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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C31DEB it is the complementary color #3CE214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C31DEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C31DEB shade: #C81DE6, #D92FF9, #EA41FF, #FB53FF and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C31DEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C31DEB shade: #C31DEB, #B20BD8, #A100C5, #9000B2 and #7F009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C31DEB shade: #C31DEB, #EB1DDB, #EB1DA4, #EB1D6C and #EB1D35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C31DEB shade: #C31DEB, #8C1DEB, #541DEB and #1D1DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C31DEB shade matches the following richer shades: #C31DEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C31DEB shade: #C31DEB, #B731D7, #AB45C3, #9F59B0 and #936D9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C31DEB shade: #541DEB, #8B1DEB, #C21DEB, #EB1DDD and #EB1DA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C31DEB shade: #8A0EA8, #A911CE, #C31DEB, #CD43EE and #D769F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C31DEB shade: #C31DEB, #EB1D1D and #1DEB70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C31DEB shade: #C31DEB, #EBC21D and #1DEBC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C31DEB shade: #C31DEB, #EB1D1D, #46EB1D and #1DEBEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C31DEB shade: #C31DEB, #EB5B1D, #46EB1D and #1DADEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 88 / 0 / 8

HEX #C31DEB

RGB 195 29 235

HSL 288.35, 0.84%, 0.52%

LAB 50.07, 83.36, -66.68

 

Complementary color

CMYK 73 / 0 / 91 / 11

HEX #3CE214

RGB 60 226 20

HSL 108.35, 0.84%, 0.48%

LAB 79.27, -73.34, 74.58

 

CMYK 13 / 87 / 0 / 10

HEX #C81DE6

RGB 200 29 230

HSL 291.04, 0.8%, 0.51%

LAB 50.54, 83.29, -63.06

 

CMYK 13 / 81 / 0 / 2

HEX #D92FF9

RGB 217 47 249

HSL 290.5, 0.94%, 0.58%

LAB 55.71, 85.54, -65.25

 

CMYK 8 / 75 / 0 / 0

HEX #EA41FF

RGB 234 65 255

HSL 293.37, 1%, 0.63%

LAB 60.33, 84.77, -61.01

 

CMYK 2 / 67 / 0 / 0

HEX #FB53FF

RGB 251 83 255

HSL 298.6, 1%, 0.66%

LAB 64.9, 82.43, -53.59

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 17 / 88 / 0 / 8

HEX #C31DEB

RGB 195 29 235

HSL 288.35, 0.84%, 0.52%

LAB 50.07, 83.36, -66.68

 

CMYK 18 / 95 / 0 / 15

HEX #B20BD8

RGB 178 11 216

HSL 288.88, 0.9%, 0.45%

LAB 45.17, 80.05, -63.94

 

CMYK 18 / 100 / 0 / 23

HEX #A100C5

RGB 161 0 197

HSL 289.04, 1%, 0.39%

LAB 40.59, 75.49, -60.51

 

CMYK 19 / 100 / 0 / 30

HEX #9000B2

RGB 144 0 178

HSL 288.54, 1%, 0.35%

LAB 36.26, 69.83, -56.47

 

CMYK 20 / 100 / 0 / 38

HEX #7F009F

RGB 127 0 159

HSL 287.92, 1%, 0.31%

LAB 31.84, 64.05, -52.35

 

CMYK 17 / 88 / 0 / 8

HEX #C31DEB

RGB 195 29 235

HSL 288.35, 0.84%, 0.52%

LAB 50.07, 83.36, -66.68

 

CMYK 0 / 88 / 7 / 8

HEX #EB1DDB

RGB 235 29 219

HSL 304.66, 0.84%, 0.52%

LAB 55.74, 87.52, -48.16

 

CMYK 0 / 88 / 30 / 8

HEX #EB1DA4

RGB 235 29 164

HSL 320.68, 0.84%, 0.52%

LAB 53.19, 80.78, -20.32

 

CMYK 0 / 88 / 54 / 8

HEX #EB1D6C

RGB 235 29 108

HSL 336.99, 0.84%, 0.52%

LAB 51.41, 75.86, 10.67

 

CMYK 0 / 88 / 77 / 8

HEX #EB1D35

RGB 235 29 53

HSL 353.01, 0.84%, 0.52%

LAB 50.45, 73.13, 42.32

 

CMYK 17 / 88 / 0 / 8

HEX #C31DEB

RGB 195 29 235

HSL 288.35, 0.84%, 0.52%

LAB 50.07, 83.36, -66.68

 

CMYK 40 / 88 / 0 / 8

HEX #8C1DEB

RGB 140 29 235

HSL 272.33, 0.84%, 0.52%

LAB 41.93, 75.93, -80.31

 

CMYK 64 / 88 / 0 / 8

HEX #541DEB

RGB 84 29 235

HSL 256.02, 0.84%, 0.52%

LAB 35.52, 70.74, -91.1

 

CMYK 88 / 88 / 0 / 8

HEX #1D1DEB

RGB 29 29 235

HSL 240, 0.84%, 0.52%

LAB 32.12, 68.33, -96.85

 

CMYK 17 / 88 / 0 / 8

HEX #C31DEB

RGB 195 29 235

HSL 288.35, 0.84%, 0.52%

LAB 50.07, 83.36, -66.68

 

CMYK 17 / 88 / 0 / 8

HEX #C31DEB

RGB 195 29 235

HSL 288.35, 0.84%, 0.52%

LAB 50.07, 83.36, -66.68

 

CMYK 15 / 77 / 0 / 16

HEX #B731D7

RGB 183 49 215

HSL 288.43, 0.67%, 0.52%

LAB 48.47, 73.14, -57.99

 

CMYK 12 / 65 / 0 / 24

HEX #AB45C3

RGB 171 69 195

HSL 288.57, 0.51%, 0.52%

LAB 48.08, 59.54, -47.21

 

CMYK 10 / 49 / 0 / 31

HEX #9F59B0

RGB 159 89 176

HSL 288.28, 0.36%, 0.52%

LAB 49.07, 42.88, -34.69

 

CMYK 6 / 30 / 0 / 39

HEX #936D9C

RGB 147 109 156

HSL 288.51, 0.19%, 0.52%

LAB 51.31, 23.68, -19.61

 

CMYK 64 / 88 / 0 / 8

HEX #541DEB

RGB 84 29 235

HSL 256.02, 0.84%, 0.52%

LAB 35.52, 70.74, -91.1

 

CMYK 41 / 88 / 0 / 8

HEX #8B1DEB

RGB 139 29 235

HSL 272.04, 0.84%, 0.52%

LAB 41.79, 75.81, -80.54

 

CMYK 17 / 88 / 0 / 8

HEX #C21DEB

RGB 194 29 235

HSL 288.06, 0.84%, 0.52%

LAB 49.91, 83.21, -66.94

 

CMYK 0 / 88 / 6 / 8

HEX #EB1DDD

RGB 235 29 221

HSL 304.08, 0.84%, 0.52%

LAB 55.85, 87.79, -49.13

 

CMYK 0 / 88 / 29 / 8

HEX #EB1DA6

RGB 235 29 166

HSL 320.1, 0.84%, 0.52%

LAB 53.27, 81, -21.37

 

CMYK 18 / 92 / 0 / 34

HEX #8A0EA8

RGB 138 14 168

HSL 288.31, 0.85%, 0.36%

LAB 35.09, 65.34, -52.43

 

CMYK 18 / 92 / 0 / 19

HEX #A911CE

RGB 169 17 206

HSL 288.25, 0.85%, 0.44%

LAB 43.2, 76.34, -61.44

 

CMYK 17 / 88 / 0 / 8

HEX #C31DEB

RGB 195 29 235

HSL 288.35, 0.84%, 0.52%

LAB 50.07, 83.36, -66.68

 

CMYK 14 / 72 / 0 / 7

HEX #CD43EE

RGB 205 67 238

HSL 288.42, 0.83%, 0.6%

LAB 55.24, 75.61, -59.95

 

CMYK 11 / 57 / 0 / 5

HEX #D769F2

RGB 215 105 242

HSL 288.18, 0.84%, 0.68%

LAB 62.47, 62.95, -50.57

 

CMYK 17 / 88 / 0 / 8

HEX #C31DEB

RGB 195 29 235

HSL 288.35, 0.84%, 0.52%

LAB 50.07, 83.36, -66.68

 

CMYK 0 / 88 / 88 / 8

HEX #EB1D1D

RGB 235 29 29

HSL 0, 0.84%, 0.52%

LAB 50.25, 72.55, 54.38

 

CMYK 88 / 0 / 52 / 8

HEX #1DEB70

RGB 29 235 112

HSL 144.17, 0.84%, 0.52%

LAB 82.3, -71.78, 46.48

 

CMYK 17 / 88 / 0 / 8

HEX #C31DEB

RGB 195 29 235

HSL 288.35, 0.84%, 0.52%

LAB 50.07, 83.36, -66.68

 

CMYK 0 / 17 / 88 / 8

HEX #EBC21D

RGB 235 194 29

HSL 48.06, 0.84%, 0.52%

LAB 79.8, 0.59, 77.41

 

CMYK 88 / 0 / 17 / 8

HEX #1DEBC2

RGB 29 235 194

HSL 168.06, 0.84%, 0.52%

LAB 83.74, -55.38, 6.91

 

CMYK 17 / 88 / 0 / 8

HEX #C31DEB

RGB 195 29 235

HSL 288.35, 0.84%, 0.52%

LAB 50.07, 83.36, -66.68

 

CMYK 0 / 88 / 88 / 8

HEX #EB1D1D

RGB 235 29 29

HSL 0, 0.84%, 0.52%

LAB 50.25, 72.55, 54.38

 

CMYK 70 / 0 / 88 / 8

HEX #46EB1D

RGB 70 235 29

HSL 108.06, 0.84%, 0.52%

LAB 82.28, -74.12, 75.76

 

CMYK 88 / 0 / 0 / 8

HEX #1DEBEB

RGB 29 235 235

HSL 180, 0.84%, 0.52%

LAB 84.83, -44.31, -13.08

 

CMYK 17 / 88 / 0 / 8

HEX #C31DEB

RGB 195 29 235

HSL 288.35, 0.84%, 0.52%

LAB 50.07, 83.36, -66.68

 

CMYK 0 / 61 / 88 / 8

HEX #EB5B1D

RGB 235 91 29

HSL 18.06, 0.84%, 0.52%

LAB 57.3, 53.11, 59.8

 

CMYK 70 / 0 / 88 / 8

HEX #46EB1D

RGB 70 235 29

HSL 108.06, 0.84%, 0.52%

LAB 82.28, -74.12, 75.76

 

CMYK 88 / 26 / 0 / 8

HEX #1DADEB

RGB 29 173 235

HSL 198.06, 0.84%, 0.52%

LAB 66.63, -14.06, -40.94

 

Description

Color code: HEX #C31DEB | qconv.com Color code: HEX #C31DEB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 29 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 29 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 88 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 88% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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