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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C37FD6 it is the complementary color #3C8029. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C37FD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C37FD6 shade: #C87FD1, #D991E4, #EAA3F7, #FBB5FF and #FFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C37FD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C37FD6 shade: #C37FD6, #B26DC3, #A15BB0, #90499D and #7F378A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C37FD6 shade: #C37FD5, #D57FD1, #D57FBA, #D57FA3 and #D57F8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C37FD6 shade: #C37FD5, #AB7FD5, #947FD5 and #7F7FD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C37FD6 shade matches the following richer shades: #C37FD5, #CA72E3, #D264F0 and #DA57FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C37FD6 shade: #C37FD5, #BB8DC8, #B39BBA, #ACA8AC and #A4B69F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C37FD6 shade: #937FD5, #AA7FD5, #C17FD5, #D57FD2 and #D57FBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C37FD6 shade: #A541C1, #B460CB, #C37FD5, #D19FDF and #E0BEE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C37FD6 shade: #C37FD6, #D57F82 and #7FD59F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C37FD6 shade: #C37FD6, #D5C17F and #7FD5C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C37FD6 shade: #C37FD6, #D57F82, #93D57F and #7FD5D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C37FD6 shade: #C37FD6, #D5967F, #93D57F and #7FBED5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 41 / 0 / 16

HEX #C37FD6

RGB 195 127 214

HSL 286.9, 0.51%, 0.67%

LAB 63.04, 40.85, -34.26

 

Complementary color

CMYK 53 / 0 / 68 / 50

HEX #3C8029

RGB 60 128 41

HSL 106.9, 0.51%, 0.33%

LAB 47.7, -38.66, 39.33

 

CMYK 4 / 39 / 0 / 18

HEX #C87FD1

RGB 200 127 209

HSL 293.41, 0.47%, 0.66%

LAB 63.39, 41.38, -30.86

 

CMYK 5 / 36 / 0 / 11

HEX #D991E4

RGB 217 145 228

HSL 292.05, 0.61%, 0.73%

LAB 69.9, 40.63, -31.2

 

CMYK 5 / 34 / 0 / 3

HEX #EAA3F7

RGB 234 163 247

HSL 290.71, 0.84%, 0.8%

LAB 76.32, 39.92, -31.52

 

CMYK 2 / 29 / 0 / 0

HEX #FBB5FF

RGB 251 181 255

HSL 296.76, 1%, 0.85%

LAB 82.26, 37.19, -26.55

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 9 / 41 / 0 / 16

HEX #C37FD6

RGB 195 127 214

HSL 286.9, 0.51%, 0.67%

LAB 63.04, 40.85, -34.26

 

CMYK 9 / 44 / 0 / 24

HEX #B26DC3

RGB 178 109 195

HSL 288.14, 0.42%, 0.6%

LAB 56.43, 41.62, -33.97

 

CMYK 9 / 48 / 0 / 31

HEX #A15BB0

RGB 161 91 176

HSL 289.41, 0.35%, 0.52%

LAB 49.73, 42.4, -33.63

 

CMYK 8 / 54 / 0 / 38

HEX #90499D

RGB 144 73 157

HSL 290.71, 0.37%, 0.45%

LAB 42.96, 43.12, -33.21

 

CMYK 8 / 60 / 0 / 46

HEX #7F378A

RGB 127 55 138

HSL 292.05, 0.43%, 0.38%

LAB 36.14, 43.7, -32.61

 

CMYK 8 / 40 / 0 / 16

HEX #C37FD5

RGB 195 127 213

HSL 287.44, 0.51%, 0.67%

LAB 63, 40.65, -33.76

 

CMYK 0 / 40 / 2 / 16

HEX #D57FD1

RGB 213 127 209

HSL 302.79, 0.51%, 0.67%

LAB 64.91, 45.36, -28.41

 

CMYK 0 / 40 / 13 / 16

HEX #D57FBA

RGB 213 127 186

HSL 318.84, 0.51%, 0.67%

LAB 64.06, 41.41, -16.77

 

CMYK 0 / 40 / 23 / 16

HEX #D57FA3

RGB 213 127 163

HSL 334.88, 0.51%, 0.67%

LAB 63.32, 37.86, -4.83

 

CMYK 0 / 40 / 35 / 16

HEX #D57F8B

RGB 213 127 139

HSL 351.63, 0.51%, 0.67%

LAB 62.67, 34.64, 7.92

 

CMYK 8 / 40 / 0 / 16

HEX #C37FD5

RGB 195 127 213

HSL 287.44, 0.51%, 0.67%

LAB 63, 40.65, -33.76

 

CMYK 20 / 40 / 0 / 16

HEX #AB7FD5

RGB 171 127 213

HSL 270.7, 0.51%, 0.67%

LAB 60.46, 33.5, -37.91

 

CMYK 31 / 40 / 0 / 16

HEX #947FD5

RGB 148 127 213

HSL 254.65, 0.51%, 0.67%

LAB 58.3, 26.89, -41.45

 

CMYK 40 / 40 / 0 / 16

HEX #7F7FD5

RGB 127 127 213

HSL 240, 0.51%, 0.67%

LAB 56.58, 21.24, -44.28

 

CMYK 8 / 40 / 0 / 16

HEX #C37FD5

RGB 195 127 213

HSL 287.44, 0.51%, 0.67%

LAB 63, 40.65, -33.76

 

CMYK 11 / 50 / 0 / 11

HEX #CA72E3

RGB 202 114 227

HSL 286.73, 0.67%, 0.67%

LAB 61.77, 52.26, -43.44

 

CMYK 13 / 58 / 0 / 6

HEX #D264F0

RGB 210 100 240

HSL 287.14, 0.82%, 0.67%

LAB 60.88, 63.64, -52.03

 

CMYK 14 / 66 / 0 / 0

HEX #DA57FE

RGB 218 87 254

HSL 287.07, 0.99%, 0.67%

LAB 60.67, 73.71, -60.04

 

CMYK 8 / 40 / 0 / 16

HEX #C37FD5

RGB 195 127 213

HSL 287.44, 0.51%, 0.67%

LAB 63, 40.65, -33.76

 

CMYK 7 / 30 / 0 / 22

HEX #BB8DC8

RGB 187 141 200

HSL 286.78, 0.35%, 0.67%

LAB 64.79, 27.84, -23.79

 

CMYK 4 / 17 / 0 / 27

HEX #B39BBA

RGB 179 155 186

HSL 286.45, 0.18%, 0.67%

LAB 66.95, 14.54, -12.75

 

CMYK 0 / 2 / 0 / 33

HEX #ACA8AC

RGB 172 168 172

HSL 300, 0.02%, 0.67%

LAB 69.29, 2.18, -1.56

 

CMYK 10 / 0 / 13 / 29

HEX #A4B69F

RGB 164 182 159

HSL 106.96, 0.14%, 0.67%

LAB 72.13, -10.57, 9.61

 

CMYK 31 / 40 / 0 / 16

HEX #937FD5

RGB 147 127 213

HSL 253.95, 0.51%, 0.67%

LAB 58.21, 26.61, -41.6

 

CMYK 20 / 40 / 0 / 16

HEX #AA7FD5

RGB 170 127 213

HSL 270, 0.51%, 0.67%

LAB 60.36, 33.2, -38.07

 

CMYK 9 / 40 / 0 / 16

HEX #C17FD5

RGB 193 127 213

HSL 286.05, 0.51%, 0.67%

LAB 62.78, 40.04, -34.12

 

CMYK 0 / 40 / 1 / 16

HEX #D57FD2

RGB 213 127 210

HSL 302.09, 0.51%, 0.67%

LAB 64.95, 45.54, -28.9

 

CMYK 0 / 40 / 12 / 16

HEX #D57FBC

RGB 213 127 188

HSL 317.44, 0.51%, 0.67%

LAB 64.13, 41.74, -17.8

 

CMYK 15 / 66 / 0 / 24

HEX #A541C1

RGB 165 65 193

HSL 286.88, 0.51%, 0.51%

LAB 46.49, 59.48, -48.64

 

CMYK 11 / 53 / 0 / 20

HEX #B460CB

RGB 180 96 203

HSL 287.1, 0.51%, 0.59%

LAB 54.43, 50.61, -41.66

 

CMYK 8 / 40 / 0 / 16

HEX #C37FD5

RGB 195 127 213

HSL 287.44, 0.51%, 0.67%

LAB 63, 40.65, -33.76

 

CMYK 6 / 29 / 0 / 13

HEX #D19FDF

RGB 209 159 223

HSL 286.88, 0.5%, 0.75%

LAB 72.01, 29.6, -25.28

 

CMYK 4 / 18 / 0 / 9

HEX #E0BEE9

RGB 224 190 233

HSL 287.44, 0.49%, 0.83%

LAB 81.05, 19.62, -16.85

 

CMYK 9 / 41 / 0 / 16

HEX #C37FD6

RGB 195 127 214

HSL 286.9, 0.51%, 0.67%

LAB 63.04, 40.85, -34.26

 

CMYK 0 / 40 / 39 / 16

HEX #D57F82

RGB 213 127 130

HSL 357.91, 0.51%, 0.67%

LAB 62.45, 33.57, 12.75

 

CMYK 40 / 0 / 25 / 16

HEX #7FD59F

RGB 127 213 159

HSL 142.33, 0.51%, 0.67%

LAB 78.81, -37.75, 18.7

 

CMYK 9 / 41 / 0 / 16

HEX #C37FD6

RGB 195 127 214

HSL 286.9, 0.51%, 0.67%

LAB 63.04, 40.85, -34.26

 

CMYK 0 / 9 / 40 / 16

HEX #D5C17F

RGB 213 193 127

HSL 46.05, 0.51%, 0.67%

LAB 78.36, -2.16, 35.78

 

CMYK 40 / 0 / 9 / 16

HEX #7FD5C1

RGB 127 213 193

HSL 166.05, 0.51%, 0.67%

LAB 79.59, -30.65, 1.72

 

CMYK 9 / 41 / 0 / 16

HEX #C37FD6

RGB 195 127 214

HSL 286.9, 0.51%, 0.67%

LAB 63.04, 40.85, -34.26

 

CMYK 0 / 40 / 39 / 16

HEX #D57F82

RGB 213 127 130

HSL 357.91, 0.51%, 0.67%

LAB 62.45, 33.57, 12.75

 

CMYK 31 / 0 / 40 / 16

HEX #93D57F

RGB 147 213 127

HSL 106.05, 0.51%, 0.67%

LAB 79.23, -36.84, 36

 

CMYK 40 / 0 / 1 / 16

HEX #7FD5D2

RGB 127 213 210

HSL 177.91, 0.51%, 0.67%

LAB 80.04, -26.65, -6.7

 

CMYK 9 / 41 / 0 / 16

HEX #C37FD6

RGB 195 127 214

HSL 286.9, 0.51%, 0.67%

LAB 63.04, 40.85, -34.26

 

CMYK 0 / 30 / 40 / 16

HEX #D5967F

RGB 213 150 127

HSL 16.05, 0.51%, 0.67%

LAB 67.64, 20.84, 21.6

 

CMYK 31 / 0 / 40 / 16

HEX #93D57F

RGB 147 213 127

HSL 106.05, 0.51%, 0.67%

LAB 79.23, -36.84, 36

 

CMYK 40 / 11 / 0 / 16

HEX #7FBED5

RGB 127 190 213

HSL 196.05, 0.51%, 0.67%

LAB 73.64, -14.27, -17.89

 

Description

Color code: HEX #C37FD6 | qconv.com Color code: HEX #C37FD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 127 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 127 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 41 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 41% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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