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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C38278 it is the complementary color #3C7D87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C38278. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C38278 shade: #C88273, #D99486, #EAA699, #FBB8AC and #FFCABF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C38278. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C38278 shade: #C38278, #B27065, #A15E52, #904C3F and #7F3A2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C38278 shade: #C28379 and #C27979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C38278 shade: #C28379, #C29679, #C2AA79, #C2BE79 and #B3C279

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C38278 shade matches the following richer shades: #C28379, #D27769, #E26C59 and #F1604A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C38278 shade: #C28379, #B38E88, #A39A98, #93A5A8 and #84B1B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C38278 shade: #C27996, #C27983, #C28379, #C29679 and #C2AA79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C38278 shade: #A15448, #B6685C, #C28379, #CF9D95 and #DCB7B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C38278 shade: #C38278, #AAC279 and #798CC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C38278 shade: #C38278, #79C283 and #8379C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C38278 shade: #C38278, #AAC279, #79B9C2 and #9179C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C38278 shade: #C38278, #94C279, #79B9C2 and #A779C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 38 / 24

HEX #C38278

RGB 195 130 120

HSL 8, 0.38%, 0.62%

LAB 60.71, 23.85, 15.68

 

Complementary color

CMYK 56 / 7 / 0 / 47

HEX #3C7D87

RGB 60 125 135

HSL 188, 0.38%, 0.38%

LAB 48.73, -17.69, -11.77

 

CMYK 0 / 35 / 43 / 22

HEX #C88273

RGB 200 130 115

HSL 10.59, 0.44%, 0.62%

LAB 61.21, 25.25, 19.29

 

CMYK 0 / 32 / 38 / 15

HEX #D99486

RGB 217 148 134

HSL 10.12, 0.52%, 0.69%

LAB 67.76, 24.29, 17.95

 

CMYK 0 / 29 / 35 / 8

HEX #EAA699

RGB 234 166 153

HSL 9.63, 0.66%, 0.76%

LAB 74.23, 23.44, 16.75

 

CMYK 0 / 27 / 31 / 2

HEX #FBB8AC

RGB 251 184 172

HSL 9.11, 0.91%, 0.83%

LAB 80.61, 22.67, 15.65

 

CMYK 0 / 21 / 25 / 0

HEX #FFCABF

RGB 255 202 191

HSL 10.31, 1%, 0.87%

LAB 85.64, 17.21, 12.65

 

CMYK 0 / 33 / 38 / 24

HEX #C38278

RGB 195 130 120

HSL 8, 0.38%, 0.62%

LAB 60.71, 23.85, 15.68

 

CMYK 0 / 37 / 43 / 30

HEX #B27065

RGB 178 112 101

HSL 8.57, 0.33%, 0.55%

LAB 54.02, 24.85, 17.06

 

CMYK 0 / 42 / 49 / 37

HEX #A15E52

RGB 161 94 82

HSL 9.11, 0.33%, 0.48%

LAB 47.22, 25.98, 18.65

 

CMYK 0 / 47 / 56 / 44

HEX #904C3F

RGB 144 76 63

HSL 9.63, 0.39%, 0.41%

LAB 40.34, 27.26, 20.51

 

CMYK 0 / 54 / 65 / 50

HEX #7F3A2C

RGB 127 58 44

HSL 10.12, 0.49%, 0.34%

LAB 33.39, 28.68, 22.75

 

CMYK 0 / 32 / 38 / 24

HEX #C28379

RGB 194 131 121

HSL 8.22, 0.37%, 0.62%

LAB 60.85, 23.02, 15.29

 

CMYK 0 / 38 / 38 / 24

HEX #C27979

RGB 194 121 121

HSL 0, 0.37%, 0.62%

LAB 58.53, 28.51, 12.05

 

CMYK 0 / 32 / 38 / 24

HEX #C28379

RGB 194 131 121

HSL 8.22, 0.37%, 0.62%

LAB 60.85, 23.02, 15.29

 

CMYK 0 / 23 / 38 / 24

HEX #C29679

RGB 194 150 121

HSL 23.84, 0.37%, 0.62%

LAB 65.49, 12.55, 21.64

 

CMYK 0 / 12 / 38 / 24

HEX #C2AA79

RGB 194 170 121

HSL 40.27, 0.37%, 0.62%

LAB 70.59, 1.68, 28.48

 

CMYK 0 / 2 / 38 / 24

HEX #C2BE79

RGB 194 190 121

HSL 56.71, 0.37%, 0.62%

LAB 75.87, -8.87, 35.36

 

CMYK 8 / 0 / 38 / 24

HEX #B3C279

RGB 179 194 121

HSL 72.33, 0.37%, 0.62%

LAB 75.79, -16.84, 35.02

 

CMYK 0 / 32 / 38 / 24

HEX #C28379

RGB 194 131 121

HSL 8.22, 0.37%, 0.62%

LAB 60.85, 23.02, 15.29

 

CMYK 0 / 43 / 50 / 18

HEX #D27769

RGB 210 119 105

HSL 8, 0.54%, 0.62%

LAB 59.81, 34.06, 23.29

 

CMYK 0 / 52 / 61 / 11

HEX #E26C59

RGB 226 108 89

HSL 8.32, 0.7%, 0.62%

LAB 59.54, 44.45, 32.39

 

CMYK 0 / 60 / 69 / 5

HEX #F1604A

RGB 241 96 74

HSL 7.9, 0.86%, 0.62%

LAB 59.49, 54.52, 41.14

 

CMYK 0 / 32 / 38 / 24

HEX #C28379

RGB 194 131 121

HSL 8.22, 0.37%, 0.62%

LAB 60.85, 23.02, 15.29

 

CMYK 0 / 21 / 24 / 30

HEX #B38E88

RGB 179 142 136

HSL 8.37, 0.22%, 0.62%

LAB 62.26, 13.05, 8.52

 

CMYK 0 / 6 / 7 / 36

HEX #A39A98

RGB 163 154 152

HSL 10.91, 0.06%, 0.62%

LAB 64.29, 2.92, 2.22

 

CMYK 13 / 2 / 0 / 34

HEX #93A5A8

RGB 147 165 168

HSL 188.57, 0.11%, 0.62%

LAB 66.47, -5.66, -3.7

 

CMYK 28 / 3 / 0 / 28

HEX #84B1B7

RGB 132 177 183

HSL 187.06, 0.26%, 0.62%

LAB 69.3, -13.5, -7.94

 

CMYK 0 / 38 / 23 / 24

HEX #C27996

RGB 194 121 150

HSL 336.16, 0.37%, 0.62%

LAB 59.29, 32.44, -3.58

 

CMYK 0 / 38 / 32 / 24

HEX #C27983

RGB 194 121 131

HSL 351.78, 0.37%, 0.62%

LAB 58.77, 29.77, 6.62

 

CMYK 0 / 32 / 38 / 24

HEX #C28379

RGB 194 131 121

HSL 8.22, 0.37%, 0.62%

LAB 60.85, 23.02, 15.29

 

CMYK 0 / 23 / 38 / 24

HEX #C29679

RGB 194 150 121

HSL 23.84, 0.37%, 0.62%

LAB 65.49, 12.55, 21.64

 

CMYK 0 / 12 / 38 / 24

HEX #C2AA79

RGB 194 170 121

HSL 40.27, 0.37%, 0.62%

LAB 70.59, 1.68, 28.48

 

CMYK 0 / 48 / 55 / 37

HEX #A15448

RGB 161 84 72

HSL 8.09, 0.38%, 0.46%

LAB 44.78, 30.56, 21.36

 

CMYK 0 / 43 / 49 / 29

HEX #B6685C

RGB 182 104 92

HSL 8, 0.38%, 0.54%

LAB 52.53, 29.91, 20.37

 

CMYK 0 / 32 / 38 / 24

HEX #C28379

RGB 194 131 121

HSL 8.22, 0.37%, 0.62%

LAB 60.85, 23.02, 15.29

 

CMYK 0 / 24 / 28 / 19

HEX #CF9D95

RGB 207 157 149

HSL 8.28, 0.38%, 0.7%

LAB 69.15, 17.46, 11.4

 

CMYK 0 / 17 / 19 / 14

HEX #DCB7B2

RGB 220 183 178

HSL 7.14, 0.38%, 0.78%

LAB 77.46, 12.51, 7.51

 

CMYK 0 / 33 / 38 / 24

HEX #C38278

RGB 195 130 120

HSL 8, 0.38%, 0.62%

LAB 60.71, 23.85, 15.68

 

CMYK 12 / 0 / 38 / 24

HEX #AAC279

RGB 170 194 121

HSL 79.73, 0.37%, 0.62%

LAB 75.15, -20.31, 34.06

 

CMYK 38 / 28 / 0 / 24

HEX #798CC2

RGB 121 140 194

HSL 224.38, 0.37%, 0.62%

LAB 58.71, 6.66, -30.25

 

CMYK 0 / 33 / 38 / 24

HEX #C38278

RGB 195 130 120

HSL 8, 0.38%, 0.62%

LAB 60.71, 23.85, 15.68

 

CMYK 38 / 0 / 32 / 24

HEX #79C283

RGB 121 194 131

HSL 128.22, 0.37%, 0.62%

LAB 72.42, -35.94, 24.7

 

CMYK 32 / 38 / 0 / 24

HEX #8379C2

RGB 131 121 194

HSL 248.22, 0.37%, 0.62%

LAB 54.44, 20.67, -36.85

 

CMYK 0 / 33 / 38 / 24

HEX #C38278

RGB 195 130 120

HSL 8, 0.38%, 0.62%

LAB 60.71, 23.85, 15.68

 

CMYK 12 / 0 / 38 / 24

HEX #AAC279

RGB 170 194 121

HSL 79.73, 0.37%, 0.62%

LAB 75.15, -20.31, 34.06

 

CMYK 38 / 5 / 0 / 24

HEX #79B9C2

RGB 121 185 194

HSL 187.4, 0.37%, 0.62%

LAB 71.32, -18.1, -11.04

 

CMYK 25 / 38 / 0 / 24

HEX #9179C2

RGB 145 121 194

HSL 259.73, 0.37%, 0.62%

LAB 55.67, 24.75, -34.83

 

CMYK 0 / 33 / 38 / 24

HEX #C38278

RGB 195 130 120

HSL 8, 0.38%, 0.62%

LAB 60.71, 23.85, 15.68

 

CMYK 24 / 0 / 38 / 24

HEX #94C279

RGB 148 194 121

HSL 97.81, 0.37%, 0.62%

LAB 73.71, -28.47, 31.92

 

CMYK 38 / 5 / 0 / 24

HEX #79B9C2

RGB 121 185 194

HSL 187.4, 0.37%, 0.62%

LAB 71.32, -18.1, -11.04

 

CMYK 14 / 38 / 0 / 24

HEX #A779C2

RGB 167 121 194

HSL 277.81, 0.37%, 0.62%

LAB 57.83, 31.43, -31.31

 

Description

Color code: HEX #C38278 | qconv.com Color code: HEX #C38278 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 130 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 130 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 38 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 38% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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