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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3835E it is the complementary color #3C7CA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3835E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3835E shade: #C88359, #D9956C, #EAA77F, #FBB992 and #FFCBA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3835E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3835E shade: #C3835E, #B2714B, #A15F38, #904D25 and #7F3B12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3835E shade: #C3835E, #C3685E and #C35E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3835E shade: #C3835E, #C39F5E, #C3BA5E, #B2C35E and #96C35E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3835E shade matches the following richer shades: #C3835E, #D57F4D, #E77A3B and #F97529

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3835E shade: #C3835E, #B28870, #A08D82, #8E9294 and #7C96A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3835E shade: #C35E71, #C3675E, #C3825E, #C39D5E and #C3B85E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3835E shade: #975B38, #B66D43, #C3835E, #CE9B7D and #DAB29B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3835E shade: #C3835E, #8CC35E and #5E63C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3835E shade: #C3835E, #5EC382 and #825EC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3835E shade: #C3835E, #8CC35E, #5EA0C3 and #965EC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3835E shade: #C3835E, #6EC35E, #5EA0C3 and #B45EC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 52 / 24

HEX #C3835E

RGB 195 131 94

HSL 21.98, 0.46%, 0.57%

LAB 60.47, 20.56, 29.94

 

Complementary color

CMYK 63 / 23 / 0 / 37

HEX #3C7CA1

RGB 60 124 161

HSL 201.98, 0.46%, 0.43%

LAB 49.43, -8.85, -25.95

 

CMYK 0 / 35 / 56 / 22

HEX #C88359

RGB 200 131 89

HSL 22.7, 0.5%, 0.57%

LAB 60.99, 22.19, 33.46

 

CMYK 0 / 31 / 50 / 15

HEX #D9956C

RGB 217 149 108

HSL 22.57, 0.59%, 0.64%

LAB 67.52, 21.03, 31.9

 

CMYK 0 / 29 / 46 / 8

HEX #EAA77F

RGB 234 167 127

HSL 22.43, 0.72%, 0.71%

LAB 73.97, 20.02, 30.47

 

CMYK 0 / 26 / 42 / 2

HEX #FBB992

RGB 251 185 146

HSL 22.29, 0.93%, 0.78%

LAB 80.34, 19.13, 29.14

 

CMYK 0 / 20 / 35 / 0

HEX #FFCBA5

RGB 255 203 165

HSL 25.33, 1%, 0.82%

LAB 85.35, 13.37, 25.97

 

CMYK 0 / 33 / 52 / 24

HEX #C3835E

RGB 195 131 94

HSL 21.98, 0.46%, 0.57%

LAB 60.47, 20.56, 29.94

 

CMYK 0 / 37 / 58 / 30

HEX #B2714B

RGB 178 113 75

HSL 22.14, 0.41%, 0.5%

LAB 53.8, 21.78, 31.59

 

CMYK 0 / 41 / 65 / 37

HEX #A15F38

RGB 161 95 56

HSL 22.29, 0.48%, 0.43%

LAB 47.04, 23.21, 33.38

 

CMYK 0 / 47 / 74 / 44

HEX #904D25

RGB 144 77 37

HSL 22.43, 0.59%, 0.35%

LAB 40.2, 24.87, 35.29

 

CMYK 0 / 54 / 86 / 50

HEX #7F3B12

RGB 127 59 18

HSL 22.57, 0.75%, 0.28%

LAB 33.32, 26.78, 37.02

 

CMYK 0 / 33 / 52 / 24

HEX #C3835E

RGB 195 131 94

HSL 21.98, 0.46%, 0.57%

LAB 60.47, 20.56, 29.94

 

CMYK 0 / 47 / 52 / 24

HEX #C3685E

RGB 195 104 94

HSL 5.94, 0.46%, 0.57%

LAB 54.36, 35.18, 21.96

 

CMYK 0 / 52 / 52 / 24

HEX #C35E5E

RGB 195 94 94

HSL 0, 0.46%, 0.57%

LAB 52.3, 40.36, 19.22

 

CMYK 0 / 33 / 52 / 24

HEX #C3835E

RGB 195 131 94

HSL 21.98, 0.46%, 0.57%

LAB 60.47, 20.56, 29.94

 

CMYK 0 / 18 / 52 / 24

HEX #C39F5E

RGB 195 159 94

HSL 38.61, 0.46%, 0.57%

LAB 67.43, 5.21, 38.69

 

CMYK 0 / 5 / 52 / 24

HEX #C3BA5E

RGB 195 186 94

HSL 54.65, 0.46%, 0.57%

LAB 74.53, -9.1, 47.25

 

CMYK 9 / 0 / 52 / 24

HEX #B2C35E

RGB 178 195 94

HSL 70.1, 0.46%, 0.57%

LAB 75.64, -20.63, 48.23

 

CMYK 23 / 0 / 52 / 24

HEX #96C35E

RGB 150 195 94

HSL 86.73, 0.46%, 0.57%

LAB 73.75, -31.54, 45.53

 

CMYK 0 / 33 / 52 / 24

HEX #C3835E

RGB 195 131 94

HSL 21.98, 0.46%, 0.57%

LAB 60.47, 20.56, 29.94

 

CMYK 0 / 40 / 64 / 16

HEX #D57F4D

RGB 213 127 77

HSL 22.06, 0.62%, 0.57%

LAB 61.53, 28.8, 40.91

 

CMYK 0 / 47 / 74 / 9

HEX #E77A3B

RGB 231 122 59

HSL 21.98, 0.78%, 0.57%

LAB 62.7, 37.67, 51.85

 

CMYK 0 / 53 / 84 / 2

HEX #F97529

RGB 249 117 41

HSL 21.92, 0.95%, 0.57%

LAB 64.18, 46.48, 61.89

 

CMYK 0 / 33 / 52 / 24

HEX #C3835E

RGB 195 131 94

HSL 21.98, 0.46%, 0.57%

LAB 60.47, 20.56, 29.94

 

CMYK 0 / 24 / 37 / 30

HEX #B28870

RGB 178 136 112

HSL 21.82, 0.3%, 0.57%

LAB 60.11, 12.72, 19.08

 

CMYK 0 / 12 / 19 / 37

HEX #A08D82

RGB 160 141 130

HSL 22, 0.14%, 0.57%

LAB 60.01, 5.26, 8.47

 

CMYK 4 / 1 / 0 / 42

HEX #8E9294

RGB 142 146 148

HSL 200, 0.03%, 0.57%

LAB 60.29, -1.05, -1.57

 

CMYK 25 / 9 / 0 / 35

HEX #7C96A5

RGB 124 150 165

HSL 201.95, 0.19%, 0.57%

LAB 60.62, -5.63, -10.89

 

CMYK 0 / 52 / 42 / 24

HEX #C35E71

RGB 195 94 113

HSL 348.71, 0.46%, 0.57%

LAB 52.73, 42.24, 8.56

 

CMYK 0 / 47 / 52 / 24

HEX #C3675E

RGB 195 103 94

HSL 5.35, 0.46%, 0.57%

LAB 54.14, 35.71, 21.68

 

CMYK 0 / 33 / 52 / 24

HEX #C3825E

RGB 195 130 94

HSL 21.39, 0.46%, 0.57%

LAB 60.23, 21.11, 29.64

 

CMYK 0 / 19 / 52 / 24

HEX #C39D5E

RGB 195 157 94

HSL 37.43, 0.46%, 0.57%

LAB 66.92, 6.3, 38.06

 

CMYK 0 / 6 / 52 / 24

HEX #C3B85E

RGB 195 184 94

HSL 53.47, 0.46%, 0.57%

LAB 73.99, -8.07, 46.61

 

CMYK 0 / 40 / 63 / 41

HEX #975B38

RGB 151 91 56

HSL 22.11, 0.46%, 0.41%

LAB 44.73, 21.16, 30.31

 

CMYK 0 / 40 / 63 / 29

HEX #B66D43

RGB 182 109 67

HSL 21.91, 0.46%, 0.49%

LAB 53.26, 25.08, 35.44

 

CMYK 0 / 33 / 52 / 24

HEX #C3835E

RGB 195 131 94

HSL 21.98, 0.46%, 0.57%

LAB 60.47, 20.56, 29.94

 

CMYK 0 / 25 / 39 / 19

HEX #CE9B7D

RGB 206 155 125

HSL 22.22, 0.45%, 0.65%

LAB 68.05, 15.11, 23.12

 

CMYK 0 / 18 / 29 / 15

HEX #DAB29B

RGB 218 178 155

HSL 21.9, 0.46%, 0.73%

LAB 75.52, 11.15, 17.21

 

CMYK 0 / 33 / 52 / 24

HEX #C3835E

RGB 195 131 94

HSL 21.98, 0.46%, 0.57%

LAB 60.47, 20.56, 29.94

 

CMYK 28 / 0 / 52 / 24

HEX #8CC35E

RGB 140 195 94

HSL 92.67, 0.46%, 0.57%

LAB 73.16, -35.22, 44.68

 

CMYK 52 / 49 / 0 / 24

HEX #5E63C3

RGB 94 99 195

HSL 237.03, 0.46%, 0.57%

LAB 45.97, 24.89, -51.06

 

CMYK 0 / 33 / 52 / 24

HEX #C3835E

RGB 195 131 94

HSL 21.98, 0.46%, 0.57%

LAB 60.47, 20.56, 29.94

 

CMYK 52 / 0 / 33 / 24

HEX #5EC382

RGB 94 195 130

HSL 141.39, 0.46%, 0.57%

LAB 71.57, -44.13, 23.89

 

CMYK 33 / 52 / 0 / 24

HEX #825EC3

RGB 130 94 195

HSL 261.39, 0.46%, 0.57%

LAB 47.87, 36.55, -47.83

 

CMYK 0 / 33 / 52 / 24

HEX #C3835E

RGB 195 131 94

HSL 21.98, 0.46%, 0.57%

LAB 60.47, 20.56, 29.94

 

CMYK 28 / 0 / 52 / 24

HEX #8CC35E

RGB 140 195 94

HSL 92.67, 0.46%, 0.57%

LAB 73.16, -35.22, 44.68

 

CMYK 52 / 18 / 0 / 24

HEX #5EA0C3

RGB 94 160 195

HSL 200.79, 0.46%, 0.57%

LAB 62.9, -11.23, -24.48

 

CMYK 23 / 52 / 0 / 24

HEX #965EC3

RGB 150 94 195

HSL 273.27, 0.46%, 0.57%

LAB 50.01, 41.82, -44.29

 

CMYK 0 / 33 / 52 / 24

HEX #C3835E

RGB 195 131 94

HSL 21.98, 0.46%, 0.57%

LAB 60.47, 20.56, 29.94

 

CMYK 44 / 0 / 52 / 24

HEX #6EC35E

RGB 110 195 94

HSL 110.5, 0.46%, 0.57%

LAB 71.66, -45.28, 42.51

 

CMYK 52 / 18 / 0 / 24

HEX #5EA0C3

RGB 94 160 195

HSL 200.79, 0.46%, 0.57%

LAB 62.9, -11.23, -24.48

 

CMYK 8 / 52 / 0 / 24

HEX #B45EC3

RGB 180 94 195

HSL 291.09, 0.46%, 0.57%

LAB 53.65, 50.04, -38.3

 

Description

Color code: HEX #C3835E | qconv.com Color code: HEX #C3835E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 131 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 131 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 52 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 52% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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