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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C38C46 it is the complementary color #3C73B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C38C46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C38C46 shade: #C88C41, #D99E54, #EAB067, #FBC27A and #FFD48D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C38C46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C38C46 shade: #C38C46, #B27A33, #A16820, #90560D and #7F4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C38C46 shade: #C38C46, #C36A46, #C34846 and #C34646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C38C46 shade: #C38C46, #C3AD46, #B6C346, #94C346 and #73C346

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C38C46 shade matches the following richer shades: #C38C46, #D68E32, #EA901E and #FE930A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C38C46 shade: #C38C46, #AF8959, #9B876D, #878481 and #738295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C38C46 shade: #C34846, #C36946, #C38A46, #C3AC46 and #B8C346

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C38C46 shade: #89602C, #A97636, #C38C46, #CD9F65 and #D7B284

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C38C46 shade: #C38C46, #65C346 and #5846C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C38C46 shade: #C38C46, #46C38A and #8A46C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C38C46 shade: #C38C46, #65C346, #467EC3 and #A346C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C38C46 shade: #C38C46, #46C34C, #467EC3 and #C346BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 64 / 24

HEX #C38C46

RGB 195 140 70

HSL 33.6, 0.51%, 0.52%

LAB 62.34, 13.72, 44.83

 

Complementary color

CMYK 68 / 38 / 0 / 27

HEX #3C73B9

RGB 60 115 185

HSL 213.6, 0.51%, 0.48%

LAB 47.91, 4.85, -42.28

 

CMYK 0 / 30 / 68 / 22

HEX #C88C41

RGB 200 140 65

HSL 33.33, 0.55%, 0.52%

LAB 62.86, 15.56, 47.99

 

CMYK 0 / 27 / 61 / 15

HEX #D99E54

RGB 217 158 84

HSL 33.38, 0.64%, 0.59%

LAB 69.36, 14.24, 46.61

 

CMYK 0 / 25 / 56 / 8

HEX #EAB067

RGB 234 176 103

HSL 33.44, 0.76%, 0.66%

LAB 75.78, 13.11, 45.2

 

CMYK 0 / 23 / 51 / 2

HEX #FBC27A

RGB 251 194 122

HSL 33.49, 0.94%, 0.73%

LAB 82.11, 12.12, 43.83

 

CMYK 0 / 17 / 45 / 0

HEX #FFD48D

RGB 255 212 141

HSL 37.37, 1%, 0.78%

LAB 87.13, 6.13, 40.68

 

CMYK 0 / 28 / 64 / 24

HEX #C38C46

RGB 195 140 70

HSL 33.6, 0.51%, 0.52%

LAB 62.34, 13.72, 44.83

 

CMYK 0 / 31 / 71 / 30

HEX #B27A33

RGB 178 122 51

HSL 33.54, 0.55%, 0.45%

LAB 55.71, 15.14, 46.17

 

CMYK 0 / 35 / 80 / 37

HEX #A16820

RGB 161 104 32

HSL 33.49, 0.67%, 0.38%

LAB 48.99, 16.83, 47.2

 

CMYK 0 / 40 / 91 / 44

HEX #90560D

RGB 144 86 13

HSL 33.44, 0.83%, 0.31%

LAB 42.18, 18.85, 47.27

 

CMYK 0 / 46 / 100 / 50

HEX #7F4400

RGB 127 68 0

HSL 32.13, 1%, 0.25%

LAB 35.29, 21.23, 45.22

 

CMYK 0 / 28 / 64 / 24

HEX #C38C46

RGB 195 140 70

HSL 33.6, 0.51%, 0.52%

LAB 62.34, 13.72, 44.83

 

CMYK 0 / 46 / 64 / 24

HEX #C36A46

RGB 195 106 70

HSL 17.28, 0.51%, 0.52%

LAB 54.4, 32.25, 35.59

 

CMYK 0 / 63 / 64 / 24

HEX #C34846

RGB 195 72 70

HSL 0.96, 0.51%, 0.52%

LAB 47.85, 49.05, 27.57

 

CMYK 0 / 64 / 64 / 24

HEX #C34646

RGB 195 70 70

HSL 0, 0.51%, 0.52%

LAB 47.53, 49.92, 27.16

 

CMYK 0 / 28 / 64 / 24

HEX #C38C46

RGB 195 140 70

HSL 33.6, 0.51%, 0.52%

LAB 62.34, 13.72, 44.83

 

CMYK 0 / 11 / 64 / 24

HEX #C3AD46

RGB 195 173 70

HSL 49.44, 0.51%, 0.52%

LAB 70.82, -4.11, 54.19

 

CMYK 7 / 0 / 64 / 24

HEX #B6C346

RGB 182 195 70

HSL 66.24, 0.51%, 0.52%

LAB 75.71, -20.88, 59.06

 

CMYK 24 / 0 / 64 / 24

HEX #94C346

RGB 148 195 70

HSL 82.56, 0.51%, 0.52%

LAB 73.39, -34.49, 55.91

 

CMYK 41 / 0 / 64 / 24

HEX #73C346

RGB 115 195 70

HSL 98.4, 0.51%, 0.52%

LAB 71.63, -46.27, 53.48

 

CMYK 0 / 28 / 64 / 24

HEX #C38C46

RGB 195 140 70

HSL 33.6, 0.51%, 0.52%

LAB 62.34, 13.72, 44.83

 

CMYK 0 / 34 / 77 / 16

HEX #D68E32

RGB 214 142 50

HSL 33.66, 0.67%, 0.52%

LAB 64.86, 19.74, 57.24

 

CMYK 0 / 38 / 87 / 8

HEX #EA901E

RGB 234 144 30

HSL 33.53, 0.83%, 0.52%

LAB 67.67, 26.53, 67.55

 

CMYK 0 / 42 / 96 / 0

HEX #FE930A

RGB 254 147 10

HSL 33.69, 0.99%, 0.52%

LAB 70.84, 32.93, 75

 

CMYK 0 / 28 / 64 / 24

HEX #C38C46

RGB 195 140 70

HSL 33.6, 0.51%, 0.52%

LAB 62.34, 13.72, 44.83

 

CMYK 0 / 22 / 49 / 31

HEX #AF8959

RGB 175 137 89

HSL 33.49, 0.35%, 0.52%

LAB 59.64, 8.34, 31.17

 

CMYK 0 / 13 / 30 / 39

HEX #9B876D

RGB 155 135 109

HSL 33.91, 0.19%, 0.52%

LAB 57.46, 3.46, 16.78

 

CMYK 0 / 2 / 4 / 47

HEX #878481

RGB 135 132 129

HSL 30, 0.02%, 0.52%

LAB 55.32, 0.55, 2.01

 

CMYK 23 / 13 / 0 / 42

HEX #738295

RGB 115 130 149

HSL 213.53, 0.14%, 0.52%

LAB 53.79, -1.09, -12.03

 

CMYK 0 / 63 / 64 / 24

HEX #C34846

RGB 195 72 70

HSL 0.96, 0.51%, 0.52%

LAB 47.85, 49.05, 27.57

 

CMYK 0 / 46 / 64 / 24

HEX #C36946

RGB 195 105 70

HSL 16.8, 0.51%, 0.52%

LAB 54.18, 32.78, 35.33

 

CMYK 0 / 29 / 64 / 24

HEX #C38A46

RGB 195 138 70

HSL 32.64, 0.51%, 0.52%

LAB 61.84, 14.81, 44.27

 

CMYK 0 / 12 / 64 / 24

HEX #C3AC46

RGB 195 172 70

HSL 48.96, 0.51%, 0.52%

LAB 70.56, -3.59, 53.91

 

CMYK 6 / 0 / 64 / 24

HEX #B8C346

RGB 184 195 70

HSL 65.28, 0.51%, 0.52%

LAB 75.86, -20.05, 59.27

 

CMYK 0 / 30 / 68 / 46

HEX #89602C

RGB 137 96 44

HSL 33.55, 0.51%, 0.35%

LAB 44.04, 11.13, 35.56

 

CMYK 0 / 30 / 68 / 34

HEX #A97636

RGB 169 118 54

HSL 33.39, 0.52%, 0.44%

LAB 53.66, 13.58, 42.22

 

CMYK 0 / 28 / 64 / 24

HEX #C38C46

RGB 195 140 70

HSL 33.6, 0.51%, 0.52%

LAB 62.34, 13.72, 44.83

 

CMYK 0 / 22 / 51 / 20

HEX #CD9F65

RGB 205 159 101

HSL 33.46, 0.51%, 0.6%

LAB 68.54, 10.04, 36.65

 

CMYK 0 / 17 / 39 / 16

HEX #D7B284

RGB 215 178 132

HSL 33.25, 0.51%, 0.68%

LAB 74.8, 7.11, 28.53

 

CMYK 0 / 28 / 64 / 24

HEX #C38C46

RGB 195 140 70

HSL 33.6, 0.51%, 0.52%

LAB 62.34, 13.72, 44.83

 

CMYK 48 / 0 / 64 / 24

HEX #65C346

RGB 101 195 70

HSL 105.12, 0.51%, 0.52%

LAB 71.04, -50.63, 52.66

 

CMYK 55 / 64 / 0 / 24

HEX #5846C3

RGB 88 70 195

HSL 248.64, 0.51%, 0.52%

LAB 38.54, 41.35, -63.08

 

CMYK 0 / 28 / 64 / 24

HEX #C38C46

RGB 195 140 70

HSL 33.6, 0.51%, 0.52%

LAB 62.34, 13.72, 44.83

 

CMYK 64 / 0 / 29 / 24

HEX #46C38A

RGB 70 195 138

HSL 152.64, 0.51%, 0.52%

LAB 70.99, -47.77, 18.72

 

CMYK 29 / 64 / 0 / 24

HEX #8A46C3

RGB 138 70 195

HSL 272.64, 0.51%, 0.52%

LAB 43.83, 51.5, -54.25

 

CMYK 0 / 28 / 64 / 24

HEX #C38C46

RGB 195 140 70

HSL 33.6, 0.51%, 0.52%

LAB 62.34, 13.72, 44.83

 

CMYK 48 / 0 / 64 / 24

HEX #65C346

RGB 101 195 70

HSL 105.12, 0.51%, 0.52%

LAB 71.04, -50.63, 52.66

 

CMYK 64 / 35 / 0 / 24

HEX #467EC3

RGB 70 126 195

HSL 213.12, 0.51%, 0.52%

LAB 52.02, 3.39, -41.49

 

CMYK 16 / 64 / 0 / 24

HEX #A346C3

RGB 163 70 195

HSL 284.64, 0.51%, 0.52%

LAB 47.11, 57.22, -48.81

 

CMYK 0 / 28 / 64 / 24

HEX #C38C46

RGB 195 140 70

HSL 33.6, 0.51%, 0.52%

LAB 62.34, 13.72, 44.83

 

CMYK 64 / 0 / 61 / 24

HEX #46C34C

RGB 70 195 76

HSL 122.88, 0.51%, 0.52%

LAB 70.07, -57.88, 48.69

 

CMYK 64 / 35 / 0 / 24

HEX #467EC3

RGB 70 126 195

HSL 213.12, 0.51%, 0.52%

LAB 52.02, 3.39, -41.49

 

CMYK 0 / 64 / 4 / 24

HEX #C346BC

RGB 195 70 188

HSL 303.36, 0.51%, 0.52%

LAB 51.4, 63.64, -37.67

 

Description

Color code: HEX #C38C46 | qconv.com Color code: HEX #C38C46 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 140 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 140 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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