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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C35A68 it is the complementary color #3CA597. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C35A68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C35A68 shade: #C85A63, #D96C76, #EA7E89, #FB909C and #FFA2AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C35A68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C35A68 shade: #C35A68, #B24855, #A13642, #90242F and #7F121C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C35A68 shade: #C35A68 and #C35A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C35A68 shade: #C35A68, #C35A84, #C35AA1, #C35ABD and #AD5AC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C35A68 shade matches the following richer shades: #C35A68, #D5475A, #E7354D and #F92340

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C35A68 shade: #C35A68, #B16C75, #9F7E82, #8D9090 and #7AA29D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C35A68 shade: #C35AA0, #C35A84, #C35A68, #C3685A and #C3845A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C35A68 shade: #953542, #B34050, #C35A68, #CE7883 and #D9969F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C35A68 shade: #C35A68, #BCC35A and #5A92C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C35A68 shade: #C35A68, #68C35A and #5A68C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C35A68 shade: #C35A68, #BCC35A, #5AC3B5 and #615AC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C35A68 shade: #C35A68, #9CC35A, #5AC3B5 and #805AC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

Complementary color

CMYK 64 / 0 / 8 / 35

HEX #3CA597

RGB 60 165 151

HSL 172, 0.47%, 0.44%

LAB 61.74, -33.3, -1.63

 

CMYK 0 / 55 / 51 / 22

HEX #C85A63

RGB 200 90 99

HSL 355.09, 0.5%, 0.57%

LAB 52.39, 44.62, 16.51

 

CMYK 0 / 50 / 46 / 15

HEX #D96C76

RGB 217 108 118

HSL 354.5, 0.59%, 0.64%

LAB 58.77, 43.59, 14.58

 

CMYK 0 / 46 / 41 / 8

HEX #EA7E89

RGB 234 126 137

HSL 353.89, 0.72%, 0.71%

LAB 65.14, 42.57, 12.93

 

CMYK 0 / 43 / 38 / 2

HEX #FB909C

RGB 251 144 156

HSL 353.27, 0.93%, 0.77%

LAB 71.46, 41.59, 11.49

 

CMYK 0 / 36 / 31 / 0

HEX #FFA2AF

RGB 255 162 175

HSL 351.61, 1%, 0.82%

LAB 76.19, 36.03, 7.81

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 0 / 60 / 52 / 30

HEX #B24855

RGB 178 72 85

HSL 352.64, 0.42%, 0.49%

LAB 45.3, 44.25, 14.66

 

CMYK 0 / 66 / 59 / 37

HEX #A13642

RGB 161 54 66

HSL 353.27, 0.5%, 0.42%

LAB 38.91, 45.02, 17.3

 

CMYK 0 / 75 / 67 / 44

HEX #90242F

RGB 144 36 47

HSL 353.89, 0.6%, 0.35%

LAB 32.69, 45.37, 20.66

 

CMYK 0 / 86 / 78 / 50

HEX #7F121C

RGB 127 18 28

HSL 354.5, 0.75%, 0.28%

LAB 26.82, 44.84, 24.98

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 0 / 54 / 54 / 24

HEX #C35A5A

RGB 195 90 90

HSL 0, 0.47%, 0.56%

LAB 51.44, 42.02, 20.42

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 0 / 54 / 32 / 24

HEX #C35A84

RGB 195 90 132

HSL 336, 0.47%, 0.56%

LAB 52.49, 46.46, -3.07

 

CMYK 0 / 54 / 17 / 24

HEX #C35AA1

RGB 195 90 161

HSL 319.43, 0.47%, 0.56%

LAB 53.48, 50.5, -18.69

 

CMYK 0 / 54 / 3 / 24

HEX #C35ABD

RGB 195 90 189

HSL 303.43, 0.47%, 0.56%

LAB 54.65, 55.05, -33.15

 

CMYK 11 / 54 / 0 / 24

HEX #AD5AC3

RGB 173 90 195

HSL 287.43, 0.47%, 0.56%

LAB 51.99, 50.14, -40.98

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 0 / 67 / 58 / 16

HEX #D5475A

RGB 213 71 90

HSL 351.97, 0.63%, 0.56%

LAB 51.14, 56.76, 20.53

 

CMYK 0 / 77 / 67 / 9

HEX #E7354D

RGB 231 53 77

HSL 351.91, 0.79%, 0.56%

LAB 51.92, 67.56, 29.91

 

CMYK 0 / 86 / 74 / 2

HEX #F92340

RGB 249 35 64

HSL 351.87, 0.95%, 0.56%

LAB 53.72, 76.02, 40.46

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 0 / 39 / 34 / 31

HEX #B16C75

RGB 177 108 117

HSL 352.17, 0.31%, 0.56%

LAB 53.34, 28.61, 6.73

 

CMYK 0 / 21 / 18 / 38

HEX #9F7E82

RGB 159 126 130

HSL 352.73, 0.15%, 0.56%

LAB 55.99, 13.38, 2.69

 

CMYK 2 / 0 / 0 / 44

HEX #8D9090

RGB 141 144 144

HSL 180, 0.01%, 0.56%

LAB 59.55, -1.09, -0.39

 

CMYK 25 / 0 / 3 / 36

HEX #7AA29D

RGB 122 162 157

HSL 172.5, 0.18%, 0.56%

LAB 63.68, -14.64, -1.84

 

CMYK 0 / 54 / 18 / 24

HEX #C35AA0

RGB 195 90 160

HSL 320, 0.47%, 0.56%

LAB 53.44, 50.35, -18.17

 

CMYK 0 / 54 / 32 / 24

HEX #C35A84

RGB 195 90 132

HSL 336, 0.47%, 0.56%

LAB 52.49, 46.46, -3.07

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 0 / 47 / 54 / 24

HEX #C3685A

RGB 195 104 90

HSL 8, 0.47%, 0.56%

LAB 54.28, 34.83, 24.18

 

CMYK 0 / 32 / 54 / 24

HEX #C3845A

RGB 195 132 90

HSL 24, 0.47%, 0.56%

LAB 60.64, 19.65, 32.36

 

CMYK 0 / 64 / 56 / 42

HEX #953542

RGB 149 53 66

HSL 351.88, 0.48%, 0.4%

LAB 36.61, 41.32, 13.84

 

CMYK 0 / 64 / 55 / 30

HEX #B34050

RGB 179 64 80

HSL 351.65, 0.47%, 0.48%

LAB 43.99, 47.83, 15.96

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 0 / 42 / 36 / 19

HEX #CE7883

RGB 206 120 131

HSL 352.33, 0.47%, 0.64%

LAB 60.06, 34.8, 8.67

 

CMYK 0 / 31 / 27 / 15

HEX #D9969F

RGB 217 150 159

HSL 351.94, 0.47%, 0.72%

LAB 68.8, 26.42, 5.48

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 4 / 0 / 54 / 24

HEX #BCC35A

RGB 188 195 90

HSL 64, 0.47%, 0.56%

LAB 76.35, -16.92, 51.12

 

CMYK 54 / 25 / 0 / 24

HEX #5A92C3

RGB 90 146 195

HSL 208, 0.47%, 0.56%

LAB 58.67, -4.31, -31.02

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 47 / 0 / 54 / 24

HEX #68C35A

RGB 104 195 90

HSL 112, 0.47%, 0.56%

LAB 71.36, -47.58, 44.01

 

CMYK 54 / 47 / 0 / 24

HEX #5A68C3

RGB 90 104 195

HSL 232, 0.47%, 0.56%

LAB 46.99, 20.92, -49.42

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 4 / 0 / 54 / 24

HEX #BCC35A

RGB 188 195 90

HSL 64, 0.47%, 0.56%

LAB 76.35, -16.92, 51.12

 

CMYK 54 / 0 / 7 / 24

HEX #5AC3B5

RGB 90 195 181

HSL 172, 0.47%, 0.56%

LAB 72.59, -33.75, -2.2

 

CMYK 50 / 54 / 0 / 24

HEX #615AC3

RGB 97 90 195

HSL 244, 0.47%, 0.56%

LAB 43.94, 31.09, -54.31

 

CMYK 0 / 54 / 47 / 24

HEX #C35A68

RGB 195 90 104

HSL 352, 0.47%, 0.56%

LAB 51.74, 43.31, 12.52

 

CMYK 20 / 0 / 54 / 24

HEX #9CC35A

RGB 156 195 90

HSL 82.29, 0.47%, 0.56%

LAB 74.08, -29.67, 47.91

 

CMYK 54 / 0 / 7 / 24

HEX #5AC3B5

RGB 90 195 181

HSL 172, 0.47%, 0.56%

LAB 72.59, -33.75, -2.2

 

CMYK 34 / 54 / 0 / 24

HEX #805AC3

RGB 128 90 195

HSL 261.71, 0.47%, 0.56%

LAB 46.77, 38.34, -49.61

 

Description

Color code: HEX #C35A68 | qconv.com Color code: HEX #C35A68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 90 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 90 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 47 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 47% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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