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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C38421 it is the complementary color #3C7BDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C38421. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C38421 shade: #C8841C, #D9962F, #EAA842, #FBBA55 and #FFCC68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C38421. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C38421 shade: #C38421, #B2720E, #A16000, #904E00 and #7F3C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C38421 shade: #C48421, #C45821, #C42C21 and #C42121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C38421 shade: #C48421, #C4B021, #ABC421, #7FC421 and #53C421

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C38421 shade matches the following richer shades: #C48421 and #D6880E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C38421 shade: #C48421, #B18033, #9F7C46, #8C7858 and #79746B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C38421 shade: #C42C21, #C45721, #C48321, #C4AE21 and #AEC421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C38421 shade: #7D5515, #A06C1B, #C48421, #DC9A32 and #E2AB55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C38421 shade: #C38421, #41C421 and #4121C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C38421 shade: #C38421, #21C483 and #8321C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C38421 shade: #C38421, #41C421, #2162C4 and #A321C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C38421 shade: #C38421, #21C431, #2162C4 and #C421B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 83 / 24

HEX #C38421

RGB 195 132 33

HSL 36.67, 0.71%, 0.45%

LAB 60.08, 16.35, 58.39

 

Complementary color

CMYK 73 / 45 / 0 / 13

HEX #3C7BDE

RGB 60 123 222

HSL 216.67, 0.71%, 0.55%

LAB 52.29, 13.26, -56.41

 

CMYK 0 / 34 / 86 / 22

HEX #C8841C

RGB 200 132 28

HSL 36.28, 0.75%, 0.45%

LAB 60.66, 18.4, 60.71

 

CMYK 0 / 31 / 78 / 15

HEX #D9962F

RGB 217 150 47

HSL 36.35, 0.69%, 0.52%

LAB 67.1, 16.6, 60.66

 

CMYK 0 / 28 / 72 / 8

HEX #EAA842

RGB 234 168 66

HSL 36.43, 0.8%, 0.59%

LAB 73.47, 15.03, 59.91

 

CMYK 0 / 26 / 66 / 2

HEX #FBBA55

RGB 251 186 85

HSL 36.51, 0.95%, 0.66%

LAB 79.77, 13.66, 58.83

 

CMYK 0 / 20 / 59 / 0

HEX #FFCC68

RGB 255 204 104

HSL 39.74, 1%, 0.7%

LAB 84.71, 7.16, 55.78

 

CMYK 0 / 32 / 83 / 24

HEX #C38421

RGB 195 132 33

HSL 36.67, 0.71%, 0.45%

LAB 60.08, 16.35, 58.39

 

CMYK 0 / 36 / 92 / 30

HEX #B2720E

RGB 178 114 14

HSL 36.59, 0.85%, 0.38%

LAB 53.53, 18.34, 57.63

 

CMYK 0 / 40 / 100 / 37

HEX #A16000

RGB 161 96 0

HSL 35.78, 1%, 0.32%

LAB 46.9, 20.62, 54.96

 

CMYK 0 / 46 / 100 / 44

HEX #904E00

RGB 144 78 0

HSL 32.5, 1%, 0.28%

LAB 40.21, 23.19, 49.55

 

CMYK 0 / 53 / 100 / 50

HEX #7F3C00

RGB 127 60 0

HSL 28.35, 1%, 0.25%

LAB 33.44, 25.79, 44.1

 

CMYK 0 / 33 / 83 / 23

HEX #C48421

RGB 196 132 33

HSL 36.44, 0.71%, 0.45%

LAB 60.2, 16.79, 58.54

 

CMYK 0 / 55 / 83 / 23

HEX #C45821

RGB 196 88 33

HSL 20.25, 0.71%, 0.45%

LAB 50.48, 40.2, 49.99

 

CMYK 0 / 78 / 83 / 23

HEX #C42C21

RGB 196 44 33

HSL 4.05, 0.71%, 0.45%

LAB 43.72, 58.34, 43.86

 

CMYK 0 / 83 / 83 / 23

HEX #C42121

RGB 196 33 33

HSL 0, 0.71%, 0.45%

LAB 42.66, 61.33, 42.88

 

CMYK 0 / 33 / 83 / 23

HEX #C48421

RGB 196 132 33

HSL 36.44, 0.71%, 0.45%

LAB 60.2, 16.79, 58.54

 

CMYK 0 / 10 / 83 / 23

HEX #C4B021

RGB 196 176 33

HSL 52.64, 0.71%, 0.45%

LAB 71.48, -6.93, 68.18

 

CMYK 13 / 0 / 83 / 23

HEX #ABC421

RGB 171 196 33

HSL 69.2, 0.71%, 0.45%

LAB 74.98, -27.71, 70.35

 

CMYK 35 / 0 / 83 / 23

HEX #7FC421

RGB 127 196 33

HSL 85.4, 0.71%, 0.45%

LAB 72.3, -44.89, 66.98

 

CMYK 58 / 0 / 83 / 23

HEX #53C421

RGB 83 196 33

HSL 101.6, 0.71%, 0.45%

LAB 70.48, -58.56, 64.66

 

CMYK 0 / 33 / 83 / 23

HEX #C48421

RGB 196 132 33

HSL 36.44, 0.71%, 0.45%

LAB 60.2, 16.79, 58.54

 

CMYK 0 / 36 / 93 / 16

HEX #D6880E

RGB 214 136 14

HSL 36.6, 0.88%, 0.45%

LAB 63.29, 22.04, 66.8

 

CMYK 0 / 33 / 83 / 23

HEX #C48421

RGB 196 132 33

HSL 36.44, 0.71%, 0.45%

LAB 60.2, 16.79, 58.54

 

CMYK 0 / 28 / 71 / 31

HEX #B18033

RGB 177 128 51

HSL 36.67, 0.55%, 0.45%

LAB 57.1, 11.35, 47.6

 

CMYK 0 / 22 / 56 / 38

HEX #9F7C46

RGB 159 124 70

HSL 36.4, 0.39%, 0.45%

LAB 54.27, 6.93, 34.38

 

CMYK 0 / 14 / 37 / 45

HEX #8C7858

RGB 140 120 88

HSL 36.92, 0.23%, 0.45%

LAB 51.51, 2.85, 20.45

 

CMYK 0 / 4 / 12 / 53

HEX #79746B

RGB 121 116 107

HSL 38.57, 0.06%, 0.45%

LAB 49.03, 0.22, 5.65

 

CMYK 0 / 78 / 83 / 23

HEX #C42C21

RGB 196 44 33

HSL 4.05, 0.71%, 0.45%

LAB 43.72, 58.34, 43.86

 

CMYK 0 / 56 / 83 / 23

HEX #C45721

RGB 196 87 33

HSL 19.88, 0.71%, 0.45%

LAB 50.29, 40.7, 49.82

 

CMYK 0 / 33 / 83 / 23

HEX #C48321

RGB 196 131 33

HSL 36.07, 0.71%, 0.45%

LAB 59.96, 17.34, 58.33

 

CMYK 0 / 11 / 83 / 23

HEX #C4AE21

RGB 196 174 33

HSL 51.9, 0.71%, 0.45%

LAB 70.95, -5.88, 67.73

 

CMYK 11 / 0 / 83 / 23

HEX #AEC421

RGB 174 196 33

HSL 68.1, 0.71%, 0.45%

LAB 75.19, -26.46, 70.62

 

CMYK 0 / 32 / 83 / 51

HEX #7D5515

RGB 125 85 21

HSL 36.92, 0.71%, 0.29%

LAB 39.43, 10.8, 41.17

 

CMYK 0 / 33 / 83 / 37

HEX #A06C1B

RGB 160 108 27

HSL 36.54, 0.71%, 0.37%

LAB 49.83, 13.92, 49.86

 

CMYK 0 / 33 / 83 / 23

HEX #C48421

RGB 196 132 33

HSL 36.44, 0.71%, 0.45%

LAB 60.2, 16.79, 58.54

 

CMYK 0 / 30 / 77 / 14

HEX #DC9A32

RGB 220 154 50

HSL 36.71, 0.71%, 0.53%

LAB 68.43, 15.85, 60.89

 

CMYK 0 / 24 / 62 / 11

HEX #E2AB55

RGB 226 171 85

HSL 36.6, 0.71%, 0.61%

LAB 73.51, 11.14, 51.14

 

CMYK 0 / 32 / 83 / 24

HEX #C38421

RGB 195 132 33

HSL 36.67, 0.71%, 0.45%

LAB 60.08, 16.35, 58.39

 

CMYK 67 / 0 / 83 / 23

HEX #41C421

RGB 65 196 33

HSL 108.22, 0.71%, 0.45%

LAB 69.97, -62.68, 64.02

 

CMYK 67 / 83 / 0 / 23

HEX #4121C4

RGB 65 33 196

HSL 251.78, 0.71%, 0.45%

LAB 29.9, 57.67, -77.94

 

CMYK 0 / 32 / 83 / 24

HEX #C38421

RGB 195 132 33

HSL 36.67, 0.71%, 0.45%

LAB 60.08, 16.35, 58.39

 

CMYK 83 / 0 / 33 / 23

HEX #21C483

RGB 33 196 131

HSL 156.07, 0.71%, 0.45%

LAB 70.48, -54.73, 21.65

 

CMYK 33 / 83 / 0 / 23

HEX #8321C4

RGB 131 33 196

HSL 276.07, 0.71%, 0.45%

LAB 37.66, 65.45, -64.9

 

CMYK 0 / 32 / 83 / 24

HEX #C38421

RGB 195 132 33

HSL 36.67, 0.71%, 0.45%

LAB 60.08, 16.35, 58.39

 

CMYK 67 / 0 / 83 / 23

HEX #41C421

RGB 65 196 33

HSL 108.22, 0.71%, 0.45%

LAB 69.97, -62.68, 64.02

 

CMYK 83 / 50 / 0 / 23

HEX #2162C4

RGB 33 98 196

HSL 216.07, 0.71%, 0.45%

LAB 42.83, 16.38, -56.83

 

CMYK 17 / 83 / 0 / 23

HEX #A321C4

RGB 163 33 196

HSL 287.85, 0.71%, 0.45%

LAB 42.55, 70.58, -56.73

 

CMYK 0 / 32 / 83 / 24

HEX #C38421

RGB 195 132 33

HSL 36.67, 0.71%, 0.45%

LAB 60.08, 16.35, 58.39

 

CMYK 83 / 0 / 75 / 23

HEX #21C431

RGB 33 196 49

HSL 125.89, 0.71%, 0.45%

LAB 69.49, -66.59, 58.6

 

CMYK 83 / 50 / 0 / 23

HEX #2162C4

RGB 33 98 196

HSL 216.07, 0.71%, 0.45%

LAB 42.83, 16.38, -56.83

 

CMYK 0 / 83 / 9 / 23

HEX #C421B3

RGB 196 33 179

HSL 306.26, 0.71%, 0.45%

LAB 47.08, 73.93, -39.22

 

Description

Color code: HEX #C38421 | qconv.com Color code: HEX #C38421 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 132 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 132 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 83 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 83% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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