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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C34662 it is the complementary color #3CB99D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C34662. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C34662 shade: #C8465D, #D95870, #EA6A83, #FB7C96 and #FF8EA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C34662. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C34662 shade: #C34662, #B2344F, #A1223C, #901029 and #7F0016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C34662 shade: #C34662 and #C34646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C34662 shade: #C34662, #C34683, #C346A5, #BE46C3 and #9D46C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C34662 shade matches the following richer shades: #C34662, #D63257, #EA1E4C and #FE0A41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C34662 shade: #C34662, #AF596D, #9B6D78, #878182 and #73958D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C34662 shade: #C346A5, #C34684, #C34663, #C34A46 and #C36B46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C34662 shade: #892C41, #A93650, #C34662, #CD657C and #D78497

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C34662 shade: #C34662, #C3BE46 and #4695C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C34662 shade: #C34662, #63C346 and #4663C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C34662 shade: #C34662, #C3BE46, #46C3A5 and #464AC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C34662 shade: #C34662, #A1C346, #46C3A5 and #6746C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 50 / 24

HEX #C34662

RGB 195 70 98

HSL 346.56, 0.51%, 0.52%

LAB 48.09, 52.04, 11.03

 

Complementary color

CMYK 68 / 0 / 15 / 27

HEX #3CB99D

RGB 60 185 157

HSL 166.56, 0.51%, 0.48%

LAB 68.09, -40.82, 4.27

 

CMYK 0 / 65 / 54 / 22

HEX #C8465D

RGB 200 70 93

HSL 349.38, 0.54%, 0.53%

LAB 48.82, 53.23, 15.21

 

CMYK 0 / 59 / 48 / 15

HEX #D95870

RGB 217 88 112

HSL 348.84, 0.63%, 0.6%

LAB 54.97, 52.58, 12.79

 

CMYK 0 / 55 / 44 / 8

HEX #EA6A83

RGB 234 106 131

HSL 348.28, 0.75%, 0.67%

LAB 61.17, 51.76, 10.78

 

CMYK 0 / 51 / 40 / 2

HEX #FB7C96

RGB 251 124 150

HSL 347.72, 0.94%, 0.74%

LAB 67.37, 50.87, 9.06

 

CMYK 0 / 44 / 34 / 0

HEX #FF8EA9

RGB 255 142 169

HSL 345.66, 1%, 0.78%

LAB 71.87, 45.52, 4.92

 

CMYK 0 / 64 / 50 / 24

HEX #C34662

RGB 195 70 98

HSL 346.56, 0.51%, 0.52%

LAB 48.09, 52.04, 11.03

 

CMYK 0 / 71 / 56 / 30

HEX #B2344F

RGB 178 52 79

HSL 347.14, 0.55%, 0.45%

LAB 41.98, 52.37, 13.82

 

CMYK 0 / 79 / 63 / 37

HEX #A1223C

RGB 161 34 60

HSL 347.72, 0.65%, 0.38%

LAB 36.08, 52.11, 17.35

 

CMYK 0 / 89 / 72 / 44

HEX #901029

RGB 144 16 41

HSL 348.28, 0.8%, 0.31%

LAB 30.54, 50.82, 21.87

 

CMYK 0 / 100 / 83 / 50

HEX #7F0016

RGB 127 0 22

HSL 349.61, 1%, 0.25%

LAB 25.47, 48.26, 27.34

 

CMYK 0 / 64 / 50 / 24

HEX #C34662

RGB 195 70 98

HSL 346.56, 0.51%, 0.52%

LAB 48.09, 52.04, 11.03

 

CMYK 0 / 64 / 64 / 24

HEX #C34646

RGB 195 70 70

HSL 0, 0.51%, 0.52%

LAB 47.53, 49.92, 27.16

 

CMYK 0 / 64 / 50 / 24

HEX #C34662

RGB 195 70 98

HSL 346.56, 0.51%, 0.52%

LAB 48.09, 52.04, 11.03

 

CMYK 0 / 64 / 33 / 24

HEX #C34683

RGB 195 70 131

HSL 330.72, 0.51%, 0.52%

LAB 49.03, 55.49, -7.6

 

CMYK 0 / 64 / 15 / 24

HEX #C346A5

RGB 195 70 165

HSL 314.4, 0.51%, 0.52%

LAB 50.33, 60.05, -25.88

 

CMYK 3 / 64 / 0 / 24

HEX #BE46C3

RGB 190 70 195

HSL 297.6, 0.51%, 0.52%

LAB 51, 63.61, -42.4

 

CMYK 19 / 64 / 0 / 24

HEX #9D46C3

RGB 157 70 195

HSL 281.76, 0.51%, 0.52%

LAB 46.3, 55.83, -50.17

 

CMYK 0 / 64 / 50 / 24

HEX #C34662

RGB 195 70 98

HSL 346.56, 0.51%, 0.52%

LAB 48.09, 52.04, 11.03

 

CMYK 0 / 77 / 59 / 16

HEX #D63257

RGB 214 50 87

HSL 346.46, 0.67%, 0.52%

LAB 48.59, 64.24, 18.97

 

CMYK 0 / 87 / 68 / 8

HEX #EA1E4C

RGB 234 30 76

HSL 346.47, 0.83%, 0.52%

LAB 50.62, 73.6, 29.01

 

CMYK 0 / 96 / 74 / 0

HEX #FE0A41

RGB 254 10 65

HSL 346.48, 0.99%, 0.52%

LAB 53.67, 80.32, 40.11

 

CMYK 0 / 64 / 50 / 24

HEX #C34662

RGB 195 70 98

HSL 346.56, 0.51%, 0.52%

LAB 48.09, 52.04, 11.03

 

CMYK 0 / 49 / 38 / 31

HEX #AF596D

RGB 175 89 109

HSL 346.05, 0.35%, 0.52%

LAB 48.71, 37.14, 4.83

 

CMYK 0 / 30 / 23 / 39

HEX #9B6D78

RGB 155 109 120

HSL 345.65, 0.19%, 0.52%

LAB 50.99, 19.98, 1.23

 

CMYK 0 / 4 / 4 / 47

HEX #878182

RGB 135 129 130

HSL 350, 0.02%, 0.52%

LAB 54.51, 2.45, 0.26

 

CMYK 23 / 0 / 5 / 42

HEX #73958D

RGB 115 149 141

HSL 165.88, 0.14%, 0.52%

LAB 59.03, -13.54, 0.35

 

CMYK 0 / 64 / 15 / 24

HEX #C346A5

RGB 195 70 165

HSL 314.4, 0.51%, 0.52%

LAB 50.33, 60.05, -25.88

 

CMYK 0 / 64 / 32 / 24

HEX #C34684

RGB 195 70 132

HSL 330.24, 0.51%, 0.52%

LAB 49.07, 55.61, -8.15

 

CMYK 0 / 64 / 49 / 24

HEX #C34663

RGB 195 70 99

HSL 346.08, 0.51%, 0.52%

LAB 48.11, 52.13, 10.46

 

CMYK 0 / 62 / 64 / 24

HEX #C34A46

RGB 195 74 70

HSL 1.92, 0.51%, 0.52%

LAB 48.19, 48.16, 27.99

 

CMYK 0 / 45 / 64 / 24

HEX #C36B46

RGB 195 107 70

HSL 17.76, 0.51%, 0.52%

LAB 54.62, 31.72, 35.85

 

CMYK 0 / 68 / 53 / 46

HEX #892C41

RGB 137 44 65

HSL 346.45, 0.51%, 0.35%

LAB 32.92, 41.15, 9.06

 

CMYK 0 / 68 / 53 / 34

HEX #A93650

RGB 169 54 80

HSL 346.43, 0.52%, 0.44%

LAB 40.66, 48.8, 11.12

 

CMYK 0 / 64 / 50 / 24

HEX #C34662

RGB 195 70 98

HSL 346.56, 0.51%, 0.52%

LAB 48.09, 52.04, 11.03

 

CMYK 0 / 51 / 40 / 20

HEX #CD657C

RGB 205 101 124

HSL 346.73, 0.51%, 0.6%

LAB 55.83, 43.47, 6.68

 

CMYK 0 / 39 / 30 / 16

HEX #D78497

RGB 215 132 151

HSL 346.27, 0.51%, 0.68%

LAB 64.31, 34.26, 3.48

 

CMYK 0 / 64 / 50 / 24

HEX #C34662

RGB 195 70 98

HSL 346.56, 0.51%, 0.52%

LAB 48.09, 52.04, 11.03

 

CMYK 0 / 3 / 64 / 24

HEX #C3BE46

RGB 195 190 70

HSL 57.6, 0.51%, 0.52%

LAB 75.37, -12.93, 59.02

 

CMYK 64 / 24 / 0 / 24

HEX #4695C3

RGB 70 149 195

HSL 202.08, 0.51%, 0.52%

LAB 58.73, -9.98, -30.99

 

CMYK 0 / 64 / 50 / 24

HEX #C34662

RGB 195 70 98

HSL 346.56, 0.51%, 0.52%

LAB 48.09, 52.04, 11.03

 

CMYK 49 / 0 / 64 / 24

HEX #63C346

RGB 99 195 70

HSL 106.08, 0.51%, 0.52%

LAB 70.96, -51.22, 52.55

 

CMYK 64 / 49 / 0 / 24

HEX #4663C3

RGB 70 99 195

HSL 226.08, 0.51%, 0.52%

LAB 44.47, 20.17, -53.54

 

CMYK 0 / 64 / 50 / 24

HEX #C34662

RGB 195 70 98

HSL 346.56, 0.51%, 0.52%

LAB 48.09, 52.04, 11.03

 

CMYK 0 / 3 / 64 / 24

HEX #C3BE46

RGB 195 190 70

HSL 57.6, 0.51%, 0.52%

LAB 75.37, -12.93, 59.02

 

CMYK 64 / 0 / 15 / 24

HEX #46C3A5

RGB 70 195 165

HSL 165.6, 0.51%, 0.52%

LAB 71.59, -41.58, 4.98

 

CMYK 64 / 62 / 0 / 24

HEX #464AC3

RGB 70 74 195

HSL 238.08, 0.51%, 0.52%

LAB 38.09, 35.99, -63.87

 

CMYK 0 / 64 / 50 / 24

HEX #C34662

RGB 195 70 98

HSL 346.56, 0.51%, 0.52%

LAB 48.09, 52.04, 11.03

 

CMYK 17 / 0 / 64 / 24

HEX #A1C346

RGB 161 195 70

HSL 76.32, 0.51%, 0.52%

LAB 74.22, -29.42, 57.04

 

CMYK 64 / 0 / 15 / 24

HEX #46C3A5

RGB 70 195 165

HSL 165.6, 0.51%, 0.52%

LAB 71.59, -41.58, 4.98

 

CMYK 47 / 64 / 0 / 24

HEX #6746C3

RGB 103 70 195

HSL 255.84, 0.51%, 0.52%

LAB 39.92, 44.13, -60.77

 

Description

Color code: HEX #C34662 | qconv.com Color code: HEX #C34662 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 70 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 70 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 50 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 50% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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