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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3624B it is the complementary color #3C9DB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3624B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3624B shade: #C86246, #D97459, #EA866C, #FB987F and #FFAA92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3624B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3624B shade: #C3624B, #B25038, #A13E25, #902C12 and #7F1A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3624B shade: #C3624B and #C34B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3624B shade: #C3624B, #C3824B, #C3A24B, #C2C34B and #A2C34B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3624B shade matches the following richer shades: #C3624B, #D65637, #E94A24 and #FD3E11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3624B shade: #C3624B, #AF6E5E, #9C7A72, #888685 and #759298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3624B shade: #C34B75, #C34B55, #C3614B, #C3814B and #C3A14B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3624B shade: #8C402E, #AB4F39, #C3624B, #CD7D6A and #D79889

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3624B shade: #C3624B, #95C34B and #4B65C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3624B shade: #C3624B, #4BC361 and #614BC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3624B shade: #C3624B, #95C34B, #4BADC3 and #794BC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3624B shade: #C3624B, #71C34B, #4BADC3 and #9D4BC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 62 / 24

HEX #C3624B

RGB 195 98 75

HSL 11.5, 0.5%, 0.53%

LAB 52.78, 36.79, 30.83

 

Complementary color

CMYK 67 / 13 / 0 / 29

HEX #3C9DB4

RGB 60 157 180

HSL 191.5, 0.5%, 0.47%

LAB 60.22, -20.81, -20.26

 

CMYK 0 / 51 / 65 / 22

HEX #C86246

RGB 200 98 70

HSL 12.92, 0.54%, 0.53%

LAB 53.45, 38.4, 34.62

 

CMYK 0 / 47 / 59 / 15

HEX #D97459

RGB 217 116 89

HSL 12.66, 0.63%, 0.6%

LAB 59.86, 37.01, 32.52

 

CMYK 0 / 43 / 54 / 8

HEX #EA866C

RGB 234 134 108

HSL 12.38, 0.75%, 0.67%

LAB 66.23, 35.72, 30.64

 

CMYK 0 / 39 / 49 / 2

HEX #FB987F

RGB 251 152 127

HSL 12.1, 0.94%, 0.74%

LAB 72.56, 34.53, 28.97

 

CMYK 0 / 33 / 43 / 0

HEX #FFAA92

RGB 255 170 146

HSL 13.21, 1%, 0.79%

LAB 77.33, 28.53, 25.17

 

CMYK 0 / 50 / 62 / 24

HEX #C3624B

RGB 195 98 75

HSL 11.5, 0.5%, 0.53%

LAB 52.78, 36.79, 30.83

 

CMYK 0 / 55 / 69 / 30

HEX #B25038

RGB 178 80 56

HSL 11.8, 0.52%, 0.46%

LAB 46.3, 38.21, 33.14

 

CMYK 0 / 61 / 77 / 37

HEX #A13E25

RGB 161 62 37

HSL 12.1, 0.63%, 0.39%

LAB 39.84, 39.65, 35.74

 

CMYK 0 / 69 / 88 / 44

HEX #902C12

RGB 144 44 18

HSL 12.38, 0.78%, 0.32%

LAB 33.51, 40.95, 38.36

 

CMYK 0 / 80 / 100 / 50

HEX #7F1A00

RGB 127 26 0

HSL 12.28, 1%, 0.25%

LAB 27.44, 41.69, 39.69

 

CMYK 0 / 50 / 62 / 24

HEX #C3624B

RGB 195 98 75

HSL 11.5, 0.5%, 0.53%

LAB 52.78, 36.79, 30.83

 

CMYK 0 / 62 / 62 / 24

HEX #C34B4B

RGB 195 75 75

HSL 0, 0.5%, 0.53%

LAB 48.44, 48.03, 25.36

 

CMYK 0 / 50 / 62 / 24

HEX #C3624B

RGB 195 98 75

HSL 11.5, 0.5%, 0.53%

LAB 52.78, 36.79, 30.83

 

CMYK 0 / 33 / 62 / 24

HEX #C3824B

RGB 195 130 75

HSL 27.5, 0.5%, 0.53%

LAB 59.96, 19.56, 39.53

 

CMYK 0 / 17 / 62 / 24

HEX #C3A24B

RGB 195 162 75

HSL 43.5, 0.5%, 0.53%

LAB 67.98, 2.08, 48.78

 

CMYK 1 / 0 / 62 / 24

HEX #C2C34B

RGB 194 195 75

HSL 60.5, 0.5%, 0.53%

LAB 76.68, -15.56, 58.29

 

CMYK 17 / 0 / 62 / 24

HEX #A2C34B

RGB 162 195 75

HSL 76.5, 0.5%, 0.53%

LAB 74.33, -28.65, 55.06

 

CMYK 0 / 50 / 62 / 24

HEX #C3624B

RGB 195 98 75

HSL 11.5, 0.5%, 0.53%

LAB 52.78, 36.79, 30.83

 

CMYK 0 / 60 / 74 / 16

HEX #D65637

RGB 214 86 55

HSL 11.7, 0.66%, 0.53%

LAB 53.2, 48.66, 43.04

 

CMYK 0 / 68 / 85 / 9

HEX #E94A24

RGB 233 74 36

HSL 11.57, 0.82%, 0.53%

LAB 54.39, 59.58, 54.52

 

CMYK 0 / 75 / 93 / 1

HEX #FD3E11

RGB 253 62 17

HSL 11.44, 0.98%, 0.53%

LAB 56.45, 69.53, 64.5

 

CMYK 0 / 50 / 62 / 24

HEX #C3624B

RGB 195 98 75

HSL 11.5, 0.5%, 0.53%

LAB 52.78, 36.79, 30.83

 

CMYK 0 / 37 / 46 / 31

HEX #AF6E5E

RGB 175 110 94

HSL 11.85, 0.34%, 0.53%

LAB 53.03, 23.99, 19.72

 

CMYK 0 / 22 / 27 / 39

HEX #9C7A72

RGB 156 122 114

HSL 11.43, 0.18%, 0.53%

LAB 54.24, 11.98, 9.43

 

CMYK 0 / 1 / 2 / 47

HEX #888685

RGB 136 134 133

HSL 20, 0.01%, 0.53%

LAB 56.07, 0.55, 0.79

 

CMYK 23 / 4 / 0 / 40

HEX #759298

RGB 117 146 152

HSL 190.29, 0.15%, 0.53%

LAB 58.61, -8.74, -6.54

 

CMYK 0 / 62 / 40 / 24

HEX #C34B75

RGB 195 75 117

HSL 339, 0.5%, 0.53%

LAB 49.4, 51.73, 1.38

 

CMYK 0 / 62 / 56 / 24

HEX #C34B55

RGB 195 75 85

HSL 355, 0.5%, 0.53%

LAB 48.62, 48.75, 19.63

 

CMYK 0 / 50 / 62 / 24

HEX #C3614B

RGB 195 97 75

HSL 11, 0.5%, 0.53%

LAB 52.57, 37.31, 30.58

 

CMYK 0 / 34 / 62 / 24

HEX #C3814B

RGB 195 129 75

HSL 27, 0.5%, 0.53%

LAB 59.72, 20.11, 39.25

 

CMYK 0 / 17 / 62 / 24

HEX #C3A14B

RGB 195 161 75

HSL 43, 0.5%, 0.53%

LAB 67.72, 2.62, 48.49

 

CMYK 0 / 54 / 67 / 45

HEX #8C402E

RGB 140 64 46

HSL 11.49, 0.51%, 0.36%

LAB 36.82, 30.89, 26.2

 

CMYK 0 / 54 / 67 / 33

HEX #AB4F39

RGB 171 79 57

HSL 11.58, 0.5%, 0.45%

LAB 45.01, 36.06, 30.77

 

CMYK 0 / 50 / 62 / 24

HEX #C3624B

RGB 195 98 75

HSL 11.5, 0.5%, 0.53%

LAB 52.78, 36.79, 30.83

 

CMYK 0 / 39 / 48 / 20

HEX #CD7D6A

RGB 205 125 106

HSL 11.52, 0.5%, 0.61%

LAB 60.5, 29, 23.53

 

CMYK 0 / 29 / 36 / 16

HEX #D79889

RGB 215 152 137

HSL 11.54, 0.49%, 0.69%

LAB 68.54, 21.71, 17.33

 

CMYK 0 / 50 / 62 / 24

HEX #C3624B

RGB 195 98 75

HSL 11.5, 0.5%, 0.53%

LAB 52.78, 36.79, 30.83

 

CMYK 24 / 0 / 62 / 24

HEX #95C34B

RGB 149 195 75

HSL 83, 0.5%, 0.53%

LAB 73.5, -33.71, 53.91

 

CMYK 62 / 48 / 0 / 24

HEX #4B65C3

RGB 75 101 195

HSL 227, 0.5%, 0.53%

LAB 45.28, 19.8, -52.22

 

CMYK 0 / 50 / 62 / 24

HEX #C3624B

RGB 195 98 75

HSL 11.5, 0.5%, 0.53%

LAB 52.78, 36.79, 30.83

 

CMYK 62 / 0 / 50 / 24

HEX #4BC361

RGB 75 195 97

HSL 131, 0.5%, 0.53%

LAB 70.45, -54.09, 39.28

 

CMYK 50 / 62 / 0 / 24

HEX #614BC3

RGB 97 75 195

HSL 251, 0.5%, 0.53%

LAB 40.43, 40.1, -59.97

 

CMYK 0 / 50 / 62 / 24

HEX #C3624B

RGB 195 98 75

HSL 11.5, 0.5%, 0.53%

LAB 52.78, 36.79, 30.83

 

CMYK 24 / 0 / 62 / 24

HEX #95C34B

RGB 149 195 75

HSL 83, 0.5%, 0.53%

LAB 73.5, -33.71, 53.91

 

CMYK 62 / 11 / 0 / 24

HEX #4BADC3

RGB 75 173 195

HSL 191, 0.5%, 0.53%

LAB 66, -21.96, -19.8

 

CMYK 38 / 62 / 0 / 24

HEX #794BC3

RGB 121 75 195

HSL 263, 0.5%, 0.53%

LAB 42.82, 45.11, -55.99

 

CMYK 0 / 50 / 62 / 24

HEX #C3624B

RGB 195 98 75

HSL 11.5, 0.5%, 0.53%

LAB 52.78, 36.79, 30.83

 

CMYK 42 / 0 / 62 / 24

HEX #71C34B

RGB 113 195 75

HSL 101, 0.5%, 0.53%

LAB 71.59, -46.45, 51.26

 

CMYK 62 / 11 / 0 / 24

HEX #4BADC3

RGB 75 173 195

HSL 191, 0.5%, 0.53%

LAB 66, -21.96, -19.8

 

CMYK 19 / 62 / 0 / 24

HEX #9D4BC3

RGB 157 75 195

HSL 281, 0.5%, 0.53%

LAB 47.16, 53.47, -48.79

 

Description

Color code: HEX #C3624B | qconv.com Color code: HEX #C3624B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 98 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 98 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 62 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 62% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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