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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C37541 it is the complementary color #3C8ABE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C37541. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C37541 shade: #C8753C, #D9874F, #EA9962, #FBAB75 and #FFBD88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C37541. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C37541 shade: #C37541, #B2632E, #A1511B, #903F08 and #7F2D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C37541 shade: #C37541, #C35241 and #C34141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C37541 shade: #C37541, #C39841, #C3BB41, #A7C341 and #84C341

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C37541 shade matches the following richer shades: #C37541, #D7712C and #EB6C18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C37541 shade: #C37541, #AE7955, #9A7D69, #86817D and #728591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C37541 shade: #C34152, #C35241, #C37541, #C39741 and #C3BA41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C37541 shade: #864F2A, #A66234, #C37541, #CC8B60 and #D6A27F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C37541 shade: #C37541, #75C341 and #4141C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C37541 shade: #C37541, #41C375 and #7541C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C37541 shade: #C37541, #75C341, #418FC3 and #8F41C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C37541 shade: #C37541, #4EC341, #418FC3 and #B641C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 67 / 24

HEX #C37541

RGB 195 117 65

HSL 24, 0.52%, 0.51%

LAB 56.79, 26.01, 41.04

 

Complementary color

CMYK 68 / 27 / 0 / 25

HEX #3C8ABE

RGB 60 138 190

HSL 204, 0.52%, 0.49%

LAB 54.92, -7.09, -34.11

 

CMYK 0 / 42 / 70 / 22

HEX #C8753C

RGB 200 117 60

HSL 24.43, 0.56%, 0.51%

LAB 57.39, 27.81, 44.45

 

CMYK 0 / 38 / 64 / 15

HEX #D9874F

RGB 217 135 79

HSL 24.35, 0.64%, 0.58%

LAB 63.87, 26.29, 42.74

 

CMYK 0 / 35 / 58 / 8

HEX #EA9962

RGB 234 153 98

HSL 24.26, 0.76%, 0.65%

LAB 70.29, 24.94, 41.09

 

CMYK 0 / 32 / 53 / 2

HEX #FBAB75

RGB 251 171 117

HSL 24.18, 0.94%, 0.72%

LAB 76.63, 23.75, 39.53

 

CMYK 0 / 26 / 47 / 0

HEX #FFBD88

RGB 255 189 136

HSL 26.72, 1%, 0.77%

LAB 81.53, 17.59, 36.02

 

CMYK 0 / 40 / 67 / 24

HEX #C37541

RGB 195 117 65

HSL 24, 0.52%, 0.51%

LAB 56.79, 26.01, 41.04

 

CMYK 0 / 44 / 74 / 30

HEX #B2632E

RGB 178 99 46

HSL 24.09, 0.59%, 0.44%

LAB 50.2, 27.65, 42.79

 

CMYK 0 / 50 / 83 / 37

HEX #A1511B

RGB 161 81 27

HSL 24.18, 0.71%, 0.37%

LAB 43.57, 29.51, 44.31

 

CMYK 0 / 56 / 94 / 44

HEX #903F08

RGB 144 63 8

HSL 24.26, 0.89%, 0.3%

LAB 36.93, 31.57, 44.84

 

CMYK 0 / 65 / 100 / 50

HEX #7F2D00

RGB 127 45 0

HSL 21.26, 1%, 0.25%

LAB 30.37, 33.7, 42.03

 

CMYK 0 / 40 / 67 / 24

HEX #C37541

RGB 195 117 65

HSL 24, 0.52%, 0.51%

LAB 56.79, 26.01, 41.04

 

CMYK 0 / 58 / 67 / 24

HEX #C35241

RGB 195 82 65

HSL 7.85, 0.52%, 0.51%

LAB 49.52, 44.14, 32.53

 

CMYK 0 / 67 / 67 / 24

HEX #C34141

RGB 195 65 65

HSL 0, 0.52%, 0.51%

LAB 46.66, 51.75, 29.05

 

CMYK 0 / 40 / 67 / 24

HEX #C37541

RGB 195 117 65

HSL 24, 0.52%, 0.51%

LAB 56.79, 26.01, 41.04

 

CMYK 0 / 22 / 67 / 24

HEX #C39841

RGB 195 152 65

HSL 40.15, 0.52%, 0.51%

LAB 65.31, 6.84, 50.5

 

CMYK 0 / 4 / 67 / 24

HEX #C3BB41

RGB 195 187 65

HSL 56.31, 0.52%, 0.51%

LAB 74.52, -11.69, 60.18

 

CMYK 14 / 0 / 67 / 24

HEX #A7C341

RGB 167 195 65

HSL 72.92, 0.52%, 0.51%

LAB 74.59, -27.35, 59.57

 

CMYK 32 / 0 / 67 / 24

HEX #84C341

RGB 132 195 65

HSL 89.08, 0.52%, 0.51%

LAB 72.44, -40.83, 56.66

 

CMYK 0 / 40 / 67 / 24

HEX #C37541

RGB 195 117 65

HSL 24, 0.52%, 0.51%

LAB 56.79, 26.01, 41.04

 

CMYK 0 / 47 / 80 / 16

HEX #D7712C

RGB 215 113 44

HSL 24.21, 0.68%, 0.51%

LAB 58.45, 35.36, 53.66

 

CMYK 0 / 54 / 90 / 8

HEX #EB6C18

RGB 235 108 24

HSL 23.89, 0.84%, 0.51%

LAB 60.3, 45.17, 63.65

 

CMYK 0 / 40 / 67 / 24

HEX #C37541

RGB 195 117 65

HSL 24, 0.52%, 0.51%

LAB 56.79, 26.01, 41.04

 

CMYK 0 / 30 / 51 / 32

HEX #AE7955

RGB 174 121 85

HSL 24.27, 0.35%, 0.51%

LAB 55.41, 16.49, 27.95

 

CMYK 0 / 19 / 32 / 40

HEX #9A7D69

RGB 154 125 105

HSL 24.49, 0.2%, 0.51%

LAB 54.61, 8.16, 15.13

 

CMYK 0 / 4 / 7 / 47

HEX #86817D

RGB 134 129 125

HSL 26.67, 0.04%, 0.51%

LAB 54.29, 1.12, 2.83

 

CMYK 21 / 8 / 0 / 43

HEX #728591

RGB 114 133 145

HSL 203.23, 0.12%, 0.51%

LAB 54.45, -4.09, -8.73

 

CMYK 0 / 67 / 58 / 24

HEX #C34152

RGB 195 65 82

HSL 352.15, 0.52%, 0.51%

LAB 46.96, 52.84, 19.22

 

CMYK 0 / 58 / 67 / 24

HEX #C35241

RGB 195 82 65

HSL 7.85, 0.52%, 0.51%

LAB 49.52, 44.14, 32.53

 

CMYK 0 / 40 / 67 / 24

HEX #C37541

RGB 195 117 65

HSL 24, 0.52%, 0.51%

LAB 56.79, 26.01, 41.04

 

CMYK 0 / 23 / 67 / 24

HEX #C39741

RGB 195 151 65

HSL 39.69, 0.52%, 0.51%

LAB 65.06, 7.38, 50.22

 

CMYK 0 / 5 / 67 / 24

HEX #C3BA41

RGB 195 186 65

HSL 55.85, 0.52%, 0.51%

LAB 74.25, -11.18, 59.91

 

CMYK 0 / 41 / 69 / 47

HEX #864F2A

RGB 134 79 42

HSL 24.13, 0.52%, 0.35%

LAB 39.29, 19.6, 31.18

 

CMYK 0 / 41 / 69 / 35

HEX #A66234

RGB 166 98 52

HSL 24.21, 0.52%, 0.43%

LAB 48.37, 23.42, 37.26

 

CMYK 0 / 40 / 67 / 24

HEX #C37541

RGB 195 117 65

HSL 24, 0.52%, 0.51%

LAB 56.79, 26.01, 41.04

 

CMYK 0 / 32 / 53 / 20

HEX #CC8B60

RGB 204 139 96

HSL 23.89, 0.51%, 0.59%

LAB 63.46, 20.07, 32.89

 

CMYK 0 / 24 / 41 / 16

HEX #D6A27F

RGB 214 162 127

HSL 24.14, 0.51%, 0.67%

LAB 70.64, 14.74, 25.66

 

CMYK 0 / 40 / 67 / 24

HEX #C37541

RGB 195 117 65

HSL 24, 0.52%, 0.51%

LAB 56.79, 26.01, 41.04

 

CMYK 40 / 0 / 67 / 24

HEX #75C341

RGB 117 195 65

HSL 96, 0.52%, 0.51%

LAB 71.69, -46.04, 55.63

 

CMYK 67 / 67 / 0 / 24

HEX #4141C3

RGB 65 65 195

HSL 240, 0.52%, 0.51%

LAB 35.68, 40.79, -67.82

 

CMYK 0 / 40 / 67 / 24

HEX #C37541

RGB 195 117 65

HSL 24, 0.52%, 0.51%

LAB 56.79, 26.01, 41.04

 

CMYK 67 / 0 / 40 / 24

HEX #41C375

RGB 65 195 117

HSL 144, 0.52%, 0.51%

LAB 70.48, -52.81, 29.11

 

CMYK 40 / 67 / 0 / 24

HEX #7541C3

RGB 117 65 195

HSL 264, 0.52%, 0.51%

LAB 40.41, 49.58, -59.91

 

CMYK 0 / 40 / 67 / 24

HEX #C37541

RGB 195 117 65

HSL 24, 0.52%, 0.51%

LAB 56.79, 26.01, 41.04

 

CMYK 40 / 0 / 67 / 24

HEX #75C341

RGB 117 195 65

HSL 96, 0.52%, 0.51%

LAB 71.69, -46.04, 55.63

 

CMYK 67 / 27 / 0 / 24

HEX #418FC3

RGB 65 143 195

HSL 204, 0.52%, 0.51%

LAB 56.79, -7.44, -34.02

 

CMYK 27 / 67 / 0 / 24

HEX #8F41C3

RGB 143 65 195

HSL 276, 0.52%, 0.51%

LAB 43.6, 55.01, -54.61

 

CMYK 0 / 40 / 67 / 24

HEX #C37541

RGB 195 117 65

HSL 24, 0.52%, 0.51%

LAB 56.79, 26.01, 41.04

 

CMYK 60 / 0 / 67 / 24

HEX #4EC341

RGB 78 195 65

HSL 114, 0.52%, 0.51%

LAB 70.2, -57.23, 53.6

 

CMYK 67 / 27 / 0 / 24

HEX #418FC3

RGB 65 143 195

HSL 204, 0.52%, 0.51%

LAB 56.79, -7.44, -34.02

 

CMYK 7 / 67 / 0 / 24

HEX #B641C3

RGB 182 65 195

HSL 294, 0.52%, 0.51%

LAB 49.09, 63.74, -45.5

 

Description

Color code: HEX #C37541 | qconv.com Color code: HEX #C37541 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 117 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 117 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 67 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 67% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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