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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C38D69 it is the complementary color #3C7296. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C38D69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C38D69 shade: #C88D64, #D99F77, #EAB18A, #FBC39D and #FFD5B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C38D69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C38D69 shade: #C38D69, #B27B56, #A16943, #905730 and #7F451D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C38D69 shade: #C38D69, #C37569 and #C36969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C38D69 shade: #C38D69, #C3A569, #C3BD69, #B0C369 and #98C369

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C38D69 shade matches the following richer shades: #C38D69, #D48A58, #E58647 and #F68336

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C38D69 shade: #C38D69, #B2907A, #A1948B, #90979C and #7F9AAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C38D69 shade: #C36975, #C37569, #C38D69, #C3A569 and #C3BD69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C38D69 shade: #9C633E, #B7774B, #C38D69, #CFA386 and #DABAA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C38D69 shade: #C38D69, #8DC369 and #6969C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C38D69 shade: #C38D69, #69C38D and #8D69C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C38D69 shade: #C38D69, #8DC369, #699FC3 and #9F69C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C38D69 shade: #C38D69, #72C369, #699FC3 and #BA69C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 46 / 24

HEX #C38D69

RGB 195 141 105

HSL 24, 0.43%, 0.59%

LAB 63.07, 16.12, 27.27

 

Complementary color

CMYK 60 / 24 / 0 / 41

HEX #3C7296

RGB 60 114 150

HSL 204, 0.43%, 0.41%

LAB 45.9, -6.69, -24.96

 

CMYK 0 / 30 / 50 / 22

HEX #C88D64

RGB 200 141 100

HSL 24.6, 0.48%, 0.59%

LAB 63.55, 17.69, 30.73

 

CMYK 0 / 27 / 45 / 15

HEX #D99F77

RGB 217 159 119

HSL 24.49, 0.56%, 0.66%

LAB 70.09, 16.71, 29.31

 

CMYK 0 / 24 / 41 / 8

HEX #EAB18A

RGB 234 177 138

HSL 24.38, 0.7%, 0.73%

LAB 76.54, 15.85, 28

 

CMYK 0 / 22 / 37 / 2

HEX #FBC39D

RGB 251 195 157

HSL 24.26, 0.92%, 0.8%

LAB 82.9, 15.09, 26.78

 

CMYK 0 / 16 / 31 / 0

HEX #FFD5B0

RGB 255 213 176

HSL 28.1, 1%, 0.85%

LAB 87.96, 9.52, 23.79

 

CMYK 0 / 28 / 46 / 24

HEX #C38D69

RGB 195 141 105

HSL 24, 0.43%, 0.59%

LAB 63.07, 16.12, 27.27

 

CMYK 0 / 31 / 52 / 30

HEX #B27B56

RGB 178 123 86

HSL 24.13, 0.37%, 0.52%

LAB 56.39, 17.16, 28.75

 

CMYK 0 / 35 / 58 / 37

HEX #A16943

RGB 161 105 67

HSL 24.26, 0.41%, 0.45%

LAB 49.6, 18.37, 30.37

 

CMYK 0 / 40 / 67 / 44

HEX #905730

RGB 144 87 48

HSL 24.38, 0.5%, 0.38%

LAB 42.7, 19.81, 32.14

 

CMYK 0 / 46 / 77 / 50

HEX #7F451D

RGB 127 69 29

HSL 24.49, 0.63%, 0.31%

LAB 35.71, 21.54, 33.97

 

CMYK 0 / 28 / 46 / 24

HEX #C38D69

RGB 195 141 105

HSL 24, 0.43%, 0.59%

LAB 63.07, 16.12, 27.27

 

CMYK 0 / 40 / 46 / 24

HEX #C37569

RGB 195 117 105

HSL 8, 0.43%, 0.59%

LAB 57.41, 29.29, 19.72

 

CMYK 0 / 46 / 46 / 24

HEX #C36969

RGB 195 105 105

HSL 0, 0.43%, 0.59%

LAB 54.79, 35.72, 16.15

 

CMYK 0 / 28 / 46 / 24

HEX #C38D69

RGB 195 141 105

HSL 24, 0.43%, 0.59%

LAB 63.07, 16.12, 27.27

 

CMYK 0 / 15 / 46 / 24

HEX #C3A569

RGB 195 165 105

HSL 40, 0.43%, 0.59%

LAB 69.14, 3.02, 35.09

 

CMYK 0 / 3 / 46 / 24

HEX #C3BD69

RGB 195 189 105

HSL 56, 0.43%, 0.59%

LAB 75.46, -9.64, 42.98

 

CMYK 10 / 0 / 46 / 24

HEX #B0C369

RGB 176 195 105

HSL 72.67, 0.43%, 0.59%

LAB 75.63, -20.34, 42.84

 

CMYK 22 / 0 / 46 / 24

HEX #98C369

RGB 152 195 105

HSL 88.67, 0.43%, 0.59%

LAB 74.01, -29.56, 40.5

 

CMYK 0 / 28 / 46 / 24

HEX #C38D69

RGB 195 141 105

HSL 24, 0.43%, 0.59%

LAB 63.07, 16.12, 27.27

 

CMYK 0 / 35 / 58 / 17

HEX #D48A58

RGB 212 138 88

HSL 24.19, 0.59%, 0.59%

LAB 64.06, 23.25, 38.12

 

CMYK 0 / 41 / 69 / 10

HEX #E58647

RGB 229 134 71

HSL 23.92, 0.75%, 0.59%

LAB 65.09, 31.23, 48.56

 

CMYK 0 / 47 / 78 / 4

HEX #F68336

RGB 246 131 54

HSL 24.06, 0.91%, 0.59%

LAB 66.59, 38.8, 58.66

 

CMYK 0 / 28 / 46 / 24

HEX #C38D69

RGB 195 141 105

HSL 24, 0.43%, 0.59%

LAB 63.07, 16.12, 27.27

 

CMYK 0 / 19 / 31 / 30

HEX #B2907A

RGB 178 144 122

HSL 23.57, 0.27%, 0.59%

LAB 62.35, 9.55, 16.53

 

CMYK 0 / 8 / 14 / 37

HEX #A1948B

RGB 161 148 139

HSL 24.55, 0.1%, 0.59%

LAB 62.19, 3.23, 6.48

 

CMYK 8 / 3 / 0 / 39

HEX #90979C

RGB 144 151 156

HSL 205, 0.06%, 0.59%

LAB 62.05, -1.5, -3.5

 

CMYK 27 / 11 / 0 / 32

HEX #7F9AAD

RGB 127 154 173

HSL 204.78, 0.22%, 0.59%

LAB 62.2, -4.98, -13.01

 

CMYK 0 / 46 / 40 / 24

HEX #C36975

RGB 195 105 117

HSL 352, 0.43%, 0.59%

LAB 55.06, 37.01, 9.51

 

CMYK 0 / 40 / 46 / 24

HEX #C37569

RGB 195 117 105

HSL 8, 0.43%, 0.59%

LAB 57.41, 29.29, 19.72

 

CMYK 0 / 28 / 46 / 24

HEX #C38D69

RGB 195 141 105

HSL 24, 0.43%, 0.59%

LAB 63.07, 16.12, 27.27

 

CMYK 0 / 15 / 46 / 24

HEX #C3A569

RGB 195 165 105

HSL 40, 0.43%, 0.59%

LAB 69.14, 3.02, 35.09

 

CMYK 0 / 3 / 46 / 24

HEX #C3BD69

RGB 195 189 105

HSL 56, 0.43%, 0.59%

LAB 75.46, -9.64, 42.98

 

CMYK 0 / 37 / 60 / 39

HEX #9C633E

RGB 156 99 62

HSL 23.62, 0.43%, 0.43%

LAB 47.42, 19.22, 30.35

 

CMYK 0 / 35 / 59 / 28

HEX #B7774B

RGB 183 119 75

HSL 24.44, 0.43%, 0.51%

LAB 55.86, 20.56, 34.26

 

CMYK 0 / 28 / 46 / 24

HEX #C38D69

RGB 195 141 105

HSL 24, 0.43%, 0.59%

LAB 63.07, 16.12, 27.27

 

CMYK 0 / 21 / 35 / 19

HEX #CFA386

RGB 207 163 134

HSL 23.84, 0.43%, 0.67%

LAB 70.3, 12.24, 21.27

 

CMYK 0 / 15 / 25 / 15

HEX #DABAA4

RGB 218 186 164

HSL 24.44, 0.42%, 0.75%

LAB 77.7, 8.11, 15.4

 

CMYK 0 / 28 / 46 / 24

HEX #C38D69

RGB 195 141 105

HSL 24, 0.43%, 0.59%

LAB 63.07, 16.12, 27.27

 

CMYK 28 / 0 / 46 / 24

HEX #8DC369

RGB 141 195 105

HSL 96, 0.43%, 0.59%

LAB 73.36, -33.57, 39.54

 

CMYK 46 / 46 / 0 / 24

HEX #6969C3

RGB 105 105 195

HSL 240, 0.43%, 0.59%

LAB 48.32, 23.72, -47.25

 

CMYK 0 / 28 / 46 / 24

HEX #C38D69

RGB 195 141 105

HSL 24, 0.43%, 0.59%

LAB 63.07, 16.12, 27.27

 

CMYK 46 / 0 / 28 / 24

HEX #69C38D

RGB 105 195 141

HSL 144, 0.43%, 0.59%

LAB 72.2, -39.18, 18.96

 

CMYK 28 / 46 / 0 / 24

HEX #8D69C3

RGB 141 105 195

HSL 264, 0.43%, 0.59%

LAB 51.5, 33.14, -41.99

 

CMYK 0 / 28 / 46 / 24

HEX #C38D69

RGB 195 141 105

HSL 24, 0.43%, 0.59%

LAB 63.07, 16.12, 27.27

 

CMYK 28 / 0 / 46 / 24

HEX #8DC369

RGB 141 195 105

HSL 96, 0.43%, 0.59%

LAB 73.36, -33.57, 39.54

 

CMYK 46 / 18 / 0 / 24

HEX #699FC3

RGB 105 159 195

HSL 204, 0.43%, 0.59%

LAB 63.13, -8.08, -24.08

 

CMYK 18 / 46 / 0 / 24

HEX #9F69C3

RGB 159 105 195

HSL 276, 0.43%, 0.59%

LAB 53.4, 38.24, -38.87

 

CMYK 0 / 28 / 46 / 24

HEX #C38D69

RGB 195 141 105

HSL 24, 0.43%, 0.59%

LAB 63.07, 16.12, 27.27

 

CMYK 42 / 0 / 46 / 24

HEX #72C369

RGB 114 195 105

HSL 114, 0.43%, 0.59%

LAB 71.98, -42.6, 37.51

 

CMYK 46 / 18 / 0 / 24

HEX #699FC3

RGB 105 159 195

HSL 204, 0.43%, 0.59%

LAB 63.13, -8.08, -24.08

 

CMYK 5 / 46 / 0 / 24

HEX #BA69C3

RGB 186 105 195

HSL 294, 0.43%, 0.59%

LAB 56.57, 46.11, -33.68

 

Description

Color code: HEX #C38D69 | qconv.com Color code: HEX #C38D69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 141 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 141 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 46 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 46% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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