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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3965F it is the complementary color #3C69A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3965F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3965F shade: #C8965A, #D9A86D, #EABA80, #FBCC93 and #FFDEA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3965F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3965F shade: #C3965F, #B2844C, #A17239, #906026 and #7F4E13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3965F shade: #C29660, #C27B60, #C26160 and #C26060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3965F shade: #C29660, #C2B060, #B9C260, #9FC260 and #84C260

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3965F shade matches the following richer shades: #C29660, #D4984E, #E6993C and #F79B2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3965F shade: #C29660, #B09471, #9F9283, #8D9095 and #7B8FA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3965F shade: #C26160, #C27B60, #C29660, #C2B060 and #BAC260

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3965F shade: #966C39, #B48244, #C29660, #CEA97D and #D9BD9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3965F shade: #C3965F, #78C260 and #6E60C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3965F shade: #C3965F, #60C296 and #9660C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3965F shade: #C3965F, #78C260, #608CC2 and #AA60C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3965F shade: #C3965F, #60C264, #608CC2 and #C260BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 51 / 24

HEX #C3965F

RGB 195 150 95

HSL 33, 0.45%, 0.57%

LAB 65.15, 10.21, 35.34

 

Complementary color

CMYK 63 / 34 / 0 / 37

HEX #3C69A0

RGB 60 105 160

HSL 213, 0.45%, 0.43%

LAB 43.66, 2.18, -34.39

 

CMYK 0 / 25 / 55 / 22

HEX #C8965A

RGB 200 150 90

HSL 32.73, 0.5%, 0.57%

LAB 65.62, 11.87, 38.66

 

CMYK 0 / 23 / 50 / 15

HEX #D9A86D

RGB 217 168 109

HSL 32.78, 0.59%, 0.64%

LAB 72.14, 10.89, 37.25

 

CMYK 0 / 21 / 45 / 8

HEX #EABA80

RGB 234 186 128

HSL 32.83, 0.72%, 0.71%

LAB 78.56, 10.04, 35.91

 

CMYK 0 / 19 / 41 / 2

HEX #FBCC93

RGB 251 204 147

HSL 32.88, 0.93%, 0.78%

LAB 84.9, 9.3, 34.65

 

CMYK 0 / 13 / 35 / 0

HEX #FFDEA6

RGB 255 222 166

HSL 37.75, 1%, 0.83%

LAB 89.98, 3.68, 31.7

 

CMYK 0 / 23 / 51 / 24

HEX #C3965F

RGB 195 150 95

HSL 33, 0.45%, 0.57%

LAB 65.15, 10.21, 35.34

 

CMYK 0 / 26 / 57 / 30

HEX #B2844C

RGB 178 132 76

HSL 32.94, 0.4%, 0.5%

LAB 58.5, 11.24, 36.79

 

CMYK 0 / 29 / 65 / 37

HEX #A17239

RGB 161 114 57

HSL 32.88, 0.48%, 0.43%

LAB 51.73, 12.48, 38.28

 

CMYK 0 / 33 / 74 / 44

HEX #906026

RGB 144 96 38

HSL 32.83, 0.58%, 0.36%

LAB 44.85, 13.99, 39.7

 

CMYK 0 / 39 / 85 / 50

HEX #7F4E13

RGB 127 78 19

HSL 32.78, 0.74%, 0.29%

LAB 37.86, 15.83, 40.65

 

CMYK 0 / 23 / 51 / 24

HEX #C29660

RGB 194 150 96

HSL 33.06, 0.45%, 0.57%

LAB 65.06, 9.88, 34.68

 

CMYK 0 / 37 / 51 / 24

HEX #C27B60

RGB 194 123 96

HSL 16.53, 0.45%, 0.57%

LAB 58.49, 24.73, 26.25

 

CMYK 0 / 50 / 51 / 24

HEX #C26160

RGB 194 97 96

HSL 0.61, 0.45%, 0.57%

LAB 52.8, 38.64, 18.68

 

CMYK 0 / 51 / 51 / 24

HEX #C26060

RGB 194 96 96

HSL 0, 0.45%, 0.57%

LAB 52.6, 39.15, 18.41

 

CMYK 0 / 23 / 51 / 24

HEX #C29660

RGB 194 150 96

HSL 33.06, 0.45%, 0.57%

LAB 65.06, 9.88, 34.68

 

CMYK 0 / 9 / 51 / 24

HEX #C2B060

RGB 194 176 96

HSL 48.98, 0.45%, 0.57%

LAB 71.8, -4.12, 42.99

 

CMYK 5 / 0 / 51 / 24

HEX #B9C260

RGB 185 194 96

HSL 65.51, 0.45%, 0.57%

LAB 75.91, -17.12, 47.72

 

CMYK 18 / 0 / 51 / 24

HEX #9FC260

RGB 159 194 96

HSL 81.43, 0.45%, 0.57%

LAB 74.06, -27.43, 45.07

 

CMYK 32 / 0 / 51 / 24

HEX #84C260

RGB 132 194 96

HSL 97.96, 0.45%, 0.57%

LAB 72.45, -37.38, 42.75

 

CMYK 0 / 23 / 51 / 24

HEX #C29660

RGB 194 150 96

HSL 33.06, 0.45%, 0.57%

LAB 65.06, 9.88, 34.68

 

CMYK 0 / 28 / 63 / 17

HEX #D4984E

RGB 212 152 78

HSL 33.13, 0.61%, 0.57%

LAB 67.28, 14.96, 47.02

 

CMYK 0 / 33 / 74 / 10

HEX #E6993C

RGB 230 153 60

HSL 32.82, 0.77%, 0.57%

LAB 69.42, 21.04, 58.2

 

CMYK 0 / 37 / 83 / 3

HEX #F79B2A

RGB 247 155 42

HSL 33.07, 0.93%, 0.57%

LAB 71.81, 26.45, 67.98

 

CMYK 0 / 23 / 51 / 24

HEX #C29660

RGB 194 150 96

HSL 33.06, 0.45%, 0.57%

LAB 65.06, 9.88, 34.68

 

CMYK 0 / 16 / 36 / 31

HEX #B09471

RGB 176 148 113

HSL 33.33, 0.29%, 0.57%

LAB 63.01, 5.35, 22.42

 

CMYK 0 / 8 / 18 / 38

HEX #9F9283

RGB 159 146 131

HSL 32.14, 0.13%, 0.57%

LAB 61.28, 2.24, 9.69

 

CMYK 5 / 3 / 0 / 42

HEX #8D9095

RGB 141 144 149

HSL 217.5, 0.04%, 0.57%

LAB 59.69, -0.09, -3.03

 

CMYK 26 / 14 / 0 / 35

HEX #7B8FA6

RGB 123 143 166

HSL 212.09, 0.19%, 0.57%

LAB 58.61, -1.78, -14.48

 

CMYK 0 / 50 / 51 / 24

HEX #C26160

RGB 194 97 96

HSL 0.61, 0.45%, 0.57%

LAB 52.8, 38.64, 18.68

 

CMYK 0 / 37 / 51 / 24

HEX #C27B60

RGB 194 123 96

HSL 16.53, 0.45%, 0.57%

LAB 58.49, 24.73, 26.25

 

CMYK 0 / 23 / 51 / 24

HEX #C29660

RGB 194 150 96

HSL 33.06, 0.45%, 0.57%

LAB 65.06, 9.88, 34.68

 

CMYK 0 / 9 / 51 / 24

HEX #C2B060

RGB 194 176 96

HSL 48.98, 0.45%, 0.57%

LAB 71.8, -4.12, 42.99

 

CMYK 4 / 0 / 51 / 24

HEX #BAC260

RGB 186 194 96

HSL 64.9, 0.45%, 0.57%

LAB 75.99, -16.71, 47.83

 

CMYK 0 / 28 / 62 / 41

HEX #966C39

RGB 150 108 57

HSL 32.9, 0.45%, 0.41%

LAB 48.89, 11, 34.67

 

CMYK 0 / 28 / 62 / 29

HEX #B48244

RGB 180 130 68

HSL 33.21, 0.45%, 0.49%

LAB 58.12, 12.61, 40.55

 

CMYK 0 / 23 / 51 / 24

HEX #C29660

RGB 194 150 96

HSL 33.06, 0.45%, 0.57%

LAB 65.06, 9.88, 34.68

 

CMYK 0 / 18 / 39 / 19

HEX #CEA97D

RGB 206 169 125

HSL 32.59, 0.45%, 0.65%

LAB 71.54, 7.53, 27.79

 

CMYK 0 / 13 / 29 / 15

HEX #D9BD9B

RGB 217 189 155

HSL 32.9, 0.45%, 0.73%

LAB 78.18, 4.91, 20.87

 

CMYK 0 / 23 / 51 / 24

HEX #C3965F

RGB 195 150 95

HSL 33, 0.45%, 0.57%

LAB 65.15, 10.21, 35.34

 

CMYK 38 / 0 / 51 / 24

HEX #78C260

RGB 120 194 96

HSL 105.31, 0.45%, 0.57%

LAB 71.84, -41.44, 41.86

 

CMYK 43 / 51 / 0 / 24

HEX #6E60C2

RGB 110 96 194

HSL 248.57, 0.45%, 0.57%

LAB 46.41, 30.1, -49.69

 

CMYK 0 / 23 / 51 / 24

HEX #C3965F

RGB 195 150 95

HSL 33, 0.45%, 0.57%

LAB 65.15, 10.21, 35.34

 

CMYK 51 / 0 / 23 / 24

HEX #60C296

RGB 96 194 150

HSL 153.06, 0.45%, 0.57%

LAB 71.74, -39.2, 13.43

 

CMYK 23 / 51 / 0 / 24

HEX #9660C2

RGB 150 96 194

HSL 273.06, 0.45%, 0.57%

LAB 50.39, 40.48, -43.12

 

CMYK 0 / 23 / 51 / 24

HEX #C3965F

RGB 195 150 95

HSL 33, 0.45%, 0.57%

LAB 65.15, 10.21, 35.34

 

CMYK 38 / 0 / 51 / 24

HEX #78C260

RGB 120 194 96

HSL 105.31, 0.45%, 0.57%

LAB 71.84, -41.44, 41.86

 

CMYK 51 / 28 / 0 / 24

HEX #608CC2

RGB 96 140 194

HSL 213.06, 0.45%, 0.57%

LAB 57.21, 0.21, -32.7

 

CMYK 12 / 51 / 0 / 24

HEX #AA60C2

RGB 170 96 194

HSL 285.31, 0.45%, 0.57%

LAB 52.74, 46.02, -39.26

 

CMYK 0 / 23 / 51 / 24

HEX #C3965F

RGB 195 150 95

HSL 33, 0.45%, 0.57%

LAB 65.15, 10.21, 35.34

 

CMYK 51 / 0 / 48 / 24

HEX #60C264

RGB 96 194 100

HSL 122.45, 0.45%, 0.57%

LAB 70.86, -48.12, 38.46

 

CMYK 51 / 28 / 0 / 24

HEX #608CC2

RGB 96 140 194

HSL 213.06, 0.45%, 0.57%

LAB 57.21, 0.21, -32.7

 

CMYK 0 / 51 / 3 / 24

HEX #C260BD

RGB 194 96 189

HSL 303.06, 0.45%, 0.57%

LAB 55.59, 51.88, -31.69

 

Description

Color code: HEX #C3965F | qconv.com Color code: HEX #C3965F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 150 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 150 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 51 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 51% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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