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Color name
HEX #C36D18

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C36D18 it is the complementary color #3C92E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C36D18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C36D18 shade: #C86D13, #D97F26, #EA9139, #FBA34C and #FFB55F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C36D18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C36D18 shade: #C36D18, #B25B05, #A14900, #903700 and #7F2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C36D18 shade: #C36D18, #C33F18 and #C31818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C36D18 shade: #C36D18, #C39B18, #BCC318, #8EC318 and #60C318

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C36D18 shade matches the following richer shades: #C36D18 and #D46D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C36D18 shade: #C36D18, #B16D29, #9F6D3B, #8D6D4D and #7C6D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C36D18 shade: #C31820, #C33D18, #C36A18, #C39818 and #C0C318

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C36D18 shade: #79440F, #9E5813, #C36D18, #E38120 and #E89645

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C36D18 shade: #C36D18, #4EC318 and #2618C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C36D18 shade: #C36D18, #18C36A and #6A18C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C36D18 shade: #C36D18, #4EC318, #1870C3 and #8D18C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C36D18 shade: #C36D18, #1AC318, #1870C3 and #C018C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 88 / 24

HEX #C36D18

RGB 195 109 24

HSL 29.82, 0.78%, 0.43%

LAB 54.66, 28.66, 56.8

 

Complementary color

CMYK 74 / 37 / 0 / 9

HEX #3C92E7

RGB 60 146 231

HSL 209.82, 0.78%, 0.57%

LAB 59.24, 2.6, -50.35

 

CMYK 0 / 46 / 91 / 22

HEX #C86D13

RGB 200 109 19

HSL 29.83, 0.83%, 0.43%

LAB 55.34, 30.66, 59.07

 

CMYK 0 / 41 / 82 / 15

HEX #D97F26

RGB 217 127 38

HSL 29.83, 0.7%, 0.5%

LAB 61.71, 28.63, 59.12

 

CMYK 0 / 38 / 76 / 8

HEX #EA9139

RGB 234 145 57

HSL 29.83, 0.81%, 0.57%

LAB 68.05, 26.83, 58.27

 

CMYK 0 / 35 / 70 / 2

HEX #FBA34C

RGB 251 163 76

HSL 29.83, 0.96%, 0.64%

LAB 74.33, 25.22, 57.02

 

CMYK 0 / 29 / 63 / 0

HEX #FFB55F

RGB 255 181 95

HSL 32.25, 1%, 0.69%

LAB 79.12, 18.52, 53.59

 

CMYK 0 / 44 / 88 / 24

HEX #C36D18

RGB 195 109 24

HSL 29.82, 0.78%, 0.43%

LAB 54.66, 28.66, 56.8

 

CMYK 0 / 49 / 97 / 30

HEX #B25B05

RGB 178 91 5

HSL 29.83, 0.95%, 0.36%

LAB 48.21, 30.84, 55.81

 

CMYK 0 / 55 / 100 / 37

HEX #A14900

RGB 161 73 0

HSL 27.2, 1%, 0.32%

LAB 41.75, 33.21, 51.82

 

CMYK 0 / 62 / 100 / 44

HEX #903700

RGB 144 55 0

HSL 22.92, 1%, 0.28%

LAB 35.32, 35.51, 46.7

 

CMYK 0 / 71 / 100 / 50

HEX #7F2500

RGB 127 37 0

HSL 17.48, 1%, 0.25%

LAB 28.99, 37.4, 40.97

 

CMYK 0 / 44 / 88 / 24

HEX #C36D18

RGB 195 109 24

HSL 29.82, 0.78%, 0.43%

LAB 54.66, 28.66, 56.8

 

CMYK 0 / 68 / 88 / 24

HEX #C33F18

RGB 195 63 24

HSL 13.68, 0.78%, 0.43%

LAB 45.94, 51.01, 49.84

 

CMYK 0 / 88 / 88 / 24

HEX #C31818

RGB 195 24 24

HSL 0, 0.78%, 0.43%

LAB 41.72, 62.76, 46.49

 

CMYK 0 / 44 / 88 / 24

HEX #C36D18

RGB 195 109 24

HSL 29.82, 0.78%, 0.43%

LAB 54.66, 28.66, 56.8

 

CMYK 0 / 21 / 88 / 24

HEX #C39B18

RGB 195 155 24

HSL 45.96, 0.78%, 0.43%

LAB 65.83, 3.56, 65.72

 

CMYK 4 / 0 / 88 / 24

HEX #BCC318

RGB 188 195 24

HSL 62.46, 0.78%, 0.43%

LAB 75.94, -20.29, 73.56

 

CMYK 27 / 0 / 88 / 24

HEX #8EC318

RGB 142 195 24

HSL 78.6, 0.78%, 0.43%

LAB 72.79, -39.16, 69.69

 

CMYK 51 / 0 / 88 / 24

HEX #60C318

RGB 96 195 24

HSL 94.74, 0.78%, 0.43%

LAB 70.58, -54.97, 66.94

 

CMYK 0 / 44 / 88 / 24

HEX #C36D18

RGB 195 109 24

HSL 29.82, 0.78%, 0.43%

LAB 54.66, 28.66, 56.8

 

CMYK 0 / 49 / 97 / 17

HEX #D46D06

RGB 212 109 6

HSL 30, 0.94%, 0.43%

LAB 57.02, 35.43, 63.76

 

CMYK 0 / 44 / 88 / 24

HEX #C36D18

RGB 195 109 24

HSL 29.82, 0.78%, 0.43%

LAB 54.66, 28.66, 56.8

 

CMYK 0 / 38 / 77 / 31

HEX #B16D29

RGB 177 109 41

HSL 30, 0.62%, 0.43%

LAB 52.34, 21.48, 47.27

 

CMYK 0 / 31 / 63 / 38

HEX #9F6D3B

RGB 159 109 59

HSL 30, 0.46%, 0.43%

LAB 50.24, 14.59, 35.46

 

CMYK 0 / 23 / 45 / 45

HEX #8D6D4D

RGB 141 109 77

HSL 30, 0.29%, 0.43%

LAB 48.43, 8.31, 22.72

 

CMYK 0 / 12 / 23 / 51

HEX #7C6D5F

RGB 124 109 95

HSL 28.97, 0.13%, 0.43%

LAB 47.04, 3.47, 9.98

 

CMYK 0 / 88 / 84 / 24

HEX #C31820

RGB 195 24 32

HSL 357.19, 0.78%, 0.43%

LAB 41.78, 62.94, 42.52

 

CMYK 0 / 69 / 88 / 24

HEX #C33D18

RGB 195 61 24

HSL 12.98, 0.78%, 0.43%

LAB 45.64, 51.81, 49.6

 

CMYK 0 / 46 / 88 / 24

HEX #C36A18

RGB 195 106 24

HSL 28.77, 0.78%, 0.43%

LAB 54, 30.27, 56.27

 

CMYK 0 / 22 / 88 / 24

HEX #C39818

RGB 195 152 24

HSL 44.91, 0.78%, 0.43%

LAB 65.06, 5.18, 65.1

 

CMYK 2 / 0 / 88 / 24

HEX #C0C318

RGB 192 195 24

HSL 61.05, 0.78%, 0.43%

LAB 76.25, -18.58, 73.95

 

CMYK 0 / 44 / 88 / 53

HEX #79440F

RGB 121 68 15

HSL 30, 0.78%, 0.27%

LAB 34.46, 18.82, 38.94

 

CMYK 0 / 44 / 88 / 38

HEX #9E5813

RGB 158 88 19

HSL 29.78, 0.79%, 0.35%

LAB 44.65, 24.13, 48.17

 

CMYK 0 / 44 / 88 / 24

HEX #C36D18

RGB 195 109 24

HSL 29.82, 0.78%, 0.43%

LAB 54.66, 28.66, 56.8

 

CMYK 0 / 43 / 86 / 11

HEX #E38120

RGB 227 129 32

HSL 29.85, 0.78%, 0.51%

LAB 63.45, 31.56, 63.18

 

CMYK 0 / 35 / 70 / 9

HEX #E89645

RGB 232 150 69

HSL 29.82, 0.78%, 0.59%

LAB 69.04, 23.9, 53.9

 

CMYK 0 / 44 / 88 / 24

HEX #C36D18

RGB 195 109 24

HSL 29.82, 0.78%, 0.43%

LAB 54.66, 28.66, 56.8

 

CMYK 60 / 0 / 88 / 24

HEX #4EC318

RGB 78 195 24

HSL 101.05, 0.78%, 0.43%

LAB 69.98, -59.82, 66.18

 

CMYK 81 / 88 / 0 / 24

HEX #2618C3

RGB 38 24 195

HSL 244.91, 0.78%, 0.43%

LAB 26.75, 59.22, -82.64

 

CMYK 0 / 44 / 88 / 24

HEX #C36D18

RGB 195 109 24

HSL 29.82, 0.78%, 0.43%

LAB 54.66, 28.66, 56.8

 

CMYK 88 / 0 / 46 / 24

HEX #18C36A

RGB 24 195 106

HSL 148.77, 0.78%, 0.43%

LAB 69.66, -59.94, 33.58

 

CMYK 46 / 88 / 0 / 24

HEX #6A18C3

RGB 106 24 195

HSL 268.77, 0.78%, 0.43%

LAB 33.26, 64.45, -71.66

 

CMYK 0 / 44 / 88 / 24

HEX #C36D18

RGB 195 109 24

HSL 29.82, 0.78%, 0.43%

LAB 54.66, 28.66, 56.8

 

CMYK 60 / 0 / 88 / 24

HEX #4EC318

RGB 78 195 24

HSL 101.05, 0.78%, 0.43%

LAB 69.98, -59.82, 66.18

 

CMYK 88 / 43 / 0 / 24

HEX #1870C3

RGB 24 112 195

HSL 209.12, 0.78%, 0.43%

LAB 46.61, 6.33, -50.19

 

CMYK 28 / 88 / 0 / 24

HEX #8D18C3

RGB 141 24 195

HSL 281.05, 0.78%, 0.43%

LAB 38.3, 69, -63.21

 

CMYK 0 / 44 / 88 / 24

HEX #C36D18

RGB 195 109 24

HSL 29.82, 0.78%, 0.43%

LAB 54.66, 28.66, 56.8

 

CMYK 87 / 0 / 88 / 24

HEX #1AC318

RGB 26 195 24

HSL 119.3, 0.78%, 0.43%

LAB 68.98, -68.37, 64.92

 

CMYK 88 / 43 / 0 / 24

HEX #1870C3

RGB 24 112 195

HSL 209.12, 0.78%, 0.43%

LAB 46.61, 6.33, -50.19

 

CMYK 2 / 88 / 0 / 24

HEX #C018C3

RGB 192 24 195

HSL 298.95, 0.78%, 0.43%

LAB 46.71, 77.22, -49.2

 

Description

Color code: HEX #C36D18 | qconv.com Color code: HEX #C36D18 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 109 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 109 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 88 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 88% 24% C M Y K

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