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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3828D it is the complementary color #3C7D72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3828D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3828D shade: #C88288, #D9949B, #EAA6AE, #FBB8C1 and #FFCAD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3828D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3828D shade: #C3828D, #B2707A, #A15E67, #904C54 and #7F3A41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3828D shade: #C3838D and #C38383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3828D shade: #C3838D, #C3839F, #C383B0, #C383C1 and #B383C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3828D shade matches the following richer shades: #C3838D, #D27484, #E1657A, #EF5670 and #FE4766

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3828D shade: #C3838D, #B49197, #A5A0A1, #96AFAB and #87BEB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3828D shade: #C383B1, #C3839F, #C3838E, #C38883 and #C39983

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3828D shade: #A44F5D, #B56774, #C3838D, #D09EA7 and #DEBAC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3828D shade: #C3828D, #C2C383 and #83A8C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3828D shade: #C3828D, #8EC383 and #838EC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3828D shade: #C3828D, #C2C383, #83C3B7 and #8483C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3828D shade: #C3828D, #AEC383, #83C3B7 and #9783C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 28 / 24

HEX #C3828D

RGB 195 130 141

HSL 349.85, 0.35%, 0.64%

LAB 61.21, 26.58, 4.4

 

Complementary color

CMYK 52 / 0 / 9 / 51

HEX #3C7D72

RGB 60 125 114

HSL 169.85, 0.35%, 0.36%

LAB 48.06, -23.67, -0.37

 

CMYK 0 / 35 / 32 / 22

HEX #C88288

RGB 200 130 136

HSL 354.86, 0.39%, 0.65%

LAB 61.67, 27.79, 7.99

 

CMYK 0 / 32 / 29 / 15

HEX #D9949B

RGB 217 148 155

HSL 353.91, 0.48%, 0.72%

LAB 68.24, 26.95, 6.91

 

CMYK 0 / 29 / 26 / 8

HEX #EAA6AE

RGB 234 166 174

HSL 352.94, 0.62%, 0.78%

LAB 74.71, 26.18, 5.93

 

CMYK 0 / 27 / 23 / 2

HEX #FBB8C1

RGB 251 184 193

HSL 351.94, 0.89%, 0.85%

LAB 81.09, 25.48, 5.03

 

CMYK 0 / 21 / 17 / 0

HEX #FFCAD4

RGB 255 202 212

HSL 348.68, 1%, 0.9%

LAB 86.13, 20.25, 2.21

 

CMYK 0 / 33 / 28 / 24

HEX #C3828D

RGB 195 130 141

HSL 349.85, 0.35%, 0.64%

LAB 61.21, 26.58, 4.4

 

CMYK 0 / 37 / 31 / 30

HEX #B2707A

RGB 178 112 122

HSL 350.91, 0.3%, 0.57%

LAB 54.51, 27.45, 5.49

 

CMYK 0 / 42 / 36 / 37

HEX #A15E67

RGB 161 94 103

HSL 351.94, 0.26%, 0.5%

LAB 47.7, 28.4, 6.74

 

CMYK 0 / 47 / 42 / 44

HEX #904C54

RGB 144 76 84

HSL 352.94, 0.31%, 0.43%

LAB 40.8, 29.45, 8.22

 

CMYK 0 / 54 / 49 / 50

HEX #7F3A41

RGB 127 58 65

HSL 353.91, 0.37%, 0.36%

LAB 33.82, 30.55, 10.04

 

CMYK 0 / 33 / 28 / 24

HEX #C3838D

RGB 195 131 141

HSL 350.63, 0.35%, 0.64%

LAB 61.44, 26.03, 4.73

 

CMYK 0 / 33 / 33 / 24

HEX #C38383

RGB 195 131 131

HSL 0, 0.35%, 0.64%

LAB 61.2, 24.67, 10.09

 

CMYK 0 / 33 / 28 / 24

HEX #C3838D

RGB 195 131 141

HSL 350.63, 0.35%, 0.64%

LAB 61.44, 26.03, 4.73

 

CMYK 0 / 33 / 18 / 24

HEX #C3839F

RGB 195 131 159

HSL 333.75, 0.35%, 0.64%

LAB 61.94, 28.72, -4.82

 

CMYK 0 / 33 / 10 / 24

HEX #C383B0

RGB 195 131 176

HSL 317.81, 0.35%, 0.64%

LAB 62.48, 31.53, -13.69

 

CMYK 0 / 33 / 1 / 24

HEX #C383C1

RGB 195 131 193

HSL 301.88, 0.35%, 0.64%

LAB 63.08, 34.6, -22.4

 

CMYK 8 / 33 / 0 / 24

HEX #B383C3

RGB 179 131 195

HSL 285, 0.35%, 0.64%

LAB 61.44, 29.81, -26.19

 

CMYK 0 / 33 / 28 / 24

HEX #C3838D

RGB 195 131 141

HSL 350.63, 0.35%, 0.64%

LAB 61.44, 26.03, 4.73

 

CMYK 0 / 45 / 37 / 18

HEX #D27484

RGB 210 116 132

HSL 349.79, 0.51%, 0.64%

LAB 59.76, 38.49, 7.73

 

CMYK 0 / 55 / 46 / 12

HEX #E1657A

RGB 225 101 122

HSL 349.84, 0.67%, 0.64%

LAB 58.71, 50.19, 12.35

 

CMYK 0 / 64 / 53 / 6

HEX #EF5670

RGB 239 86 112

HSL 349.8, 0.83%, 0.64%

LAB 58.2, 60.54, 17.82

 

CMYK 0 / 72 / 60 / 0

HEX #FE4766

RGB 254 71 102

HSL 349.84, 0.99%, 0.64%

LAB 58.54, 69.9, 24.56

 

CMYK 0 / 33 / 28 / 24

HEX #C3838D

RGB 195 131 141

HSL 350.63, 0.35%, 0.64%

LAB 61.44, 26.03, 4.73

 

CMYK 0 / 19 / 16 / 29

HEX #B49197

RGB 180 145 151

HSL 349.71, 0.19%, 0.64%

LAB 63.5, 14.12, 1.82

 

CMYK 0 / 3 / 2 / 35

HEX #A5A0A1

RGB 165 160 161

HSL 348, 0.03%, 0.64%

LAB 66.3, 1.99, 0.11

 

CMYK 14 / 0 / 2 / 31

HEX #96AFAB

RGB 150 175 171

HSL 170.4, 0.14%, 0.64%

LAB 69.53, -9.4, -0.85

 

CMYK 29 / 0 / 5 / 25

HEX #87BEB5

RGB 135 190 181

HSL 170.18, 0.3%, 0.64%

LAB 73.1, -19.8, -1.22

 

CMYK 0 / 33 / 9 / 24

HEX #C383B1

RGB 195 131 177

HSL 316.88, 0.35%, 0.64%

LAB 62.52, 31.71, -14.21

 

CMYK 0 / 33 / 18 / 24

HEX #C3839F

RGB 195 131 159

HSL 333.75, 0.35%, 0.64%

LAB 61.94, 28.72, -4.82

 

CMYK 0 / 33 / 27 / 24

HEX #C3838E

RGB 195 131 142

HSL 349.69, 0.35%, 0.64%

LAB 61.47, 26.17, 4.2

 

CMYK 0 / 30 / 33 / 24

HEX #C38883

RGB 195 136 131

HSL 4.69, 0.35%, 0.64%

LAB 62.38, 21.92, 11.76

 

CMYK 0 / 22 / 33 / 24

HEX #C39983

RGB 195 153 131

HSL 20.63, 0.35%, 0.64%

LAB 66.54, 12.56, 17.56

 

CMYK 0 / 52 / 43 / 36

HEX #A44F5D

RGB 164 79 93

HSL 350.12, 0.35%, 0.48%

LAB 44.62, 36.49, 8.5

 

CMYK 0 / 43 / 36 / 29

HEX #B56774

RGB 181 103 116

HSL 350, 0.35%, 0.56%

LAB 52.71, 32.74, 6.5

 

CMYK 0 / 33 / 28 / 24

HEX #C3838D

RGB 195 131 141

HSL 350.63, 0.35%, 0.64%

LAB 61.44, 26.03, 4.73

 

CMYK 0 / 24 / 20 / 18

HEX #D09EA7

RGB 208 158 167

HSL 349.2, 0.35%, 0.72%

LAB 69.93, 19.92, 2.54

 

CMYK 0 / 16 / 14 / 13

HEX #DEBAC0

RGB 222 186 192

HSL 350, 0.35%, 0.8%

LAB 78.73, 13.83, 1.79

 

CMYK 0 / 33 / 28 / 24

HEX #C3828D

RGB 195 130 141

HSL 349.85, 0.35%, 0.64%

LAB 61.21, 26.58, 4.4

 

CMYK 1 / 0 / 33 / 24

HEX #C2C383

RGB 194 195 131

HSL 60.94, 0.35%, 0.64%

LAB 77.36, -10.26, 32.12

 

CMYK 33 / 14 / 0 / 24

HEX #83A8C3

RGB 131 168 195

HSL 205.31, 0.35%, 0.64%

LAB 67.1, -6.03, -17.88

 

CMYK 0 / 33 / 28 / 24

HEX #C3828D

RGB 195 130 141

HSL 349.85, 0.35%, 0.64%

LAB 61.21, 26.58, 4.4

 

CMYK 27 / 0 / 33 / 24

HEX #8EC383

RGB 142 195 131

HSL 109.69, 0.35%, 0.64%

LAB 73.82, -29.56, 26.77

 

CMYK 33 / 27 / 0 / 24

HEX #838EC3

RGB 131 142 195

HSL 229.69, 0.35%, 0.64%

LAB 59.99, 8.62, -28.78

 

CMYK 0 / 33 / 28 / 24

HEX #C3828D

RGB 195 130 141

HSL 349.85, 0.35%, 0.64%

LAB 61.21, 26.58, 4.4

 

CMYK 1 / 0 / 33 / 24

HEX #C2C383

RGB 194 195 131

HSL 60.94, 0.35%, 0.64%

LAB 77.36, -10.26, 32.12

 

CMYK 33 / 0 / 6 / 24

HEX #83C3B7

RGB 131 195 183

HSL 168.75, 0.35%, 0.64%

LAB 74.36, -23.04, -0.48

 

CMYK 32 / 33 / 0 / 24

HEX #8483C3

RGB 132 131 195

HSL 240.94, 0.35%, 0.64%

LAB 57.15, 15.32, -33.18

 

CMYK 0 / 33 / 28 / 24

HEX #C3828D

RGB 195 130 141

HSL 349.85, 0.35%, 0.64%

LAB 61.21, 26.58, 4.4

 

CMYK 11 / 0 / 33 / 24

HEX #AEC383

RGB 174 195 131

HSL 79.69, 0.35%, 0.64%

LAB 75.86, -17.97, 29.86

 

CMYK 33 / 0 / 6 / 24

HEX #83C3B7

RGB 131 195 183

HSL 168.75, 0.35%, 0.64%

LAB 74.36, -23.04, -0.48

 

CMYK 23 / 33 / 0 / 24

HEX #9783C3

RGB 151 131 195

HSL 258.75, 0.35%, 0.64%

LAB 58.74, 21, -30.58

 

Description

Color code: HEX #C3828D | qconv.com Color code: HEX #C3828D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 130 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 130 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 28 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 28% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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