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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C35312 it is the complementary color #3CACED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C35312. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C35312 shade: #C8530D, #D96520, #EA7733, #FB8946 and #FF9B59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C35312. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C35312 shade: #C35312, #B24100, #A12F00, #901D00 and #7F0B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C35312 shade: #C35312, #C32312 and #C31212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C35312 shade: #C35312, #C38312, #C3B312, #A4C312 and #74C312

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C35312 shade matches the following richer shades: #C35312 and #D54E00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C35312 shade: #C35312, #B25823, #A15C34, #906146 and #7E6557

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C35312 shade: #C3122F, #C32312, #C35312, #C38212 and #C3B212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C35312 shade: #78330B, #9E430E, #C35312, #E96316 and #EC7C3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C35312 shade: #C35312, #5FC312 and #1218C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C35312 shade: #C35312, #12C353 and #5312C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C35312 shade: #C35312, #5FC312, #1282C3 and #7612C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C35312 shade: #C35312, #29C312, #1282C3 and #AC12C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 91 / 24

HEX #C35312

RGB 195 83 18

HSL 22.03, 0.83%, 0.42%

LAB 49.29, 41.92, 54.55

 

Complementary color

CMYK 75 / 27 / 0 / 7

HEX #3CACED

RGB 60 172 237

HSL 202.03, 0.83%, 0.58%

LAB 66.96, -10.11, -41.48

 

CMYK 0 / 59 / 94 / 22

HEX #C8530D

RGB 200 83 13

HSL 22.46, 0.88%, 0.42%

LAB 50.09, 43.75, 56.89

 

CMYK 0 / 53 / 85 / 15

HEX #D96520

RGB 217 101 32

HSL 22.38, 0.74%, 0.49%

LAB 56.25, 41.87, 56.66

 

CMYK 0 / 49 / 78 / 8

HEX #EA7733

RGB 234 119 51

HSL 22.3, 0.81%, 0.56%

LAB 62.44, 40.06, 55.38

 

CMYK 0 / 45 / 72 / 2

HEX #FB8946

RGB 251 137 70

HSL 22.21, 0.96%, 0.63%

LAB 68.64, 38.37, 53.73

 

CMYK 0 / 39 / 65 / 0

HEX #FF9B59

RGB 255 155 89

HSL 23.86, 1%, 0.67%

LAB 73.17, 31.71, 49.69

 

CMYK 0 / 57 / 91 / 24

HEX #C35312

RGB 195 83 18

HSL 22.03, 0.83%, 0.42%

LAB 49.29, 41.92, 54.55

 

CMYK 0 / 63 / 100 / 30

HEX #B24100

RGB 178 65 0

HSL 21.91, 1%, 0.35%

LAB 43.13, 43.76, 54.12

 

CMYK 0 / 71 / 100 / 37

HEX #A12F00

RGB 161 47 0

HSL 17.52, 1%, 0.32%

LAB 37.13, 45.4, 49.36

 

CMYK 0 / 80 / 100 / 44

HEX #901D00

RGB 144 29 0

HSL 12.08, 1%, 0.28%

LAB 31.37, 46.26, 44.29

 

CMYK 0 / 91 / 100 / 50

HEX #7F0B00

RGB 127 11 0

HSL 5.2, 1%, 0.25%

LAB 26.01, 45.72, 38.42

 

CMYK 0 / 57 / 91 / 24

HEX #C35312

RGB 195 83 18

HSL 22.03, 0.83%, 0.42%

LAB 49.29, 41.92, 54.55

 

CMYK 0 / 82 / 91 / 24

HEX #C32312

RGB 195 35 18

HSL 5.76, 0.83%, 0.42%

LAB 42.53, 60.25, 49.7

 

CMYK 0 / 91 / 91 / 24

HEX #C31212

RGB 195 18 18

HSL 0, 0.83%, 0.42%

LAB 41.34, 63.66, 48.87

 

CMYK 0 / 57 / 91 / 24

HEX #C35312

RGB 195 83 18

HSL 22.03, 0.83%, 0.42%

LAB 49.29, 41.92, 54.55

 

CMYK 0 / 33 / 91 / 24

HEX #C38312

RGB 195 131 18

HSL 38.31, 0.83%, 0.42%

LAB 59.78, 16.54, 62.37

 

CMYK 0 / 8 / 91 / 24

HEX #C3B312

RGB 195 179 18

HSL 54.58, 0.83%, 0.42%

LAB 72.15, -9.26, 71.86

 

CMYK 16 / 0 / 91 / 24

HEX #A4C312

RGB 164 195 18

HSL 70.51, 0.83%, 0.42%

LAB 74.17, -30.5, 72.41

 

CMYK 41 / 0 / 91 / 24

HEX #74C312

RGB 116 195 18

HSL 86.78, 0.83%, 0.42%

LAB 71.41, -48.79, 69.03

 

CMYK 0 / 57 / 91 / 24

HEX #C35312

RGB 195 83 18

HSL 22.03, 0.83%, 0.42%

LAB 49.29, 41.92, 54.55

 

CMYK 0 / 63 / 100 / 16

HEX #D54E00

RGB 213 78 0

HSL 21.97, 1%, 0.42%

LAB 51.38, 50.64, 61.76

 

CMYK 0 / 57 / 91 / 24

HEX #C35312

RGB 195 83 18

HSL 22.03, 0.83%, 0.42%

LAB 49.29, 41.92, 54.55

 

CMYK 0 / 51 / 80 / 30

HEX #B25823

RGB 178 88 35

HSL 22.24, 0.67%, 0.42%

LAB 47.71, 33.1, 45.53

 

CMYK 0 / 43 / 68 / 37

HEX #A15C34

RGB 161 92 52

HSL 22.02, 0.51%, 0.42%

LAB 46.28, 24.63, 34.7

 

CMYK 0 / 33 / 51 / 44

HEX #906146

RGB 144 97 70

HSL 21.89, 0.35%, 0.42%

LAB 45.53, 15.86, 23.07

 

CMYK 0 / 20 / 31 / 51

HEX #7E6557

RGB 126 101 87

HSL 21.54, 0.18%, 0.42%

LAB 44.84, 7.81, 11.72

 

CMYK 0 / 91 / 76 / 24

HEX #C3122F

RGB 195 18 47

HSL 350.17, 0.83%, 0.42%

LAB 41.59, 64.38, 33.79

 

CMYK 0 / 82 / 91 / 24

HEX #C32312

RGB 195 35 18

HSL 5.76, 0.83%, 0.42%

LAB 42.53, 60.25, 49.7

 

CMYK 0 / 57 / 91 / 24

HEX #C35312

RGB 195 83 18

HSL 22.03, 0.83%, 0.42%

LAB 49.29, 41.92, 54.55

 

CMYK 0 / 33 / 91 / 24

HEX #C38212

RGB 195 130 18

HSL 37.97, 0.83%, 0.42%

LAB 59.54, 17.09, 62.18

 

CMYK 0 / 9 / 91 / 24

HEX #C3B212

RGB 195 178 18

HSL 54.24, 0.83%, 0.42%

LAB 71.88, -8.75, 71.65

 

CMYK 0 / 58 / 91 / 53

HEX #78330B

RGB 120 51 11

HSL 22.02, 0.83%, 0.26%

LAB 30.36, 27.97, 37.03

 

CMYK 0 / 58 / 91 / 38

HEX #9E430E

RGB 158 67 14

HSL 22.08, 0.84%, 0.34%

LAB 40.11, 35.31, 46.3

 

CMYK 0 / 57 / 91 / 24

HEX #C35312

RGB 195 83 18

HSL 22.03, 0.83%, 0.42%

LAB 49.29, 41.92, 54.55

 

CMYK 0 / 58 / 91 / 9

HEX #E96316

RGB 233 99 22

HSL 21.9, 0.83%, 0.5%

LAB 58.33, 48.65, 62.66

 

CMYK 0 / 47 / 75 / 7

HEX #EC7C3B

RGB 236 124 59

HSL 22.03, 0.82%, 0.58%

LAB 63.81, 38.62, 53.21

 

CMYK 0 / 57 / 91 / 24

HEX #C35312

RGB 195 83 18

HSL 22.03, 0.83%, 0.42%

LAB 49.29, 41.92, 54.55

 

CMYK 51 / 0 / 91 / 24

HEX #5FC312

RGB 95 195 18

HSL 93.9, 0.83%, 0.42%

LAB 70.53, -55.44, 67.94

 

CMYK 91 / 88 / 0 / 24

HEX #1218C3

RGB 18 24 195

HSL 237.97, 0.83%, 0.42%

LAB 25.93, 58.63, -84.03

 

CMYK 0 / 57 / 91 / 24

HEX #C35312

RGB 195 83 18

HSL 22.03, 0.83%, 0.42%

LAB 49.29, 41.92, 54.55

 

CMYK 91 / 0 / 57 / 24

HEX #12C353

RGB 18 195 83

HSL 142.03, 0.83%, 0.42%

LAB 69.31, -63.91, 44.4

 

CMYK 57 / 91 / 0 / 24

HEX #5312C3

RGB 83 18 195

HSL 262.03, 0.83%, 0.42%

LAB 29.94, 63.72, -77.23

 

CMYK 0 / 57 / 91 / 24

HEX #C35312

RGB 195 83 18

HSL 22.03, 0.83%, 0.42%

LAB 49.29, 41.92, 54.55

 

CMYK 51 / 0 / 91 / 24

HEX #5FC312

RGB 95 195 18

HSL 93.9, 0.83%, 0.42%

LAB 70.53, -55.44, 67.94

 

CMYK 91 / 33 / 0 / 24

HEX #1282C3

RGB 18 130 195

HSL 202.03, 0.83%, 0.42%

LAB 51.88, -5, -41.81

 

CMYK 39 / 91 / 0 / 24

HEX #7612C3

RGB 118 18 195

HSL 273.9, 0.83%, 0.42%

LAB 34.45, 67.21, -69.65

 

CMYK 0 / 57 / 91 / 24

HEX #C35312

RGB 195 83 18

HSL 22.03, 0.83%, 0.42%

LAB 49.29, 41.92, 54.55

 

CMYK 79 / 0 / 91 / 24

HEX #29C312

RGB 41 195 18

HSL 112.2, 0.83%, 0.42%

LAB 69.14, -66.96, 66.21

 

CMYK 91 / 33 / 0 / 24

HEX #1282C3

RGB 18 130 195

HSL 202.03, 0.83%, 0.42%

LAB 51.88, -5, -41.81

 

CMYK 12 / 91 / 0 / 24

HEX #AC12C3

RGB 172 18 195

HSL 292.2, 0.83%, 0.42%

LAB 42.98, 74.79, -55.38

 

Description

Color code: HEX #C35312 | qconv.com Color code: HEX #C35312 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 83 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 83 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 91 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 91% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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