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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C39554 it is the complementary color #3C6AAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C39554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C39554 shade: #C8954F, #D9A762, #EAB975, #FBCB88 and #FFDD9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C39554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C39554 shade: #C39554, #B28341, #A1712E, #905F1B and #7F4D08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C39554 shade: #C39555, #C37755, #C35A55 and #C35555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C39554 shade: #C39555, #C3B355, #B5C355, #97C355 and #7AC355

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C39554 shade matches the following richer shades: #C39555, #D59842, #E89C30 and #FB9F1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C39554 shade: #C39555, #B09267, #9E8F7A, #8B8C8C and #79889F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C39554 shade: #C35A55, #C37855, #C39555, #C3B255 and #B6C355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C39554 shade: #926B33, #B1813E, #C39555, #CEA873 and #D8BB92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C39554 shade: #C39554, #6DC355 and #6955C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C39554 shade: #C39554, #55C395 and #9555C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C39554 shade: #C39554, #6DC355, #5583C3 and #AB55C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C39554 shade: #C39554, #55C35E, #5583C3 and #C355BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 57 / 24

HEX #C39554

RGB 195 149 84

HSL 35.14, 0.48%, 0.55%

LAB 64.75, 9.81, 40.59

 

Complementary color

CMYK 65 / 38 / 0 / 33

HEX #3C6AAB

RGB 60 106 171

HSL 215.14, 0.48%, 0.45%

LAB 44.53, 5.44, -39.49

 

CMYK 0 / 26 / 61 / 22

HEX #C8954F

RGB 200 149 79

HSL 34.71, 0.52%, 0.55%

LAB 65.23, 11.56, 43.82

 

CMYK 0 / 23 / 55 / 15

HEX #D9A762

RGB 217 167 98

HSL 34.79, 0.61%, 0.62%

LAB 71.74, 10.47, 42.42

 

CMYK 0 / 21 / 50 / 8

HEX #EAB975

RGB 234 185 117

HSL 34.87, 0.74%, 0.69%

LAB 78.15, 9.53, 41.06

 

CMYK 0 / 19 / 46 / 2

HEX #FBCB88

RGB 251 203 136

HSL 34.96, 0.93%, 0.76%

LAB 84.48, 8.71, 39.75

 

CMYK 0 / 13 / 39 / 0

HEX #FFDD9B

RGB 255 221 155

HSL 39.6, 1%, 0.8%

LAB 89.55, 2.96, 36.74

 

CMYK 0 / 24 / 57 / 24

HEX #C39554

RGB 195 149 84

HSL 35.14, 0.48%, 0.55%

LAB 64.75, 9.81, 40.59

 

CMYK 0 / 26 / 63 / 30

HEX #B28341

RGB 178 131 65

HSL 35.04, 0.47%, 0.48%

LAB 58.11, 10.97, 42.01

 

CMYK 0 / 30 / 71 / 37

HEX #A1712E

RGB 161 113 46

HSL 34.96, 0.56%, 0.41%

LAB 51.36, 12.37, 43.34

 

CMYK 0 / 34 / 81 / 44

HEX #905F1B

RGB 144 95 27

HSL 34.87, 0.68%, 0.34%

LAB 44.51, 14.06, 44.3

 

CMYK 0 / 39 / 94 / 50

HEX #7F4D08

RGB 127 77 8

HSL 34.79, 0.88%, 0.26%

LAB 37.55, 16.13, 44.12

 

CMYK 0 / 24 / 56 / 24

HEX #C39555

RGB 195 149 85

HSL 34.91, 0.48%, 0.55%

LAB 64.77, 9.89, 40.09

 

CMYK 0 / 39 / 56 / 24

HEX #C37755

RGB 195 119 85

HSL 18.55, 0.48%, 0.55%

LAB 57.51, 26.35, 31.16

 

CMYK 0 / 54 / 56 / 24

HEX #C35A55

RGB 195 90 85

HSL 2.73, 0.48%, 0.55%

LAB 51.35, 41.61, 23.23

 

CMYK 0 / 56 / 56 / 24

HEX #C35555

RGB 195 85 85

HSL 0, 0.48%, 0.55%

LAB 50.4, 44.07, 21.99

 

CMYK 0 / 24 / 56 / 24

HEX #C39555

RGB 195 149 85

HSL 34.91, 0.48%, 0.55%

LAB 64.77, 9.89, 40.09

 

CMYK 0 / 8 / 56 / 24

HEX #C3B355

RGB 195 179 85

HSL 51.27, 0.48%, 0.55%

LAB 72.56, -6.2, 49.26

 

CMYK 7 / 0 / 56 / 24

HEX #B5C355

RGB 181 195 85

HSL 67.64, 0.48%, 0.55%

LAB 75.77, -20.2, 52.61

 

CMYK 23 / 0 / 56 / 24

HEX #97C355

RGB 151 195 85

HSL 84, 0.48%, 0.55%

LAB 73.72, -32.06, 49.73

 

CMYK 37 / 0 / 56 / 24

HEX #7AC355

RGB 122 195 85

HSL 99.82, 0.48%, 0.55%

LAB 72.11, -42.48, 47.45

 

CMYK 0 / 24 / 56 / 24

HEX #C39555

RGB 195 149 85

HSL 34.91, 0.48%, 0.55%

LAB 64.77, 9.89, 40.09

 

CMYK 0 / 29 / 69 / 16

HEX #D59842

RGB 213 152 66

HSL 35.1, 0.64%, 0.55%

LAB 67.27, 14.67, 52.73

 

CMYK 0 / 33 / 79 / 9

HEX #E89C30

RGB 232 156 48

HSL 35.22, 0.8%, 0.55%

LAB 70.28, 19.82, 63.85

 

CMYK 0 / 37 / 88 / 2

HEX #FB9F1D

RGB 251 159 29

HSL 35.14, 0.97%, 0.55%

LAB 73.15, 25.72, 72.97

 

CMYK 0 / 24 / 56 / 24

HEX #C39555

RGB 195 149 85

HSL 34.91, 0.48%, 0.55%

LAB 64.77, 9.89, 40.09

 

CMYK 0 / 17 / 41 / 31

HEX #B09267

RGB 176 146 103

HSL 35.34, 0.32%, 0.55%

LAB 62.31, 5.26, 27

 

CMYK 0 / 9 / 23 / 38

HEX #9E8F7A

RGB 158 143 122

HSL 35, 0.16%, 0.55%

LAB 60.18, 2.1, 13.21

 

CMYK 1 / 0 / 0 / 45

HEX #8B8C8C

RGB 139 140 140

HSL 180, 0%, 0.55%

LAB 58.17, -0.36, -0.14

 

CMYK 24 / 14 / 0 / 38

HEX #79889F

RGB 121 136 159

HSL 216.32, 0.17%, 0.55%

LAB 56.26, -0.14, -14.03

 

CMYK 0 / 54 / 56 / 24

HEX #C35A55

RGB 195 90 85

HSL 2.73, 0.48%, 0.55%

LAB 51.35, 41.61, 23.23

 

CMYK 0 / 38 / 56 / 24

HEX #C37855

RGB 195 120 85

HSL 19.09, 0.48%, 0.55%

LAB 57.74, 25.81, 31.45

 

CMYK 0 / 24 / 56 / 24

HEX #C39555

RGB 195 149 85

HSL 34.91, 0.48%, 0.55%

LAB 64.77, 9.89, 40.09

 

CMYK 0 / 9 / 56 / 24

HEX #C3B255

RGB 195 178 85

HSL 50.73, 0.48%, 0.55%

LAB 72.29, -5.68, 48.95

 

CMYK 7 / 0 / 56 / 24

HEX #B6C355

RGB 182 195 85

HSL 67.09, 0.48%, 0.55%

LAB 75.84, -19.79, 52.72

 

CMYK 0 / 27 / 65 / 43

HEX #926B33

RGB 146 107 51

HSL 35.37, 0.48%, 0.39%

LAB 48.09, 9.33, 36.78

 

CMYK 0 / 27 / 65 / 31

HEX #B1813E

RGB 177 129 62

HSL 34.96, 0.48%, 0.47%

LAB 57.46, 11.45, 42.73

 

CMYK 0 / 24 / 56 / 24

HEX #C39555

RGB 195 149 85

HSL 34.91, 0.48%, 0.55%

LAB 64.77, 9.89, 40.09

 

CMYK 0 / 18 / 44 / 19

HEX #CEA873

RGB 206 168 115

HSL 34.95, 0.48%, 0.63%

LAB 71.12, 6.97, 32.58

 

CMYK 0 / 13 / 32 / 15

HEX #D8BB92

RGB 216 187 146

HSL 35.14, 0.47%, 0.71%

LAB 77.41, 4.41, 24.61

 

CMYK 0 / 24 / 57 / 24

HEX #C39554

RGB 195 149 84

HSL 35.14, 0.48%, 0.55%

LAB 64.75, 9.81, 40.59

 

CMYK 44 / 0 / 56 / 24

HEX #6DC355

RGB 109 195 85

HSL 106.91, 0.48%, 0.55%

LAB 71.51, -46.66, 46.6

 

CMYK 46 / 56 / 0 / 24

HEX #6955C3

RGB 105 85 195

HSL 250.91, 0.48%, 0.55%

LAB 43.42, 35.85, -55.1

 

CMYK 0 / 24 / 57 / 24

HEX #C39554

RGB 195 149 84

HSL 35.14, 0.48%, 0.55%

LAB 64.75, 9.81, 40.59

 

CMYK 56 / 0 / 24 / 24

HEX #55C395

RGB 85 195 149

HSL 154.91, 0.48%, 0.55%

LAB 71.64, -42.39, 13.79

 

CMYK 24 / 56 / 0 / 24

HEX #9555C3

RGB 149 85 195

HSL 274.91, 0.48%, 0.55%

LAB 48.04, 46.41, -47.44

 

CMYK 0 / 24 / 57 / 24

HEX #C39554

RGB 195 149 84

HSL 35.14, 0.48%, 0.55%

LAB 64.75, 9.81, 40.59

 

CMYK 44 / 0 / 56 / 24

HEX #6DC355

RGB 109 195 85

HSL 106.91, 0.48%, 0.55%

LAB 71.51, -46.66, 46.6

 

CMYK 56 / 33 / 0 / 24

HEX #5583C3

RGB 85 131 195

HSL 214.91, 0.48%, 0.55%

LAB 54.14, 3.34, -38.11

 

CMYK 12 / 56 / 0 / 24

HEX #AB55C3

RGB 171 85 195

HSL 286.91, 0.48%, 0.55%

LAB 50.8, 52.11, -42.89

 

CMYK 0 / 24 / 57 / 24

HEX #C39554

RGB 195 149 84

HSL 35.14, 0.48%, 0.55%

LAB 64.75, 9.81, 40.59

 

CMYK 56 / 0 / 52 / 24

HEX #55C35E

RGB 85 195 94

HSL 124.91, 0.48%, 0.55%

LAB 70.71, -52.2, 41.14

 

CMYK 56 / 33 / 0 / 24

HEX #5583C3

RGB 85 131 195

HSL 214.91, 0.48%, 0.55%

LAB 54.14, 3.34, -38.11

 

CMYK 0 / 56 / 5 / 24

HEX #C355BA

RGB 195 85 186

HSL 304.91, 0.48%, 0.55%

LAB 53.65, 56.87, -32.98

 

Description

Color code: HEX #C39554 | qconv.com Color code: HEX #C39554 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 149 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 149 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 57 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 57% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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