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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C312A6 it is the complementary color #3CED59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C312A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C312A6 shade: #C812A1, #D924B4, #EA36C7, #FB48DA and #FF5AED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C312A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C312A6 shade: #C312A6, #B20093, #A10080, #90006D and #7F005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C312A6 shade: #C312A6, #C31276, #C31246, #C31217 and #C31212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C312A6 shade: #C312A6, #B112C3, #8112C3, #5112C3 and #2112C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C312A6 shade matches the following richer shades: #C312A6 and #D500B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C312A6 shade: #C312A6, #B2239B, #A1348F, #904683 and #7E5778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C312A6 shade: #7F12C3, #AF12C3, #C312A9, #C31279 and #C3124A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C312A6 shade: #780B66, #9E0E86, #C312A6, #E916C6 and #EC3BCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C312A6 shade: #C312A6, #C35012 and #12C397

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C312A6 shade: #C312A6, #A9C312 and #12A9C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C312A6 shade: #C312A6, #C35012, #12C32C and #1285C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C312A6 shade: #C312A6, #C38512, #12C32C and #1250C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 15 / 24

HEX #C312A6

RGB 195 18 166

HSL 309.83, 0.83%, 0.42%

LAB 45.34, 74.52, -34.27

 

Complementary color

CMYK 75 / 0 / 62 / 7

HEX #3CED59

RGB 60 237 89

HSL 129.83, 0.83%, 0.58%

LAB 83.05, -72.16, 57.69

 

CMYK 0 / 91 / 20 / 22

HEX #C812A1

RGB 200 18 161

HSL 312.86, 0.83%, 0.43%

LAB 46.02, 74.86, -30.15

 

CMYK 0 / 83 / 17 / 15

HEX #D924B4

RGB 217 36 180

HSL 312.27, 0.72%, 0.5%

LAB 51.05, 77.68, -33.3

 

CMYK 0 / 77 / 15 / 8

HEX #EA36C7

RGB 234 54 199

HSL 311.67, 0.81%, 0.56%

LAB 56.34, 79.49, -35.81

 

CMYK 0 / 71 / 13 / 2

HEX #FB48DA

RGB 251 72 218

HSL 311.06, 0.96%, 0.63%

LAB 61.83, 80.56, -37.82

 

CMYK 0 / 65 / 7 / 0

HEX #FF5AED

RGB 255 90 237

HSL 306.55, 1%, 0.68%

LAB 65.5, 78.04, -42.65

 

CMYK 0 / 91 / 15 / 24

HEX #C312A6

RGB 195 18 166

HSL 309.83, 0.83%, 0.42%

LAB 45.34, 74.52, -34.27

 

CMYK 0 / 100 / 17 / 30

HEX #B20093

RGB 178 0 147

HSL 310.45, 1%, 0.35%

LAB 40.53, 70.73, -30.61

 

CMYK 0 / 100 / 20 / 37

HEX #A10080

RGB 161 0 128

HSL 312.3, 1%, 0.32%

LAB 36.24, 65.07, -25.85

 

CMYK 0 / 100 / 24 / 44

HEX #90006D

RGB 144 0 109

HSL 314.58, 1%, 0.28%

LAB 31.88, 59.3, -20.91

 

CMYK 0 / 100 / 29 / 50

HEX #7F005A

RGB 127 0 90

HSL 317.48, 1%, 0.25%

LAB 27.44, 53.43, -15.73

 

CMYK 0 / 91 / 15 / 24

HEX #C312A6

RGB 195 18 166

HSL 309.83, 0.83%, 0.42%

LAB 45.34, 74.52, -34.27

 

CMYK 0 / 91 / 39 / 24

HEX #C31276

RGB 195 18 118

HSL 326.1, 0.83%, 0.42%

LAB 43.28, 69.05, -8.26

 

CMYK 0 / 91 / 64 / 24

HEX #C31246

RGB 195 18 70

HSL 342.37, 0.83%, 0.42%

LAB 41.96, 65.42, 20.02

 

CMYK 0 / 91 / 88 / 24

HEX #C31217

RGB 195 18 23

HSL 358.31, 0.83%, 0.42%

LAB 41.37, 63.74, 46.68

 

CMYK 0 / 91 / 91 / 24

HEX #C31212

RGB 195 18 18

HSL 0, 0.83%, 0.42%

LAB 41.34, 63.66, 48.87

 

CMYK 0 / 91 / 15 / 24

HEX #C312A6

RGB 195 18 166

HSL 309.83, 0.83%, 0.42%

LAB 45.34, 74.52, -34.27

 

CMYK 9 / 91 / 0 / 24

HEX #B112C3

RGB 177 18 195

HSL 293.9, 0.83%, 0.42%

LAB 43.83, 75.59, -53.97

 

CMYK 34 / 91 / 0 / 24

HEX #8112C3

RGB 129 18 195

HSL 277.63, 0.83%, 0.42%

LAB 36.06, 68.57, -66.94

 

CMYK 58 / 91 / 0 / 24

HEX #5112C3

RGB 81 18 195

HSL 261.36, 0.83%, 0.42%

LAB 29.72, 63.56, -77.61

 

CMYK 83 / 91 / 0 / 24

HEX #2112C3

RGB 33 18 195

HSL 245.08, 0.83%, 0.42%

LAB 25.85, 60.99, -84.15

 

CMYK 0 / 91 / 15 / 24

HEX #C312A6

RGB 195 18 166

HSL 309.83, 0.83%, 0.42%

LAB 45.34, 74.52, -34.27

 

CMYK 0 / 100 / 16 / 16

HEX #D500B2

RGB 213 0 178

HSL 309.86, 1%, 0.42%

LAB 48.71, 81.07, -35.84

 

CMYK 0 / 91 / 15 / 24

HEX #C312A6

RGB 195 18 166

HSL 309.83, 0.83%, 0.42%

LAB 45.34, 74.52, -34.27

 

CMYK 0 / 80 / 13 / 30

HEX #B2239B

RGB 178 35 155

HSL 309.65, 0.67%, 0.42%

LAB 42.81, 66.33, -31.87

 

CMYK 0 / 68 / 11 / 37

HEX #A1348F

RGB 161 52 143

HSL 309.91, 0.51%, 0.42%

LAB 41.24, 54.98, -27.28

 

CMYK 0 / 51 / 9 / 44

HEX #904683

RGB 144 70 131

HSL 310.54, 0.35%, 0.42%

LAB 41.13, 39.74, -20.33

 

CMYK 0 / 31 / 5 / 51

HEX #7E5778

RGB 126 87 120

HSL 309.23, 0.18%, 0.42%

LAB 42.17, 21.88, -12.24

 

CMYK 35 / 91 / 0 / 24

HEX #7F12C3

RGB 127 18 195

HSL 276.95, 0.83%, 0.42%

LAB 35.76, 68.31, -67.44

 

CMYK 10 / 91 / 0 / 24

HEX #AF12C3

RGB 175 18 195

HSL 293.22, 0.83%, 0.42%

LAB 43.49, 75.27, -54.53

 

CMYK 0 / 91 / 13 / 24

HEX #C312A9

RGB 195 18 169

HSL 308.81, 0.83%, 0.42%

LAB 45.5, 74.92, -35.81

 

CMYK 0 / 91 / 38 / 24

HEX #C31279

RGB 195 18 121

HSL 325.08, 0.83%, 0.42%

LAB 43.38, 69.34, -9.96

 

CMYK 0 / 91 / 62 / 24

HEX #C3124A

RGB 195 18 74

HSL 341.02, 0.83%, 0.42%

LAB 42.05, 65.65, 17.61

 

CMYK 0 / 91 / 15 / 53

HEX #780B66

RGB 120 11 102

HSL 309.91, 0.83%, 0.26%

LAB 27.27, 51.57, -23.95

 

CMYK 0 / 91 / 15 / 38

HEX #9E0E86

RGB 158 14 134

HSL 310, 0.84%, 0.34%

LAB 36.56, 63.51, -29.12

 

CMYK 0 / 91 / 15 / 24

HEX #C312A6

RGB 195 18 166

HSL 309.83, 0.83%, 0.42%

LAB 45.34, 74.52, -34.27

 

CMYK 0 / 91 / 15 / 9

HEX #E916C6

RGB 233 22 198

HSL 309.95, 0.83%, 0.5%

LAB 54, 85.31, -38.92

 

CMYK 0 / 75 / 12 / 7

HEX #EC3BCF

RGB 236 59 207

HSL 309.83, 0.82%, 0.58%

LAB 57.53, 79.63, -38.51

 

CMYK 0 / 91 / 15 / 24

HEX #C312A6

RGB 195 18 166

HSL 309.83, 0.83%, 0.42%

LAB 45.34, 74.52, -34.27

 

CMYK 0 / 59 / 91 / 24

HEX #C35012

RGB 195 80 18

HSL 21.02, 0.83%, 0.42%

LAB 48.74, 43.36, 54.14

 

CMYK 91 / 0 / 23 / 24

HEX #12C397

RGB 18 195 151

HSL 165.08, 0.83%, 0.42%

LAB 70.45, -50.78, 10.84

 

CMYK 0 / 91 / 15 / 24

HEX #C312A6

RGB 195 18 166

HSL 309.83, 0.83%, 0.42%

LAB 45.34, 74.52, -34.27

 

CMYK 13 / 0 / 91 / 24

HEX #A9C312

RGB 169 195 18

HSL 68.81, 0.83%, 0.42%

LAB 74.51, -28.43, 72.83

 

CMYK 91 / 13 / 0 / 24

HEX #12A9C3

RGB 18 169 195

HSL 188.81, 0.83%, 0.42%

LAB 63.71, -26.28, -23.39

 

CMYK 0 / 91 / 15 / 24

HEX #C312A6

RGB 195 18 166

HSL 309.83, 0.83%, 0.42%

LAB 45.34, 74.52, -34.27

 

CMYK 0 / 59 / 91 / 24

HEX #C35012

RGB 195 80 18

HSL 21.02, 0.83%, 0.42%

LAB 48.74, 43.36, 54.14

 

CMYK 91 / 0 / 77 / 24

HEX #12C32C

RGB 18 195 44

HSL 128.81, 0.83%, 0.42%

LAB 69, -67.89, 59.71

 

CMYK 91 / 32 / 0 / 24

HEX #1285C3

RGB 18 133 195

HSL 201.02, 0.83%, 0.42%

LAB 52.78, -6.76, -40.39

 

CMYK 0 / 91 / 15 / 24

HEX #C312A6

RGB 195 18 166

HSL 309.83, 0.83%, 0.42%

LAB 45.34, 74.52, -34.27

 

CMYK 0 / 32 / 91 / 24

HEX #C38512

RGB 195 133 18

HSL 38.98, 0.83%, 0.42%

LAB 60.27, 15.45, 62.74

 

CMYK 91 / 0 / 77 / 24

HEX #12C32C

RGB 18 195 44

HSL 128.81, 0.83%, 0.42%

LAB 69, -67.89, 59.71

 

CMYK 91 / 59 / 0 / 24

HEX #1250C3

RGB 18 80 195

HSL 218.98, 0.83%, 0.42%

LAB 37.49, 26.84, -64.94

 

Description

Color code: HEX #C312A6 | qconv.com Color code: HEX #C312A6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 18 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 18 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 15 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 15% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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