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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C359C2 it is the complementary color #3CA63D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C359C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C359C2 shade: #C859BD, #D96BD0, #EA7DE3, #FB8FF6 and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C359C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C359C2 shade: #C359C2, #B247AF, #A1359C, #902389 and #7F1176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C359C2 shade: #C35AC2, #C35AA6, #C35A89, #C35A6D and #C35A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C359C2 shade: #C35AC2, #A85AC3, #8B5AC3, #6F5AC3 and #5A5AC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C359C2 shade matches the following richer shades: #C35AC2, #D547D4, #E735E6 and #F923F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C359C2 shade: #C35AC2, #B16CB0, #9F7E9E, #8D908D and #7AA27B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C359C2 shade: #8B5AC3, #A75AC3, #C35AC3, #C35AA7 and #C35A8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C359C2 shade: #953594, #B340B2, #C35AC2, #CE78CD and #D996D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C359C2 shade: #C359C2, #C36F5A and #5AC399

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C359C2 shade: #C359C2, #C3C35A and #5AC3C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C359C2 shade: #C359C2, #C36F5A, #5AC35A and #5AAEC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C359C2 shade: #C359C2, #C38E5A, #5AC35A and #5A8EC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 1 / 24

HEX #C359C2

RGB 195 89 194

HSL 300.57, 0.47%, 0.56%

LAB 54.7, 56.4, -35.94

 

Complementary color

CMYK 64 / 0 / 63 / 35

HEX #3CA63D

RGB 60 166 61

HSL 120.57, 0.47%, 0.44%

LAB 60.4, -51.28, 44.38

 

CMYK 0 / 56 / 5 / 22

HEX #C859BD

RGB 200 89 189

HSL 305.95, 0.5%, 0.57%

LAB 55.17, 56.9, -32.28

 

CMYK 0 / 51 / 4 / 15

HEX #D96BD0

RGB 217 107 208

HSL 304.91, 0.59%, 0.64%

LAB 61.5, 56.39, -33.08

 

CMYK 0 / 47 / 3 / 8

HEX #EA7DE3

RGB 234 125 227

HSL 303.85, 0.72%, 0.7%

LAB 67.8, 55.77, -33.73

 

CMYK 0 / 43 / 2 / 2

HEX #FB8FF6

RGB 251 143 246

HSL 302.78, 0.93%, 0.77%

LAB 74.07, 55.08, -34.29

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 54 / 1 / 24

HEX #C359C2

RGB 195 89 194

HSL 300.57, 0.47%, 0.56%

LAB 54.7, 56.4, -35.94

 

CMYK 0 / 60 / 2 / 30

HEX #B247AF

RGB 178 71 175

HSL 301.68, 0.43%, 0.49%

LAB 48.34, 56.73, -35.06

 

CMYK 0 / 67 / 3 / 37

HEX #A1359C

RGB 161 53 156

HSL 302.78, 0.5%, 0.42%

LAB 42.04, 56.71, -33.89

 

CMYK 0 / 76 / 5 / 44

HEX #902389

RGB 144 35 137

HSL 303.85, 0.61%, 0.35%

LAB 35.86, 56.04, -32.25

 

CMYK 0 / 87 / 7 / 50

HEX #7F1176

RGB 127 17 118

HSL 304.91, 0.76%, 0.28%

LAB 29.96, 54.26, -29.9

 

CMYK 0 / 54 / 1 / 24

HEX #C35AC2

RGB 195 90 194

HSL 300.57, 0.47%, 0.56%

LAB 54.88, 55.93, -35.67

 

CMYK 0 / 54 / 15 / 24

HEX #C35AA6

RGB 195 90 166

HSL 316.57, 0.47%, 0.56%

LAB 53.67, 51.27, -21.32

 

CMYK 0 / 54 / 30 / 24

HEX #C35A89

RGB 195 90 137

HSL 333.14, 0.47%, 0.56%

LAB 52.64, 47.1, -5.81

 

CMYK 0 / 54 / 44 / 24

HEX #C35A6D

RGB 195 90 109

HSL 349.14, 0.47%, 0.56%

LAB 51.86, 43.81, 9.71

 

CMYK 0 / 54 / 54 / 24

HEX #C35A5A

RGB 195 90 90

HSL 0, 0.47%, 0.56%

LAB 51.44, 42.02, 20.42

 

CMYK 0 / 54 / 1 / 24

HEX #C35AC2

RGB 195 90 194

HSL 300.57, 0.47%, 0.56%

LAB 54.88, 55.93, -35.67

 

CMYK 14 / 54 / 0 / 24

HEX #A85AC3

RGB 168 90 195

HSL 284.57, 0.47%, 0.56%

LAB 51.36, 48.8, -42.03

 

CMYK 29 / 54 / 0 / 24

HEX #8B5AC3

RGB 139 90 195

HSL 268, 0.47%, 0.56%

LAB 47.93, 41.13, -47.68

 

CMYK 43 / 54 / 0 / 24

HEX #6F5AC3

RGB 111 90 195

HSL 252, 0.47%, 0.56%

LAB 45.13, 34.23, -52.33

 

CMYK 54 / 54 / 0 / 24

HEX #5A5AC3

RGB 90 90 195

HSL 240, 0.47%, 0.56%

LAB 43.4, 29.62, -55.2

 

CMYK 0 / 54 / 1 / 24

HEX #C35AC2

RGB 195 90 194

HSL 300.57, 0.47%, 0.56%

LAB 54.88, 55.93, -35.67

 

CMYK 0 / 67 / 0 / 16

HEX #D547D4

RGB 213 71 212

HSL 300.42, 0.63%, 0.56%

LAB 55.49, 71.42, -44.81

 

CMYK 0 / 77 / 0 / 9

HEX #E735E6

RGB 231 53 230

HSL 300.34, 0.79%, 0.56%

LAB 57.32, 83.56, -51.92

 

CMYK 0 / 86 / 1 / 2

HEX #F923F7

RGB 249 35 247

HSL 300.56, 0.95%, 0.56%

LAB 59.94, 92.97, -57.07

 

CMYK 0 / 54 / 1 / 24

HEX #C35AC2

RGB 195 90 194

HSL 300.57, 0.47%, 0.56%

LAB 54.88, 55.93, -35.67

 

CMYK 0 / 39 / 1 / 31

HEX #B16CB0

RGB 177 108 176

HSL 300.87, 0.31%, 0.56%

LAB 55.28, 38.13, -24.85

 

CMYK 0 / 21 / 1 / 38

HEX #9F7E9E

RGB 159 126 158

HSL 301.82, 0.15%, 0.56%

LAB 56.84, 18.44, -12.26

 

CMYK 2 / 0 / 2 / 44

HEX #8D908D

RGB 141 144 141

HSL 120, 0.01%, 0.56%

LAB 59.46, -1.68, 1.2

 

CMYK 25 / 0 / 24 / 36

HEX #7AA27B

RGB 122 162 123

HSL 121.5, 0.18%, 0.56%

LAB 62.85, -21.57, 15.97

 

CMYK 29 / 54 / 0 / 24

HEX #8B5AC3

RGB 139 90 195

HSL 268, 0.47%, 0.56%

LAB 47.93, 41.13, -47.68

 

CMYK 14 / 54 / 0 / 24

HEX #A75AC3

RGB 167 90 195

HSL 284, 0.47%, 0.56%

LAB 51.23, 48.53, -42.23

 

CMYK 0 / 54 / 0 / 24

HEX #C35AC3

RGB 195 90 195

HSL 300, 0.47%, 0.56%

LAB 54.92, 56.11, -36.17

 

CMYK 0 / 54 / 14 / 24

HEX #C35AA7

RGB 195 90 167

HSL 316, 0.47%, 0.56%

LAB 53.71, 51.42, -21.85

 

CMYK 0 / 54 / 29 / 24

HEX #C35A8B

RGB 195 90 139

HSL 332, 0.47%, 0.56%

LAB 52.71, 47.37, -6.9

 

CMYK 0 / 64 / 1 / 42

HEX #953594

RGB 149 53 148

HSL 300.63, 0.48%, 0.4%

LAB 39.7, 52.31, -32.86

 

CMYK 0 / 64 / 1 / 30

HEX #B340B2

RGB 179 64 178

HSL 300.52, 0.47%, 0.48%

LAB 47.58, 60.46, -38.02

 

CMYK 0 / 54 / 1 / 24

HEX #C35AC2

RGB 195 90 194

HSL 300.57, 0.47%, 0.56%

LAB 54.88, 55.93, -35.67

 

CMYK 0 / 42 / 0 / 19

HEX #CE78CD

RGB 206 120 205

HSL 300.7, 0.47%, 0.64%

LAB 62.48, 46.14, -29.98

 

CMYK 0 / 31 / 0 / 15

HEX #D996D8

RGB 217 150 216

HSL 300.9, 0.47%, 0.72%

LAB 70.54, 35.7, -23.61

 

CMYK 0 / 54 / 1 / 24

HEX #C359C2

RGB 195 89 194

HSL 300.57, 0.47%, 0.56%

LAB 54.7, 56.4, -35.94

 

CMYK 0 / 43 / 54 / 24

HEX #C36F5A

RGB 195 111 90

HSL 12, 0.47%, 0.56%

LAB 55.8, 31.1, 26.15

 

CMYK 54 / 0 / 22 / 24

HEX #5AC399

RGB 90 195 153

HSL 156, 0.47%, 0.56%

LAB 71.9, -40.4, 12

 

CMYK 0 / 54 / 1 / 24

HEX #C359C2

RGB 195 89 194

HSL 300.57, 0.47%, 0.56%

LAB 54.7, 56.4, -35.94

 

CMYK 0 / 0 / 54 / 24

HEX #C3C35A

RGB 195 195 90

HSL 60, 0.47%, 0.56%

LAB 76.9, -14.05, 51.9

 

CMYK 54 / 0 / 0 / 24

HEX #5AC3C3

RGB 90 195 195

HSL 180, 0.47%, 0.56%

LAB 72.99, -30.09, -9.23

 

CMYK 0 / 54 / 1 / 24

HEX #C359C2

RGB 195 89 194

HSL 300.57, 0.47%, 0.56%

LAB 54.7, 56.4, -35.94

 

CMYK 0 / 43 / 54 / 24

HEX #C36F5A

RGB 195 111 90

HSL 12, 0.47%, 0.56%

LAB 55.8, 31.1, 26.15

 

CMYK 54 / 0 / 54 / 24

HEX #5AC35A

RGB 90 195 90

HSL 120, 0.47%, 0.56%

LAB 70.83, -51.47, 43.25

 

CMYK 54 / 11 / 0 / 24

HEX #5AAEC3

RGB 90 174 195

HSL 192, 0.47%, 0.56%

LAB 66.81, -19.57, -18.51

 

CMYK 0 / 54 / 1 / 24

HEX #C359C2

RGB 195 89 194

HSL 300.57, 0.47%, 0.56%

LAB 54.7, 56.4, -35.94

 

CMYK 0 / 27 / 54 / 24

HEX #C38E5A

RGB 195 142 90

HSL 29.71, 0.47%, 0.56%

LAB 63.08, 14.15, 35.41

 

CMYK 54 / 0 / 54 / 24

HEX #5AC35A

RGB 90 195 90

HSL 120, 0.47%, 0.56%

LAB 70.83, -51.47, 43.25

 

CMYK 54 / 27 / 0 / 24

HEX #5A8EC3

RGB 90 142 195

HSL 210.29, 0.47%, 0.56%

LAB 57.52, -2.02, -32.8

 

Description

Color code: HEX #C359C2 | qconv.com Color code: HEX #C359C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 89 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 89 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 1 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 1% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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