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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C34838 it is the complementary color #3CB7C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C34838. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C34838 shade: #C84833, #D95A46, #EA6C59, #FB7E6C and #FF907F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C34838. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C34838 shade: #C34838, #B23625, #A12412, #901200 and #7F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C34838 shade: #C14838 and #C13838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C34838 shade: #C14838, #C16D38, #C19238, #C1B738 and #A7C138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C34838 shade matches the following richer shades: #C14838, #D53824 and #EA280F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C34838 shade: #C14838, #AD574C, #996760, #857674 and #708689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C34838 shade: #C13873, #C1384F, #C14538, #C16A38 and #C18F38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C34838 shade: #813025, #A13C2E, #C14838, #CD6355 and #D78075

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C34838 shade: #C34838, #98C138 and #3861C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C34838 shade: #C34838, #38C145 and #4538C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C34838 shade: #C34838, #98C138, #38B3C1 and #6138C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C34838 shade: #C34838, #6FC138, #38B3C1 and #8A38C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 71 / 24

HEX #C34838

RGB 195 72 56

HSL 6.91, 0.55%, 0.49%

LAB 47.65, 48.27, 35.44

 

Complementary color

CMYK 70 / 8 / 0 / 22

HEX #3CB7C7

RGB 60 183 199

HSL 186.91, 0.55%, 0.51%

LAB 68.72, -28.14, -17.92

 

CMYK 0 / 64 / 75 / 22

HEX #C84833

RGB 200 72 51

HSL 8.46, 0.59%, 0.49%

LAB 48.45, 49.79, 39.34

 

CMYK 0 / 59 / 68 / 15

HEX #D95A46

RGB 217 90 70

HSL 8.16, 0.66%, 0.56%

LAB 54.56, 48.62, 36.58

 

CMYK 0 / 54 / 62 / 8

HEX #EA6C59

RGB 234 108 89

HSL 7.86, 0.78%, 0.63%

LAB 60.73, 47.37, 34.13

 

CMYK 0 / 50 / 57 / 2

HEX #FB7E6C

RGB 251 126 108

HSL 7.55, 0.95%, 0.7%

LAB 66.91, 46.12, 31.97

 

CMYK 0 / 44 / 50 / 0

HEX #FF907F

RGB 255 144 127

HSL 7.97, 1%, 0.75%

LAB 71.38, 40.14, 27.49

 

CMYK 0 / 63 / 71 / 24

HEX #C34838

RGB 195 72 56

HSL 6.91, 0.55%, 0.49%

LAB 47.65, 48.27, 35.44

 

CMYK 0 / 70 / 79 / 30

HEX #B23625

RGB 178 54 37

HSL 7.23, 0.66%, 0.42%

LAB 41.59, 49.23, 38.5

 

CMYK 0 / 78 / 89 / 37

HEX #A12412

RGB 161 36 18

HSL 7.55, 0.8%, 0.35%

LAB 35.76, 49.72, 41.58

 

CMYK 0 / 88 / 100 / 44

HEX #901200

RGB 144 18 0

HSL 7.5, 1%, 0.28%

LAB 30.31, 49.25, 43.52

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 63 / 71 / 24

HEX #C14838

RGB 193 72 56

HSL 7.01, 0.55%, 0.49%

LAB 47.31, 47.57, 34.95

 

CMYK 0 / 71 / 71 / 24

HEX #C13838

RGB 193 56 56

HSL 0, 0.55%, 0.49%

LAB 44.87, 54.17, 32.12

 

CMYK 0 / 63 / 71 / 24

HEX #C14838

RGB 193 72 56

HSL 7.01, 0.55%, 0.49%

LAB 47.31, 47.57, 34.95

 

CMYK 0 / 44 / 71 / 24

HEX #C16D38

RGB 193 109 56

HSL 23.21, 0.55%, 0.49%

LAB 54.62, 29, 43.14

 

CMYK 0 / 24 / 71 / 24

HEX #C19238

RGB 193 146 56

HSL 39.42, 0.55%, 0.49%

LAB 63.49, 8.73, 52.55

 

CMYK 0 / 5 / 71 / 24

HEX #C1B738

RGB 193 183 56

HSL 55.62, 0.55%, 0.49%

LAB 73.21, -10.97, 62.3

 

CMYK 13 / 0 / 71 / 24

HEX #A7C138

RGB 167 193 56

HSL 71.39, 0.55%, 0.49%

LAB 73.96, -26.93, 62.35

 

CMYK 0 / 63 / 71 / 24

HEX #C14838

RGB 193 72 56

HSL 7.01, 0.55%, 0.49%

LAB 47.31, 47.57, 34.95

 

CMYK 0 / 74 / 83 / 16

HEX #D53824

RGB 213 56 36

HSL 6.78, 0.71%, 0.49%

LAB 48.39, 59.74, 47.83

 

CMYK 0 / 83 / 94 / 8

HEX #EA280F

RGB 234 40 15

HSL 6.85, 0.88%, 0.49%

LAB 50.74, 69.95, 59.82

 

CMYK 0 / 63 / 71 / 24

HEX #C14838

RGB 193 72 56

HSL 7.01, 0.55%, 0.49%

LAB 47.31, 47.57, 34.95

 

CMYK 0 / 50 / 56 / 32

HEX #AD574C

RGB 173 87 76

HSL 6.8, 0.39%, 0.49%

LAB 47.26, 34.05, 22.57

 

CMYK 0 / 33 / 37 / 40

HEX #996760

RGB 153 103 96

HSL 7.37, 0.23%, 0.49%

LAB 48.66, 19.19, 12.12

 

CMYK 0 / 11 / 13 / 48

HEX #857674

RGB 133 118 116

HSL 7.06, 0.07%, 0.49%

LAB 50.93, 5.43, 3.21

 

CMYK 18 / 2 / 0 / 46

HEX #708689

RGB 112 134 137

HSL 187.2, 0.1%, 0.49%

LAB 54.35, -7.2, -4.26

 

CMYK 0 / 71 / 40 / 24

HEX #C13873

RGB 193 56 115

HSL 334.16, 0.55%, 0.49%

LAB 46.18, 58.62, -2.14

 

CMYK 0 / 71 / 59 / 24

HEX #C1384F

RGB 193 56 79

HSL 349.93, 0.55%, 0.49%

LAB 45.26, 55.52, 18.72

 

CMYK 0 / 64 / 71 / 24

HEX #C14538

RGB 193 69 56

HSL 5.69, 0.55%, 0.49%

LAB 46.82, 48.89, 34.38

 

CMYK 0 / 45 / 71 / 24

HEX #C16A38

RGB 193 106 56

HSL 21.9, 0.55%, 0.49%

LAB 53.95, 30.61, 42.42

 

CMYK 0 / 26 / 71 / 24

HEX #C18F38

RGB 193 143 56

HSL 38.1, 0.55%, 0.49%

LAB 62.73, 10.37, 51.76

 

CMYK 0 / 63 / 71 / 49

HEX #813025

RGB 129 48 37

HSL 7.17, 0.55%, 0.33%

LAB 31.61, 34.26, 24.98

 

CMYK 0 / 63 / 71 / 37

HEX #A13C2E

RGB 161 60 46

HSL 7.3, 0.56%, 0.41%

LAB 39.59, 41.03, 30.35

 

CMYK 0 / 63 / 71 / 24

HEX #C14838

RGB 193 72 56

HSL 7.01, 0.55%, 0.49%

LAB 47.31, 47.57, 34.95

 

CMYK 0 / 52 / 59 / 20

HEX #CD6355

RGB 205 99 85

HSL 7, 0.55%, 0.57%

LAB 54.61, 40.83, 27.76

 

CMYK 0 / 40 / 46 / 16

HEX #D78075

RGB 215 128 117

HSL 6.73, 0.55%, 0.65%

LAB 62.65, 32.39, 20.43

 

CMYK 0 / 63 / 71 / 24

HEX #C34838

RGB 195 72 56

HSL 6.91, 0.55%, 0.49%

LAB 47.65, 48.27, 35.44

 

CMYK 21 / 0 / 71 / 24

HEX #98C138

RGB 152 193 56

HSL 77.96, 0.55%, 0.49%

LAB 72.96, -32.97, 61.02

 

CMYK 71 / 50 / 0 / 24

HEX #3861C1

RGB 56 97 193

HSL 222.04, 0.55%, 0.49%

LAB 43.12, 18.51, -54.58

 

CMYK 0 / 63 / 71 / 24

HEX #C34838

RGB 195 72 56

HSL 6.91, 0.55%, 0.49%

LAB 47.65, 48.27, 35.44

 

CMYK 71 / 0 / 64 / 24

HEX #38C145

RGB 56 193 69

HSL 125.69, 0.55%, 0.49%

LAB 69.05, -60.64, 50.51

 

CMYK 64 / 71 / 0 / 24

HEX #4538C1

RGB 69 56 193

HSL 245.69, 0.55%, 0.49%

LAB 33.87, 45.9, -69.62

 

CMYK 0 / 63 / 71 / 24

HEX #C34838

RGB 195 72 56

HSL 6.91, 0.55%, 0.49%

LAB 47.65, 48.27, 35.44

 

CMYK 21 / 0 / 71 / 24

HEX #98C138

RGB 152 193 56

HSL 77.96, 0.55%, 0.49%

LAB 72.96, -32.97, 61.02

 

CMYK 71 / 7 / 0 / 24

HEX #38B3C1

RGB 56 179 193

HSL 186.13, 0.55%, 0.49%

LAB 67.23, -28.52, -16.88

 

CMYK 50 / 71 / 0 / 24

HEX #6138C1

RGB 97 56 193

HSL 257.96, 0.55%, 0.49%

LAB 36.4, 50.02, -65.36

 

CMYK 0 / 63 / 71 / 24

HEX #C34838

RGB 195 72 56

HSL 6.91, 0.55%, 0.49%

LAB 47.65, 48.27, 35.44

 

CMYK 42 / 0 / 71 / 24

HEX #6FC138

RGB 111 193 56

HSL 95.91, 0.55%, 0.49%

LAB 70.74, -47.88, 58.06

 

CMYK 71 / 7 / 0 / 24

HEX #38B3C1

RGB 56 179 193

HSL 186.13, 0.55%, 0.49%

LAB 67.23, -28.52, -16.88

 

CMYK 28 / 71 / 0 / 24

HEX #8A38C1

RGB 138 56 193

HSL 275.91, 0.55%, 0.49%

LAB 41.35, 57.57, -57.11

 

Description

Color code: HEX #C34838 | qconv.com Color code: HEX #C34838 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 72 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 72 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 71 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 71% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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