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Color name
HEX #C374A8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C374A8 it is the complementary color #3C8B57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C374A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C374A8 shade: #C874A3, #D986B6, #EA98C9, #FBAADC and #FFBCEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C374A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C374A8 shade: #C374A8, #B26295, #A15082, #903E6F and #7F2C5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C374A8 shade: #C373A8, #C37392, #C3737D and #C37373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C374A8 shade: #C373A8, #C373BD, #B373C3, #9E73C3 and #8873C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C374A8 shade matches the following richer shades: #C373A8, #D363AD, #E353B2 and #F343B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C374A8 shade: #C373A8, #B383A3, #A3939D, #93A498 and #82B493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C374A8 shade: #B373C3, #C373BE, #C373A8, #C37393 and #C3737E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C374A8 shade: #A04480, #B65696, #C373A8, #CF90BA and #DCADCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C374A8 shade: #C374A8, #C39E73 and #73C3BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C374A8 shade: #C374A8, #A8C373 and #73A8C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C374A8 shade: #C374A8, #C39E73, #73C38E and #7398C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C374A8 shade: #C374A8, #C3B673, #73C38E and #7381C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 14 / 24

HEX #C374A8

RGB 195 116 168

HSL 320.51, 0.4%, 0.61%

LAB 58.9, 38.31, -14.52

 

Complementary color

CMYK 57 / 0 / 37 / 45

HEX #3C8B57

RGB 60 139 87

HSL 140.51, 0.4%, 0.39%

LAB 51.97, -36.56, 20.7

 

CMYK 0 / 42 / 19 / 22

HEX #C874A3

RGB 200 116 163

HSL 326.43, 0.43%, 0.62%

LAB 59.36, 39.2, -10.9

 

CMYK 0 / 38 / 16 / 15

HEX #D986B6

RGB 217 134 182

HSL 325.3, 0.52%, 0.69%

LAB 65.89, 38.41, -11.71

 

CMYK 0 / 35 / 14 / 8

HEX #EA98C9

RGB 234 152 201

HSL 324.15, 0.66%, 0.76%

LAB 72.34, 37.65, -12.43

 

CMYK 0 / 32 / 12 / 2

HEX #FBAADC

RGB 251 170 220

HSL 322.96, 0.91%, 0.83%

LAB 78.71, 36.93, -13.09

 

CMYK 0 / 26 / 6 / 0

HEX #FFBCEF

RGB 255 188 239

HSL 314.33, 1%, 0.87%

LAB 83.68, 31.97, -15.81

 

CMYK 0 / 41 / 14 / 24

HEX #C374A8

RGB 195 116 168

HSL 320.51, 0.4%, 0.61%

LAB 58.9, 38.31, -14.52

 

CMYK 0 / 45 / 16 / 30

HEX #B26295

RGB 178 98 149

HSL 321.75, 0.34%, 0.54%

LAB 52.25, 39.1, -13.73

 

CMYK 0 / 50 / 19 / 37

HEX #A15082

RGB 161 80 130

HSL 322.96, 0.34%, 0.47%

LAB 45.53, 39.88, -12.78

 

CMYK 0 / 57 / 23 / 44

HEX #903E6F

RGB 144 62 111

HSL 324.15, 0.4%, 0.4%

LAB 38.76, 40.56, -11.6

 

CMYK 0 / 65 / 28 / 50

HEX #7F2C5C

RGB 127 44 92

HSL 325.3, 0.49%, 0.34%

LAB 32, 41, -10.05

 

CMYK 0 / 41 / 14 / 24

HEX #C373A8

RGB 195 115 168

HSL 320.25, 0.4%, 0.61%

LAB 58.69, 38.84, -14.85

 

CMYK 0 / 41 / 25 / 24

HEX #C37392

RGB 195 115 146

HSL 336.75, 0.4%, 0.61%

LAB 57.98, 35.45, -3.19

 

CMYK 0 / 41 / 36 / 24

HEX #C3737D

RGB 195 115 125

HSL 352.5, 0.4%, 0.61%

LAB 57.41, 32.64, 8.17

 

CMYK 0 / 41 / 41 / 24

HEX #C37373

RGB 195 115 115

HSL 0, 0.4%, 0.61%

LAB 57.17, 31.45, 13.64

 

CMYK 0 / 41 / 14 / 24

HEX #C373A8

RGB 195 115 168

HSL 320.25, 0.4%, 0.61%

LAB 58.69, 38.84, -14.85

 

CMYK 0 / 41 / 3 / 24

HEX #C373BD

RGB 195 115 189

HSL 304.5, 0.4%, 0.61%

LAB 59.47, 42.47, -25.68

 

CMYK 8 / 41 / 0 / 24

HEX #B373C3

RGB 179 115 195

HSL 288, 0.4%, 0.61%

LAB 57.83, 38.67, -31.78

 

CMYK 19 / 41 / 0 / 24

HEX #9E73C3

RGB 158 115 195

HSL 272.25, 0.4%, 0.61%

LAB 55.55, 32.32, -35.5

 

CMYK 30 / 41 / 0 / 24

HEX #8873C3

RGB 136 115 195

HSL 255.75, 0.4%, 0.61%

LAB 53.42, 25.9, -38.99

 

CMYK 0 / 41 / 14 / 24

HEX #C373A8

RGB 195 115 168

HSL 320.25, 0.4%, 0.61%

LAB 58.69, 38.84, -14.85

 

CMYK 0 / 53 / 18 / 17

HEX #D363AD

RGB 211 99 173

HSL 320.36, 0.56%, 0.61%

LAB 57.84, 52.87, -18.82

 

CMYK 0 / 63 / 22 / 11

HEX #E353B2

RGB 227 83 178

HSL 320.42, 0.72%, 0.61%

LAB 57.78, 65.24, -21.58

 

CMYK 0 / 72 / 25 / 5

HEX #F343B7

RGB 243 67 183

HSL 320.45, 0.88%, 0.61%

LAB 58.5, 75.72, -23.14

 

CMYK 0 / 41 / 14 / 24

HEX #C373A8

RGB 195 115 168

HSL 320.25, 0.4%, 0.61%

LAB 58.69, 38.84, -14.85

 

CMYK 0 / 27 / 9 / 30

HEX #B383A3

RGB 179 131 163

HSL 320, 0.24%, 0.61%

LAB 60.3, 23.65, -9.73

 

CMYK 0 / 10 / 4 / 36

HEX #A3939D

RGB 163 147 157

HSL 322.5, 0.08%, 0.61%

LAB 62.58, 7.75, -3.11

 

CMYK 10 / 0 / 7 / 36

HEX #93A498

RGB 147 164 152

HSL 137.65, 0.09%, 0.61%

LAB 65.76, -8.35, 4.19

 

CMYK 28 / 0 / 18 / 29

HEX #82B493

RGB 130 180 147

HSL 140.4, 0.25%, 0.61%

LAB 69.11, -23.44, 11.58

 

CMYK 8 / 41 / 0 / 24

HEX #B373C3

RGB 179 115 195

HSL 288, 0.4%, 0.61%

LAB 57.83, 38.67, -31.78

 

CMYK 0 / 41 / 3 / 24

HEX #C373BE

RGB 195 115 190

HSL 303.75, 0.4%, 0.61%

LAB 59.51, 42.65, -26.18

 

CMYK 0 / 41 / 14 / 24

HEX #C373A8

RGB 195 115 168

HSL 320.25, 0.4%, 0.61%

LAB 58.69, 38.84, -14.85

 

CMYK 0 / 41 / 25 / 24

HEX #C37393

RGB 195 115 147

HSL 336, 0.4%, 0.61%

LAB 58.01, 35.59, -3.73

 

CMYK 0 / 41 / 35 / 24

HEX #C3737E

RGB 195 115 126

HSL 351.75, 0.4%, 0.61%

LAB 57.43, 32.76, 7.62

 

CMYK 0 / 58 / 20 / 37

HEX #A04480

RGB 160 68 128

HSL 320.87, 0.4%, 0.45%

LAB 43.01, 45.3, -15.41

 

CMYK 0 / 53 / 18 / 29

HEX #B65696

RGB 182 86 150

HSL 320, 0.4%, 0.53%

LAB 50.46, 46.74, -17

 

CMYK 0 / 41 / 14 / 24

HEX #C373A8

RGB 195 115 168

HSL 320.25, 0.4%, 0.61%

LAB 58.69, 38.84, -14.85

 

CMYK 0 / 30 / 10 / 19

HEX #CF90BA

RGB 207 144 186

HSL 320, 0.4%, 0.69%

LAB 67.09, 30.28, -12.26

 

CMYK 0 / 21 / 7 / 14

HEX #DCADCC

RGB 220 173 204

HSL 320.43, 0.4%, 0.77%

LAB 75.74, 22.14, -9.15

 

CMYK 0 / 41 / 14 / 24

HEX #C374A8

RGB 195 116 168

HSL 320.51, 0.4%, 0.61%

LAB 58.9, 38.31, -14.52

 

CMYK 0 / 19 / 41 / 24

HEX #C39E73

RGB 195 158 115

HSL 32.25, 0.4%, 0.61%

LAB 67.5, 7.88, 27.63

 

CMYK 41 / 0 / 3 / 24

HEX #73C3BE

RGB 115 195 190

HSL 176.25, 0.4%, 0.61%

LAB 73.8, -25.71, -5.2

 

CMYK 0 / 41 / 14 / 24

HEX #C374A8

RGB 195 116 168

HSL 320.51, 0.4%, 0.61%

LAB 58.9, 38.31, -14.52

 

CMYK 14 / 0 / 41 / 24

HEX #A8C373

RGB 168 195 115

HSL 80.25, 0.4%, 0.61%

LAB 75.2, -22.32, 37.17

 

CMYK 41 / 14 / 0 / 24

HEX #73A8C3

RGB 115 168 195

HSL 200.25, 0.4%, 0.61%

LAB 66.21, -10.45, -19.33

 

CMYK 0 / 41 / 14 / 24

HEX #C374A8

RGB 195 116 168

HSL 320.51, 0.4%, 0.61%

LAB 58.9, 38.31, -14.52

 

CMYK 0 / 19 / 41 / 24

HEX #C39E73

RGB 195 158 115

HSL 32.25, 0.4%, 0.61%

LAB 67.5, 7.88, 27.63

 

CMYK 41 / 0 / 27 / 24

HEX #73C38E

RGB 115 195 142

HSL 140.25, 0.4%, 0.61%

LAB 72.65, -36.2, 19.11

 

CMYK 41 / 22 / 0 / 24

HEX #7398C3

RGB 115 152 195

HSL 212.25, 0.4%, 0.61%

LAB 61.69, -1.59, -26.24

 

CMYK 0 / 41 / 14 / 24

HEX #C374A8

RGB 195 116 168

HSL 320.51, 0.4%, 0.61%

LAB 58.9, 38.31, -14.52

 

CMYK 0 / 7 / 41 / 24

HEX #C3B673

RGB 195 182 115

HSL 50.25, 0.4%, 0.61%

LAB 73.74, -4.97, 35.74

 

CMYK 41 / 0 / 27 / 24

HEX #73C38E

RGB 115 195 142

HSL 140.25, 0.4%, 0.61%

LAB 72.65, -36.2, 19.11

 

CMYK 41 / 34 / 0 / 24

HEX #7381C3

RGB 115 129 195

HSL 229.5, 0.4%, 0.61%

LAB 55.37, 11.77, -36.06

 

Description

Color code: HEX #C374A8 | qconv.com Color code: HEX #C374A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 116 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 116 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 14 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 14% 24% C M Y K

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Provide designers and agencies with accurate color values.

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