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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C369AB it is the complementary color #3C9654. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C369AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C369AB shade: #C869A6, #D97BB9, #EA8DCC, #FB9FDF and #FFB1F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C369AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C369AB shade: #C369AB, #B25798, #A14585, #903372 and #7F215F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C369AB shade: #C369AB, #C36993, #C3697A and #C36969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C369AB shade: #C369AB, #C369C3, #AA69C3, #9269C3 and #7A69C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C369AB shade matches the following richer shades: #C369AB, #D458B3, #E547BB and #F636C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C369AB shade: #C369AB, #B27AA3, #A18B9B, #909C93 and #7FAD8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C369AB shade: #AB69C3, #C369C3, #C369AB, #C36993 and #C3697B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C369AB shade: #9C3E83, #B74B9A, #C369AB, #CF86BB and #DAA4CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C369AB shade: #C369AB, #C39369 and #69C3B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C369AB shade: #C369AB, #ABC369 and #69ABC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C369AB shade: #C369AB, #C39369, #69C381 and #6999C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C369AB shade: #C369AB, #C3AE69, #69C381 and #697EC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 12 / 24

HEX #C369AB

RGB 195 105 171

HSL 316, 0.43%, 0.59%

LAB 56.73, 44.58, -19.55

 

Complementary color

CMYK 60 / 0 / 44 / 41

HEX #3C9654

RGB 60 150 84

HSL 136, 0.43%, 0.41%

LAB 55.5, -41.81, 26.98

 

CMYK 0 / 48 / 17 / 22

HEX #C869A6

RGB 200 105 166

HSL 321.47, 0.46%, 0.6%

LAB 57.21, 45.39, -15.87

 

CMYK 0 / 43 / 15 / 15

HEX #D97BB9

RGB 217 123 185

HSL 320.43, 0.55%, 0.67%

LAB 63.69, 44.63, -16.71

 

CMYK 0 / 40 / 13 / 8

HEX #EA8DCC

RGB 234 141 204

HSL 319.35, 0.69%, 0.74%

LAB 70.11, 43.87, -17.45

 

CMYK 0 / 37 / 11 / 2

HEX #FB9FDF

RGB 251 159 223

HSL 318.26, 0.92%, 0.8%

LAB 76.46, 43.13, -18.11

 

CMYK 0 / 31 / 5 / 0

HEX #FFB1F2

RGB 255 177 242

HSL 310, 1%, 0.85%

LAB 81.35, 38.24, -20.93

 

CMYK 0 / 46 / 12 / 24

HEX #C369AB

RGB 195 105 171

HSL 316, 0.43%, 0.59%

LAB 56.73, 44.58, -19.55

 

CMYK 0 / 51 / 15 / 30

HEX #B25798

RGB 178 87 152

HSL 317.14, 0.37%, 0.52%

LAB 50.15, 45.29, -18.69

 

CMYK 0 / 57 / 17 / 37

HEX #A14585

RGB 161 69 133

HSL 318.26, 0.4%, 0.45%

LAB 43.55, 45.89, -17.63

 

CMYK 0 / 65 / 21 / 44

HEX #903372

RGB 144 51 114

HSL 319.35, 0.48%, 0.38%

LAB 36.95, 46.23, -16.24

 

CMYK 0 / 74 / 25 / 50

HEX #7F215F

RGB 127 33 95

HSL 320.43, 0.59%, 0.31%

LAB 30.46, 46.03, -14.34

 

CMYK 0 / 46 / 12 / 24

HEX #C369AB

RGB 195 105 171

HSL 316, 0.43%, 0.59%

LAB 56.73, 44.58, -19.55

 

CMYK 0 / 46 / 25 / 24

HEX #C36993

RGB 195 105 147

HSL 332, 0.43%, 0.59%

LAB 55.9, 40.89, -6.85

 

CMYK 0 / 46 / 37 / 24

HEX #C3697A

RGB 195 105 122

HSL 348.67, 0.43%, 0.59%

LAB 55.19, 37.6, 6.75

 

CMYK 0 / 46 / 46 / 24

HEX #C36969

RGB 195 105 105

HSL 0, 0.43%, 0.59%

LAB 54.79, 35.72, 16.15

 

CMYK 0 / 46 / 12 / 24

HEX #C369AB

RGB 195 105 171

HSL 316, 0.43%, 0.59%

LAB 56.73, 44.58, -19.55

 

CMYK 0 / 46 / 0 / 24

HEX #C369C3

RGB 195 105 195

HSL 300, 0.43%, 0.59%

LAB 57.7, 48.75, -31.83

 

CMYK 13 / 46 / 0 / 24

HEX #AA69C3

RGB 170 105 195

HSL 283.33, 0.43%, 0.59%

LAB 54.65, 41.43, -36.83

 

CMYK 25 / 46 / 0 / 24

HEX #9269C3

RGB 146 105 195

HSL 267.33, 0.43%, 0.59%

LAB 52.01, 34.54, -41.16

 

CMYK 37 / 46 / 0 / 24

HEX #7A69C3

RGB 122 105 195

HSL 251.33, 0.43%, 0.59%

LAB 49.71, 28, -44.94

 

CMYK 0 / 46 / 12 / 24

HEX #C369AB

RGB 195 105 171

HSL 316, 0.43%, 0.59%

LAB 56.73, 44.58, -19.55

 

CMYK 0 / 58 / 16 / 17

HEX #D458B3

RGB 212 88 179

HSL 315.97, 0.59%, 0.59%

LAB 56.32, 59.12, -24.6

 

CMYK 0 / 69 / 18 / 10

HEX #E547BB

RGB 229 71 187

HSL 315.95, 0.75%, 0.59%

LAB 56.83, 71.49, -28.21

 

CMYK 0 / 78 / 21 / 4

HEX #F636C3

RGB 246 54 195

HSL 315.94, 0.91%, 0.59%

LAB 58.2, 81.57, -30.47

 

CMYK 0 / 46 / 12 / 24

HEX #C369AB

RGB 195 105 171

HSL 316, 0.43%, 0.59%

LAB 56.73, 44.58, -19.55

 

CMYK 0 / 31 / 8 / 30

HEX #B27AA3

RGB 178 122 163

HSL 316.07, 0.27%, 0.59%

LAB 58.06, 28.34, -13.1

 

CMYK 0 / 14 / 4 / 37

HEX #A18B9B

RGB 161 139 155

HSL 316.36, 0.1%, 0.59%

LAB 60.26, 11.16, -5.42

 

CMYK 8 / 0 / 6 / 39

HEX #909C93

RGB 144 156 147

HSL 135, 0.06%, 0.59%

LAB 63.19, -6.05, 3.24

 

CMYK 27 / 0 / 20 / 32

HEX #7FAD8B

RGB 127 173 139

HSL 135.65, 0.22%, 0.59%

LAB 66.72, -22.46, 12.58

 

CMYK 12 / 46 / 0 / 24

HEX #AB69C3

RGB 171 105 195

HSL 284, 0.43%, 0.59%

LAB 54.76, 41.72, -36.64

 

CMYK 0 / 46 / 0 / 24

HEX #C369C3

RGB 195 105 195

HSL 300, 0.43%, 0.59%

LAB 57.7, 48.75, -31.83

 

CMYK 0 / 46 / 12 / 24

HEX #C369AB

RGB 195 105 171

HSL 316, 0.43%, 0.59%

LAB 56.73, 44.58, -19.55

 

CMYK 0 / 46 / 25 / 24

HEX #C36993

RGB 195 105 147

HSL 332, 0.43%, 0.59%

LAB 55.9, 40.89, -6.85

 

CMYK 0 / 46 / 37 / 24

HEX #C3697B

RGB 195 105 123

HSL 348, 0.43%, 0.59%

LAB 55.21, 37.72, 6.2

 

CMYK 0 / 60 / 16 / 39

HEX #9C3E83

RGB 156 62 131

HSL 315.96, 0.43%, 0.43%

LAB 41.46, 47.39, -19.68

 

CMYK 0 / 59 / 16 / 28

HEX #B74B9A

RGB 183 75 154

HSL 316.11, 0.43%, 0.51%

LAB 48.8, 52.89, -21.89

 

CMYK 0 / 46 / 12 / 24

HEX #C369AB

RGB 195 105 171

HSL 316, 0.43%, 0.59%

LAB 56.73, 44.58, -19.55

 

CMYK 0 / 35 / 10 / 19

HEX #CF86BB

RGB 207 134 187

HSL 316.44, 0.43%, 0.67%

LAB 64.89, 35.86, -16.15

 

CMYK 0 / 25 / 6 / 15

HEX #DAA4CC

RGB 218 164 204

HSL 315.56, 0.42%, 0.75%

LAB 73.43, 26.31, -12.63

 

CMYK 0 / 46 / 12 / 24

HEX #C369AB

RGB 195 105 171

HSL 316, 0.43%, 0.59%

LAB 56.73, 44.58, -19.55

 

CMYK 0 / 25 / 46 / 24

HEX #C39369

RGB 195 147 105

HSL 28, 0.43%, 0.59%

LAB 64.56, 12.82, 29.21

 

CMYK 46 / 0 / 6 / 24

HEX #69C3B7

RGB 105 195 183

HSL 172, 0.43%, 0.59%

LAB 73.19, -29.89, -2.34

 

CMYK 0 / 46 / 12 / 24

HEX #C369AB

RGB 195 105 171

HSL 316, 0.43%, 0.59%

LAB 56.73, 44.58, -19.55

 

CMYK 12 / 0 / 46 / 24

HEX #ABC369

RGB 171 195 105

HSL 76, 0.43%, 0.59%

LAB 75.27, -22.3, 42.33

 

CMYK 46 / 12 / 0 / 24

HEX #69ABC3

RGB 105 171 195

HSL 196, 0.43%, 0.59%

LAB 66.57, -14.58, -18.82

 

CMYK 0 / 46 / 12 / 24

HEX #C369AB

RGB 195 105 171

HSL 316, 0.43%, 0.59%

LAB 56.73, 44.58, -19.55

 

CMYK 0 / 25 / 46 / 24

HEX #C39369

RGB 195 147 105

HSL 28, 0.43%, 0.59%

LAB 64.56, 12.82, 29.21

 

CMYK 46 / 0 / 34 / 24

HEX #69C381

RGB 105 195 129

HSL 136, 0.43%, 0.59%

LAB 71.97, -41.42, 25.04

 

CMYK 46 / 22 / 0 / 24

HEX #6999C3

RGB 105 153 195

HSL 208, 0.43%, 0.59%

LAB 61.42, -4.74, -26.71

 

CMYK 0 / 46 / 12 / 24

HEX #C369AB

RGB 195 105 171

HSL 316, 0.43%, 0.59%

LAB 56.73, 44.58, -19.55

 

CMYK 0 / 11 / 46 / 24

HEX #C3AE69

RGB 195 174 105

HSL 46, 0.43%, 0.59%

LAB 71.48, -1.79, 38.05

 

CMYK 46 / 0 / 34 / 24

HEX #69C381

RGB 105 195 129

HSL 136, 0.43%, 0.59%

LAB 71.97, -41.42, 25.04

 

CMYK 46 / 35 / 0 / 24

HEX #697EC3

RGB 105 126 195

HSL 226, 0.43%, 0.59%

LAB 53.88, 10.97, -38.43

 

Description

Color code: HEX #C369AB | qconv.com Color code: HEX #C369AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 105 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 105 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 12 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 12% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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