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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C386C5 it is the complementary color #3C793A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C386C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C386C5 shade: #C886C0, #D998D3, #EAAAE6, #FBBCF9 and #FFCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C386C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C386C5 shade: #C386C5, #B274B2, #A1629F, #90508C and #7F3E79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C386C5 shade: #C386C4, #C486B6, #C486A5, #C48694 and #C48686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C386C5 shade: #C386C4, #B286C4, #A186C4, #9086C4 and #8686C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C386C5 shade matches the following richer shades: #C386C4, #D078D3, #DE69E1, #EB5BF0 and #F94CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C386C5 shade: #C386C4, #B594B6, #A7A3A8, #9AB199 and #8CC08B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C386C5 shade: #A186C4, #B286C4, #C286C4, #C486B6 and #C486A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C386C5 shade: #A550A8, #B56AB7, #C386C4, #D0A2D2 and #DEBEDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C386C5 shade: #C386C5, #C49086 and #86C4A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C386C5 shade: #C386C5, #C4C286 and #86C4C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C386C5 shade: #C386C5, #C49086, #88C486 and #86BAC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C386C5 shade: #C386C5, #C4A386, #88C486 and #86A7C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 32 / 0 / 23

HEX #C386C5

RGB 195 134 197

HSL 298.1, 0.35%, 0.65%

LAB 63.9, 33.71, -23.39

 

Complementary color

CMYK 50 / 0 / 52 / 53

HEX #3C793A

RGB 60 121 58

HSL 118.1, 0.35%, 0.35%

LAB 45.55, -33.56, 28.41

 

CMYK 0 / 33 / 4 / 22

HEX #C886C0

RGB 200 134 192

HSL 307.27, 0.38%, 0.65%

LAB 64.27, 34.42, -19.97

 

CMYK 0 / 30 / 3 / 15

HEX #D998D3

RGB 217 152 211

HSL 305.54, 0.46%, 0.72%

LAB 70.81, 33.71, -20.44

 

CMYK 0 / 27 / 2 / 8

HEX #EAAAE6

RGB 234 170 230

HSL 303.75, 0.6%, 0.79%

LAB 77.25, 33.04, -20.88

 

CMYK 0 / 25 / 1 / 2

HEX #FBBCF9

RGB 251 188 249

HSL 301.9, 0.89%, 0.86%

LAB 83.61, 32.42, -21.3

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 1 / 32 / 0 / 23

HEX #C386C5

RGB 195 134 197

HSL 298.1, 0.35%, 0.65%

LAB 63.9, 33.71, -23.39

 

CMYK 0 / 35 / 0 / 30

HEX #B274B2

RGB 178 116 178

HSL 300, 0.29%, 0.58%

LAB 57.24, 34.45, -22.98

 

CMYK 0 / 39 / 1 / 37

HEX #A1629F

RGB 161 98 159

HSL 301.9, 0.25%, 0.51%

LAB 50.47, 35.22, -22.53

 

CMYK 0 / 44 / 3 / 44

HEX #90508C

RGB 144 80 140

HSL 303.75, 0.29%, 0.44%

LAB 43.6, 36.01, -22

 

CMYK 0 / 51 / 5 / 50

HEX #7F3E79

RGB 127 62 121

HSL 305.54, 0.34%, 0.37%

LAB 36.63, 36.75, -21.33

 

CMYK 1 / 32 / 0 / 23

HEX #C386C4

RGB 195 134 196

HSL 299.03, 0.34%, 0.65%

LAB 63.87, 33.52, -22.89

 

CMYK 0 / 32 / 7 / 23

HEX #C486B6

RGB 196 134 182

HSL 313.55, 0.34%, 0.65%

LAB 63.48, 31.28, -15.57

 

CMYK 0 / 32 / 16 / 23

HEX #C486A5

RGB 196 134 165

HSL 330, 0.34%, 0.65%

LAB 62.93, 28.39, -6.76

 

CMYK 0 / 32 / 24 / 23

HEX #C48694

RGB 196 134 148

HSL 346.45, 0.34%, 0.65%

LAB 62.44, 25.76, 2.2

 

CMYK 0 / 32 / 32 / 23

HEX #C48686

RGB 196 134 134

HSL 0, 0.34%, 0.65%

LAB 62.09, 23.8, 9.66

 

CMYK 1 / 32 / 0 / 23

HEX #C386C4

RGB 195 134 196

HSL 299.03, 0.34%, 0.65%

LAB 63.87, 33.52, -22.89

 

CMYK 9 / 32 / 0 / 23

HEX #B286C4

RGB 178 134 196

HSL 282.58, 0.34%, 0.65%

LAB 62.08, 28.02, -25.77

 

CMYK 18 / 32 / 0 / 23

HEX #A186C4

RGB 161 134 196

HSL 266.13, 0.34%, 0.65%

LAB 60.44, 22.61, -28.45

 

CMYK 27 / 32 / 0 / 23

HEX #9086C4

RGB 144 134 196

HSL 249.68, 0.34%, 0.65%

LAB 58.94, 17.37, -30.89

 

CMYK 32 / 32 / 0 / 23

HEX #8686C4

RGB 134 134 196

HSL 240, 0.34%, 0.65%

LAB 58.14, 14.41, -32.2

 

CMYK 1 / 32 / 0 / 23

HEX #C386C4

RGB 195 134 196

HSL 299.03, 0.34%, 0.65%

LAB 63.87, 33.52, -22.89

 

CMYK 1 / 43 / 0 / 17

HEX #D078D3

RGB 208 120 211

HSL 298.02, 0.51%, 0.65%

LAB 62.97, 47.84, -32.58

 

CMYK 1 / 53 / 0 / 12

HEX #DE69E1

RGB 222 105 225

HSL 298.5, 0.67%, 0.65%

LAB 62.57, 61.63, -40.9

 

CMYK 2 / 62 / 0 / 6

HEX #EB5BF0

RGB 235 91 240

HSL 297.99, 0.83%, 0.65%

LAB 62.87, 73.45, -48.65

 

CMYK 2 / 70 / 0 / 0

HEX #F94CFE

RGB 249 76 254

HSL 298.31, 0.99%, 0.65%

LAB 63.72, 84.18, -54.92

 

CMYK 1 / 32 / 0 / 23

HEX #C386C4

RGB 195 134 196

HSL 299.03, 0.34%, 0.65%

LAB 63.87, 33.52, -22.89

 

CMYK 1 / 19 / 0 / 29

HEX #B594B6

RGB 181 148 182

HSL 298.24, 0.19%, 0.65%

LAB 65.26, 18.36, -13.03

 

CMYK 1 / 3 / 0 / 34

HEX #A7A3A8

RGB 167 163 168

HSL 288, 0.03%, 0.65%

LAB 67.45, 2.39, -2.08

 

CMYK 13 / 0 / 14 / 31

HEX #9AB199

RGB 154 177 153

HSL 117.5, 0.13%, 0.65%

LAB 69.9, -12.59, 9.63

 

CMYK 27 / 0 / 28 / 25

HEX #8CC08B

RGB 140 192 139

HSL 118.87, 0.3%, 0.65%

LAB 72.98, -27.48, 21.38

 

CMYK 18 / 32 / 0 / 23

HEX #A186C4

RGB 161 134 196

HSL 266.13, 0.34%, 0.65%

LAB 60.44, 22.61, -28.45

 

CMYK 9 / 32 / 0 / 23

HEX #B286C4

RGB 178 134 196

HSL 282.58, 0.34%, 0.65%

LAB 62.08, 28.02, -25.77

 

CMYK 1 / 32 / 0 / 23

HEX #C286C4

RGB 194 134 196

HSL 298.06, 0.34%, 0.65%

LAB 63.76, 33.2, -23.06

 

CMYK 0 / 32 / 7 / 23

HEX #C486B6

RGB 196 134 182

HSL 313.55, 0.34%, 0.65%

LAB 63.48, 31.28, -15.57

 

CMYK 0 / 32 / 16 / 23

HEX #C486A5

RGB 196 134 165

HSL 330, 0.34%, 0.65%

LAB 62.93, 28.39, -6.76

 

CMYK 2 / 52 / 0 / 34

HEX #A550A8

RGB 165 80 168

HSL 297.95, 0.35%, 0.49%

LAB 47.71, 47.69, -32.08

 

CMYK 1 / 42 / 0 / 28

HEX #B56AB7

RGB 181 106 183

HSL 298.44, 0.35%, 0.57%

LAB 55.64, 41.79, -28.3

 

CMYK 1 / 32 / 0 / 23

HEX #C386C4

RGB 195 134 196

HSL 299.03, 0.34%, 0.65%

LAB 63.87, 33.52, -22.89

 

CMYK 1 / 23 / 0 / 18

HEX #D0A2D2

RGB 208 162 210

HSL 297.5, 0.35%, 0.73%

LAB 72.16, 25.13, -17.92

 

CMYK 0 / 15 / 0 / 13

HEX #DEBEDF

RGB 222 190 223

HSL 298.18, 0.34%, 0.81%

LAB 80.56, 17.08, -12.23

 

CMYK 1 / 32 / 0 / 23

HEX #C386C5

RGB 195 134 197

HSL 298.1, 0.35%, 0.65%

LAB 63.9, 33.71, -23.39

 

CMYK 0 / 27 / 32 / 23

HEX #C49086

RGB 196 144 134

HSL 9.68, 0.34%, 0.65%

LAB 64.49, 18.29, 13.04

 

CMYK 32 / 0 / 14 / 23

HEX #86C4A9

RGB 134 196 169

HSL 153.87, 0.34%, 0.65%

LAB 74.45, -25.68, 7.25

 

CMYK 1 / 32 / 0 / 23

HEX #C386C5

RGB 195 134 197

HSL 298.1, 0.35%, 0.65%

LAB 63.9, 33.71, -23.39

 

CMYK 0 / 1 / 32 / 23

HEX #C4C286

RGB 196 194 134

HSL 58.06, 0.34%, 0.65%

LAB 77.31, -8.59, 30.5

 

CMYK 32 / 0 / 1 / 23

HEX #86C4C2

RGB 134 196 194

HSL 178.06, 0.34%, 0.65%

LAB 75.1, -20.16, -5.35

 

CMYK 1 / 32 / 0 / 23

HEX #C386C5

RGB 195 134 197

HSL 298.1, 0.35%, 0.65%

LAB 63.9, 33.71, -23.39

 

CMYK 0 / 27 / 32 / 23

HEX #C49086

RGB 196 144 134

HSL 9.68, 0.34%, 0.65%

LAB 64.49, 18.29, 13.04

 

CMYK 31 / 0 / 32 / 23

HEX #88C486

RGB 136 196 134

HSL 118.06, 0.34%, 0.65%

LAB 73.83, -31.57, 25.15

 

CMYK 32 / 5 / 0 / 23

HEX #86BAC4

RGB 134 186 196

HSL 189.68, 0.34%, 0.65%

LAB 72.34, -14.55, -10.54

 

CMYK 1 / 32 / 0 / 23

HEX #C386C5

RGB 195 134 197

HSL 298.1, 0.35%, 0.65%

LAB 63.9, 33.71, -23.39

 

CMYK 0 / 17 / 32 / 23

HEX #C4A386

RGB 196 163 134

HSL 28.06, 0.34%, 0.65%

LAB 69.22, 7.88, 19.61

 

CMYK 31 / 0 / 32 / 23

HEX #88C486

RGB 136 196 134

HSL 118.06, 0.34%, 0.65%

LAB 73.83, -31.57, 25.15

 

CMYK 32 / 15 / 0 / 23

HEX #86A7C4

RGB 134 167 196

HSL 208.06, 0.34%, 0.65%

LAB 67.04, -4.36, -18.51

 

Description

Color code: HEX #C386C5 | qconv.com Color code: HEX #C386C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 134 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 134 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 32 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 32% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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