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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7CC21 it is the complementary color #3833DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7CC21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7CC21 shade: #CCCC1C, #DDDE2F, #EEF042, #FFFF55 and #FFFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7CC21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7CC21 shade: #C7CC21, #B6BA0E, #A5A800, #949600 and #838400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7CC21 shade: #C4C920, #C9A120, #C97320, #C94620 and #C92020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7CC21 shade: #C4C920, #97C920, #69C920, #3CC920 and #20C933

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7CC21 shade matches the following richer shades: #C4C920 and #D6DC0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7CC21 shade: #C4C920, #B2B633, #A1A346, #8F9059 and #7D7D6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7CC21 shade: #C97220, #C99F20, #C6C920, #99C920 and #6CC920

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7CC21 shade: #7F8215, #A2A61B, #C4C920, #D9DE35 and #DFE359

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7CC21 shade: #C7CC21, #20C945 and #8920C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7CC21 shade: #C7CC21, #20C6C9 and #C920C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7CC21 shade: #C7CC21, #20C945, #2320C9 and #C920A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7CC21 shade: #C7CC21, #20C978, #2320C9 and #C92072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 84 / 20

HEX #C7CC21

RGB 199 204 33

HSL 61.75, 0.72%, 0.46%

LAB 79.29, -19.84, 74.83

 

Complementary color

CMYK 75 / 77 / 0 / 13

HEX #3833DE

RGB 56 51 222

HSL 241.75, 0.72%, 0.54%

LAB 34.97, 56.39, -84.66

 

CMYK 0 / 0 / 86 / 20

HEX #CCCC1C

RGB 204 204 28

HSL 60, 0.76%, 0.45%

LAB 79.67, -17.83, 76.35

 

CMYK 0 / 0 / 79 / 13

HEX #DDDE2F

RGB 221 222 47

HSL 60.34, 0.73%, 0.53%

LAB 85.92, -19, 77.73

 

CMYK 1 / 0 / 73 / 6

HEX #EEF042

RGB 238 240 66

HSL 60.69, 0.85%, 0.6%

LAB 92.08, -20, 78.2

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 2 / 0 / 84 / 20

HEX #C7CC21

RGB 199 204 33

HSL 61.75, 0.72%, 0.46%

LAB 79.29, -19.84, 74.83

 

CMYK 2 / 0 / 92 / 27

HEX #B6BA0E

RGB 182 186 14

HSL 61.4, 0.86%, 0.39%

LAB 72.95, -18.57, 72.59

 

CMYK 2 / 0 / 100 / 34

HEX #A5A800

RGB 165 168 0

HSL 61.07, 1%, 0.33%

LAB 66.52, -17.1, 68.83

 

CMYK 1 / 0 / 100 / 41

HEX #949600

RGB 148 150 0

HSL 60.8, 1%, 0.29%

LAB 59.99, -15.41, 63.4

 

CMYK 1 / 0 / 100 / 48

HEX #838400

RGB 131 132 0

HSL 60.45, 1%, 0.26%

LAB 53.31, -13.68, 57.85

 

CMYK 2 / 0 / 84 / 21

HEX #C4C920

RGB 196 201 32

HSL 61.78, 0.73%, 0.46%

LAB 78.24, -19.66, 74.08

 

CMYK 0 / 20 / 84 / 21

HEX #C9A120

RGB 201 161 32

HSL 45.8, 0.73%, 0.46%

LAB 68.03, 3.19, 65.73

 

CMYK 0 / 43 / 84 / 21

HEX #C97320

RGB 201 115 32

HSL 29.47, 0.73%, 0.46%

LAB 56.86, 28.17, 56.26

 

CMYK 0 / 65 / 84 / 21

HEX #C94620

RGB 201 70 32

HSL 13.49, 0.73%, 0.46%

LAB 48.14, 50.35, 48.67

 

CMYK 0 / 84 / 84 / 21

HEX #C92020

RGB 201 32 32

HSL 0, 0.73%, 0.46%

LAB 43.59, 62.94, 44.62

 

CMYK 2 / 0 / 84 / 21

HEX #C4C920

RGB 196 201 32

HSL 61.78, 0.73%, 0.46%

LAB 78.24, -19.66, 74.08

 

CMYK 25 / 0 / 84 / 21

HEX #97C920

RGB 151 201 32

HSL 77.75, 0.73%, 0.46%

LAB 75.11, -38.1, 70.19

 

CMYK 48 / 0 / 84 / 21

HEX #69C920

RGB 105 201 32

HSL 94.08, 0.73%, 0.46%

LAB 72.81, -54.24, 67.29

 

CMYK 70 / 0 / 84 / 21

HEX #3CC920

RGB 60 201 32

HSL 110.06, 0.73%, 0.46%

LAB 71.45, -65.29, 65.55

 

CMYK 84 / 0 / 75 / 21

HEX #20C933

RGB 32 201 51

HSL 126.75, 0.73%, 0.46%

LAB 71.09, -68.02, 59.51

 

CMYK 2 / 0 / 84 / 21

HEX #C4C920

RGB 196 201 32

HSL 61.78, 0.73%, 0.46%

LAB 78.24, -19.66, 74.08

 

CMYK 3 / 0 / 94 / 14

HEX #D6DC0D

RGB 214 220 13

HSL 61.74, 0.89%, 0.46%

LAB 84.75, -21.68, 82.83

 

CMYK 2 / 0 / 84 / 21

HEX #C4C920

RGB 196 201 32

HSL 61.78, 0.73%, 0.46%

LAB 78.24, -19.66, 74.08

 

CMYK 2 / 0 / 72 / 29

HEX #B2B633

RGB 178 182 51

HSL 61.83, 0.56%, 0.46%

LAB 71.66, -17.15, 62.18

 

CMYK 1 / 0 / 57 / 36

HEX #A1A346

RGB 161 163 70

HSL 61.29, 0.4%, 0.46%

LAB 65.13, -13.48, 47.09

 

CMYK 1 / 0 / 38 / 44

HEX #8F9059

RGB 143 144 89

HSL 61.09, 0.24%, 0.46%

LAB 58.52, -9.14, 29.12

 

CMYK 0 / 0 / 14 / 51

HEX #7D7D6C

RGB 125 125 108

HSL 60, 0.07%, 0.46%

LAB 51.96, -3.18, 9.28

 

CMYK 0 / 43 / 84 / 21

HEX #C97220

RGB 201 114 32

HSL 29.11, 0.73%, 0.46%

LAB 56.64, 28.7, 56.06

 

CMYK 0 / 21 / 84 / 21

HEX #C99F20

RGB 201 159 32

HSL 45.09, 0.73%, 0.46%

LAB 67.51, 4.27, 65.3

 

CMYK 1 / 0 / 84 / 21

HEX #C6C920

RGB 198 201 32

HSL 61.07, 0.73%, 0.46%

LAB 78.39, -18.81, 74.28

 

CMYK 24 / 0 / 84 / 21

HEX #99C920

RGB 153 201 32

HSL 77.04, 0.73%, 0.46%

LAB 75.23, -37.32, 70.34

 

CMYK 46 / 0 / 84 / 21

HEX #6CC920

RGB 108 201 32

HSL 93.02, 0.73%, 0.46%

LAB 72.94, -53.32, 67.44

 

CMYK 2 / 0 / 84 / 49

HEX #7F8215

RGB 127 130 21

HSL 61.65, 0.72%, 0.3%

LAB 52.43, -13.97, 52.72

 

CMYK 2 / 0 / 84 / 35

HEX #A2A61B

RGB 162 166 27

HSL 61.73, 0.72%, 0.38%

LAB 65.77, -16.9, 63.7

 

CMYK 2 / 0 / 84 / 21

HEX #C4C920

RGB 196 201 32

HSL 61.78, 0.73%, 0.46%

LAB 78.24, -19.66, 74.08

 

CMYK 2 / 0 / 76 / 13

HEX #D9DE35

RGB 217 222 53

HSL 61.78, 0.72%, 0.54%

LAB 85.63, -20.45, 75.67

 

CMYK 2 / 0 / 61 / 11

HEX #DFE359

RGB 223 227 89

HSL 61.74, 0.71%, 0.62%

LAB 87.65, -18.57, 64.88

 

CMYK 2 / 0 / 84 / 20

HEX #C7CC21

RGB 199 204 33

HSL 61.75, 0.72%, 0.46%

LAB 79.29, -19.84, 74.83

 

CMYK 84 / 0 / 66 / 21

HEX #20C945

RGB 32 201 69

HSL 133.14, 0.73%, 0.46%

LAB 71.22, -66.39, 52.8

 

CMYK 32 / 84 / 0 / 21

HEX #8920C9

RGB 137 32 201

HSL 277.28, 0.73%, 0.46%

LAB 38.84, 67.67, -65.85

 

CMYK 2 / 0 / 84 / 20

HEX #C7CC21

RGB 199 204 33

HSL 61.75, 0.72%, 0.46%

LAB 79.29, -19.84, 74.83

 

CMYK 84 / 1 / 0 / 21

HEX #20C6C9

RGB 32 198 201

HSL 181.07, 0.73%, 0.46%

LAB 72.83, -37.51, -12.85

 

CMYK 0 / 84 / 1 / 21

HEX #C920C6

RGB 201 32 198

HSL 301.07, 0.73%, 0.46%

LAB 48.92, 77.87, -47.33

 

CMYK 2 / 0 / 84 / 20

HEX #C7CC21

RGB 199 204 33

HSL 61.75, 0.72%, 0.46%

LAB 79.29, -19.84, 74.83

 

CMYK 84 / 0 / 66 / 21

HEX #20C945

RGB 32 201 69

HSL 133.14, 0.73%, 0.46%

LAB 71.22, -66.39, 52.8

 

CMYK 83 / 84 / 0 / 21

HEX #2320C9

RGB 35 32 201

HSL 241.07, 0.73%, 0.46%

LAB 28.4, 57.72, -83.42

 

CMYK 0 / 84 / 18 / 21

HEX #C920A5

RGB 201 32 165

HSL 312.78, 0.73%, 0.46%

LAB 47.19, 73.25, -30.69

 

CMYK 2 / 0 / 84 / 20

HEX #C7CC21

RGB 199 204 33

HSL 61.75, 0.72%, 0.46%

LAB 79.29, -19.84, 74.83

 

CMYK 84 / 0 / 40 / 21

HEX #20C978

RGB 32 201 120

HSL 151.24, 0.73%, 0.46%

LAB 71.85, -58.85, 29.26

 

CMYK 83 / 84 / 0 / 21

HEX #2320C9

RGB 35 32 201

HSL 241.07, 0.73%, 0.46%

LAB 28.4, 57.72, -83.42

 

CMYK 0 / 84 / 43 / 21

HEX #C92072

RGB 201 32 114

HSL 330.89, 0.73%, 0.46%

LAB 45.17, 67.59, -2.84

 

Description

Color code: HEX #C7CC21 | qconv.com Color code: HEX #C7CC21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 204 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 204 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 84 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 84% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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