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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C39BE2 it is the complementary color #3C641D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C39BE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C39BE2 shade: #C89BDD, #D9ADF0, #EABFFF, #FBD1FF and #FFE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C39BE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C39BE2 shade: #C39BE2, #B289CF, #A177BC, #9065A9 and #7F5396

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C39BE2 shade: #C39CE2, #D69CE2, #E29CDB, #E29CC8 and #E29CB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C39BE2 shade: #C39CE2, #B09CE2, #9D9CE2 and #9C9CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C39BE2 shade matches the following richer shades: #C39CE2, #C491EC and #C687F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C39BE2 shade: #C39CE2, #C2A6D7, #C1B0CD, #BFBBC3 and #BEC5B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C39BE2 shade: #9D9CE2, #B09CE2, #C29CE2, #D59CE2 and #E29CDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C39BE2 shade: #9D5CCF, #B07CD9, #C39CE2, #D6BCEB and #EADCF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C39BE2 shade: #C39BE2, #E29CAD and #9CE2A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C39BE2 shade: #C39BE2, #E2C29C and #9CE2C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C39BE2 shade: #C39BE2, #E29CAD, #BBE29C and #9CE2D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C39BE2 shade: #C39BE2, #E29F9C, #BBE29C and #9CDEE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 31 / 0 / 11

HEX #C39BE2

RGB 195 155 226

HSL 273.8, 0.55%, 0.75%

LAB 69.85, 28.01, -30.36

 

Complementary color

CMYK 40 / 0 / 71 / 61

HEX #3C641D

RGB 60 100 29

HSL 93.8, 0.55%, 0.25%

LAB 38.13, -27.39, 34.49

 

CMYK 10 / 30 / 0 / 13

HEX #C89BDD

RGB 200 155 221

HSL 280.91, 0.49%, 0.74%

LAB 70.14, 28.53, -27.13

 

CMYK 10 / 28 / 0 / 6

HEX #D9ADF0

RGB 217 173 240

HSL 279.4, 0.69%, 0.81%

LAB 76.64, 27.92, -27.38

 

CMYK 8 / 25 / 0 / 0

HEX #EABFFF

RGB 234 191 255

HSL 280.31, 1%, 0.87%

LAB 82.9, 26.56, -25.72

 

CMYK 2 / 18 / 0 / 0

HEX #FBD1FF

RGB 251 209 255

HSL 294.78, 1%, 0.91%

LAB 88.6, 22.45, -16.93

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 14 / 31 / 0 / 11

HEX #C39BE2

RGB 195 155 226

HSL 273.8, 0.55%, 0.75%

LAB 69.85, 28.01, -30.36

 

CMYK 14 / 34 / 0 / 19

HEX #B289CF

RGB 178 137 207

HSL 275.14, 0.42%, 0.67%

LAB 63.23, 28.67, -30.19

 

CMYK 14 / 37 / 0 / 26

HEX #A177BC

RGB 161 119 188

HSL 276.52, 0.34%, 0.6%

LAB 56.49, 29.39, -30.02

 

CMYK 15 / 40 / 0 / 34

HEX #9065A9

RGB 144 101 169

HSL 277.94, 0.28%, 0.53%

LAB 49.62, 30.16, -29.87

 

CMYK 15 / 45 / 0 / 41

HEX #7F5396

RGB 127 83 150

HSL 279.4, 0.29%, 0.46%

LAB 42.61, 30.99, -29.7

 

CMYK 14 / 31 / 0 / 11

HEX #C39CE2

RGB 195 156 226

HSL 273.43, 0.55%, 0.75%

LAB 70.08, 27.45, -30

 

CMYK 5 / 31 / 0 / 11

HEX #D69CE2

RGB 214 156 226

HSL 289.71, 0.55%, 0.75%

LAB 71.94, 33.41, -26.99

 

CMYK 0 / 31 / 3 / 11

HEX #E29CDB

RGB 226 156 219

HSL 306, 0.55%, 0.75%

LAB 72.93, 35.94, -21.52

 

CMYK 0 / 31 / 12 / 11

HEX #E29CC8

RGB 226 156 200

HSL 322.29, 0.55%, 0.75%

LAB 72.31, 32.66, -12.02

 

CMYK 0 / 31 / 20 / 11

HEX #E29CB5

RGB 226 156 181

HSL 338.57, 0.55%, 0.75%

LAB 71.75, 29.65, -2.34

 

CMYK 14 / 31 / 0 / 11

HEX #C39CE2

RGB 195 156 226

HSL 273.43, 0.55%, 0.75%

LAB 70.08, 27.45, -30

 

CMYK 22 / 31 / 0 / 11

HEX #B09CE2

RGB 176 156 226

HSL 257.14, 0.55%, 0.75%

LAB 68.39, 21.65, -32.76

 

CMYK 31 / 31 / 0 / 11

HEX #9D9CE2

RGB 157 156 226

HSL 240.86, 0.55%, 0.75%

LAB 66.85, 16.07, -35.26

 

CMYK 31 / 31 / 0 / 11

HEX #9C9CE2

RGB 156 156 226

HSL 240, 0.55%, 0.75%

LAB 66.78, 15.79, -35.39

 

CMYK 14 / 31 / 0 / 11

HEX #C39CE2

RGB 195 156 226

HSL 273.43, 0.55%, 0.75%

LAB 70.08, 27.45, -30

 

CMYK 17 / 39 / 0 / 7

HEX #C491EC

RGB 196 145 236

HSL 273.63, 0.71%, 0.75%

LAB 68.05, 35.96, -38.63

 

CMYK 20 / 45 / 0 / 4

HEX #C687F6

RGB 198 135 246

HSL 274.05, 0.86%, 0.75%

LAB 66.51, 44.14, -46.53

 

CMYK 14 / 31 / 0 / 11

HEX #C39CE2

RGB 195 156 226

HSL 273.43, 0.55%, 0.75%

LAB 70.08, 27.45, -30

 

CMYK 10 / 23 / 0 / 16

HEX #C2A6D7

RGB 194 166 215

HSL 274.29, 0.38%, 0.75%

LAB 71.99, 19.31, -21.05

 

CMYK 6 / 14 / 0 / 20

HEX #C1B0CD

RGB 193 176 205

HSL 275.17, 0.22%, 0.75%

LAB 74.06, 11.47, -12.46

 

CMYK 2 / 4 / 0 / 24

HEX #BFBBC3

RGB 191 187 195

HSL 270, 0.06%, 0.75%

LAB 76.41, 2.89, -3.54

 

CMYK 4 / 0 / 6 / 23

HEX #BEC5B9

RGB 190 197 185

HSL 95, 0.09%, 0.75%

LAB 78.68, -4.61, 5.17

 

CMYK 31 / 31 / 0 / 11

HEX #9D9CE2

RGB 157 156 226

HSL 240.86, 0.55%, 0.75%

LAB 66.85, 16.07, -35.26

 

CMYK 22 / 31 / 0 / 11

HEX #B09CE2

RGB 176 156 226

HSL 257.14, 0.55%, 0.75%

LAB 68.39, 21.65, -32.76

 

CMYK 14 / 31 / 0 / 11

HEX #C29CE2

RGB 194 156 226

HSL 272.57, 0.55%, 0.75%

LAB 69.99, 27.14, -30.15

 

CMYK 6 / 31 / 0 / 11

HEX #D59CE2

RGB 213 156 226

HSL 288.86, 0.55%, 0.75%

LAB 71.84, 33.09, -27.16

 

CMYK 0 / 31 / 3 / 11

HEX #E29CDC

RGB 226 156 220

HSL 305.14, 0.55%, 0.75%

LAB 72.97, 36.12, -22.02

 

CMYK 24 / 56 / 0 / 19

HEX #9D5CCF

RGB 157 92 207

HSL 273.91, 0.55%, 0.59%

LAB 51.07, 47.5, -49.45

 

CMYK 19 / 43 / 0 / 15

HEX #B07CD9

RGB 176 124 217

HSL 273.55, 0.55%, 0.67%

LAB 60.48, 37.53, -40.09

 

CMYK 14 / 31 / 0 / 11

HEX #C39CE2

RGB 195 156 226

HSL 273.43, 0.55%, 0.75%

LAB 70.08, 27.45, -30

 

CMYK 9 / 20 / 0 / 8

HEX #D6BCEB

RGB 214 188 235

HSL 273.19, 0.54%, 0.83%

LAB 79.76, 17.84, -19.95

 

CMYK 4 / 10 / 0 / 4

HEX #EADCF4

RGB 234 220 244

HSL 275, 0.52%, 0.91%

LAB 89.49, 9.08, -9.97

 

CMYK 14 / 31 / 0 / 11

HEX #C39BE2

RGB 195 155 226

HSL 273.8, 0.55%, 0.75%

LAB 69.85, 28.01, -30.36

 

CMYK 0 / 31 / 23 / 11

HEX #E29CAD

RGB 226 156 173

HSL 345.43, 0.55%, 0.75%

LAB 71.53, 28.47, 1.77

 

CMYK 31 / 0 / 27 / 11

HEX #9CE2A6

RGB 156 226 166

HSL 128.57, 0.55%, 0.75%

LAB 84.08, -33.78, 22.53

 

CMYK 14 / 31 / 0 / 11

HEX #C39BE2

RGB 195 155 226

HSL 273.8, 0.55%, 0.75%

LAB 69.85, 28.01, -30.36

 

CMYK 0 / 14 / 31 / 11

HEX #E2C29C

RGB 226 194 156

HSL 32.57, 0.55%, 0.75%

LAB 80.27, 5.86, 23.34

 

CMYK 31 / 0 / 14 / 11

HEX #9CE2C2

RGB 156 226 194

HSL 152.57, 0.55%, 0.75%

LAB 84.67, -28.55, 8.7

 

CMYK 14 / 31 / 0 / 11

HEX #C39BE2

RGB 195 155 226

HSL 273.8, 0.55%, 0.75%

LAB 69.85, 28.01, -30.36

 

CMYK 0 / 31 / 23 / 11

HEX #E29CAD

RGB 226 156 173

HSL 345.43, 0.55%, 0.75%

LAB 71.53, 28.47, 1.77

 

CMYK 17 / 0 / 31 / 11

HEX #BBE29C

RGB 187 226 156

HSL 93.43, 0.55%, 0.75%

LAB 85.68, -24.97, 30.17

 

CMYK 31 / 0 / 8 / 11

HEX #9CE2D0

RGB 156 226 208

HSL 164.57, 0.55%, 0.75%

LAB 85, -25.66, 1.81

 

CMYK 14 / 31 / 0 / 11

HEX #C39BE2

RGB 195 155 226

HSL 273.8, 0.55%, 0.75%

LAB 69.85, 28.01, -30.36

 

CMYK 0 / 30 / 31 / 11

HEX #E29F9C

RGB 226 159 156

HSL 2.57, 0.55%, 0.75%

LAB 71.8, 24.53, 11.57

 

CMYK 17 / 0 / 31 / 11

HEX #BBE29C

RGB 187 226 156

HSL 93.43, 0.55%, 0.75%

LAB 85.68, -24.97, 30.17

 

CMYK 31 / 2 / 0 / 11

HEX #9CDEE2

RGB 156 222 226

HSL 183.43, 0.55%, 0.75%

LAB 84.38, -19.69, -8.62

 

Description

Color code: HEX #C39BE2 | qconv.com Color code: HEX #C39BE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 155 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 155 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 31 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 31% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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