13 / 0 / 23 / 3

HEX #D9F8BE

RGB 217 248 190

HSL 92.07, 0.81%, 0.86%

LAB 94.14, -20.07, 24.6

 

CMYK 5 / 0 / 10 / 1

HEX #EFFCE4

RGB 239 252 228

HSL 92.5, 0.8%, 0.94%

LAB 97.46, -8.44, 10.02

 

CMYK 20 / 0 / 38 / 4

HEX #C2F498

RGB 194 244 152

HSL 92.61, 0.81%, 0.78%

LAB 90.98, -31.57, 39.24

 

CMYK 37 / 0 / 10 / 4

HEX #99F4DC

RGB 153 244 220

HSL 164.18, 0.81%, 0.78%

LAB 90.16, -32.48, 2.99

 

CMYK 0 / 37 / 5 / 4

HEX #F499E8

RGB 244 153 232

HSL 307.91, 0.81%, 0.78%

LAB 74.73, 45.5, -25.72

 

CMYK 20 / 0 / 38 / 4

HEX #C2F498

RGB 194 244 152

HSL 92.61, 0.81%, 0.78%

LAB 90.98, -31.57, 39.24

 

CMYK 37 / 20 / 0 / 4

HEX #99C3F4

RGB 153 195 244

HSL 212.31, 0.81%, 0.78%

LAB 77.48, -2.07, -28.66

 

CMYK 0 / 37 / 20 / 4

HEX #F499C3

RGB 244 153 195

HSL 332.31, 0.81%, 0.78%

LAB 73.52, 39.59, -7.24

 

CMYK 20 / 0 / 38 / 4

HEX #C2F498

RGB 194 244 152

HSL 92.61, 0.81%, 0.78%

LAB 90.98, -31.57, 39.24

 

CMYK 37 / 0 / 10 / 4

HEX #99F4DC

RGB 153 244 220

HSL 164.18, 0.81%, 0.78%

LAB 90.16, -32.48, 2.99

 

CMYK 18 / 37 / 0 / 4

HEX #C999F4

RGB 201 153 244

HSL 271.65, 0.81%, 0.78%

LAB 70.69, 34.79, -38.87

 

CMYK 0 / 37 / 27 / 4

HEX #F499B1

RGB 244 153 177

HSL 344.18, 0.81%, 0.78%

LAB 73.02, 37.05, 1.97

 

CMYK 20 / 0 / 38 / 4

HEX #C2F498

RGB 194 244 152

HSL 92.61, 0.81%, 0.78%

LAB 90.98, -31.57, 39.24

 

CMYK 37 / 1 / 0 / 4

HEX #99F1F4

RGB 153 241 244

HSL 181.98, 0.81%, 0.78%

LAB 89.96, -25.62, -9.81

 

CMYK 18 / 37 / 0 / 4

HEX #C999F4

RGB 201 153 244

HSL 271.65, 0.81%, 0.78%

LAB 70.69, 34.79, -38.87

 

CMYK 0 / 36 / 37 / 4

HEX #F49C99

RGB 244 156 153

HSL 1.98, 0.81%, 0.78%

LAB 73.1, 32.49, 15.33

 

Description

Color code: HEX #C2F498 | qconv.com Color code: HEX #C2F498 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 244 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 244 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 38 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 38% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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