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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C312B7 it is the complementary color #3CED48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C312B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C312B7 shade: #C812B2, #D924C5, #EA36D8, #FB48EB and #FF5AFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C312B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C312B7 shade: #C312B7, #B200A4, #A10091, #90007E and #7F006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C312B7 shade: #C312B7, #C31287, #C31258, #C31228 and #C31212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C312B7 shade: #C312B7, #A012C3, #7012C3, #4012C3 and #1212C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C312B7 shade matches the following richer shades: #C312B7 and #D500C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C312B7 shade: #C312B7, #B223A8, #A13499, #90468A and #7E577C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C312B7 shade: #7112C3, #A012C3, #C312B8, #C31288 and #C31259

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C312B7 shade: #780B71, #9E0E94, #C312B7, #E916DB and #EC3BE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C312B7 shade: #C312B7, #C34112 and #12C388

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C312B7 shade: #C312B7, #B8C312 and #12B8C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C312B7 shade: #C312B7, #C34112, #12C31E and #1294C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C312B7 shade: #C312B7, #C37612, #12C31E and #125FC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 6 / 24

HEX #C312B7

RGB 195 18 183

HSL 304.07, 0.83%, 0.42%

LAB 46.25, 76.85, -42.89

 

Complementary color

CMYK 75 / 0 / 70 / 7

HEX #3CED48

RGB 60 237 72

HSL 124.07, 0.83%, 0.58%

LAB 82.91, -73.8, 64.25

 

CMYK 0 / 91 / 11 / 22

HEX #C812B2

RGB 200 18 178

HSL 307.25, 0.83%, 0.43%

LAB 46.88, 77.07, -38.9

 

CMYK 0 / 83 / 9 / 15

HEX #D924C5

RGB 217 36 197

HSL 306.63, 0.72%, 0.5%

LAB 51.89, 79.95, -41.87

 

CMYK 0 / 77 / 8 / 8

HEX #EA36D8

RGB 234 54 216

HSL 306, 0.81%, 0.56%

LAB 57.16, 81.84, -44.22

 

CMYK 0 / 71 / 6 / 2

HEX #FB48EB

RGB 251 72 235

HSL 305.36, 0.96%, 0.63%

LAB 62.63, 82.97, -46.1

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFE

RGB 255 90 254

HSL 300.36, 1%, 0.68%

LAB 66.31, 80.66, -50.76

 

CMYK 0 / 91 / 6 / 24

HEX #C312B7

RGB 195 18 183

HSL 304.07, 0.83%, 0.42%

LAB 46.25, 76.85, -42.89

 

CMYK 0 / 100 / 8 / 30

HEX #B200A4

RGB 178 0 164

HSL 304.72, 1%, 0.35%

LAB 41.45, 73.01, -39.44

 

CMYK 0 / 100 / 10 / 37

HEX #A10091

RGB 161 0 145

HSL 305.96, 1%, 0.32%

LAB 37.15, 67.33, -34.93

 

CMYK 0 / 100 / 13 / 44

HEX #90007E

RGB 144 0 126

HSL 307.5, 1%, 0.28%

LAB 32.78, 61.54, -30.28

 

CMYK 0 / 100 / 16 / 50

HEX #7F006B

RGB 127 0 107

HSL 309.45, 1%, 0.25%

LAB 28.31, 55.63, -25.46

 

CMYK 0 / 91 / 6 / 24

HEX #C312B7

RGB 195 18 183

HSL 304.07, 0.83%, 0.42%

LAB 46.25, 76.85, -42.89

 

CMYK 0 / 91 / 31 / 24

HEX #C31287

RGB 195 18 135

HSL 320.34, 0.83%, 0.42%

LAB 43.92, 70.79, -17.76

 

CMYK 0 / 91 / 55 / 24

HEX #C31258

RGB 195 18 88

HSL 336.27, 0.83%, 0.42%

LAB 42.37, 66.55, 9.21

 

CMYK 0 / 91 / 79 / 24

HEX #C31228

RGB 195 18 40

HSL 352.54, 0.83%, 0.42%

LAB 41.51, 64.15, 37.81

 

CMYK 0 / 91 / 91 / 24

HEX #C31212

RGB 195 18 18

HSL 0, 0.83%, 0.42%

LAB 41.34, 63.66, 48.87

 

CMYK 0 / 91 / 6 / 24

HEX #C312B7

RGB 195 18 183

HSL 304.07, 0.83%, 0.42%

LAB 46.25, 76.85, -42.89

 

CMYK 18 / 91 / 0 / 24

HEX #A012C3

RGB 160 18 195

HSL 288.14, 0.83%, 0.42%

LAB 40.97, 72.92, -58.73

 

CMYK 43 / 91 / 0 / 24

HEX #7012C3

RGB 112 18 195

HSL 271.86, 0.83%, 0.42%

LAB 33.6, 66.53, -71.07

 

CMYK 67 / 91 / 0 / 24

HEX #4012C3

RGB 64 18 195

HSL 255.59, 0.83%, 0.42%

LAB 28.01, 62.37, -80.49

 

CMYK 91 / 91 / 0 / 24

HEX #1212C3

RGB 18 18 195

HSL 240, 0.83%, 0.42%

LAB 25.26, 60.64, -85.14

 

CMYK 0 / 91 / 6 / 24

HEX #C312B7

RGB 195 18 183

HSL 304.07, 0.83%, 0.42%

LAB 46.25, 76.85, -42.89

 

CMYK 0 / 100 / 7 / 16

HEX #D500C6

RGB 213 0 198

HSL 304.23, 1%, 0.42%

LAB 49.77, 83.68, -45.85

 

CMYK 0 / 91 / 6 / 24

HEX #C312B7

RGB 195 18 183

HSL 304.07, 0.83%, 0.42%

LAB 46.25, 76.85, -42.89

 

CMYK 0 / 80 / 6 / 30

HEX #B223A8

RGB 178 35 168

HSL 304.2, 0.67%, 0.42%

LAB 43.5, 68.24, -38.57

 

CMYK 0 / 68 / 5 / 37

HEX #A13499

RGB 161 52 153

HSL 304.4, 0.51%, 0.42%

LAB 41.74, 56.6, -32.55

 

CMYK 0 / 51 / 4 / 44

HEX #90468A

RGB 144 70 138

HSL 304.86, 0.35%, 0.42%

LAB 41.45, 41, -24.12

 

CMYK 0 / 31 / 2 / 51

HEX #7E577C

RGB 126 87 124

HSL 303.08, 0.18%, 0.42%

LAB 42.32, 22.68, -14.44

 

CMYK 42 / 91 / 0 / 24

HEX #7112C3

RGB 113 18 195

HSL 272.2, 0.83%, 0.42%

LAB 33.74, 66.64, -70.84

 

CMYK 18 / 91 / 0 / 24

HEX #A012C3

RGB 160 18 195

HSL 288.14, 0.83%, 0.42%

LAB 40.97, 72.92, -58.73

 

CMYK 0 / 91 / 6 / 24

HEX #C312B8

RGB 195 18 184

HSL 303.73, 0.83%, 0.42%

LAB 46.31, 76.99, -43.39

 

CMYK 0 / 91 / 30 / 24

HEX #C31288

RGB 195 18 136

HSL 320, 0.83%, 0.42%

LAB 43.96, 70.9, -18.31

 

CMYK 0 / 91 / 54 / 24

HEX #C31259

RGB 195 18 89

HSL 335.93, 0.83%, 0.42%

LAB 42.39, 66.62, 8.61

 

CMYK 0 / 91 / 6 / 53

HEX #780B71

RGB 120 11 113

HSL 303.85, 0.83%, 0.26%

LAB 27.91, 53.24, -30.05

 

CMYK 0 / 91 / 6 / 38

HEX #9E0E94

RGB 158 14 148

HSL 304.17, 0.84%, 0.34%

LAB 37.34, 65.51, -36.51

 

CMYK 0 / 91 / 6 / 24

HEX #C312B7

RGB 195 18 183

HSL 304.07, 0.83%, 0.42%

LAB 46.25, 76.85, -42.89

 

CMYK 0 / 91 / 6 / 9

HEX #E916DB

RGB 233 22 219

HSL 303.98, 0.83%, 0.5%

LAB 55.08, 88.08, -49.23

 

CMYK 0 / 75 / 5 / 7

HEX #EC3BE0

RGB 236 59 224

HSL 304.07, 0.82%, 0.58%

LAB 58.36, 82.06, -46.83

 

CMYK 0 / 91 / 6 / 24

HEX #C312B7

RGB 195 18 183

HSL 304.07, 0.83%, 0.42%

LAB 46.25, 76.85, -42.89

 

CMYK 0 / 67 / 91 / 24

HEX #C34112

RGB 195 65 18

HSL 15.93, 0.83%, 0.42%

LAB 46.21, 50.07, 52.31

 

CMYK 91 / 0 / 30 / 24

HEX #12C388

RGB 18 195 136

HSL 160, 0.83%, 0.42%

LAB 70.13, -54.31, 18.48

 

CMYK 0 / 91 / 6 / 24

HEX #C312B7

RGB 195 18 183

HSL 304.07, 0.83%, 0.42%

LAB 46.25, 76.85, -42.89

 

CMYK 6 / 0 / 91 / 24

HEX #B8C312

RGB 184 195 18

HSL 63.73, 0.83%, 0.42%

LAB 75.62, -22.11, 74.17

 

CMYK 91 / 6 / 0 / 24

HEX #12B8C3

RGB 18 184 195

HSL 183.73, 0.83%, 0.42%

LAB 68.28, -33.61, -16.44

 

CMYK 0 / 91 / 6 / 24

HEX #C312B7

RGB 195 18 183

HSL 304.07, 0.83%, 0.42%

LAB 46.25, 76.85, -42.89

 

CMYK 0 / 67 / 91 / 24

HEX #C34112

RGB 195 65 18

HSL 15.93, 0.83%, 0.42%

LAB 46.21, 50.07, 52.31

 

CMYK 91 / 0 / 85 / 24

HEX #12C31E

RGB 18 195 30

HSL 124.07, 0.83%, 0.42%

LAB 68.93, -68.7, 63.55

 

CMYK 91 / 24 / 0 / 24

HEX #1294C3

RGB 18 148 195

HSL 195.93, 0.83%, 0.42%

LAB 57.32, -15.25, -33.27

 

CMYK 0 / 91 / 6 / 24

HEX #C312B7

RGB 195 18 183

HSL 304.07, 0.83%, 0.42%

LAB 46.25, 76.85, -42.89

 

CMYK 0 / 39 / 91 / 24

HEX #C37612

RGB 195 118 18

HSL 33.9, 0.83%, 0.42%

LAB 56.69, 23.67, 60.03

 

CMYK 91 / 0 / 85 / 24

HEX #12C31E

RGB 18 195 30

HSL 124.07, 0.83%, 0.42%

LAB 68.93, -68.7, 63.55

 

CMYK 91 / 51 / 0 / 24

HEX #125FC3

RGB 18 95 195

HSL 213.9, 0.83%, 0.42%

LAB 41.62, 16.92, -58.23

 

Description

Color code: HEX #C312B7 | qconv.com Color code: HEX #C312B7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 18 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 18 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 6 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 6% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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