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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7A58E it is the complementary color #385A71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7A58E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7A58E shade: #CCA589, #DDB79C, #EEC9AF, #FFDBC2 and #FFEDD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7A58E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7A58E shade: #C7A58E, #B6937B, #A58168, #946F55 and #835D42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7A58E shade: #C7A58E, #C7958E and #C78E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7A58E shade: #C7A58E, #C7B48E, #C7C48E, #BBC78E and #ABC78E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7A58E shade matches the following richer shades: #C7A58E, #D5A280, #E2A073, #F09D65 and #FD9A57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7A58E shade: #C7A58E, #B9A79B, #ACAAA9, #9EADB7 and #90AFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7A58E shade: #C78E95, #C7958E, #C7A58E, #C7B48E and #C7C38E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7A58E shade: #AC7956, #B98F72, #C7A58E, #D5BBA9 and #E2D1C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7A58E shade: #C7A58E, #A5C78E and #8E8EC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7A58E shade: #C7A58E, #8EC7A5 and #A58EC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7A58E shade: #C7A58E, #A5C78E, #8EB0C7 and #B08EC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7A58E shade: #C7A58E, #93C78E, #8EB0C7 and #C18EC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 29 / 22

HEX #C7A58E

RGB 199 165 142

HSL 24.21, 0.34%, 0.67%

LAB 70.18, 9.04, 16.59

 

Complementary color

CMYK 50 / 20 / 0 / 56

HEX #385A71

RGB 56 90 113

HSL 204.21, 0.34%, 0.33%

LAB 36.64, -5.36, -16.91

 

CMYK 0 / 19 / 33 / 20

HEX #CCA589

RGB 204 165 137

HSL 25.07, 0.4%, 0.67%

LAB 70.56, 10.34, 19.94

 

CMYK 0 / 17 / 29 / 13

HEX #DDB79C

RGB 221 183 156

HSL 24.92, 0.49%, 0.74%

LAB 77.06, 9.76, 18.86

 

CMYK 0 / 16 / 26 / 7

HEX #EEC9AF

RGB 238 201 175

HSL 24.76, 0.65%, 0.81%

LAB 83.47, 9.25, 17.86

 

CMYK 0 / 14 / 24 / 0

HEX #FFDBC2

RGB 255 219 194

HSL 24.59, 1%, 0.88%

LAB 89.77, 8.78, 16.91

 

CMYK 0 / 7 / 16 / 0

HEX #FFEDD5

RGB 255 237 213

HSL 34.29, 1%, 0.92%

LAB 94.58, 2.29, 13.82

 

CMYK 0 / 17 / 29 / 22

HEX #C7A58E

RGB 199 165 142

HSL 24.21, 0.34%, 0.67%

LAB 70.18, 9.04, 16.59

 

CMYK 0 / 19 / 32 / 29

HEX #B6937B

RGB 182 147 123

HSL 24.41, 0.29%, 0.6%

LAB 63.54, 9.63, 17.68

 

CMYK 0 / 22 / 37 / 35

HEX #A58168

RGB 165 129 104

HSL 24.59, 0.25%, 0.53%

LAB 56.78, 10.3, 18.86

 

CMYK 0 / 25 / 43 / 42

HEX #946F55

RGB 148 111 85

HSL 24.76, 0.27%, 0.46%

LAB 49.88, 11.1, 20.16

 

CMYK 0 / 29 / 50 / 49

HEX #835D42

RGB 131 93 66

HSL 24.92, 0.33%, 0.39%

LAB 42.83, 12.07, 21.62

 

CMYK 0 / 17 / 29 / 22

HEX #C7A58E

RGB 199 165 142

HSL 24.21, 0.34%, 0.67%

LAB 70.18, 9.04, 16.59

 

CMYK 0 / 25 / 29 / 22

HEX #C7958E

RGB 199 149 142

HSL 7.37, 0.34%, 0.67%

LAB 66.21, 17.79, 11.02

 

CMYK 0 / 29 / 29 / 22

HEX #C78E8E

RGB 199 142 142

HSL 0, 0.34%, 0.67%

LAB 64.52, 21.64, 8.63

 

CMYK 0 / 17 / 29 / 22

HEX #C7A58E

RGB 199 165 142

HSL 24.21, 0.34%, 0.67%

LAB 70.18, 9.04, 16.59

 

CMYK 0 / 10 / 29 / 22

HEX #C7B48E

RGB 199 180 142

HSL 40, 0.34%, 0.67%

LAB 74.02, 0.97, 21.89

 

CMYK 0 / 2 / 29 / 22

HEX #C7C48E

RGB 199 196 142

HSL 56.84, 0.34%, 0.67%

LAB 78.21, -7.43, 27.56

 

CMYK 6 / 0 / 29 / 22

HEX #BBC78E

RGB 187 199 142

HSL 72.63, 0.34%, 0.67%

LAB 78.09, -13.57, 27.24

 

CMYK 14 / 0 / 29 / 22

HEX #ABC78E

RGB 171 199 142

HSL 89.47, 0.34%, 0.67%

LAB 76.96, -19.53, 25.51

 

CMYK 0 / 17 / 29 / 22

HEX #C7A58E

RGB 199 165 142

HSL 24.21, 0.34%, 0.67%

LAB 70.18, 9.04, 16.59

 

CMYK 0 / 24 / 40 / 16

HEX #D5A280

RGB 213 162 128

HSL 24, 0.5%, 0.67%

LAB 70.56, 14.45, 24.98

 

CMYK 0 / 29 / 49 / 11

HEX #E2A073

RGB 226 160 115

HSL 24.32, 0.66%, 0.67%

LAB 71.25, 19.4, 33.15

 

CMYK 0 / 35 / 58 / 6

HEX #F09D65

RGB 240 157 101

HSL 24.17, 0.82%, 0.67%

LAB 71.95, 25.47, 41.72

 

CMYK 0 / 39 / 66 / 1

HEX #FD9A57

RGB 253 154 87

HSL 24.22, 0.98%, 0.67%

LAB 72.68, 31.31, 50.05

 

CMYK 0 / 17 / 29 / 22

HEX #C7A58E

RGB 199 165 142

HSL 24.21, 0.34%, 0.67%

LAB 70.18, 9.04, 16.59

 

CMYK 0 / 10 / 16 / 27

HEX #B9A79B

RGB 185 167 155

HSL 24, 0.18%, 0.67%

LAB 69.7, 4.51, 8.57

 

CMYK 0 / 1 / 2 / 33

HEX #ACAAA9

RGB 172 170 169

HSL 20, 0.02%, 0.67%

LAB 69.74, 0.53, 0.76

 

CMYK 14 / 5 / 0 / 28

HEX #9EADB7

RGB 158 173 183

HSL 204, 0.15%, 0.67%

LAB 69.88, -3.14, -6.9

 

CMYK 27 / 11 / 0 / 23

HEX #90AFC4

RGB 144 175 196

HSL 204.23, 0.31%, 0.67%

LAB 69.88, -5.75, -14.17

 

CMYK 0 / 29 / 25 / 22

HEX #C78E95

RGB 199 142 149

HSL 352.63, 0.34%, 0.67%

LAB 64.69, 22.63, 4.92

 

CMYK 0 / 25 / 29 / 22

HEX #C7958E

RGB 199 149 142

HSL 7.37, 0.34%, 0.67%

LAB 66.21, 17.79, 11.02

 

CMYK 0 / 17 / 29 / 22

HEX #C7A58E

RGB 199 165 142

HSL 24.21, 0.34%, 0.67%

LAB 70.18, 9.04, 16.59

 

CMYK 0 / 10 / 29 / 22

HEX #C7B48E

RGB 199 180 142

HSL 40, 0.34%, 0.67%

LAB 74.02, 0.97, 21.89

 

CMYK 0 / 2 / 29 / 22

HEX #C7C38E

RGB 199 195 142

HSL 55.79, 0.34%, 0.67%

LAB 77.95, -6.92, 27.21

 

CMYK 0 / 30 / 50 / 33

HEX #AC7956

RGB 172 121 86

HSL 24.42, 0.34%, 0.51%

LAB 55.19, 15.74, 27.07

 

CMYK 0 / 23 / 38 / 27

HEX #B98F72

RGB 185 143 114

HSL 24.51, 0.34%, 0.59%

LAB 62.65, 11.92, 21.54

 

CMYK 0 / 17 / 29 / 22

HEX #C7A58E

RGB 199 165 142

HSL 24.21, 0.34%, 0.67%

LAB 70.18, 9.04, 16.59

 

CMYK 0 / 12 / 21 / 16

HEX #D5BBA9

RGB 213 187 169

HSL 24.55, 0.34%, 0.75%

LAB 77.61, 6.42, 12.51

 

CMYK 0 / 8 / 13 / 11

HEX #E2D1C5

RGB 226 209 197

HSL 24.83, 0.33%, 0.83%

LAB 84.89, 3.91, 8.06

 

CMYK 0 / 17 / 29 / 22

HEX #C7A58E

RGB 199 165 142

HSL 24.21, 0.34%, 0.67%

LAB 70.18, 9.04, 16.59

 

CMYK 17 / 0 / 29 / 22

HEX #A5C78E

RGB 165 199 142

HSL 95.79, 0.34%, 0.67%

LAB 76.56, -21.71, 24.91

 

CMYK 29 / 29 / 0 / 22

HEX #8E8EC7

RGB 142 142 199

HSL 240, 0.34%, 0.67%

LAB 60.98, 12.89, -29.44

 

CMYK 0 / 17 / 29 / 22

HEX #C7A58E

RGB 199 165 142

HSL 24.21, 0.34%, 0.67%

LAB 70.18, 9.04, 16.59

 

CMYK 29 / 0 / 17 / 22

HEX #8EC7A5

RGB 142 199 165

HSL 144.21, 0.34%, 0.67%

LAB 75.65, -25.49, 11.17

 

CMYK 17 / 29 / 0 / 22

HEX #A58EC7

RGB 165 142 199

HSL 264.21, 0.34%, 0.67%

LAB 62.9, 19.98, -26.31

 

CMYK 0 / 17 / 29 / 22

HEX #C7A58E

RGB 199 165 142

HSL 24.21, 0.34%, 0.67%

LAB 70.18, 9.04, 16.59

 

CMYK 17 / 0 / 29 / 22

HEX #A5C78E

RGB 165 199 142

HSL 95.79, 0.34%, 0.67%

LAB 76.56, -21.71, 24.91

 

CMYK 29 / 12 / 0 / 22

HEX #8EB0C7

RGB 142 176 199

HSL 204.21, 0.34%, 0.67%

LAB 70.12, -6.17, -15.46

 

CMYK 12 / 29 / 0 / 22

HEX #B08EC7

RGB 176 142 199

HSL 275.79, 0.34%, 0.67%

LAB 63.92, 23.51, -24.66

 

CMYK 0 / 17 / 29 / 22

HEX #C7A58E

RGB 199 165 142

HSL 24.21, 0.34%, 0.67%

LAB 70.18, 9.04, 16.59

 

CMYK 26 / 0 / 29 / 22

HEX #93C78E

RGB 147 199 142

HSL 114.74, 0.34%, 0.67%

LAB 75.45, -28, 23.22

 

CMYK 29 / 12 / 0 / 22

HEX #8EB0C7

RGB 142 176 199

HSL 204.21, 0.34%, 0.67%

LAB 70.12, -6.17, -15.46

 

CMYK 3 / 29 / 0 / 22

HEX #C18EC7

RGB 193 142 199

HSL 293.68, 0.34%, 0.67%

LAB 65.6, 29.04, -21.94

 

Description

Color code: HEX #C7A58E | qconv.com Color code: HEX #C7A58E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 165 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 165 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 29 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 29% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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