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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C35DAF it is the complementary color #3CA250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C35DAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C35DAF shade: #C85DAA, #D96FBD, #EA81D0, #FB93E3 and #FFA5F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C35DAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C35DAF shade: #C35DAF, #B24B9C, #A13989, #902776 and #7F1563

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C35DAF shade: #C25BAE, #C25B92, #C25B76 and #C25B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C35DAF shade: #C25BAE, #BA5BC2, #9E5BC2, #835BC2 and #675BC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C35DAF shade matches the following richer shades: #C25BAE, #D449B9, #E636C4 and #F824CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C35DAF shade: #C25BAE, #B06DA3, #9E7F98, #8B918D and #79A382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C35DAF shade: #9E5BC2, #B95BC2, #C25BAF, #C25B93 and #C25B78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C35DAF shade: #943681, #B2419C, #C25BAE, #CD79BD and #D897CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C35DAF shade: #C35DAF, #C2825B and #5BC2AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C35DAF shade: #C35DAF, #AFC25B and #5BAFC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C35DAF shade: #C35DAF, #C2825B, #5BC26E and #5B9AC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C35DAF shade: #C35DAF, #C2A15B, #5BC26E and #5B7BC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 10 / 24

HEX #C35DAF

RGB 195 93 175

HSL 311.76, 0.46%, 0.56%

LAB 54.58, 51.26, -25.16

 

Complementary color

CMYK 63 / 0 / 51 / 36

HEX #3CA250

RGB 60 162 80

HSL 131.76, 0.46%, 0.44%

LAB 59.32, -47.27, 33.93

 

CMYK 0 / 54 / 15 / 22

HEX #C85DAA

RGB 200 93 170

HSL 316.82, 0.49%, 0.57%

LAB 55.08, 51.95, -21.43

 

CMYK 0 / 49 / 13 / 15

HEX #D96FBD

RGB 217 111 189

HSL 315.85, 0.58%, 0.64%

LAB 61.48, 51.32, -22.35

 

CMYK 0 / 45 / 11 / 8

HEX #EA81D0

RGB 234 129 208

HSL 314.86, 0.71%, 0.71%

LAB 67.83, 50.62, -23.13

 

CMYK 0 / 41 / 10 / 2

HEX #FB93E3

RGB 251 147 227

HSL 313.85, 0.93%, 0.78%

LAB 74.14, 49.9, -23.81

 

CMYK 0 / 35 / 4 / 0

HEX #FFA5F6

RGB 255 165 246

HSL 306, 1%, 0.82%

LAB 78.94, 45.15, -26.76

 

CMYK 0 / 52 / 10 / 24

HEX #C35DAF

RGB 195 93 175

HSL 311.76, 0.46%, 0.56%

LAB 54.58, 51.26, -25.16

 

CMYK 0 / 58 / 12 / 30

HEX #B24B9C

RGB 178 75 156

HSL 312.82, 0.41%, 0.5%

LAB 48.13, 51.76, -24.18

 

CMYK 0 / 65 / 15 / 37

HEX #A13989

RGB 161 57 137

HSL 313.85, 0.48%, 0.43%

LAB 41.7, 51.99, -22.9

 

CMYK 0 / 73 / 18 / 44

HEX #902776

RGB 144 39 118

HSL 314.86, 0.57%, 0.36%

LAB 35.38, 51.7, -21.18

 

CMYK 0 / 83 / 22 / 50

HEX #7F1563

RGB 127 21 99

HSL 315.85, 0.72%, 0.29%

LAB 29.28, 50.47, -18.76

 

CMYK 0 / 53 / 10 / 24

HEX #C25BAE

RGB 194 91 174

HSL 311.65, 0.46%, 0.56%

LAB 54.03, 51.77, -25.44

 

CMYK 0 / 53 / 25 / 24

HEX #C25B92

RGB 194 91 146

HSL 327.96, 0.46%, 0.56%

LAB 52.98, 47.51, -10.65

 

CMYK 0 / 53 / 39 / 24

HEX #C25B76

RGB 194 91 118

HSL 344.27, 0.46%, 0.56%

LAB 52.13, 43.95, 4.72

 

CMYK 0 / 53 / 53 / 24

HEX #C25B5B

RGB 194 91 91

HSL 0, 0.46%, 0.56%

LAB 51.5, 41.24, 19.88

 

CMYK 0 / 53 / 10 / 24

HEX #C25BAE

RGB 194 91 174

HSL 311.65, 0.46%, 0.56%

LAB 54.03, 51.77, -25.44

 

CMYK 4 / 53 / 0 / 24

HEX #BA5BC2

RGB 186 91 194

HSL 295.34, 0.46%, 0.56%

LAB 53.83, 52.99, -37.39

 

CMYK 19 / 53 / 0 / 24

HEX #9E5BC2

RGB 158 91 194

HSL 279.03, 0.46%, 0.56%

LAB 50.27, 45.37, -43.25

 

CMYK 32 / 53 / 0 / 24

HEX #835BC2

RGB 131 91 194

HSL 263.3, 0.46%, 0.56%

LAB 47.24, 38.27, -48.26

 

CMYK 47 / 53 / 0 / 24

HEX #675BC2

RGB 103 91 194

HSL 246.99, 0.46%, 0.56%

LAB 44.6, 31.5, -52.62

 

CMYK 0 / 53 / 10 / 24

HEX #C25BAE

RGB 194 91 174

HSL 311.65, 0.46%, 0.56%

LAB 54.03, 51.77, -25.44

 

CMYK 0 / 66 / 13 / 17

HEX #D449B9

RGB 212 73 185

HSL 311.65, 0.62%, 0.56%

LAB 54.31, 66.23, -31.18

 

CMYK 0 / 77 / 15 / 10

HEX #E636C4

RGB 230 54 196

HSL 311.59, 0.78%, 0.56%

LAB 55.53, 78.23, -35.41

 

CMYK 0 / 85 / 17 / 3

HEX #F824CF

RGB 248 36 207

HSL 311.6, 0.94%, 0.56%

LAB 57.77, 87.26, -37.98

 

CMYK 0 / 53 / 10 / 24

HEX #C25BAE

RGB 194 91 174

HSL 311.65, 0.46%, 0.56%

LAB 54.03, 51.77, -25.44

 

CMYK 0 / 38 / 7 / 31

HEX #B06DA3

RGB 176 109 163

HSL 311.64, 0.3%, 0.56%

LAB 54.88, 34.86, -17.95

 

CMYK 0 / 20 / 4 / 38

HEX #9E7F98

RGB 158 127 152

HSL 311.61, 0.14%, 0.56%

LAB 56.8, 16.35, -8.88

 

CMYK 4 / 0 / 3 / 43

HEX #8B918D

RGB 139 145 141

HSL 140, 0.03%, 0.56%

LAB 59.58, -2.97, 1.35

 

CMYK 26 / 0 / 20 / 36

HEX #79A382

RGB 121 163 130

HSL 132.86, 0.19%, 0.56%

LAB 63.24, -21.13, 12.61

 

CMYK 19 / 53 / 0 / 24

HEX #9E5BC2

RGB 158 91 194

HSL 279.03, 0.46%, 0.56%

LAB 50.27, 45.37, -43.25

 

CMYK 5 / 53 / 0 / 24

HEX #B95BC2

RGB 185 91 194

HSL 294.76, 0.46%, 0.56%

LAB 53.7, 52.72, -37.61

 

CMYK 0 / 53 / 10 / 24

HEX #C25BAF

RGB 194 91 175

HSL 311.07, 0.46%, 0.56%

LAB 54.08, 51.93, -25.95

 

CMYK 0 / 53 / 24 / 24

HEX #C25B93

RGB 194 91 147

HSL 327.38, 0.46%, 0.56%

LAB 53.01, 47.65, -11.18

 

CMYK 0 / 53 / 38 / 24

HEX #C25B78

RGB 194 91 120

HSL 343.11, 0.46%, 0.56%

LAB 52.18, 44.18, 3.6

 

CMYK 0 / 64 / 13 / 42

HEX #943681

RGB 148 54 129

HSL 312.13, 0.47%, 0.4%

LAB 38.76, 48.39, -22.73

 

CMYK 0 / 63 / 12 / 30

HEX #B2419C

RGB 178 65 156

HSL 311.68, 0.47%, 0.48%

LAB 46.51, 56.19, -26.69

 

CMYK 0 / 53 / 10 / 24

HEX #C25BAE

RGB 194 91 174

HSL 311.65, 0.46%, 0.56%

LAB 54.03, 51.77, -25.44

 

CMYK 0 / 41 / 8 / 20

HEX #CD79BD

RGB 205 121 189

HSL 311.43, 0.46%, 0.64%

LAB 61.94, 42.47, -21.78

 

CMYK 0 / 30 / 6 / 15

HEX #D897CB

RGB 216 151 203

HSL 312, 0.45%, 0.72%

LAB 70.21, 32.49, -16.94

 

CMYK 0 / 52 / 10 / 24

HEX #C35DAF

RGB 195 93 175

HSL 311.76, 0.46%, 0.56%

LAB 54.58, 51.26, -25.16

 

CMYK 0 / 33 / 53 / 24

HEX #C2825B

RGB 194 130 91

HSL 22.72, 0.46%, 0.56%

LAB 60.06, 20.42, 31.05

 

CMYK 53 / 0 / 11 / 24

HEX #5BC2AC

RGB 91 194 172

HSL 167.18, 0.46%, 0.56%

LAB 72.09, -35.31, 1.97

 

CMYK 0 / 52 / 10 / 24

HEX #C35DAF

RGB 195 93 175

HSL 311.76, 0.46%, 0.56%

LAB 54.58, 51.26, -25.16

 

CMYK 10 / 0 / 53 / 24

HEX #AFC25B

RGB 175 194 91

HSL 71.07, 0.46%, 0.56%

LAB 75.11, -21.62, 48.97

 

CMYK 53 / 10 / 0 / 24

HEX #5BAFC2

RGB 91 175 194

HSL 191.07, 0.46%, 0.56%

LAB 67.11, -20.16, -17.51

 

CMYK 0 / 52 / 10 / 24

HEX #C35DAF

RGB 195 93 175

HSL 311.76, 0.46%, 0.56%

LAB 54.58, 51.26, -25.16

 

CMYK 0 / 33 / 53 / 24

HEX #C2825B

RGB 194 130 91

HSL 22.72, 0.46%, 0.56%

LAB 60.06, 20.42, 31.05

 

CMYK 53 / 0 / 43 / 24

HEX #5BC26E

RGB 91 194 110

HSL 131.07, 0.46%, 0.56%

LAB 70.83, -47.93, 33.32

 

CMYK 53 / 21 / 0 / 24

HEX #5B9AC2

RGB 91 154 194

HSL 203.3, 0.46%, 0.56%

LAB 60.98, -8.9, -26.87

 

CMYK 0 / 52 / 10 / 24

HEX #C35DAF

RGB 195 93 175

HSL 311.76, 0.46%, 0.56%

LAB 54.58, 51.26, -25.16

 

CMYK 0 / 17 / 53 / 24

HEX #C2A15B

RGB 194 161 91

HSL 40.78, 0.46%, 0.56%

LAB 67.81, 3.44, 40.67

 

CMYK 53 / 0 / 43 / 24

HEX #5BC26E

RGB 91 194 110

HSL 131.07, 0.46%, 0.56%

LAB 70.83, -47.93, 33.32

 

CMYK 53 / 37 / 0 / 24

HEX #5B7BC2

RGB 91 123 194

HSL 221.36, 0.46%, 0.56%

LAB 52.16, 9.13, -40.64

 

Description

Color code: HEX #C35DAF | qconv.com Color code: HEX #C35DAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 93 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 93 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 10 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 10% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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