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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C38150 it is the complementary color #3C7EAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C38150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C38150 shade: #C8814B, #D9935E, #EAA571, #FBB784 and #FFC997

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C38150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C38150 shade: #C38150, #B26F3D, #A15D2A, #904B17 and #7F3904

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C38150 shade: #C38150, #C36250 and #C35050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C38150 shade: #C38150, #C3A050, #C3BF50, #A8C350 and #89C350

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C38150 shade matches the following richer shades: #C38150, #D67E3D, #E97B2A and #FC7817

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C38150 shade: #C38150, #B08463, #9D8676, #8A8989 and #778C9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C38150 shade: #C3505D, #C36150, #C38050, #C39E50 and #C3BD50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C38150 shade: #8F5931, #AE6C3B, #C38150, #CD976E and #D8AD8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C38150 shade: #C38150, #7CC350 and #5250C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C38150 shade: #C38150, #50C380 and #8050C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C38150 shade: #C38150, #7CC350, #5093C3 and #9750C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C38150 shade: #C38150, #59C350, #5093C3 and #B950C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 59 / 24

HEX #C38150

RGB 195 129 80

HSL 25.57, 0.49%, 0.54%

LAB 59.78, 20.48, 36.69

 

Complementary color

CMYK 66 / 28 / 0 / 31

HEX #3C7EAF

RGB 60 126 175

HSL 205.57, 0.49%, 0.46%

LAB 50.66, -5.28, -32.17

 

CMYK 0 / 36 / 63 / 22

HEX #C8814B

RGB 200 129 75

HSL 25.92, 0.53%, 0.54%

LAB 60.33, 22.21, 40.12

 

CMYK 0 / 32 / 57 / 15

HEX #D9935E

RGB 217 147 94

HSL 25.85, 0.62%, 0.61%

LAB 66.85, 20.91, 38.51

 

CMYK 0 / 29 / 52 / 8

HEX #EAA571

RGB 234 165 113

HSL 25.79, 0.74%, 0.68%

LAB 73.28, 19.78, 36.99

 

CMYK 0 / 27 / 47 / 2

HEX #FBB784

RGB 251 183 132

HSL 25.71, 0.94%, 0.75%

LAB 79.64, 18.78, 35.57

 

CMYK 0 / 21 / 41 / 0

HEX #FFC997

RGB 255 201 151

HSL 28.85, 1%, 0.8%

LAB 84.62, 12.85, 32.3

 

CMYK 0 / 34 / 59 / 24

HEX #C38150

RGB 195 129 80

HSL 25.57, 0.49%, 0.54%

LAB 59.78, 20.48, 36.69

 

CMYK 0 / 38 / 66 / 30

HEX #B26F3D

RGB 178 111 61

HSL 25.64, 0.49%, 0.47%

LAB 53.14, 21.88, 38.36

 

CMYK 0 / 42 / 74 / 37

HEX #A15D2A

RGB 161 93 42

HSL 25.71, 0.59%, 0.4%

LAB 46.41, 23.5, 40.06

 

CMYK 0 / 48 / 84 / 44

HEX #904B17

RGB 144 75 23

HSL 25.79, 0.72%, 0.33%

LAB 39.62, 25.4, 41.49

 

CMYK 0 / 55 / 97 / 50

HEX #7F3904

RGB 127 57 4

HSL 25.85, 0.94%, 0.26%

LAB 32.8, 27.54, 42.08

 

CMYK 0 / 34 / 59 / 24

HEX #C38150

RGB 195 129 80

HSL 25.57, 0.49%, 0.54%

LAB 59.78, 20.48, 36.69

 

CMYK 0 / 50 / 59 / 24

HEX #C36250

RGB 195 98 80

HSL 9.39, 0.49%, 0.54%

LAB 52.86, 37.16, 28.08

 

CMYK 0 / 59 / 59 / 24

HEX #C35050

RGB 195 80 80

HSL 0, 0.49%, 0.54%

LAB 49.4, 46.08, 23.63

 

CMYK 0 / 34 / 59 / 24

HEX #C38150

RGB 195 129 80

HSL 25.57, 0.49%, 0.54%

LAB 59.78, 20.48, 36.69

 

CMYK 0 / 18 / 59 / 24

HEX #C3A050

RGB 195 160 80

HSL 41.74, 0.49%, 0.54%

LAB 67.52, 3.52, 45.85

 

CMYK 0 / 2 / 59 / 24

HEX #C3BF50

RGB 195 191 80

HSL 57.91, 0.49%, 0.54%

LAB 75.73, -12.77, 55.11

 

CMYK 14 / 0 / 59 / 24

HEX #A8C350

RGB 168 195 80

HSL 74.09, 0.49%, 0.54%

LAB 74.78, -25.86, 53.49

 

CMYK 30 / 0 / 59 / 24

HEX #89C350

RGB 137 195 80

HSL 90.26, 0.49%, 0.54%

LAB 72.84, -37.74, 50.78

 

CMYK 0 / 34 / 59 / 24

HEX #C38150

RGB 195 129 80

HSL 25.57, 0.49%, 0.54%

LAB 59.78, 20.48, 36.69

 

CMYK 0 / 41 / 71 / 16

HEX #D67E3D

RGB 214 126 61

HSL 25.49, 0.65%, 0.54%

LAB 61.27, 28.83, 48.69

 

CMYK 0 / 47 / 82 / 9

HEX #E97B2A

RGB 233 123 42

HSL 25.45, 0.81%, 0.54%

LAB 63.06, 37.35, 59.64

 

CMYK 0 / 52 / 91 / 1

HEX #FC7817

RGB 252 120 23

HSL 25.41, 0.97%, 0.54%

LAB 65.11, 45.81, 68.56

 

CMYK 0 / 34 / 59 / 24

HEX #C38150

RGB 195 129 80

HSL 25.57, 0.49%, 0.54%

LAB 59.78, 20.48, 36.69

 

CMYK 0 / 25 / 44 / 31

HEX #B08463

RGB 176 132 99

HSL 25.71, 0.33%, 0.54%

LAB 58.63, 12.6, 24.37

 

CMYK 0 / 15 / 25 / 38

HEX #9D8676

RGB 157 134 118

HSL 24.62, 0.17%, 0.54%

LAB 57.58, 6.15, 11.85

 

CMYK 0 / 1 / 1 / 46

HEX #8A8989

RGB 138 137 137

HSL 0, 0%, 0.54%

LAB 57.17, 0.37, 0.12

 

CMYK 24 / 10 / 0 / 39

HEX #778C9C

RGB 119 140 156

HSL 205.95, 0.16%, 0.54%

LAB 57.15, -3.79, -10.99

 

CMYK 0 / 59 / 52 / 24

HEX #C3505D

RGB 195 80 93

HSL 353.22, 0.49%, 0.54%

LAB 49.65, 47.11, 16.22

 

CMYK 0 / 50 / 59 / 24

HEX #C36150

RGB 195 97 80

HSL 8.87, 0.49%, 0.54%

LAB 52.65, 37.67, 27.82

 

CMYK 0 / 34 / 59 / 24

HEX #C38050

RGB 195 128 80

HSL 25.04, 0.49%, 0.54%

LAB 59.54, 21.03, 36.4

 

CMYK 0 / 19 / 59 / 24

HEX #C39E50

RGB 195 158 80

HSL 40.7, 0.49%, 0.54%

LAB 67, 4.6, 45.25

 

CMYK 0 / 3 / 59 / 24

HEX #C3BD50

RGB 195 189 80

HSL 56.87, 0.49%, 0.54%

LAB 75.19, -11.75, 54.52

 

CMYK 0 / 38 / 66 / 44

HEX #8F5931

RGB 143 89 49

HSL 25.53, 0.49%, 0.38%

LAB 43.07, 18.28, 31.99

 

CMYK 0 / 38 / 66 / 32

HEX #AE6C3B

RGB 174 108 59

HSL 25.57, 0.49%, 0.46%

LAB 51.88, 21.7, 37.84

 

CMYK 0 / 34 / 59 / 24

HEX #C38150

RGB 195 129 80

HSL 25.57, 0.49%, 0.54%

LAB 59.78, 20.48, 36.69

 

CMYK 0 / 26 / 46 / 20

HEX #CD976E

RGB 205 151 110

HSL 25.89, 0.49%, 0.62%

LAB 66.7, 15.26, 29.49

 

CMYK 0 / 20 / 35 / 15

HEX #D8AD8D

RGB 216 173 141

HSL 25.6, 0.49%, 0.7%

LAB 73.81, 11.25, 22.4

 

CMYK 0 / 34 / 59 / 24

HEX #C38150

RGB 195 129 80

HSL 25.57, 0.49%, 0.54%

LAB 59.78, 20.48, 36.69

 

CMYK 36 / 0 / 59 / 24

HEX #7CC350

RGB 124 195 80

HSL 97.04, 0.49%, 0.54%

LAB 72.16, -42.32, 49.82

 

CMYK 58 / 59 / 0 / 24

HEX #5250C3

RGB 82 80 195

HSL 241.04, 0.49%, 0.54%

LAB 40.36, 34.27, -60.14

 

CMYK 0 / 34 / 59 / 24

HEX #C38150

RGB 195 129 80

HSL 25.57, 0.49%, 0.54%

LAB 59.78, 20.48, 36.69

 

CMYK 59 / 0 / 34 / 24

HEX #50C380

RGB 80 195 128

HSL 145.04, 0.49%, 0.54%

LAB 71.07, -47.77, 24.2

 

CMYK 34 / 59 / 0 / 24

HEX #8050C3

RGB 128 80 195

HSL 265.04, 0.49%, 0.54%

LAB 44.61, 43.96, -53.06

 

CMYK 0 / 34 / 59 / 24

HEX #C38150

RGB 195 129 80

HSL 25.57, 0.49%, 0.54%

LAB 59.78, 20.48, 36.69

 

CMYK 36 / 0 / 59 / 24

HEX #7CC350

RGB 124 195 80

HSL 97.04, 0.49%, 0.54%

LAB 72.16, -42.32, 49.82

 

CMYK 59 / 25 / 0 / 24

HEX #5093C3

RGB 80 147 195

HSL 205.04, 0.49%, 0.54%

LAB 58.52, -6.98, -31.28

 

CMYK 23 / 59 / 0 / 24

HEX #9750C3

RGB 151 80 195

HSL 277.04, 0.49%, 0.54%

LAB 47.31, 49.52, -48.59

 

CMYK 0 / 34 / 59 / 24

HEX #C38150

RGB 195 129 80

HSL 25.57, 0.49%, 0.54%

LAB 59.78, 20.48, 36.69

 

CMYK 54 / 0 / 59 / 24

HEX #59C350

RGB 89 195 80

HSL 115.3, 0.49%, 0.54%

LAB 70.69, -52.94, 47.74

 

CMYK 59 / 25 / 0 / 24

HEX #5093C3

RGB 80 147 195

HSL 205.04, 0.49%, 0.54%

LAB 58.52, -6.98, -31.28

 

CMYK 5 / 59 / 0 / 24

HEX #B950C3

RGB 185 80 195

HSL 294.78, 0.49%, 0.54%

LAB 51.83, 58.09, -41.13

 

Description

Color code: HEX #C38150 | qconv.com Color code: HEX #C38150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 129 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 129 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 59 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 59% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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