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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C38A95 it is the complementary color #3C756A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C38A95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C38A95 shade: #C88A90, #D99CA3, #EAAEB6, #FBC0C9 and #FFD2DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C38A95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C38A95 shade: #C38A95, #B27882, #A1666F, #90545C and #7F4249

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C38A95 shade: #C28994 and #C28989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C38A95 shade: #C28994, #C289A3, #C289B3, #C289C2 and #B289C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C38A95 shade matches the following richer shades: #C28994, #D07A8B, #DF6C82, #ED5D79 and #FC4F70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C38A95 shade: #C28994, #B3979D, #A5A6A5, #96B4AE and #88C2B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C38A95 shade: #C289B3, #C289A3, #C28994, #C28C89 and #C29C89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C38A95 shade: #A45464, #B46D7B, #C28994, #D0A4AC and #DEBFC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C38A95 shade: #C38A95, #C2C289 and #89ABC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C38A95 shade: #C38A95, #94C289 and #8994C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C38A95 shade: #C38A95, #C2C289, #89C2B6 and #8989C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C38A95 shade: #C38A95, #B1C289, #89C2B6 and #9A89C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 24 / 24

HEX #C38A95

RGB 195 138 149

HSL 348.42, 0.32%, 0.65%

LAB 63.3, 23.33, 2.86

 

Complementary color

CMYK 49 / 0 / 9 / 54

HEX #3C756A

RGB 60 117 106

HSL 168.42, 0.32%, 0.35%

LAB 45.25, -21.65, 0.27

 

CMYK 0 / 31 / 28 / 22

HEX #C88A90

RGB 200 138 144

HSL 354.19, 0.36%, 0.66%

LAB 63.73, 24.49, 6.38

 

CMYK 0 / 28 / 25 / 15

HEX #D99CA3

RGB 217 156 163

HSL 353.11, 0.45%, 0.73%

LAB 70.3, 23.74, 5.41

 

CMYK 0 / 26 / 22 / 8

HEX #EAAEB6

RGB 234 174 182

HSL 352, 0.59%, 0.8%

LAB 76.76, 23.05, 4.52

 

CMYK 0 / 24 / 20 / 2

HEX #FBC0C9

RGB 251 192 201

HSL 350.85, 0.88%, 0.87%

LAB 83.14, 22.43, 3.69

 

CMYK 0 / 18 / 14 / 0

HEX #FFD2DC

RGB 255 210 220

HSL 346.67, 1%, 0.91%

LAB 88.22, 17.3, 1.01

 

CMYK 0 / 29 / 24 / 24

HEX #C38A95

RGB 195 138 149

HSL 348.42, 0.32%, 0.65%

LAB 63.3, 23.33, 2.86

 

CMYK 0 / 33 / 27 / 30

HEX #B27882

RGB 178 120 130

HSL 349.66, 0.27%, 0.58%

LAB 56.59, 24.11, 3.82

 

CMYK 0 / 37 / 31 / 37

HEX #A1666F

RGB 161 102 111

HSL 350.85, 0.24%, 0.52%

LAB 49.77, 24.97, 4.91

 

CMYK 0 / 42 / 36 / 44

HEX #90545C

RGB 144 84 92

HSL 352, 0.26%, 0.45%

LAB 42.83, 25.94, 6.16

 

CMYK 0 / 48 / 43 / 50

HEX #7F4249

RGB 127 66 73

HSL 353.11, 0.32%, 0.38%

LAB 35.77, 27.01, 7.67

 

CMYK 0 / 29 / 24 / 24

HEX #C28994

RGB 194 137 148

HSL 348.42, 0.32%, 0.65%

LAB 62.93, 23.36, 2.87

 

CMYK 0 / 29 / 29 / 24

HEX #C28989

RGB 194 137 137

HSL 0, 0.32%, 0.65%

LAB 62.65, 21.79, 8.72

 

CMYK 0 / 29 / 24 / 24

HEX #C28994

RGB 194 137 148

HSL 348.42, 0.32%, 0.65%

LAB 62.93, 23.36, 2.87

 

CMYK 0 / 29 / 16 / 24

HEX #C289A3

RGB 194 137 163

HSL 332.63, 0.32%, 0.65%

LAB 63.35, 25.7, -5.03

 

CMYK 0 / 29 / 8 / 24

HEX #C289B3

RGB 194 137 179

HSL 315.79, 0.32%, 0.65%

LAB 63.85, 28.42, -13.34

 

CMYK 0 / 29 / 0 / 24

HEX #C289C2

RGB 194 137 194

HSL 300, 0.32%, 0.65%

LAB 64.37, 31.17, -21.01

 

CMYK 8 / 29 / 0 / 24

HEX #B289C2

RGB 178 137 194

HSL 283.16, 0.32%, 0.65%

LAB 62.72, 25.92, -23.67

 

CMYK 0 / 29 / 24 / 24

HEX #C28994

RGB 194 137 148

HSL 348.42, 0.32%, 0.65%

LAB 62.93, 23.36, 2.87

 

CMYK 0 / 41 / 33 / 18

HEX #D07A8B

RGB 208 122 139

HSL 348.14, 0.48%, 0.65%

LAB 60.95, 35.46, 5.37

 

CMYK 0 / 52 / 42 / 13

HEX #DF6C82

RGB 223 108 130

HSL 348.52, 0.64%, 0.65%

LAB 59.91, 46.94, 9.35

 

CMYK 0 / 61 / 49 / 7

HEX #ED5D79

RGB 237 93 121

HSL 348.33, 0.8%, 0.65%

LAB 59.17, 57.7, 13.85

 

CMYK 0 / 69 / 56 / 1

HEX #FC4F70

RGB 252 79 112

HSL 348.55, 0.97%, 0.65%

LAB 59.4, 67.2, 19.8

 

CMYK 0 / 29 / 24 / 24

HEX #C28994

RGB 194 137 148

HSL 348.42, 0.32%, 0.65%

LAB 62.93, 23.36, 2.87

 

CMYK 0 / 16 / 12 / 30

HEX #B3979D

RGB 179 151 157

HSL 347.14, 0.16%, 0.65%

LAB 65.08, 11.41, 0.73

 

CMYK 1 / 0 / 1 / 35

HEX #A5A6A5

RGB 165 166 165

HSL 120, 0.01%, 0.65%

LAB 68.01, -0.54, 0.38

 

CMYK 17 / 0 / 3 / 29

HEX #96B4AE

RGB 150 180 174

HSL 168, 0.17%, 0.65%

LAB 71, -11.43, -0.36

 

CMYK 30 / 0 / 6 / 24

HEX #88C2B7

RGB 136 194 183

HSL 168.62, 0.32%, 0.65%

LAB 74.34, -21.08, -0.49

 

CMYK 0 / 29 / 8 / 24

HEX #C289B3

RGB 194 137 179

HSL 315.79, 0.32%, 0.65%

LAB 63.85, 28.42, -13.34

 

CMYK 0 / 29 / 16 / 24

HEX #C289A3

RGB 194 137 163

HSL 332.63, 0.32%, 0.65%

LAB 63.35, 25.7, -5.03

 

CMYK 0 / 29 / 24 / 24

HEX #C28994

RGB 194 137 148

HSL 348.42, 0.32%, 0.65%

LAB 62.93, 23.36, 2.87

 

CMYK 0 / 28 / 29 / 24

HEX #C28C89

RGB 194 140 137

HSL 3.16, 0.32%, 0.65%

LAB 63.37, 20.13, 9.74

 

CMYK 0 / 20 / 29 / 24

HEX #C29C89

RGB 194 156 137

HSL 20, 0.32%, 0.65%

LAB 67.32, 11.31, 15.29

 

CMYK 0 / 49 / 39 / 36

HEX #A45464

RGB 164 84 100

HSL 348, 0.32%, 0.49%

LAB 45.84, 34.65, 5.96

 

CMYK 0 / 39 / 32 / 29

HEX #B46D7B

RGB 180 109 123

HSL 348.17, 0.32%, 0.57%

LAB 54.1, 30, 4.35

 

CMYK 0 / 29 / 24 / 24

HEX #C28994

RGB 194 137 148

HSL 348.42, 0.32%, 0.65%

LAB 62.93, 23.36, 2.87

 

CMYK 0 / 21 / 17 / 18

HEX #D0A4AC

RGB 208 164 172

HSL 349.09, 0.32%, 0.73%

LAB 71.51, 17.43, 2.07

 

CMYK 0 / 14 / 11 / 13

HEX #DEBFC5

RGB 222 191 197

HSL 348.39, 0.32%, 0.81%

LAB 80.08, 11.98, 1.06

 

CMYK 0 / 29 / 24 / 24

HEX #C38A95

RGB 195 138 149

HSL 348.42, 0.32%, 0.65%

LAB 63.3, 23.33, 2.86

 

CMYK 0 / 0 / 29 / 24

HEX #C2C289

RGB 194 194 137

HSL 60, 0.32%, 0.65%

LAB 77.2, -8.99, 28.76

 

CMYK 29 / 12 / 0 / 24

HEX #89ABC2

RGB 137 171 194

HSL 204.21, 0.32%, 0.65%

LAB 68.27, -6.16, -15.53

 

CMYK 0 / 29 / 24 / 24

HEX #C38A95

RGB 195 138 149

HSL 348.42, 0.32%, 0.65%

LAB 63.3, 23.33, 2.86

 

CMYK 24 / 0 / 29 / 24

HEX #94C289

RGB 148 194 137

HSL 108.42, 0.32%, 0.65%

LAB 73.99, -26.05, 23.89

 

CMYK 29 / 24 / 0 / 24

HEX #8994C2

RGB 137 148 194

HSL 228.42, 0.32%, 0.65%

LAB 61.99, 6.68, -25.09

 

CMYK 0 / 29 / 24 / 24

HEX #C38A95

RGB 195 138 149

HSL 348.42, 0.32%, 0.65%

LAB 63.3, 23.33, 2.86

 

CMYK 0 / 0 / 29 / 24

HEX #C2C289

RGB 194 194 137

HSL 60, 0.32%, 0.65%

LAB 77.2, -8.99, 28.76

 

CMYK 29 / 0 / 6 / 24

HEX #89C2B6

RGB 137 194 182

HSL 167.37, 0.32%, 0.65%

LAB 74.37, -21.01, 0.1

 

CMYK 29 / 29 / 0 / 24

HEX #8989C2

RGB 137 137 194

HSL 240, 0.32%, 0.65%

LAB 59.07, 13.02, -29.6

 

CMYK 0 / 29 / 24 / 24

HEX #C38A95

RGB 195 138 149

HSL 348.42, 0.32%, 0.65%

LAB 63.3, 23.33, 2.86

 

CMYK 9 / 0 / 29 / 24

HEX #B1C289

RGB 177 194 137

HSL 77.89, 0.32%, 0.65%

LAB 75.91, -15.5, 26.81

 

CMYK 29 / 0 / 6 / 24

HEX #89C2B6

RGB 137 194 182

HSL 167.37, 0.32%, 0.65%

LAB 74.37, -21.01, 0.1

 

CMYK 21 / 29 / 0 / 24

HEX #9A89C2

RGB 154 137 194

HSL 257.89, 0.32%, 0.65%

LAB 60.48, 18.23, -27.31

 

Description

Color code: HEX #C38A95 | qconv.com Color code: HEX #C38A95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 138 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 138 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 24 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 24% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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