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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C333DF it is the complementary color #3CCC20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C333DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C333DF shade: #C833DA, #D945ED, #EA57FF, #FB69FF and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C333DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C333DF shade: #C333DF, #B221CC, #A10FB9, #9000A6 and #7F0093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C333DF shade: #C334DF, #DF34CD, #DF349E, #DF3470 and #DF3442

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C333DF shade: #C334DF, #9534DF, #6734DF, #3834DF and #3434DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C333DF shade matches the following richer shades: #C334DF and #D021F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C333DF shade: #C334DF, #B647CC, #A95AB9, #9D6DA6 and #907F93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C333DF shade: #6734DF, #9534DF, #C234DF, #DF34CE and #DF34A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C333DF shade: #8F1AA6, #AE1FCA, #C334DF, #CD57E4 and #D87BEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C333DF shade: #C333DF, #DF3934 and #34DF7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C333DF shade: #C333DF, #DFC234 and #34DFC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C333DF shade: #C333DF, #DF3934, #50DF34 and #34D9DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C333DF shade: #C333DF, #DF6D34, #50DF34 and #34A6DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 77 / 0 / 13

HEX #C333DF

RGB 195 51 223

HSL 290.23, 0.73%, 0.54%

LAB 51.03, 76.17, -58.33

 

Complementary color

CMYK 71 / 0 / 84 / 20

HEX #3CCC20

RGB 60 204 32

HSL 110.23, 0.73%, 0.46%

LAB 72.4, -66.23, 66.4

 

CMYK 8 / 77 / 0 / 15

HEX #C833DA

RGB 200 51 218

HSL 293.53, 0.69%, 0.53%

LAB 51.51, 76.26, -54.69

 

CMYK 8 / 71 / 0 / 7

HEX #D945ED

RGB 217 69 237

HSL 292.86, 0.82%, 0.6%

LAB 57.19, 77.15, -56.17

 

CMYK 8 / 66 / 0 / 0

HEX #EA57FF

RGB 234 87 255

HSL 292.5, 1%, 0.67%

LAB 62.95, 77.33, -56.83

 

CMYK 2 / 59 / 0 / 0

HEX #FB69FF

RGB 251 105 255

HSL 298.4, 1%, 0.71%

LAB 67.9, 74.06, -48.84

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 13 / 77 / 0 / 13

HEX #C333DF

RGB 195 51 223

HSL 290.23, 0.73%, 0.54%

LAB 51.03, 76.17, -58.33

 

CMYK 13 / 84 / 0 / 20

HEX #B221CC

RGB 178 33 204

HSL 290.88, 0.72%, 0.46%

LAB 45.51, 74.54, -56.47

 

CMYK 13 / 92 / 0 / 27

HEX #A10FB9

RGB 161 15 185

HSL 291.53, 0.85%, 0.39%

LAB 40.28, 71.79, -53.96

 

CMYK 13 / 100 / 0 / 35

HEX #9000A6

RGB 144 0 166

HSL 292.05, 1%, 0.33%

LAB 35.37, 67.76, -50.73

 

CMYK 14 / 100 / 0 / 42

HEX #7F0093

RGB 127 0 147

HSL 291.84, 1%, 0.29%

LAB 30.92, 61.93, -46.5

 

CMYK 13 / 77 / 0 / 13

HEX #C334DF

RGB 195 52 223

HSL 290.18, 0.73%, 0.54%

LAB 51.14, 75.88, -58.17

 

CMYK 0 / 77 / 8 / 13

HEX #DF34CD

RGB 223 52 205

HSL 306.32, 0.73%, 0.54%

LAB 54.61, 78.54, -42.1

 

CMYK 0 / 77 / 29 / 13

HEX #DF349E

RGB 223 52 158

HSL 322.81, 0.73%, 0.54%

LAB 52.52, 72.44, -17.98

 

CMYK 0 / 77 / 50 / 13

HEX #DF3470

RGB 223 52 112

HSL 338.95, 0.73%, 0.54%

LAB 51.05, 67.94, 7.42

 

CMYK 0 / 77 / 70 / 13

HEX #DF3442

RGB 223 52 66

HSL 355.09, 0.73%, 0.54%

LAB 50.14, 65.06, 33.87

 

CMYK 13 / 77 / 0 / 13

HEX #C334DF

RGB 195 52 223

HSL 290.18, 0.73%, 0.54%

LAB 51.14, 75.88, -58.17

 

CMYK 33 / 77 / 0 / 13

HEX #9534DF

RGB 149 52 223

HSL 274.04, 0.73%, 0.54%

LAB 44.48, 67.76, -69.26

 

CMYK 54 / 77 / 0 / 13

HEX #6734DF

RGB 103 52 223

HSL 257.89, 0.73%, 0.54%

LAB 39.01, 60.96, -78.42

 

CMYK 75 / 77 / 0 / 13

HEX #3834DF

RGB 56 52 223

HSL 241.4, 0.73%, 0.54%

LAB 35.25, 56.19, -84.76

 

CMYK 77 / 77 / 0 / 13

HEX #3434DF

RGB 52 52 223

HSL 240, 0.73%, 0.54%

LAB 35.03, 55.91, -85.13

 

CMYK 13 / 77 / 0 / 13

HEX #C334DF

RGB 195 52 223

HSL 290.18, 0.73%, 0.54%

LAB 51.14, 75.88, -58.17

 

CMYK 14 / 86 / 0 / 5

HEX #D021F2

RGB 208 33 242

HSL 290.24, 0.89%, 0.54%

LAB 52.85, 85.83, -66.02

 

CMYK 13 / 77 / 0 / 13

HEX #C334DF

RGB 195 52 223

HSL 290.18, 0.73%, 0.54%

LAB 51.14, 75.88, -58.17

 

CMYK 11 / 65 / 0 / 20

HEX #B647CC

RGB 182 71 204

HSL 290.08, 0.57%, 0.54%

LAB 50.47, 62.95, -48.5

 

CMYK 9 / 51 / 0 / 27

HEX #A95AB9

RGB 169 90 185

HSL 289.89, 0.4%, 0.54%

LAB 50.98, 47.03, -36.84

 

CMYK 5 / 34 / 0 / 35

HEX #9D6DA6

RGB 157 109 166

HSL 290.53, 0.24%, 0.54%

LAB 52.79, 29.11, -23.08

 

CMYK 2 / 14 / 0 / 42

HEX #907F93

RGB 144 127 147

HSL 291, 0.08%, 0.54%

LAB 55.29, 10.29, -8.37

 

CMYK 54 / 77 / 0 / 13

HEX #6734DF

RGB 103 52 223

HSL 257.89, 0.73%, 0.54%

LAB 39.01, 60.96, -78.42

 

CMYK 33 / 77 / 0 / 13

HEX #9534DF

RGB 149 52 223

HSL 274.04, 0.73%, 0.54%

LAB 44.48, 67.76, -69.26

 

CMYK 13 / 77 / 0 / 13

HEX #C234DF

RGB 194 52 223

HSL 289.82, 0.73%, 0.54%

LAB 50.98, 75.69, -58.42

 

CMYK 0 / 77 / 8 / 13

HEX #DF34CE

RGB 223 52 206

HSL 305.96, 0.73%, 0.54%

LAB 54.66, 78.68, -42.6

 

CMYK 0 / 77 / 28 / 13

HEX #DF34A0

RGB 223 52 160

HSL 322.11, 0.73%, 0.54%

LAB 52.6, 72.67, -19.05

 

CMYK 14 / 84 / 0 / 35

HEX #8F1AA6

RGB 143 26 166

HSL 290.14, 0.73%, 0.38%

LAB 36.62, 63.39, -48.72

 

CMYK 14 / 85 / 0 / 21

HEX #AE1FCA

RGB 174 31 202

HSL 290.18, 0.73%, 0.46%

LAB 44.58, 73.96, -56.85

 

CMYK 13 / 77 / 0 / 13

HEX #C334DF

RGB 195 52 223

HSL 290.18, 0.73%, 0.54%

LAB 51.14, 75.88, -58.17

 

CMYK 10 / 62 / 0 / 11

HEX #CD57E4

RGB 205 87 228

HSL 290.21, 0.72%, 0.62%

LAB 57.46, 65.97, -50.8

 

CMYK 8 / 47 / 0 / 8

HEX #D87BEA

RGB 216 123 234

HSL 290.27, 0.73%, 0.7%

LAB 65.52, 52.93, -41.33

 

CMYK 13 / 77 / 0 / 13

HEX #C333DF

RGB 195 51 223

HSL 290.23, 0.73%, 0.54%

LAB 51.03, 76.17, -58.33

 

CMYK 0 / 74 / 77 / 13

HEX #DF3934

RGB 223 57 52

HSL 1.75, 0.73%, 0.54%

LAB 50.53, 62.94, 42.25

 

CMYK 77 / 0 / 43 / 13

HEX #34DF7E

RGB 52 223 126

HSL 145.96, 0.73%, 0.54%

LAB 79.05, -63.42, 35.65

 

CMYK 13 / 77 / 0 / 13

HEX #C333DF

RGB 195 51 223

HSL 290.23, 0.73%, 0.54%

LAB 51.03, 76.17, -58.33

 

CMYK 0 / 13 / 77 / 13

HEX #DFC234

RGB 223 194 52

HSL 49.82, 0.73%, 0.54%

LAB 78.76, -3.92, 69.9

 

CMYK 77 / 0 / 13 / 13

HEX #34DFC2

RGB 52 223 194

HSL 169.82, 0.73%, 0.54%

LAB 80.4, -48.68, 2.12

 

CMYK 13 / 77 / 0 / 13

HEX #C333DF

RGB 195 51 223

HSL 290.23, 0.73%, 0.54%

LAB 51.03, 76.17, -58.33

 

CMYK 0 / 74 / 77 / 13

HEX #DF3934

RGB 223 57 52

HSL 1.75, 0.73%, 0.54%

LAB 50.53, 62.94, 42.25

 

CMYK 64 / 0 / 77 / 13

HEX #50DF34

RGB 80 223 52

HSL 110.18, 0.73%, 0.54%

LAB 78.88, -67.36, 67.14

 

CMYK 77 / 3 / 0 / 13

HEX #34D9DF

RGB 52 217 223

HSL 182.11, 0.73%, 0.54%

LAB 79.43, -38.07, -14.78

 

CMYK 13 / 77 / 0 / 13

HEX #C333DF

RGB 195 51 223

HSL 290.23, 0.73%, 0.54%

LAB 51.03, 76.17, -58.33

 

CMYK 0 / 51 / 77 / 13

HEX #DF6D34

RGB 223 109 52

HSL 20, 0.73%, 0.54%

LAB 58.86, 40.84, 50.85

 

CMYK 64 / 0 / 77 / 13

HEX #50DF34

RGB 80 223 52

HSL 110.18, 0.73%, 0.54%

LAB 78.88, -67.36, 67.14

 

CMYK 77 / 26 / 0 / 13

HEX #34A6DF

RGB 52 166 223

HSL 200, 0.73%, 0.54%

LAB 64.43, -12.51, -37.77

 

Description

Color code: HEX #C333DF | qconv.com Color code: HEX #C333DF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 51 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 51 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 77 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 77% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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