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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C368D8 it is the complementary color #3C9727. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C368D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C368D8 shade: #C868D3, #D97AE6, #EA8CF9, #FB9EFF and #FFB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C368D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C368D8 shade: #C368D8, #B256C5, #A144B2, #90329F and #7F208C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C368D8 shade: #C368D8, #D868CF, #D868B1, #D86893 and #D86875

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C368D8 shade: #C368D8, #A568D8, #8768D8, #6968D8 and #6868D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C368D8 shade matches the following richer shades: #C368D8, #CC59E7 and #D64AF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C368D8 shade: #C368D8, #B978C9, #B087B9, #A696AA and #9DA69B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C368D8 shade: #8668D8, #A468D8, #C268D8, #D868D0 and #D868B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C368D8 shade: #A330BD, #B648CF, #C368D8, #D089E0 and #DDAAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C368D8 shade: #C368D8, #D86868 and #68D895

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C368D8 shade: #C368D8, #D8C268 and #68D8C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C368D8 shade: #C368D8, #D86868, #7FD868 and #68D8D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C368D8 shade: #C368D8, #D88A68, #7FD868 and #68B6D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 52 / 0 / 15

HEX #C368D8

RGB 195 104 216

HSL 288.75, 0.59%, 0.63%

LAB 58.47, 53.23, -42.53

 

Complementary color

CMYK 60 / 0 / 74 / 41

HEX #3C9727

RGB 60 151 39

HSL 108.75, 0.59%, 0.37%

LAB 55.32, -47.85, 48.13

 

CMYK 5 / 51 / 0 / 17

HEX #C868D3

RGB 200 104 211

HSL 293.83, 0.55%, 0.62%

LAB 58.87, 53.64, -39.05

 

CMYK 6 / 47 / 0 / 10

HEX #D97AE6

RGB 217 122 230

HSL 292.78, 0.68%, 0.69%

LAB 65.27, 52.96, -39.5

 

CMYK 6 / 44 / 0 / 2

HEX #EA8CF9

RGB 234 140 249

HSL 291.74, 0.9%, 0.76%

LAB 71.61, 52.24, -39.89

 

CMYK 2 / 38 / 0 / 0

HEX #FB9EFF

RGB 251 158 255

HSL 297.53, 1%, 0.81%

LAB 77.39, 49.12, -34.03

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 10 / 52 / 0 / 15

HEX #C368D8

RGB 195 104 216

HSL 288.75, 0.59%, 0.63%

LAB 58.47, 53.23, -42.53

 

CMYK 10 / 56 / 0 / 23

HEX #B256C5

RGB 178 86 197

HSL 289.73, 0.49%, 0.55%

LAB 52.01, 53.85, -42.06

 

CMYK 10 / 62 / 0 / 30

HEX #A144B2

RGB 161 68 178

HSL 290.73, 0.45%, 0.48%

LAB 45.53, 54.28, -41.43

 

CMYK 9 / 69 / 0 / 38

HEX #90329F

RGB 144 50 159

HSL 291.74, 0.52%, 0.41%

LAB 39.09, 54.37, -40.53

 

CMYK 9 / 77 / 0 / 45

HEX #7F208C

RGB 127 32 140

HSL 292.78, 0.63%, 0.34%

LAB 32.79, 53.79, -39.18

 

CMYK 10 / 52 / 0 / 15

HEX #C368D8

RGB 195 104 216

HSL 288.75, 0.59%, 0.63%

LAB 58.47, 53.23, -42.53

 

CMYK 0 / 52 / 4 / 15

HEX #D868CF

RGB 216 104 207

HSL 304.82, 0.59%, 0.63%

LAB 60.79, 57.37, -33.63

 

CMYK 0 / 52 / 18 / 15

HEX #D868B1

RGB 216 104 177

HSL 320.89, 0.59%, 0.63%

LAB 59.59, 52.59, -18.38

 

CMYK 0 / 52 / 32 / 15

HEX #D86893

RGB 216 104 147

HSL 336.96, 0.59%, 0.63%

LAB 58.61, 48.48, -2.52

 

CMYK 0 / 52 / 46 / 15

HEX #D86875

RGB 216 104 117

HSL 353.04, 0.59%, 0.63%

LAB 57.83, 45.13, 13.83

 

CMYK 10 / 52 / 0 / 15

HEX #C368D8

RGB 195 104 216

HSL 288.75, 0.59%, 0.63%

LAB 58.47, 53.23, -42.53

 

CMYK 24 / 52 / 0 / 15

HEX #A568D8

RGB 165 104 216

HSL 272.68, 0.59%, 0.63%

LAB 54.93, 45.22, -48.37

 

CMYK 38 / 52 / 0 / 15

HEX #8768D8

RGB 135 104 216

HSL 256.61, 0.59%, 0.63%

LAB 51.85, 37.6, -53.46

 

CMYK 51 / 52 / 0 / 15

HEX #6968D8

RGB 105 104 216

HSL 240.54, 0.59%, 0.63%

LAB 49.33, 30.76, -57.64

 

CMYK 52 / 52 / 0 / 15

HEX #6868D8

RGB 104 104 216

HSL 240, 0.59%, 0.63%

LAB 49.25, 30.55, -57.76

 

CMYK 10 / 52 / 0 / 15

HEX #C368D8

RGB 195 104 216

HSL 288.75, 0.59%, 0.63%

LAB 58.47, 53.23, -42.53

 

CMYK 12 / 61 / 0 / 9

HEX #CC59E7

RGB 204 89 231

HSL 288.59, 0.75%, 0.63%

LAB 57.8, 65.43, -51.95

 

CMYK 13 / 70 / 0 / 4

HEX #D64AF6

RGB 214 74 246

HSL 288.84, 0.91%, 0.63%

LAB 57.89, 76.37, -60.1

 

CMYK 10 / 52 / 0 / 15

HEX #C368D8

RGB 195 104 216

HSL 288.75, 0.59%, 0.63%

LAB 58.47, 53.23, -42.53

 

CMYK 8 / 40 / 0 / 21

HEX #B978C9

RGB 185 120 201

HSL 288.15, 0.43%, 0.63%

LAB 59.86, 38.99, -31.98

 

CMYK 5 / 27 / 0 / 27

HEX #B087B9

RGB 176 135 185

HSL 289.2, 0.26%, 0.63%

LAB 61.71, 24.55, -20.16

 

CMYK 2 / 12 / 0 / 33

HEX #A696AA

RGB 166 150 170

HSL 288, 0.11%, 0.63%

LAB 64.02, 9.65, -8.3

 

CMYK 5 / 0 / 7 / 35

HEX #9DA69B

RGB 157 166 155

HSL 109.09, 0.06%, 0.63%

LAB 67.13, -5.29, 4.59

 

CMYK 38 / 52 / 0 / 15

HEX #8668D8

RGB 134 104 216

HSL 256.07, 0.59%, 0.63%

LAB 51.75, 37.35, -53.61

 

CMYK 24 / 52 / 0 / 15

HEX #A468D8

RGB 164 104 216

HSL 272.14, 0.59%, 0.63%

LAB 54.81, 44.96, -48.55

 

CMYK 10 / 52 / 0 / 15

HEX #C268D8

RGB 194 104 216

HSL 288.21, 0.59%, 0.63%

LAB 58.35, 52.96, -42.74

 

CMYK 0 / 52 / 4 / 15

HEX #D868D0

RGB 216 104 208

HSL 304.29, 0.59%, 0.63%

LAB 60.83, 57.54, -34.13

 

CMYK 0 / 52 / 17 / 15

HEX #D868B3

RGB 216 104 179

HSL 319.82, 0.59%, 0.63%

LAB 59.67, 52.89, -19.42

 

CMYK 14 / 75 / 0 / 26

HEX #A330BD

RGB 163 48 189

HSL 288.94, 0.59%, 0.46%

LAB 43.62, 64.86, -50.92

 

CMYK 12 / 65 / 0 / 19

HEX #B648CF

RGB 182 72 207

HSL 288.89, 0.58%, 0.55%

LAB 50.79, 63.09, -49.71

 

CMYK 10 / 52 / 0 / 15

HEX #C368D8

RGB 195 104 216

HSL 288.75, 0.59%, 0.63%

LAB 58.47, 53.23, -42.53

 

CMYK 7 / 39 / 0 / 12

HEX #D089E0

RGB 208 137 224

HSL 288.97, 0.58%, 0.71%

LAB 67.04, 41.39, -33.5

 

CMYK 5 / 27 / 0 / 9

HEX #DDAAE9

RGB 221 170 233

HSL 288.57, 0.59%, 0.79%

LAB 76.07, 29.42, -24.42

 

CMYK 10 / 52 / 0 / 15

HEX #C368D8

RGB 195 104 216

HSL 288.75, 0.59%, 0.63%

LAB 58.47, 53.23, -42.53

 

CMYK 0 / 52 / 52 / 15

HEX #D86868

RGB 216 104 104

HSL 0, 0.59%, 0.63%

LAB 57.56, 43.92, 20.99

 

CMYK 52 / 0 / 31 / 15

HEX #68D895

RGB 104 216 149

HSL 144.11, 0.59%, 0.63%

LAB 78.59, -47.01, 23.5

 

CMYK 10 / 52 / 0 / 15

HEX #C368D8

RGB 195 104 216

HSL 288.75, 0.59%, 0.63%

LAB 58.47, 53.23, -42.53

 

CMYK 0 / 10 / 52 / 15

HEX #D8C268

RGB 216 194 104

HSL 48.21, 0.59%, 0.63%

LAB 78.57, -3.7, 47.65

 

CMYK 52 / 0 / 10 / 15

HEX #68D8C2

RGB 104 216 194

HSL 168.21, 0.59%, 0.63%

LAB 79.59, -37.3, 1.08

 

CMYK 10 / 52 / 0 / 15

HEX #C368D8

RGB 195 104 216

HSL 288.75, 0.59%, 0.63%

LAB 58.47, 53.23, -42.53

 

CMYK 0 / 52 / 52 / 15

HEX #D86868

RGB 216 104 104

HSL 0, 0.59%, 0.63%

LAB 57.56, 43.92, 20.99

 

CMYK 41 / 0 / 52 / 15

HEX #7FD868

RGB 127 216 104

HSL 107.68, 0.59%, 0.63%

LAB 78.82, -47.61, 46.57

 

CMYK 52 / 0 / 0 / 15

HEX #68D8D8

RGB 104 216 216

HSL 180, 0.59%, 0.63%

LAB 80.19, -31.78, -9.78

 

CMYK 10 / 52 / 0 / 15

HEX #C368D8

RGB 195 104 216

HSL 288.75, 0.59%, 0.63%

LAB 58.47, 53.23, -42.53

 

CMYK 0 / 36 / 52 / 15

HEX #D88A68

RGB 216 138 104

HSL 18.21, 0.59%, 0.63%

LAB 64.78, 26.19, 30.52

 

CMYK 41 / 0 / 52 / 15

HEX #7FD868

RGB 127 216 104

HSL 107.68, 0.59%, 0.63%

LAB 78.82, -47.61, 46.57

 

CMYK 52 / 16 / 0 / 15

HEX #68B6D8

RGB 104 182 216

HSL 198.21, 0.59%, 0.63%

LAB 70.43, -14.72, -24.51

 

Description

Color code: HEX #C368D8 | qconv.com Color code: HEX #C368D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 104 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 104 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 52 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 52% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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