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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C35B65 it is the complementary color #3CA49A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C35B65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C35B65 shade: #C85B60, #D96D73, #EA7F86, #FB9199 and #FFA3AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C35B65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C35B65 shade: #C35B65, #B24952, #A1373F, #90252C and #7F1319

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C35B65 shade: #C25B65 and #C25B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C35B65 shade: #C25B65, #C25B80, #C25B9C, #C25BB8 and #B05BC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C35B65 shade matches the following richer shades: #C25B65, #D44956, #E63647 and #F82439

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C35B65 shade: #C25B65, #B06D73, #9E7F82, #8B9191 and #79A39F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C35B65 shade: #C25B9C, #C25B81, #C25B65, #C26C5B and #C2875B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C35B65 shade: #94363F, #B2414C, #C25B65, #CD7981 and #D8979D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C35B65 shade: #C35B65, #B8C25B and #5B8EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C35B65 shade: #C35B65, #65C25B and #5B65C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C35B65 shade: #C35B65, #B8C25B, #5BC2B8 and #655BC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C35B65 shade: #C35B65, #99C25B, #5BC2B8 and #845BC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 48 / 24

HEX #C35B65

RGB 195 91 101

HSL 354.23, 0.46%, 0.56%

LAB 51.86, 42.52, 14.48

 

Complementary color

CMYK 63 / 0 / 6 / 36

HEX #3CA49A

RGB 60 164 154

HSL 174.23, 0.46%, 0.44%

LAB 61.52, -32, -3.64

 

CMYK 0 / 55 / 52 / 22

HEX #C85B60

RGB 200 91 96

HSL 357.25, 0.5%, 0.57%

LAB 52.52, 43.86, 18.45

 

CMYK 0 / 50 / 47 / 15

HEX #D96D73

RGB 217 109 115

HSL 356.67, 0.59%, 0.64%

LAB 58.91, 42.8, 16.5

 

CMYK 0 / 46 / 43 / 8

HEX #EA7F86

RGB 234 127 134

HSL 356.07, 0.72%, 0.71%

LAB 65.27, 41.75, 14.82

 

CMYK 0 / 42 / 39 / 2

HEX #FB9199

RGB 251 145 153

HSL 355.47, 0.93%, 0.78%

LAB 71.6, 40.75, 13.35

 

CMYK 0 / 36 / 33 / 0

HEX #FFA3AC

RGB 255 163 172

HSL 354.13, 1%, 0.82%

LAB 76.33, 35.13, 9.66

 

CMYK 0 / 53 / 48 / 24

HEX #C35B65

RGB 195 91 101

HSL 354.23, 0.46%, 0.56%

LAB 51.86, 42.52, 14.48

 

CMYK 0 / 59 / 54 / 30

HEX #B24952

RGB 178 73 82

HSL 354.86, 0.42%, 0.49%

LAB 45.41, 43.51, 16.64

 

CMYK 0 / 66 / 61 / 37

HEX #A1373F

RGB 161 55 63

HSL 355.47, 0.49%, 0.42%

LAB 39.02, 44.36, 19.31

 

CMYK 0 / 74 / 69 / 44

HEX #90252C

RGB 144 37 44

HSL 356.07, 0.59%, 0.35%

LAB 32.78, 44.83, 22.68

 

CMYK 0 / 85 / 80 / 50

HEX #7F1319

RGB 127 19 25

HSL 356.67, 0.74%, 0.29%

LAB 26.87, 44.46, 26.94

 

CMYK 0 / 53 / 48 / 24

HEX #C25B65

RGB 194 91 101

HSL 354.17, 0.46%, 0.56%

LAB 51.71, 42.16, 14.25

 

CMYK 0 / 53 / 53 / 24

HEX #C25B5B

RGB 194 91 91

HSL 0, 0.46%, 0.56%

LAB 51.5, 41.24, 19.88

 

CMYK 0 / 53 / 48 / 24

HEX #C25B65

RGB 194 91 101

HSL 354.17, 0.46%, 0.56%

LAB 51.71, 42.16, 14.25

 

CMYK 0 / 53 / 34 / 24

HEX #C25B80

RGB 194 91 128

HSL 338.45, 0.46%, 0.56%

LAB 52.41, 45.13, -0.83

 

CMYK 0 / 53 / 20 / 24

HEX #C25B9C

RGB 194 91 156

HSL 322.14, 0.46%, 0.56%

LAB 53.33, 48.95, -16

 

CMYK 0 / 53 / 5 / 24

HEX #C25BB8

RGB 194 91 184

HSL 305.83, 0.46%, 0.56%

LAB 54.46, 53.44, -30.57

 

CMYK 9 / 53 / 0 / 24

HEX #B05BC2

RGB 176 91 194

HSL 289.51, 0.46%, 0.56%

LAB 52.52, 50.25, -39.55

 

CMYK 0 / 53 / 48 / 24

HEX #C25B65

RGB 194 91 101

HSL 354.17, 0.46%, 0.56%

LAB 51.71, 42.16, 14.25

 

CMYK 0 / 66 / 59 / 17

HEX #D44956

RGB 212 73 86

HSL 354.39, 0.62%, 0.56%

LAB 51.19, 55.35, 22.95

 

CMYK 0 / 77 / 69 / 10

HEX #E63647

RGB 230 54 71

HSL 354.2, 0.78%, 0.56%

LAB 51.74, 66.69, 33.18

 

CMYK 0 / 85 / 77 / 3

HEX #F82439

RGB 248 36 57

HSL 354.06, 0.94%, 0.56%

LAB 53.51, 75.35, 44.11

 

CMYK 0 / 53 / 48 / 24

HEX #C25B65

RGB 194 91 101

HSL 354.17, 0.46%, 0.56%

LAB 51.71, 42.16, 14.25

 

CMYK 0 / 38 / 35 / 31

HEX #B06D73

RGB 176 109 115

HSL 354.63, 0.3%, 0.56%

LAB 53.39, 27.41, 7.96

 

CMYK 0 / 20 / 18 / 38

HEX #9E7F82

RGB 158 127 130

HSL 354.19, 0.14%, 0.56%

LAB 56.15, 12.42, 2.9

 

CMYK 4 / 0 / 0 / 43

HEX #8B9191

RGB 139 145 145

HSL 180, 0.03%, 0.56%

LAB 59.69, -2.17, -0.76

 

CMYK 26 / 0 / 2 / 36

HEX #79A39F

RGB 121 163 159

HSL 174.29, 0.19%, 0.56%

LAB 63.97, -15.03, -2.55

 

CMYK 0 / 53 / 20 / 24

HEX #C25B9C

RGB 194 91 156

HSL 322.14, 0.46%, 0.56%

LAB 53.33, 48.95, -16

 

CMYK 0 / 53 / 34 / 24

HEX #C25B81

RGB 194 91 129

HSL 337.86, 0.46%, 0.56%

LAB 52.44, 45.26, -1.38

 

CMYK 0 / 53 / 48 / 24

HEX #C25B65

RGB 194 91 101

HSL 354.17, 0.46%, 0.56%

LAB 51.71, 42.16, 14.25

 

CMYK 0 / 44 / 53 / 24

HEX #C26C5B

RGB 194 108 91

HSL 9.9, 0.46%, 0.56%

LAB 55.02, 32.4, 24.54

 

CMYK 0 / 30 / 53 / 24

HEX #C2875B

RGB 194 135 91

HSL 25.63, 0.46%, 0.56%

LAB 61.27, 17.67, 32.58

 

CMYK 0 / 64 / 57 / 42

HEX #94363F

RGB 148 54 63

HSL 354.26, 0.47%, 0.4%

LAB 36.54, 40.25, 15.62

 

CMYK 0 / 63 / 57 / 30

HEX #B2414C

RGB 178 65 76

HSL 354.16, 0.47%, 0.48%

LAB 43.9, 46.73, 18.27

 

CMYK 0 / 53 / 48 / 24

HEX #C25B65

RGB 194 91 101

HSL 354.17, 0.46%, 0.56%

LAB 51.71, 42.16, 14.25

 

CMYK 0 / 41 / 37 / 20

HEX #CD7981

RGB 205 121 129

HSL 354.29, 0.46%, 0.64%

LAB 60.1, 33.65, 9.86

 

CMYK 0 / 30 / 27 / 15

HEX #D8979D

RGB 216 151 157

HSL 354.46, 0.45%, 0.72%

LAB 68.87, 25.23, 6.69

 

CMYK 0 / 53 / 48 / 24

HEX #C35B65

RGB 195 91 101

HSL 354.23, 0.46%, 0.56%

LAB 51.86, 42.52, 14.48

 

CMYK 5 / 0 / 53 / 24

HEX #B8C25B

RGB 184 194 91

HSL 65.83, 0.46%, 0.56%

LAB 75.78, -17.97, 49.92

 

CMYK 53 / 27 / 0 / 24

HEX #5B8EC2

RGB 91 142 194

HSL 210.29, 0.46%, 0.56%

LAB 57.53, -2.1, -32.23

 

CMYK 0 / 53 / 48 / 24

HEX #C35B65

RGB 195 91 101

HSL 354.23, 0.46%, 0.56%

LAB 51.86, 42.52, 14.48

 

CMYK 48 / 0 / 53 / 24

HEX #65C25B

RGB 101 194 91

HSL 114.17, 0.46%, 0.56%

LAB 70.94, -47.92, 43.01

 

CMYK 53 / 48 / 0 / 24

HEX #5B65C2

RGB 91 101 194

HSL 234.17, 0.46%, 0.56%

LAB 46.21, 22.68, -50.09

 

CMYK 0 / 53 / 48 / 24

HEX #C35B65

RGB 195 91 101

HSL 354.23, 0.46%, 0.56%

LAB 51.86, 42.52, 14.48

 

CMYK 5 / 0 / 53 / 24

HEX #B8C25B

RGB 184 194 91

HSL 65.83, 0.46%, 0.56%

LAB 75.78, -17.97, 49.92

 

CMYK 53 / 0 / 5 / 24

HEX #5BC2B8

RGB 91 194 184

HSL 174.17, 0.46%, 0.56%

LAB 72.41, -32.3, -4.1

 

CMYK 48 / 53 / 0 / 24

HEX #655BC2

RGB 101 91 194

HSL 245.83, 0.46%, 0.56%

LAB 44.44, 31.05, -52.9

 

CMYK 0 / 53 / 48 / 24

HEX #C35B65

RGB 195 91 101

HSL 354.23, 0.46%, 0.56%

LAB 51.86, 42.52, 14.48

 

CMYK 21 / 0 / 53 / 24

HEX #99C25B

RGB 153 194 91

HSL 83.88, 0.46%, 0.56%

LAB 73.62, -30.25, 46.84

 

CMYK 53 / 0 / 5 / 24

HEX #5BC2B8

RGB 91 194 184

HSL 174.17, 0.46%, 0.56%

LAB 72.41, -32.3, -4.1

 

CMYK 32 / 53 / 0 / 24

HEX #845BC2

RGB 132 91 194

HSL 263.88, 0.46%, 0.56%

LAB 47.34, 38.52, -48.08

 

Description

Color code: HEX #C35B65 | qconv.com Color code: HEX #C35B65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 91 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 91 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 48 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 48% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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