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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7C123 it is the complementary color #383EDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7C123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7C123 shade: #CCC11E, #DDD331, #EEE544, #FFF757 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7C123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7C123 shade: #C7C123, #B6AF10, #A59D00, #948B00 and #837900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7C123 shade: #C7C123, #C79523, #C76823, #C73C23 and #C72323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7C123 shade: #C7C123, #A1C723, #74C723, #48C723 and #23C72A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7C123 shade matches the following richer shades: #C7C123 and #DAD210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7C123 shade: #C7C123, #B4AF36, #A19E49, #8E8C5C and #7B7B6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7C123 shade: #C76723, #C79323, #C7BF23, #A3C723 and #78C723

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7C123 shade: #817D16, #A49F1D, #C7C123, #DBD537 and #E2DD5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7C123 shade: #C7C123, #23C73B and #7D23C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7C123 shade: #C7C123, #23C7BF and #BF23C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7C123 shade: #C7C123, #23C73B, #232BC7 and #C723AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7C123 shade: #C7C123, #23C76D, #232BC7 and #C7237D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 82 / 22

HEX #C7C123

RGB 199 193 35

HSL 57.8, 0.7%, 0.46%

LAB 76.32, -14.3, 71.86

 

Complementary color

CMYK 75 / 72 / 0 / 14

HEX #383EDC

RGB 56 62 220

HSL 237.8, 0.7%, 0.54%

LAB 36.84, 49.86, -80.41

 

CMYK 0 / 5 / 85 / 20

HEX #CCC11E

RGB 204 193 30

HSL 56.21, 0.74%, 0.46%

LAB 76.72, -12.27, 73.54

 

CMYK 0 / 5 / 78 / 13

HEX #DDD331

RGB 221 211 49

HSL 56.51, 0.72%, 0.53%

LAB 83.01, -13.5, 74.61

 

CMYK 0 / 4 / 71 / 7

HEX #EEE544

RGB 238 229 68

HSL 56.82, 0.83%, 0.6%

LAB 89.22, -14.56, 74.82

 

CMYK 0 / 3 / 66 / 0

HEX #FFF757

RGB 255 247 87

HSL 57.14, 1%, 0.67%

LAB 95.36, -15.46, 74.5

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 3 / 82 / 22

HEX #C7C123

RGB 199 193 35

HSL 57.8, 0.7%, 0.46%

LAB 76.32, -14.3, 71.86

 

CMYK 0 / 4 / 91 / 29

HEX #B6AF10

RGB 182 175 16

HSL 57.47, 0.84%, 0.39%

LAB 69.92, -12.96, 69.96

 

CMYK 0 / 5 / 100 / 35

HEX #A59D00

RGB 165 157 0

HSL 57.09, 1%, 0.32%

LAB 63.44, -11.4, 66.58

 

CMYK 0 / 6 / 100 / 42

HEX #948B00

RGB 148 139 0

HSL 56.35, 1%, 0.29%

LAB 56.84, -9.58, 61.11

 

CMYK 0 / 8 / 100 / 49

HEX #837900

RGB 131 121 0

HSL 55.42, 1%, 0.26%

LAB 50.1, -7.69, 55.52

 

CMYK 0 / 3 / 82 / 22

HEX #C7C123

RGB 199 193 35

HSL 57.8, 0.7%, 0.46%

LAB 76.32, -14.3, 71.86

 

CMYK 0 / 25 / 82 / 22

HEX #C79523

RGB 199 149 35

HSL 41.71, 0.7%, 0.46%

LAB 64.77, 8.88, 61.98

 

CMYK 0 / 48 / 82 / 22

HEX #C76823

RGB 199 104 35

HSL 25.24, 0.7%, 0.46%

LAB 54.2, 33.27, 52.66

 

CMYK 0 / 70 / 82 / 22

HEX #C73C23

RGB 199 60 35

HSL 9.15, 0.7%, 0.46%

LAB 46.31, 53.81, 45.46

 

CMYK 0 / 82 / 82 / 22

HEX #C72323

RGB 199 35 35

HSL 0, 0.7%, 0.46%

LAB 43.46, 61.75, 42.78

 

CMYK 0 / 3 / 82 / 22

HEX #C7C123

RGB 199 193 35

HSL 57.8, 0.7%, 0.46%

LAB 76.32, -14.3, 71.86

 

CMYK 19 / 0 / 82 / 22

HEX #A1C723

RGB 161 199 35

HSL 73.9, 0.7%, 0.46%

LAB 75.17, -33.14, 69.76

 

CMYK 42 / 0 / 82 / 22

HEX #74C723

RGB 116 199 35

HSL 90.37, 0.7%, 0.46%

LAB 72.68, -49.84, 66.62

 

CMYK 64 / 0 / 82 / 22

HEX #48C723

RGB 72 199 35

HSL 106.46, 0.7%, 0.46%

LAB 71.11, -62.1, 64.61

 

CMYK 82 / 0 / 79 / 22

HEX #23C72A

RGB 35 199 42

HSL 122.56, 0.7%, 0.46%

LAB 70.44, -67.75, 61.77

 

CMYK 0 / 3 / 82 / 22

HEX #C7C123

RGB 199 193 35

HSL 57.8, 0.7%, 0.46%

LAB 76.32, -14.3, 71.86

 

CMYK 0 / 4 / 93 / 15

HEX #DAD210

RGB 218 210 16

HSL 57.62, 0.86%, 0.46%

LAB 82.4, -15.05, 80.86

 

CMYK 0 / 3 / 82 / 22

HEX #C7C123

RGB 199 193 35

HSL 57.8, 0.7%, 0.46%

LAB 76.32, -14.3, 71.86

 

CMYK 0 / 3 / 70 / 29

HEX #B4AF36

RGB 180 175 54

HSL 57.62, 0.54%, 0.46%

LAB 69.92, -12.57, 59.43

 

CMYK 0 / 2 / 55 / 37

HEX #A19E49

RGB 161 158 73

HSL 57.95, 0.38%, 0.46%

LAB 63.76, -10.61, 44.1

 

CMYK 0 / 1 / 35 / 44

HEX #8E8C5C

RGB 142 140 92

HSL 57.6, 0.21%, 0.46%

LAB 57.35, -7.01, 25.95

 

CMYK 0 / 0 / 10 / 52

HEX #7B7B6F

RGB 123 123 111

HSL 60, 0.05%, 0.46%

LAB 51.3, -2.29, 6.56

 

CMYK 0 / 48 / 82 / 22

HEX #C76723

RGB 199 103 35

HSL 24.88, 0.7%, 0.46%

LAB 53.99, 33.79, 52.47

 

CMYK 0 / 26 / 82 / 22

HEX #C79323

RGB 199 147 35

HSL 40.98, 0.7%, 0.46%

LAB 64.27, 9.97, 61.54

 

CMYK 0 / 4 / 82 / 22

HEX #C7BF23

RGB 199 191 35

HSL 57.07, 0.7%, 0.46%

LAB 75.78, -13.28, 71.41

 

CMYK 18 / 0 / 82 / 22

HEX #A3C723

RGB 163 199 35

HSL 73.17, 0.7%, 0.46%

LAB 75.3, -32.33, 69.93

 

CMYK 40 / 0 / 82 / 22

HEX #78C723

RGB 120 199 35

HSL 88.9, 0.7%, 0.46%

LAB 72.87, -48.49, 66.85

 

CMYK 0 / 3 / 83 / 49

HEX #817D16

RGB 129 125 22

HSL 57.76, 0.71%, 0.3%

LAB 51.14, -10.31, 51.39

 

CMYK 0 / 3 / 82 / 36

HEX #A49F1D

RGB 164 159 29

HSL 57.78, 0.7%, 0.38%

LAB 63.98, -12.33, 61.72

 

CMYK 0 / 3 / 82 / 22

HEX #C7C123

RGB 199 193 35

HSL 57.8, 0.7%, 0.46%

LAB 76.32, -14.3, 71.86

 

CMYK 0 / 3 / 75 / 14

HEX #DBD537

RGB 219 213 55

HSL 57.8, 0.69%, 0.54%

LAB 83.4, -15.12, 73.08

 

CMYK 0 / 2 / 60 / 11

HEX #E2DD5B

RGB 226 221 91

HSL 57.78, 0.7%, 0.62%

LAB 86.32, -14.27, 62.67

 

CMYK 0 / 3 / 82 / 22

HEX #C7C123

RGB 199 193 35

HSL 57.8, 0.7%, 0.46%

LAB 76.32, -14.3, 71.86

 

CMYK 82 / 0 / 70 / 22

HEX #23C73B

RGB 35 199 59

HSL 128.78, 0.7%, 0.46%

LAB 70.54, -66.45, 56.06

 

CMYK 37 / 82 / 0 / 22

HEX #7D23C7

RGB 125 35 199

HSL 272.93, 0.7%, 0.46%

LAB 37.27, 64.6, -67.32

 

CMYK 0 / 3 / 82 / 22

HEX #C7C123

RGB 199 193 35

HSL 57.8, 0.7%, 0.46%

LAB 76.32, -14.3, 71.86

 

CMYK 82 / 0 / 4 / 22

HEX #23C7BF

RGB 35 199 191

HSL 177.07, 0.7%, 0.46%

LAB 72.87, -40.67, -7.36

 

CMYK 4 / 82 / 0 / 22

HEX #BF23C7

RGB 191 35 199

HSL 297.07, 0.7%, 0.46%

LAB 47.5, 75.57, -50.28

 

CMYK 0 / 3 / 82 / 22

HEX #C7C123

RGB 199 193 35

HSL 57.8, 0.7%, 0.46%

LAB 76.32, -14.3, 71.86

 

CMYK 82 / 0 / 70 / 22

HEX #23C73B

RGB 35 199 59

HSL 128.78, 0.7%, 0.46%

LAB 70.54, -66.45, 56.06

 

CMYK 82 / 78 / 0 / 22

HEX #232BC7

RGB 35 43 199

HSL 237.07, 0.7%, 0.46%

LAB 29.93, 51.91, -79.71

 

CMYK 0 / 82 / 13 / 22

HEX #C723AE

RGB 199 35 174

HSL 309.15, 0.7%, 0.46%

LAB 47.5, 73.4, -35.57

 

CMYK 0 / 3 / 82 / 22

HEX #C7C123

RGB 199 193 35

HSL 57.8, 0.7%, 0.46%

LAB 76.32, -14.3, 71.86

 

CMYK 82 / 0 / 45 / 22

HEX #23C76D

RGB 35 199 109

HSL 147.07, 0.7%, 0.46%

LAB 71.08, -59.87, 33.9

 

CMYK 82 / 78 / 0 / 22

HEX #232BC7

RGB 35 43 199

HSL 237.07, 0.7%, 0.46%

LAB 29.93, 51.91, -79.71

 

CMYK 0 / 82 / 37 / 22

HEX #C7237D

RGB 199 35 125

HSL 327.07, 0.7%, 0.46%

LAB 45.39, 67.49, -9.33

 

Description

Color code: HEX #C7C123 | qconv.com Color code: HEX #C7C123 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 193 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 193 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 82 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 82% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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