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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C38993 it is the complementary color #3C766C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C38993. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C38993 shade: #C8898E, #D99BA1, #EAADB4, #FBBFC7 and #FFD1DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C38993. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C38993 shade: #C38993, #B27780, #A1656D, #90535A and #7F4147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C38993 shade: #C38892 and #C38888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C38993 shade: #C38892, #C388A2, #C388B2, #C388C2 and #B488C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C38993 shade matches the following richer shades: #C38892, #D17988, #E06B7F, #EE5C76 and #FC4E6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C38993 shade: #C38892, #B4969B, #A6A5A5, #97B3AE and #89C2B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C38993 shade: #C388B2, #C388A2, #C38893, #C38D88 and #C39C88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C38993 shade: #A55361, #B56C79, #C38892, #D1A3AB and #DEBFC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C38993 shade: #C38993, #C2C388 and #88AAC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C38993 shade: #C38993, #93C388 and #8893C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C38993 shade: #C38993, #C2C388, #88C3B8 and #8988C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C38993 shade: #C38993, #B0C388, #88C3B8 and #9A88C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 25 / 24

HEX #C38993

RGB 195 137 147

HSL 349.66, 0.33%, 0.65%

LAB 63.01, 23.59, 3.58

 

Complementary color

CMYK 49 / 0 / 8 / 54

HEX #3C766C

RGB 60 118 108

HSL 169.66, 0.33%, 0.35%

LAB 45.63, -21.64, -0.36

 

CMYK 0 / 32 / 29 / 22

HEX #C8898E

RGB 200 137 142

HSL 355.24, 0.36%, 0.66%

LAB 63.44, 24.76, 7.11

 

CMYK 0 / 29 / 26 / 15

HEX #D99BA1

RGB 217 155 161

HSL 354.19, 0.45%, 0.73%

LAB 70.01, 24, 6.11

 

CMYK 0 / 26 / 23 / 8

HEX #EAADB4

RGB 234 173 180

HSL 353.11, 0.59%, 0.8%

LAB 76.48, 23.3, 5.2

 

CMYK 0 / 24 / 21 / 2

HEX #FBBFC7

RGB 251 191 199

HSL 352, 0.88%, 0.87%

LAB 82.86, 22.66, 4.35

 

CMYK 0 / 18 / 15 / 0

HEX #FFD1DA

RGB 255 209 218

HSL 348.26, 1%, 0.91%

LAB 87.93, 17.51, 1.65

 

CMYK 0 / 30 / 25 / 24

HEX #C38993

RGB 195 137 147

HSL 349.66, 0.33%, 0.65%

LAB 63.01, 23.59, 3.58

 

CMYK 0 / 33 / 28 / 30

HEX #B27780

RGB 178 119 128

HSL 350.85, 0.28%, 0.58%

LAB 56.3, 24.38, 4.57

 

CMYK 0 / 37 / 32 / 37

HEX #A1656D

RGB 161 101 109

HSL 352, 0.24%, 0.51%

LAB 49.48, 25.26, 5.68

 

CMYK 0 / 42 / 38 / 44

HEX #90535A

RGB 144 83 90

HSL 353.11, 0.27%, 0.45%

LAB 42.54, 26.25, 6.98

 

CMYK 0 / 49 / 44 / 50

HEX #7F4147

RGB 127 65 71

HSL 354.19, 0.32%, 0.38%

LAB 35.49, 27.34, 8.55

 

CMYK 0 / 30 / 25 / 24

HEX #C38892

RGB 195 136 146

HSL 349.83, 0.33%, 0.65%

LAB 62.75, 23.99, 3.76

 

CMYK 0 / 30 / 30 / 24

HEX #C38888

RGB 195 136 136

HSL 0, 0.33%, 0.65%

LAB 62.5, 22.59, 9.09

 

CMYK 0 / 30 / 25 / 24

HEX #C38892

RGB 195 136 146

HSL 349.83, 0.33%, 0.65%

LAB 62.75, 23.99, 3.76

 

CMYK 0 / 30 / 17 / 24

HEX #C388A2

RGB 195 136 162

HSL 333.56, 0.33%, 0.65%

LAB 63.19, 26.45, -4.68

 

CMYK 0 / 30 / 9 / 24

HEX #C388B2

RGB 195 136 178

HSL 317.29, 0.33%, 0.65%

LAB 63.69, 29.14, -13

 

CMYK 0 / 30 / 1 / 24

HEX #C388C2

RGB 195 136 194

HSL 301.02, 0.33%, 0.65%

LAB 64.25, 32.05, -21.18

 

CMYK 8 / 30 / 0 / 24

HEX #B488C3

RGB 180 136 195

HSL 284.75, 0.33%, 0.65%

LAB 62.72, 27.34, -24.22

 

CMYK 0 / 30 / 25 / 24

HEX #C38892

RGB 195 136 146

HSL 349.83, 0.33%, 0.65%

LAB 62.75, 23.99, 3.76

 

CMYK 0 / 42 / 35 / 18

HEX #D17988

RGB 209 121 136

HSL 349.77, 0.49%, 0.65%

LAB 60.79, 35.98, 6.88

 

CMYK 0 / 52 / 43 / 12

HEX #E06B7F

RGB 224 107 127

HSL 349.74, 0.65%, 0.65%

LAB 59.79, 47.46, 10.94

 

CMYK 0 / 61 / 50 / 7

HEX #EE5C76

RGB 238 92 118

HSL 349.32, 0.81%, 0.65%

LAB 59.1, 58.19, 15.52

 

CMYK 0 / 69 / 57 / 1

HEX #FC4E6C

RGB 252 78 108

HSL 349.66, 0.97%, 0.65%

LAB 59.18, 67.29, 21.85

 

CMYK 0 / 30 / 25 / 24

HEX #C38892

RGB 195 136 146

HSL 349.83, 0.33%, 0.65%

LAB 62.75, 23.99, 3.76

 

CMYK 0 / 17 / 14 / 29

HEX #B4969B

RGB 180 150 155

HSL 350, 0.17%, 0.65%

LAB 64.87, 12, 1.56

 

CMYK 0 / 1 / 1 / 35

HEX #A6A5A5

RGB 166 165 165

HSL 0, 0.01%, 0.65%

LAB 67.82, 0.36, 0.12

 

CMYK 16 / 0 / 3 / 30

HEX #97B3AE

RGB 151 179 174

HSL 169.29, 0.16%, 0.65%

LAB 70.78, -10.57, -0.66

 

CMYK 29 / 0 / 5 / 24

HEX #89C2B8

RGB 137 194 184

HSL 169.47, 0.32%, 0.65%

LAB 74.42, -20.57, -0.9

 

CMYK 0 / 30 / 9 / 24

HEX #C388B2

RGB 195 136 178

HSL 317.29, 0.33%, 0.65%

LAB 63.69, 29.14, -13

 

CMYK 0 / 30 / 17 / 24

HEX #C388A2

RGB 195 136 162

HSL 333.56, 0.33%, 0.65%

LAB 63.19, 26.45, -4.68

 

CMYK 0 / 30 / 25 / 24

HEX #C38893

RGB 195 136 147

HSL 348.81, 0.33%, 0.65%

LAB 62.77, 24.14, 3.23

 

CMYK 0 / 28 / 30 / 24

HEX #C38D88

RGB 195 141 136

HSL 5.08, 0.33%, 0.65%

LAB 63.7, 19.83, 10.79

 

CMYK 0 / 20 / 30 / 24

HEX #C39C88

RGB 195 156 136

HSL 20.34, 0.33%, 0.65%

LAB 67.39, 11.57, 15.97

 

CMYK 0 / 50 / 41 / 35

HEX #A55361

RGB 165 83 97

HSL 349.76, 0.33%, 0.49%

LAB 45.7, 35.2, 7.6

 

CMYK 0 / 40 / 33 / 29

HEX #B56C79

RGB 181 108 121

HSL 349.32, 0.33%, 0.57%

LAB 53.95, 30.66, 5.32

 

CMYK 0 / 30 / 25 / 24

HEX #C38892

RGB 195 136 146

HSL 349.83, 0.33%, 0.65%

LAB 62.75, 23.99, 3.76

 

CMYK 0 / 22 / 18 / 18

HEX #D1A3AB

RGB 209 163 171

HSL 349.57, 0.33%, 0.73%

LAB 71.34, 18.18, 2.39

 

CMYK 0 / 14 / 12 / 13

HEX #DEBFC4

RGB 222 191 196

HSL 350.32, 0.32%, 0.81%

LAB 80.05, 11.82, 1.56

HEX #DEBFC4

CMYK 0 / 30 / 25 / 24

HEX #C38993

RGB 195 137 147

HSL 349.66, 0.33%, 0.65%

LAB 63.01, 23.59, 3.58

 

CMYK 1 / 0 / 30 / 24

HEX #C2C388

RGB 194 195 136

HSL 61.02, 0.33%, 0.65%

LAB 77.45, -9.63, 29.62

 

CMYK 30 / 13 / 0 / 24

HEX #88AAC3

RGB 136 170 195

HSL 205.42, 0.33%, 0.65%

LAB 67.96, -5.67, -16.55

 

CMYK 0 / 30 / 25 / 24

HEX #C38993

RGB 195 137 147

HSL 349.66, 0.33%, 0.65%

LAB 63.01, 23.59, 3.58

 

CMYK 25 / 0 / 30 / 24

HEX #93C388

RGB 147 195 136

HSL 108.81, 0.33%, 0.65%

LAB 74.2, -27.04, 24.69

 

CMYK 30 / 25 / 0 / 24

HEX #8893C3

RGB 136 147 195

HSL 228.81, 0.33%, 0.65%

LAB 61.69, 7.21, -26.12

 

CMYK 0 / 30 / 25 / 24

HEX #C38993

RGB 195 137 147

HSL 349.66, 0.33%, 0.65%

LAB 63.01, 23.59, 3.58

 

CMYK 1 / 0 / 30 / 24

HEX #C2C388

RGB 194 195 136

HSL 61.02, 0.33%, 0.65%

LAB 77.45, -9.63, 29.62

 

CMYK 30 / 0 / 6 / 24

HEX #88C3B8

RGB 136 195 184

HSL 168.81, 0.33%, 0.65%

LAB 74.65, -21.36, -0.57

 

CMYK 30 / 30 / 0 / 24

HEX #8988C3

RGB 137 136 195

HSL 241.02, 0.33%, 0.65%

LAB 58.85, 13.86, -30.51

 

CMYK 0 / 30 / 25 / 24

HEX #C38993

RGB 195 137 147

HSL 349.66, 0.33%, 0.65%

LAB 63.01, 23.59, 3.58

 

CMYK 10 / 0 / 30 / 24

HEX #B0C388

RGB 176 195 136

HSL 79.32, 0.33%, 0.65%

LAB 76.09, -16.53, 27.57

 

CMYK 30 / 0 / 6 / 24

HEX #88C3B8

RGB 136 195 184

HSL 168.81, 0.33%, 0.65%

LAB 74.65, -21.36, -0.57

 

CMYK 21 / 30 / 0 / 24

HEX #9A88C3

RGB 154 136 195

HSL 258.31, 0.33%, 0.65%

LAB 60.26, 19.04, -28.2

 

Description

Color code: HEX #C38993 | qconv.com Color code: HEX #C38993 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 137 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 137 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 25 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 25% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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