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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C358ED it is the complementary color #3CA712. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C358ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C358ED shade: #C858E8, #D96AFB, #EA7CFF, #FB8EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C358ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C358ED shade: #C358ED, #B246DA, #A134C7, #9022B4 and #7F10A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C358ED shade: #C358ED, #EB58ED, #ED58C7, #ED589F and #ED5877

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C358ED shade: #C358ED, #9B58ED, #7358ED and #5858ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C358ED shade matches the following richer shades: #C358ED and #CA49FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C358ED shade: #C358ED, #BD67DE, #B676CF, #B085C0 and #A994B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C358ED shade: #7458ED, #9B58ED, #C358ED, #EB58ED and #ED58C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C358ED shade: #A517DC, #B633E9, #C358ED, #D07EF1 and #DEA3F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C358ED shade: #C358ED, #ED5865 and #58ED87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C358ED shade: #C358ED, #EDC358 and #58EDC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C358ED shade: #C358ED, #ED5865, #82ED58 and #58EDE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C358ED shade: #C358ED, #ED7958, #82ED58 and #58CDED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 63 / 0 / 7

HEX #C358ED

RGB 195 88 237

HSL 283.09, 0.81%, 0.64%

LAB 56.78, 64.96, -57.01

 

Complementary color

CMYK 64 / 0 / 89 / 35

HEX #3CA712

RGB 60 167 18

HSL 103.09, 0.81%, 0.36%

LAB 60.46, -54.71, 58.96

 

CMYK 14 / 62 / 0 / 9

HEX #C858E8

RGB 200 88 232

HSL 286.67, 0.76%, 0.63%

LAB 57.16, 65.12, -53.56

 

CMYK 14 / 58 / 0 / 2

HEX #D96AFB

RGB 217 106 251

HSL 285.93, 0.95%, 0.7%

LAB 63.36, 64.7, -54.11

 

CMYK 8 / 51 / 0 / 0

HEX #EA7CFF

RGB 234 124 255

HSL 290.38, 1%, 0.74%

LAB 68.84, 61.27, -47.5

 

CMYK 2 / 44 / 0 / 0

HEX #FB8EFF

RGB 251 142 255

HSL 297.88, 1%, 0.78%

LAB 74.24, 57.15, -38.91

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 18 / 63 / 0 / 7

HEX #C358ED

RGB 195 88 237

HSL 283.09, 0.81%, 0.64%

LAB 56.78, 64.96, -57.01

 

CMYK 18 / 68 / 0 / 15

HEX #B246DA

RGB 178 70 218

HSL 283.78, 0.67%, 0.56%

LAB 50.58, 65.17, -56.36

 

CMYK 19 / 74 / 0 / 22

HEX #A134C7

RGB 161 52 199

HSL 284.49, 0.59%, 0.49%

LAB 44.46, 64.96, -55.41

 

CMYK 20 / 81 / 0 / 29

HEX #9022B4

RGB 144 34 180

HSL 285.21, 0.68%, 0.42%

LAB 38.5, 64.04, -54.03

 

CMYK 21 / 90 / 0 / 37

HEX #7F10A1

RGB 127 16 161

HSL 285.93, 0.82%, 0.35%

LAB 32.82, 61.97, -51.97

 

CMYK 18 / 63 / 0 / 7

HEX #C358ED

RGB 195 88 237

HSL 283.09, 0.81%, 0.64%

LAB 56.78, 64.96, -57.01

 

CMYK 1 / 63 / 0 / 7

HEX #EB58ED

RGB 235 88 237

HSL 299.19, 0.81%, 0.64%

LAB 62.3, 74.13, -47.89

 

CMYK 0 / 63 / 16 / 7

HEX #ED58C7

RGB 237 88 199

HSL 315.3, 0.81%, 0.64%

LAB 60.88, 68.8, -28.72

 

CMYK 0 / 63 / 33 / 7

HEX #ED589F

RGB 237 88 159

HSL 331.41, 0.81%, 0.64%

LAB 59.42, 63.65, -7.94

 

CMYK 0 / 63 / 50 / 7

HEX #ED5877

RGB 237 88 119

HSL 347.52, 0.81%, 0.64%

LAB 58.34, 59.65, 13.85

 

CMYK 18 / 63 / 0 / 7

HEX #C358ED

RGB 195 88 237

HSL 283.09, 0.81%, 0.64%

LAB 56.78, 64.96, -57.01

 

CMYK 35 / 63 / 0 / 7

HEX #9B58ED

RGB 155 88 237

HSL 266.98, 0.81%, 0.64%

LAB 51.91, 56.19, -65.1

 

CMYK 51 / 63 / 0 / 7

HEX #7358ED

RGB 115 88 237

HSL 250.87, 0.81%, 0.64%

LAB 47.93, 48.38, -71.73

 

CMYK 63 / 63 / 0 / 7

HEX #5858ED

RGB 88 88 237

HSL 240, 0.81%, 0.64%

LAB 45.86, 44.02, -75.19

 

CMYK 18 / 63 / 0 / 7

HEX #C358ED

RGB 195 88 237

HSL 283.09, 0.81%, 0.64%

LAB 56.78, 64.96, -57.01

 

CMYK 20 / 71 / 0 / 1

HEX #CA49FC

RGB 202 73 252

HSL 283.24, 0.97%, 0.64%

LAB 56.44, 75.47, -65.86

 

CMYK 18 / 63 / 0 / 7

HEX #C358ED

RGB 195 88 237

HSL 283.09, 0.81%, 0.64%

LAB 56.78, 64.96, -57.01

 

CMYK 15 / 54 / 0 / 13

HEX #BD67DE

RGB 189 103 222

HSL 283.36, 0.64%, 0.64%

LAB 57.84, 53.34, -46.96

 

CMYK 12 / 43 / 0 / 19

HEX #B676CF

RGB 182 118 207

HSL 283.15, 0.48%, 0.64%

LAB 59.35, 40.41, -36.19

 

CMYK 8 / 31 / 0 / 25

HEX #B085C0

RGB 176 133 192

HSL 283.73, 0.32%, 0.64%

LAB 61.49, 27.1, -24.45

 

CMYK 5 / 17 / 0 / 30

HEX #A994B2

RGB 169 148 178

HSL 282, 0.16%, 0.64%

LAB 64.02, 13.42, -12.76

 

CMYK 51 / 63 / 0 / 7

HEX #7458ED

RGB 116 88 237

HSL 251.28, 0.81%, 0.64%

LAB 48.02, 48.55, -71.59

 

CMYK 35 / 63 / 0 / 7

HEX #9B58ED

RGB 155 88 237

HSL 266.98, 0.81%, 0.64%

LAB 51.91, 56.19, -65.1

 

CMYK 18 / 63 / 0 / 7

HEX #C358ED

RGB 195 88 237

HSL 283.09, 0.81%, 0.64%

LAB 56.78, 64.96, -57.01

 

CMYK 1 / 63 / 0 / 7

HEX #EB58ED

RGB 235 88 237

HSL 299.19, 0.81%, 0.64%

LAB 62.3, 74.13, -47.89

 

CMYK 0 / 63 / 16 / 7

HEX #ED58C8

RGB 237 88 200

HSL 314.9, 0.81%, 0.64%

LAB 60.92, 68.94, -29.23

 

CMYK 25 / 90 / 0 / 14

HEX #A517DC

RGB 165 23 220

HSL 283.25, 0.81%, 0.48%

LAB 43.91, 77.35, -68.37

 

CMYK 22 / 78 / 0 / 9

HEX #B633E9

RGB 182 51 233

HSL 283.19, 0.81%, 0.56%

LAB 49.73, 75.68, -66.19

 

CMYK 18 / 63 / 0 / 7

HEX #C358ED

RGB 195 88 237

HSL 283.09, 0.81%, 0.64%

LAB 56.78, 64.96, -57.01

 

CMYK 14 / 48 / 0 / 5

HEX #D07EF1

RGB 208 126 241

HSL 282.78, 0.8%, 0.72%

LAB 65.5, 50.58, -45.29

 

CMYK 9 / 33 / 0 / 4

HEX #DEA3F5

RGB 222 163 245

HSL 283.17, 0.8%, 0.8%

LAB 75.02, 35.86, -32.53

 

CMYK 18 / 63 / 0 / 7

HEX #C358ED

RGB 195 88 237

HSL 283.09, 0.81%, 0.64%

LAB 56.78, 64.96, -57.01

 

CMYK 0 / 63 / 57 / 7

HEX #ED5865

RGB 237 88 101

HSL 354.77, 0.81%, 0.64%

LAB 57.96, 58.25, 23.85

 

CMYK 63 / 0 / 43 / 7

HEX #58ED87

RGB 88 237 135

HSL 138.93, 0.81%, 0.64%

LAB 84.17, -61.23, 37.94

 

CMYK 18 / 63 / 0 / 7

HEX #C358ED

RGB 195 88 237

HSL 283.09, 0.81%, 0.64%

LAB 56.78, 64.96, -57.01

 

CMYK 0 / 18 / 63 / 7

HEX #EDC358

RGB 237 195 88

HSL 43.09, 0.81%, 0.64%

LAB 80.59, 3.32, 57.98

 

CMYK 63 / 0 / 18 / 7

HEX #58EDC3

RGB 88 237 195

HSL 163.09, 0.81%, 0.64%

LAB 85.29, -49.35, 8.74

 

CMYK 18 / 63 / 0 / 7

HEX #C358ED

RGB 195 88 237

HSL 283.09, 0.81%, 0.64%

LAB 56.78, 64.96, -57.01

 

CMYK 0 / 63 / 57 / 7

HEX #ED5865

RGB 237 88 101

HSL 354.77, 0.81%, 0.64%

LAB 57.96, 58.25, 23.85

 

CMYK 45 / 0 / 63 / 7

HEX #82ED58

RGB 130 237 88

HSL 103.09, 0.81%, 0.64%

LAB 85.01, -56.81, 60.84

 

CMYK 63 / 0 / 5 / 7

HEX #58EDE1

RGB 88 237 225

HSL 175.17, 0.81%, 0.64%

LAB 86.05, -41.96, -5.91

 

CMYK 18 / 63 / 0 / 7

HEX #C358ED

RGB 195 88 237

HSL 283.09, 0.81%, 0.64%

LAB 56.78, 64.96, -57.01

 

CMYK 0 / 49 / 63 / 7

HEX #ED7958

RGB 237 121 88

HSL 13.29, 0.81%, 0.64%

LAB 63.66, 42.03, 38.39

 

CMYK 45 / 0 / 63 / 7

HEX #82ED58

RGB 130 237 88

HSL 103.09, 0.81%, 0.64%

LAB 85.01, -56.81, 60.84

 

CMYK 63 / 14 / 0 / 7

HEX #58CDED

RGB 88 205 237

HSL 192.89, 0.81%, 0.64%

LAB 77.19, -23.46, -25.59

 

Description

Color code: HEX #C358ED | qconv.com Color code: HEX #C358ED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 88 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 88 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 63 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 63% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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