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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3921D it is the complementary color #3C6DE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3921D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3921D shade: #C89218, #D9A42B, #EAB63E, #FBC851 and #FFDA64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3921D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3921D shade: #C3921D, #B2800A, #A16E00, #905C00 and #7F4A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3921D shade: #C3921D, #C3651D, #C3381D and #C31D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3921D shade: #C3921D, #C3BE1D, #9AC31D, #6DC31D and #41C31D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3921D shade matches the following richer shades: #C3921D and #D5990B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3921D shade: #C3921D, #B18A2F, #9E8341, #8C7B53 and #7A7465

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3921D shade: #C3381D, #C3651D, #C3911D, #C3BD1D and #9CC31D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3921D shade: #7B5C12, #9F7717, #C3921D, #DFA92A and #E4B84E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3921D shade: #C3921D, #2DC31D and #4E1DC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3921D shade: #C3921D, #1DC391 and #911DC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3921D shade: #C3921D, #2DC31D, #1D4EC3 and #B21DC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3921D shade: #C3921D, #1DC33E, #1D4EC3 and #C31DA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 85 / 24

HEX #C3921D

RGB 195 146 29

HSL 42.29, 0.74%, 0.44%

LAB 63.55, 8.57, 62.57

 

Complementary color

CMYK 73 / 52 / 0 / 11

HEX #3C6DE2

RGB 60 109 226

HSL 222.29, 0.74%, 0.56%

LAB 48.75, 23.48, -64.37

 

CMYK 0 / 27 / 88 / 22

HEX #C89218

RGB 200 146 24

HSL 41.59, 0.79%, 0.44%

LAB 64.08, 10.67, 64.55

 

CMYK 0 / 24 / 80 / 15

HEX #D9A42B

RGB 217 164 43

HSL 41.72, 0.7%, 0.51%

LAB 70.51, 8.94, 65.18

 

CMYK 0 / 22 / 74 / 8

HEX #EAB63E

RGB 234 182 62

HSL 41.86, 0.8%, 0.58%

LAB 76.86, 7.45, 64.9

 

CMYK 0 / 20 / 68 / 2

HEX #FBC851

RGB 251 200 81

HSL 42, 0.96%, 0.65%

LAB 83.13, 6.16, 64.14

 

CMYK 0 / 15 / 61 / 0

HEX #FFDA64

RGB 255 218 100

HSL 45.68, 1%, 0.7%

LAB 88.12, -0.28, 61.46

 

CMYK 0 / 25 / 85 / 24

HEX #C3921D

RGB 195 146 29

HSL 42.29, 0.74%, 0.44%

LAB 63.55, 8.57, 62.57

 

CMYK 0 / 28 / 94 / 30

HEX #B2800A

RGB 178 128 10

HSL 42.14, 0.89%, 0.37%

LAB 57, 10.47, 60.96

 

CMYK 0 / 32 / 100 / 37

HEX #A16E00

RGB 161 110 0

HSL 40.99, 1%, 0.32%

LAB 50.37, 12.68, 57.23

 

CMYK 0 / 36 / 100 / 44

HEX #905C00

RGB 144 92 0

HSL 38.33, 1%, 0.28%

LAB 43.63, 15.14, 51.73

 

CMYK 0 / 42 / 100 / 50

HEX #7F4A00

RGB 127 74 0

HSL 34.96, 1%, 0.25%

LAB 36.76, 17.72, 46.14

 

CMYK 0 / 25 / 85 / 24

HEX #C3921D

RGB 195 146 29

HSL 42.29, 0.74%, 0.44%

LAB 63.55, 8.57, 62.57

 

CMYK 0 / 48 / 85 / 24

HEX #C3651D

RGB 195 101 29

HSL 26.02, 0.74%, 0.44%

LAB 52.95, 33.04, 53.68

 

CMYK 0 / 71 / 85 / 24

HEX #C3381D

RGB 195 56 29

HSL 9.76, 0.74%, 0.44%

LAB 44.97, 53.85, 46.85

 

CMYK 0 / 85 / 85 / 24

HEX #C31D1D

RGB 195 29 29

HSL 0, 0.74%, 0.44%

LAB 42.11, 61.87, 44.36

 

CMYK 0 / 25 / 85 / 24

HEX #C3921D

RGB 195 146 29

HSL 42.29, 0.74%, 0.44%

LAB 63.55, 8.57, 62.57

 

CMYK 0 / 3 / 85 / 24

HEX #C3BE1D

RGB 195 190 29

HSL 58.19, 0.74%, 0.44%

LAB 75.15, -14.67, 72.15

 

CMYK 21 / 0 / 85 / 24

HEX #9AC31D

RGB 154 195 29

HSL 74.82, 0.74%, 0.44%

LAB 73.54, -34.29, 69.59

 

CMYK 44 / 0 / 85 / 24

HEX #6DC31D

RGB 109 195 29

HSL 91.08, 0.74%, 0.44%

LAB 71.13, -50.78, 66.56

 

CMYK 67 / 0 / 85 / 24

HEX #41C31D

RGB 65 195 29

HSL 106.99, 0.74%, 0.44%

LAB 69.64, -62.54, 64.68

 

CMYK 0 / 25 / 85 / 24

HEX #C3921D

RGB 195 146 29

HSL 42.29, 0.74%, 0.44%

LAB 63.55, 8.57, 62.57

 

CMYK 0 / 28 / 95 / 16

HEX #D5990B

RGB 213 153 11

HSL 42.18, 0.9%, 0.44%

LAB 67.24, 12.4, 70.04

 

CMYK 0 / 25 / 85 / 24

HEX #C3921D

RGB 195 146 29

HSL 42.29, 0.74%, 0.44%

LAB 63.55, 8.57, 62.57

 

CMYK 0 / 22 / 73 / 31

HEX #B18A2F

RGB 177 138 47

HSL 42, 0.58%, 0.44%

LAB 59.64, 5.58, 51.94

 

CMYK 0 / 17 / 59 / 38

HEX #9E8341

RGB 158 131 65

HSL 42.58, 0.42%, 0.44%

LAB 55.97, 2.13, 38.98

 

CMYK 0 / 12 / 41 / 45

HEX #8C7B53

RGB 140 123 83

HSL 42.11, 0.26%, 0.44%

LAB 52.25, 0.52, 24.27

 

CMYK 0 / 5 / 17 / 52

HEX #7A7465

RGB 122 116 101

HSL 42.86, 0.09%, 0.44%

LAB 48.97, -0.43, 9.12

 

CMYK 0 / 71 / 85 / 24

HEX #C3381D

RGB 195 56 29

HSL 9.76, 0.74%, 0.44%

LAB 44.97, 53.85, 46.85

 

CMYK 0 / 48 / 85 / 24

HEX #C3651D

RGB 195 101 29

HSL 26.02, 0.74%, 0.44%

LAB 52.95, 33.04, 53.68

 

CMYK 0 / 26 / 85 / 24

HEX #C3911D

RGB 195 145 29

HSL 41.93, 0.74%, 0.44%

LAB 63.29, 9.11, 62.35

 

CMYK 0 / 3 / 85 / 24

HEX #C3BD1D

RGB 195 189 29

HSL 57.83, 0.74%, 0.44%

LAB 74.88, -14.16, 71.93

 

CMYK 20 / 0 / 85 / 24

HEX #9CC31D

RGB 156 195 29

HSL 74.1, 0.74%, 0.44%

LAB 73.67, -33.49, 69.75

 

CMYK 0 / 25 / 85 / 52

HEX #7B5C12

RGB 123 92 18

HSL 42.29, 0.74%, 0.28%

LAB 41.07, 5.56, 43.65

 

CMYK 0 / 25 / 86 / 38

HEX #9F7717

RGB 159 119 23

HSL 42.35, 0.75%, 0.36%

LAB 52.54, 7.09, 53.49

 

CMYK 0 / 25 / 85 / 24

HEX #C3921D

RGB 195 146 29

HSL 42.29, 0.74%, 0.44%

LAB 63.55, 8.57, 62.57

 

CMYK 0 / 24 / 81 / 13

HEX #DFA92A

RGB 223 169 42

HSL 42.1, 0.74%, 0.52%

LAB 72.38, 8.85, 67.4

 

CMYK 0 / 19 / 66 / 11

HEX #E4B84E

RGB 228 184 78

HSL 42.4, 0.74%, 0.6%

LAB 76.88, 4.67, 58.11

 

CMYK 0 / 25 / 85 / 24

HEX #C3921D

RGB 195 146 29

HSL 42.29, 0.74%, 0.44%

LAB 63.55, 8.57, 62.57

 

CMYK 77 / 0 / 85 / 24

HEX #2DC31D

RGB 45 195 29

HSL 114.22, 0.74%, 0.44%

LAB 69.24, -66.01, 64.17

 

CMYK 60 / 85 / 0 / 24

HEX #4E1DC3

RGB 78 29 195

HSL 257.71, 0.74%, 0.44%

LAB 30.49, 60.03, -76.34

 

CMYK 0 / 25 / 85 / 24

HEX #C3921D

RGB 195 146 29

HSL 42.29, 0.74%, 0.44%

LAB 63.55, 8.57, 62.57

 

CMYK 85 / 0 / 26 / 24

HEX #1DC391

RGB 29 195 145

HSL 161.93, 0.74%, 0.44%

LAB 70.41, -51.53, 14.04

 

CMYK 26 / 85 / 0 / 24

HEX #911DC3

RGB 145 29 195

HSL 281.93, 0.74%, 0.44%

LAB 39.31, 68.45, -61.54

 

CMYK 0 / 25 / 85 / 24

HEX #C3921D

RGB 195 146 29

HSL 42.29, 0.74%, 0.44%

LAB 63.55, 8.57, 62.57

 

CMYK 77 / 0 / 85 / 24

HEX #2DC31D

RGB 45 195 29

HSL 114.22, 0.74%, 0.44%

LAB 69.24, -66.01, 64.17

 

CMYK 85 / 60 / 0 / 24

HEX #1D4EC3

RGB 29 78 195

HSL 222.29, 0.74%, 0.44%

LAB 37.21, 28.81, -65.4

 

CMYK 9 / 85 / 0 / 24

HEX #B21DC3

RGB 178 29 195

HSL 293.86, 0.74%, 0.44%

LAB 44.64, 73.88, -52.66

 

CMYK 0 / 25 / 85 / 24

HEX #C3921D

RGB 195 146 29

HSL 42.29, 0.74%, 0.44%

LAB 63.55, 8.57, 62.57

 

CMYK 85 / 0 / 68 / 24

HEX #1DC33E

RGB 29 195 62

HSL 131.93, 0.74%, 0.44%

LAB 69.21, -65.54, 53.47

 

CMYK 85 / 60 / 0 / 24

HEX #1D4EC3

RGB 29 78 195

HSL 222.29, 0.74%, 0.44%

LAB 37.21, 28.81, -65.4

 

CMYK 0 / 85 / 17 / 24

HEX #C31DA2

RGB 195 29 162

HSL 311.93, 0.74%, 0.44%

LAB 45.76, 72.21, -31.23

 

Description

Color code: HEX #C3921D | qconv.com Color code: HEX #C3921D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 146 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 146 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 85 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 85% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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